Benjamin Britten – The Complete Orchestral And Instrumental Music
| Лейбл: | Decca – 478 545 1 |
| Формат: | CD , Box Set |
| Страна: | Europe |
| Дата релиза: | 2013 |
| Жанр: | Classical |
| Стиль: | Contemporary |
Подробнее об участниках записи
Треклист:
| Simple Symphony; Variations On A Theme Of Frank Bridge - 478 5535 (82:01) |
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| Sinfonietta Op.1
Bassoon – Ernst Pamperl Cello – Emanuel Brabec Clarinet – Alfred Boskovsky Double Bass – Otto Rühm Flute – Werner Tripp Horn – Josef Veleba Oboe – Karl Mayrhofer Viola – Günther Breitenbach Violin [II] – Philipp Matheis Violin [I] – Anton Fietz |
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| 1-2 | II Variations: Andante Lento |
6:15 | |
| 1-3 | III Tarantella: Presto Vivace |
4:12 | |
| Simple Symphony For String Orchestra, Op. 4 | |||
| 1-5 | II Playful Pizzicato: Presto Possibile Pizzicato Sempre |
3:03 | |
| 1-6 | III Sentimental Saraband: Poco Lento E Pesante |
7:54 | |
| 1-7 | IV Frolicsome Finale: Prestissimo Con Fuoco |
2:59 | |
| Variations On A Theme By Frank Bridge, Op. 10 | |||
| 1-9 | Variation 1: Adagio |
2:23 | |
| 1-10 | Variation 2: March |
1:06 | |
| 1-11 | Variation 3: Romance |
1:37 | |
| 1-12 | Variation 4: Aria Italiana |
1:18 | |
| 1-13 | Variation 5: Bourrée Classique |
1:16 | |
| 1-14 | Variation 6: Weiner Waltzer |
2:40 | |
| 1-15 | Variation 7: Moto Perpetuo |
1:10 | |
| 1-16 | Variation 8: Funeral March |
3:57 | |
| 1-17 | Variation 9: Chant |
1:39 | |
| 1-18 | Variation 10: Fugue And Finale |
7:34 | |
| Soirées Musicales, Op. 9 | |||
| 1-20 | II Canzonetta |
2:22 | |
| 1-21 | III Tirolese |
2:03 | |
| 1-22 | IV Bolero |
1:49 | |
| 1-23 | V Tarentella |
1:59 | |
| Matinées Musicales, Op. 24 | |||
| 1-25 | II Nocturne |
3:00 | |
| 1-26 | III Waltz |
1:52 | |
| 1-27 | IV Pantomime |
2:50 | |
| 1-28 | V Moto Perpetuo |
3:00 | |
| Double Concerto For Violin & Viola; Clarinet Concerto - 478 5536 (71:56) |
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| Rondo Concertante (1930) For Piano And Strings | |||
| 2-2 | II Lento |
9:22 | |
| 2-3 | Fragments For Strings (1930) | 2:44 | |
| Two Portraits (1930) | |||
| 2-5 | No.2 "E.B.B." For Solo Viola And String Orchestra: Poco Lento
Viola – Yuri Bashmet |
5:43 | |
| Double Concerto In B Minor, For Violin, Viola And Orchestra | |||
| 2-7 | II Rhapsody: Poco Lento |
7:25 | |
| 2-8 | III Allegro Scherzando - Allegro Non Troppo |
8:30 | |
| Movements For A Clarinet Concerto (c. 1942)
Clarinet – Michael Collins (3) Conductor – Thomas Zehetmair Orchestra – Northern Sinfonia Realization – Colin Matthews |
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| 2-10 | II |
7:15 | |
| 2-11 | III |
5:03 | |
| Piano Concerto; Violin Concerto - 478 5537 (66:18) |
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| Piano Concerto, Op. 13 | |||
| 3-2 | II Waltz |
5:06 | |
| 3-3 | III Impromptu |
8:07 | |
| 3-4 | IV March |
8:50 | |
| Violin Concerto, Op. 15 | |||
| 3-6 | II Vivace |
9:19 | |
| 3-7 | III Passacaglia: Andante Lento |
13:36 | |
| Sinfonia Da Requiem; Diversions - 478 5538 (73:31) |
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| Mont Juic - Suite Of Catalan Dances, Op. 12 [With Lennox Berkeley, Op. 9] | |||
