Ursula Oppens – American Piano Music Of Our Time
| Лейбл: | Music & Arts – CD-862 |
| Формат: | CD |
| Страна: | US |
| Дата релиза: | 1995 |
| Жанр: | Classical |
| Стиль: | Contemporary, Modern, Post-Modern |
Подробнее об участниках записи
Треклист:
| 1-1 | Tango?
Composed By – Conlon Nancarrow |
2:47 | |
| 1-2 | The Dead Moth Tango
Composed By – William Bolcom |
5:07 | |
| 1-3 | Night Fantasies
Composed By – Elliott Carter |
21:32 | |
| 1-4 | Tango From The Exiles Cafe
Composed By – Michael Sahl |
3:42 | |
| 1-5 | Parchment
Composed By – Julius Hemphill |
5:32 | |
| 1-6 | Phrygian Gates
Composed By – John Adams |
24:40 | |
| 1-7 | The Curriculum Vitae Tango
Composed By – Lukas Foss |
2:12 | |
| 1-8 | Tango
Composed By – David Jaggard |
3:11 | |
| Two Canons For Ursula
Composed By – Conlon Nancarrow |
|||
| 2-2 | Canon B |
5:48 | |
| 2-3 | Mayn Yingele
Composed By – Frederic Rzewski |
13:49 | |
| 2-4 | The Blue Bamboula
Composed By – Charles Wuorinen |
11:02 | |
| 2-5 | Old And Lost Rivers
Composed By – Tobias Picker |
4:10 | |
| 2-6 | Piano Sonata No. 1
Composed By – John Harbison |
16:14 | |
| 2-7 | Middle Passage
Composed By – Anthony Davis (2) |
7:29 |
Участники записи:
- Editor – Maggi Payne
- Liner Notes – Susan Feder
- Photography By – Christian Steiner (6)
- Piano – Ursula Oppens
- Producer, Engineer, Editor – Judith Sherman
Лейблы и идентификаторы:
- Barcode Text: 0 17685 08622 9
- Barcode : 017685086229
- SPARS Code : DDD
- Matrix / Runout CD 1: DOCdata New England CD-862-D1 <01>
- Matrix / Runout CD 2: DOCdata New England CD-862-D2 <01>
- Mould SID Code CD 1: ifpi 1Z06
- Mould SID Code CD 2: ifpi 1Z02
Компании:
- Phonographic Copyright (p) – Music And Arts Programs Of America, Inc.
- Pressed By – DOCdata New England
- Recorded At – State University of New York at Purchase, Performing Arts Center
- Recorded At – American Academy Of Arts And Letters
Участники записи:
- Editor – Maggi Payne
- Liner Notes – Susan Feder
- Photography By – Christian Steiner (6)
- Piano – Ursula Oppens
- Producer, Engineer, Editor – Judith Sherman