| 4-2 | IV Allegro Molto |
2:29 | |
| 4-3 | Young Apollo, Op. 16
Cello – Michal Kaznowski Piano – Peter Donohoe Viola – Peter Cole (5) Violin – Jeremy Ballard (2) Violin – Felix Kok |
7:35 | |
| 4-4 | Canadian Carnival, Op. 19
Conductor – Sir Simon Rattle Orchestra – City Of Birmingham Symphony Orchestra Trumpet – Wesley Warren |
14:00 | |
| Sinfonia Da Requiem, Op, 20 | |||
| 4-6 | II Dies Irae |
5:03 | |
| 4-7 | III Requiem Aeternam |
6:39 | |
| Diversions For Piano (Left Hand) And Orchestra, Op. 21 | |||
| 4-9 | Variation 1: Recitative |
1:28 | |
| 4-10 | Variation 2: Romance |
1:28 | |
| 4-11 | Variation 3: March |
1:17 | |
| 4-12 | Variation 4: Arabesque |
1:34 | |
| 4-13 | Variation 5: Chant |
1:46 | |
| 4-14 | Variation 6: Nocturne |
2:05 | |
| 4-15 | Variation 7: Badinerie |
1:24 | |
| 4-16 | Variation 8: Burlesque |
1:50 | |
| 4-17 | Variation 9a: Toccata I |
0:48 | |
| 4-18 | Variation 9b: Toccata II |
2:01 | |
| 4-19 | Variation 10: Adagio |
4:16 | |
| 4-20 | Variation 11: Tarantella |
2:39 | |
| Young Person's Guide To The Orchestra - 478 5539 (69:01) |
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| 5-1 | Scottish Ballad, Op. 26 | 15:52 | |
| 5-2 | An American Overture, Op. 27 | 10:26 | |
| 5-3 | Prelude And Fugue, Op. 28 For Eighteen-part String Orchestra | 9:13 | |
| The Young Person's Guide To The Orchestra (Variations And Fugue On A Theme Of Purcell) | |||
| 5-5 | Variation A: Flutes And Piccolo |
0:32 | |
| 5-6 | Variation B: Oboes (Lento) |
1:03 | |
| 5-7 | Variation C: Clarinets (Moderato) |
0:36 | |
| 5-8 | Variation D: Bassoons (Allegro Alla Marcia) |
0:52 | |
| 5-9 | Variation E: Violins (Brilliante: Alla Polacca) |
0:36 | |
| 5-10 | Variation F: Violas (Meno Mosso) |
0:58 | |
| 5-11 | Variation G: Cellos |
1:16 | |
| 5-12 | Variation H: Double Basses (Cominciando Lento Ma Poco A Poco Accel. Al Allegro) |
0:58 | |
| 5-13 | Variation I: Harp (Maestoso) |
0:48 | |
| 5-14 | Variation J: Horns (L'istesso Tempo) |
0:44 | |
| 5-15 | Variation K: Trumpets (Vivace) |
0:33 | |
| 5-16 | Variation L: Trombones And Bass Tuba (Allegro Pomposo) |
0:58 | |
| 5-17 | Variation M: Percussion (Moderato) |
1:47 | |
| 5-18 | Fugue (Allegro Molto) |
2:46 | |
| 5-19 | Men Of Goodwill (1947) Variations On A Christmas Carol For Orchestra | 8:30 | |
| Variations On Sellinger's Round (1953) Variations On An Elizabethan Theme | |||
| 5-21 | Occasional Overture, Op. 38 | 7:12 | |
| Cello Symphony; Lachrymae, Op.48a - 478 5540 (74:08) |
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| Cello Symphony, Op. 68 | |||
| 6-2 | II Presto Inquieto |
3:39 | |
| 6-3 | III Adagio - Cadenza |
10:34 | |
| 6-4 | IV Passacaglia: Andante Allegro |
7:23 | |
| In Memoriam Dennis Brain (1958) For Four Horns And Strings
Arranged By – Colin Matthews Conductor – Thomas Zehetmair Horn – Peter Francomb Horn – Chris Griffiths (4) Horn – Michael Thompson (2) Horn – Richard Watkins Orchestra – Northern Sinfonia |
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| 6-6 | Allegro |
2:13 | |
| 6-7 | The Building Of The House - Overture, Op. 79
Choir – Chorus Of East Anglian Choirs Conductor – Benjamin Britten Orchestra – English Chamber Orchestra |
5:24 | |
| Suite On English Folk Tunes: 'A Time There Was...', Op.90
Conductor – Sir Simon Rattle Cor Anglais – Peter Walden Orchestra – City Of Birmingham Symphony Orchestra |
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| 6-9 | II The Bitter Withy |
2:56 | |
| 6-10 | III Hankin Booby |
2:30 | |
| 6-11 | IV Hunt The Squirrel |
1:18 | |
| 6-12 | V Lord Melbourne |
5:24 | |
| 6-13 | Lachrymae, Op. 48a | 16:20 | |
| Lachrymae, Op.48; Works For Violin, Viola & Oboe - 478 5541 (77:20) |
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| 7-1 | Reflection (1930) For Viola And Piano | 3:35 | |
| 7-2 | Elegy (1930) For Unaccompanied Viola
Viola – Nobuko Imai |
6:15 | |
| 7-3 | Lachrymae, Op. 48 | 13:44 | |
| Suite, Op. 6 For Violin And Piano | |||
| 7-5 | I March: Allegro Alla Marcia |
2:48 | |
| 7-6 | II Moto Perpetuo: Allegro Molto E Con Fuoco |
3:12 | |
| 7-7 | III Lullaby: Lento Tranquillo |
4:39 | |
| 7-8 | IV Waltz: Alla Valse: Vivace E Rubato |
4:26 | |
| 7-9 | Reveille (1937) For Violin And Piano | 4:43 | |
| Two Insect Pieces (1935) For Oboe And Piano | |||
| 7-11 | II The Wasp |
1:53 | |
| 7-12 | Temporal Variations (1936) For Oboe And Piano | 14:26 | |
| Six Metamorphoses After Ovid, Op. 49 For Solo Oboe
Oboe – Janet Craxton |
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| 7-14 | II Phaeton (Vivace Ritmico) |
1:23 | |
| 7-15 | III Niobe (Andante) |
2:01 | |
| 7-16 | IV Bacchus (Allegro Pesante) |
1:54 | |
| 7-17 | V Narcissus (Lento Piacevole) |
2:59 | |
| 7-18 | VI Arethusa (Largamente) |
2:15 | |
| Cello Suites 1 & 2; Cello Sonata - 478 5542 (67:49) |
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| Cello Suite No. 1, Op.72
Cello – Mstislav Rostropovich |
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| 8-2 | I Fuga: Andante Moderato |
3:52 | |
| 8-3 | II Lamento: Lento Rubato |
2:46 | |
| 8-4 | Canto Secondo: Sostenuto |
1:04 | |
| 8-5 | III Serenata: Allegretto (Pizzicato) |
2:28 | |
| 8-6 | IV: Marcia: Alla Marcia Moderato |
3:22 | |
| 8-7 | Canto Terzo: Sostenuto |
2:08 | |
| 8-8 | V Bordone: Moderato Quasi Recitativo |
3:05 | |
| 8-9 | VI Moto Perpetuo E Canto Quarto: Presto |
2:58 | |
| Cello Suite No. 2, Op. 80
Cello – Mstislav Rostropovich |
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| 8-11 | II Fuga: Andante |
4:36 | |
| 8-12 | III Scherzo: Allegro Molto |
1:53 | |
| 8-13 | IV Andante Lento |
5:24 | |
| 8-14 | V Ciaconna: Allegro |
7:16 | |
| Cello Sonata In C, Op. 65 | |||
| 8-16 | II Scherzo-Pizzicato: Allegretto |
2:28 | |
| 8-17 | III Elegia: Lento |
5:58 | |
| 8-18 | IV Marcia: Energico |
2:08 | |
| 8-19 | V Moto Perpetuo: Presto |
2:28 | |
| Cello Suite No. 3; String Quartet No. 3 - 478 5543 (83:03) |
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| Cello Suite No. 3, Op. 87
Cello – Robert Cohen |
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| 9-2 | II Marcia: Allegro |
1:41 | |
| 9-3 | III Canto: Con Moto |
1:44 | |
| 9-4 | IV Barcarola: Lento |
1:34 | |
| 9-5 | V Dialogo: Allegretto |
1:38 | |
| 9-6 | VI Fuga: Andante Espressivo |
2:39 | |
| 9-7 | VII Recitativo: Fantastico |
1:28 | |
| 9-8 | VIII Moto Perpetuo: Presto |
0:47 | |
| 9-9 | IX Passacaglia: Lento Solenne |
9:46 | |
| Nocturnal After John Dowland, Op. 70
Classical Guitar – Eduardo Fernández |
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| 9-11 | II Agitated (Molto Agitato) |
0:46 | |
| 9-12 | III Restless (Inquieto) |
1:29 | |
| 9-13 | IV Uneasy (Ansioso) |
1:28 | |
| 9-14 | V March-like (Quasi Una Marcia) |
1:39 | |
| 9-15 | VI Dreaming (Sognante) |
1:54 | |
| 9-16 | VII Gently Rocking (Cullente) |
1:09 | |
| 9-17 | VIII Passacaglia (Misurato) |
5:09 | |
| 9-18 | IX Slow And Quiet (Molto Tranquillo) |
3:10 | |
| Suite For Harp, Op. 83
Harp – Osian Ellis |
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| 9-20 | II Toccata |
1:19 | |
| 9-21 | III Nocturne |
2:49 | |
| 9-22 | IV Fugue |
1:02 | |
| 9-23 | Hymn |
4:31 | |
| String Quartet No. 3, Op.94
Ensemble – Amadeus-Quartett |
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| 9-25 | II Ostinato |
3:31 | |
| 9-26 | III Solo |
5:58 | |
| 9-27 | IV Burlesque |
2:14 | |
| 9-28 | V Recitative And Passacaglia: La Serenissima |
8:17 | |
| 9-29 | Tema "Sacher" (1976) For Solo Cello
Cello – Alisa Weilerstein |
1:15 | |
| Early Works For String Quartet - 478 5544 (75:26) |
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| String Quartet In F Major (1928)
Ensemble – Utrecht String Quartet |
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| 10-2 | II Andante |
3:58 | |
| 10-3 | III Allegro Vivace |
3:25 | |
| 10-4 | IV Allegro Molto |
4:35 | |
| Miniature Suite (1929) For String Quartet
Ensemble – The Emperor String Quartet |
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| 10-6 | II Menuetto |
3:05 | |
| 10-7 | III Romanza |
1:56 | |
| 10-8 | IV Allegro Molto |
6:05 | |
| 10-9 | Rhapsody (1929) For String Quartet
Ensemble – Endellion String Quartet |
7:06 | |
| Quartettino (1930)
Ensemble – Endellion String Quartet |
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| 10-11 | II Poco Adagio Ma Con Moto |
6:26 | |
| 10-12 | III Allegro Molto Vivace |
3:05 | |
| 10-13 | Phantasy In F Minor (1932) For String Quartet
Ensemble – Endellion String Quartet |
10:59 | |
| 10-14 | Alla Marcia (1933) For String Quartet
Ensemble – Endellion String Quartet |
3:23 | |
| Three Divertimenti (1936) For String Quartet
Ensemble – Endellion String Quartet |
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| 10-16 | II Waltz: Allegretto |
2:45 | |
| 10-17 | III Burlesque: Presto |
3:21 | |
| String Quartets 1 & 2 - 478 5545 (69:16) |
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| String Quartet In D Major (1931)
Ensemble – The Gabrieli String Quartet |
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| 11-2 | II Lento Ed Espressivo |
5:16 | |
| 11-3 | III Allegro Giocoso |
4:28 | |
| String Quartet No.1, Op.25
Ensemble – The Allegri String Quartet |
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| 11-5 | II Allegretto Con Slancio |
2:48 | |
| 11-6 | III Andante Calmo |
9:18 | |
| 11-7 | IV Molto Vivace |
3:38 | |
| String Quartet No.2, Op.36
Ensemble – Amadeus-Quartett |
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| 11-9 | II Vivace |
3:27 | |
| 11-10 | III Chacony: Sostenuto |
15:30 | |
| Phantasy Quartet; Gemini Variations - 478 5546 (70:27) |
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| 12-1 | Phantasy, Op.2 (Quartet For Oboe, Viola And Cello) | 13:03 | |
| Alpine Suite (1955) For Recorder Trio
Ensemble – The Flautadors Recorder Quartet |
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| 12-3 | 2. Swiss Clock (Romance) |
1:01 | |
| 12-4 | 3. Nursery Slopes |
1:15 | |
| 12-5 | 4. Alpine Scene |
1:53 | |
| 12-6 | 5. Moto Perpetuo: Down The Piste |
0:52 | |
| 12-7 | 6. Farewell To Zermatt |
1:52 | |
| 12-8 | Scherzo (1954) For Recorder Quartet
Ensemble – The Flautadors Recorder Quartet |
2:09 | |
| 12-9 | Timpani Piece For Jimmy (1955) | 1:24 | |
| 12-10 | Fanfare For St Edmundsbury (1959) - For Three Trumpets
Ensemble – Philip Jones Brass Ensemble |
3:06 | |
| 12-11 | Voluntary On Tallis' "Lamentation" (1942)
Edited By – Colin Matthews Organ [Jehmlich Organ, Schneeberg, Germany], Edited By – Timothy Bond (3) |
3:44 | |
| 12-12 | Prelude To "They Walk Alone" (1938
Edited By – Colin Matthews Organ [Jehmlich Organ, Schneeberg, Germany], Edited By – Timothy Bond (3) |
3:09 | |
| 12-13 | Village Organist's Piece (1942)
Edited By – Colin Matthews Organ [Jehmlich Organ, Schneeberg, Germany], Edited By – Timothy Bond (3) |
3:02 | |
| 12-14 | Prelude And Fugue On A Theme Of Vittoria (1946)
Organ [Colston Hall, Bristol] – Simon Preston |
4:27 | |
| Gemini Variations, Op.73 (Quartet For Two Players) - Twelve Variations And Fugue On An Epigram Of Zoltân Kodâly
Violin, Flute, Piano [Duet] – Gabor & Zoltan |
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| 12-16 | Variations 1-12 |
8:48 | |
| 12-17 | Fugue |
4:41 | |
| 12-18 | Introduction And Rondo Alla Burlesca, Op.23 No.1
Piano [Duet] – Eden And Tamir |
8:50 | |
| 12-19 | Mazurka Elegiaca, Op.23 No.2
Piano [Duet] – Eden And Tamir |
6:20 | |
| Piano Music - 478 5547 (71:03) |
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| Five Waltzes (1923-25)
Piano – Stephen Hough |
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| 13-2 | II Quick, With Wit |
1:39 | |
| 13-3 | III Dramatic |
1:41 | |
| 13-4 | IV Rhythmic; Not Too Fast |
3:30 | |
| 13-5 | V Variations: Quiet And Simple |
2:56 | |
| 13-6 | A Little Idyll (1930)
Piano – Anthony Goldstone |
2:29 | |
| Three Character Pieces (1930)
Piano – Stephen Hough |
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| 13-8 | II Poco Andante Grazioso |
2:07 | |
| 13-9 | Poco Presto E Molto Capriccioso |
2:59 | |
| 13-10 | Twelve Variations On A Theme (1931)
Piano – Stephen Hough |
8:40 | |
| Two Lullabies (1936) For Piano Duo | |||
| 13-12 | Lullaby For A Retired Colonel |
2:22 | |
| Holiday Diary, Op.5
Piano – Stephen Hough |
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| 13-14 | II Sailing |
5:14 | |
| 13-15 | III Funfair |
2:40 | |
| 13-16 | IV Night |
6:58 | |
| From Sonatina Romantica (1940)
Piano – Stephen Hough |
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| 13-18 | Nocturne |
2:51 | |
| 13-19 | Night Piece (Notturno) (1963) |
5:22 | |
| Variations For Solo Piano (1965)
Piano – Rolf Hind |
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| 13-21 | II |
1:18 | |
| 13-22 | III Quick And Light |
0:48 | |
| 13-23 | IV |
0:58 | |
| 13-24 | V Quietly |
1:17 | |
| 13-25 | VI Quick |
0:51 |
Участники записи:
- Composed By – Benjamin Britten
- Engineer [Assistant] – Didier Jean
- Engineer [Balance] – Michael Sheady
- Engineer [Balance] – Arne Akselberg
- Engineer [Balance] – Mike Clements
- Engineer [Recording] – Tony Faulkner
- Engineer [Recording] – Rico Yntema
- Engineer [Recording] – Michael Mailes
- Engineer [Recording] – Tryggvi Tryggvason
- Engineer [Recording] – Ian Parr
- Engineer [Recording] – James Lock (2)
- Engineer [Recording] – Philip Siney
- Engineer [Recording] – Arthur Lilley
- Engineer [Recording] – Andrew Pinder
- Engineer [Recording] – Peter Van Biene
- Engineer [Recording] – Bob Auger
- Engineer [Recording] – Jack Law
- Engineer [Recording] – Kenneth Wilkinson
- Engineer [Recording] – Gordon Parry
- Engineer [Recording] – Stanley Goodall
- Engineer [Recording] – Simon Eadon
- Engineer [Recording] – Alan Reeve
- Engineer [Recording] – John Dunkerley
- Engineer [Recording] – Krzysztof Jarosz
- Engineer [Recording] – Tobias Lehmann
- Engineer [Recording] – Jean Chatauret
- Engineer [Recording] – Sean Lewis (2)
- Engineer [Recording] – Jeffrey Ginn
- Liner Notes – Andrew Huth
- Producer [Recording] – Tony Harrison (2)
- Producer [Recording] – John Fraser
- Producer [Recording] – Paul Hindmarsh
- Producer [Recording] – Erik Smith
- Producer [Recording] – Friedemann Engelbrecht
- Producer [Recording] – John Culshaw
- Producer [Recording] – David Harvey
- Producer [Recording] – Andrew Cornall
- Producer [Recording] – Ray Minshull
- Producer [Recording] – Michael Bremner
- Producer [Recording] – Mike Purton
- Producer [Recording] – Andrew Keener
- Producer [Recording] – Martin Sauer
- Producer [Recording] – Robert Hardcastle
- Producer [Recording] – Michael Woolcock
- Producer [Recording] – Michael Moor
- Producer [Recording] – Paul Myers (2)
- Producer [Recording] – John Willan
- Producer [Recording] – Robert Suff
- Producer [Recording] – Tom Peeters
- Producer [Recording] – John H. West
- Producer [Recording] – Colin Matthews
- Producer [Recording] – Andrew Raeburn
- Producer [Recording] – Chris Hazell
- Producer [Recording] – James Walker (3)
- Producer [Recording] – John Mordler
- Producer [Recording] – Peter Andry
- Producer [Recording], Engineer [Balance] – Tryggvi Tryggvason
- Producer [Recording], Engineer [Balance] – Ursula Singer
- Producer [Recording], Engineer [Balance] – Chris Craker
- Producer [Recording], Engineer [Balance] – Jens Braun
- Producer [Recording], Engineer [Recording] – Alexander Van Ingen
- Producer [Recording], Engineer [Recording] – David Lefeber
- Producer [Recording], Engineer [Recording] – Gary Cole
Лейблы и идентификаторы:
- Barcode : 028947854517
- Other Catalogue# CD1: 478 5535
- Other Catalogue# CD2: 478 5536
- Other Catalogue# CD3: 478 5537
- Other Catalogue# CD4: 478 5538
- Other Catalogue# CD5: 478 5539
- Other Catalogue# CD6: 478 5540
- Other Catalogue# CD7: 478 5541
- Other Catalogue# CD8: 478 5542
- Other Catalogue# CD9: 478 5543
- Other Catalogue# CD10: 478 5544
- Other Catalogue# CD11: 478 5545
- Other Catalogue# CD12: 478 5546
- Other Catalogue# CD13: 478 5547
- Label Code : LC 02869
- Rights Society : BIEM
- Rights Society : SDRM
- Matrix / Runout CD1: 00289 478 553-5 01 + 53254831
- Mastering SID Code CD1: IFPI LV27
- Mould SID Code CD1: IFPI 0123
- Matrix / Runout CD2: 00289 478 553-6 01 + 53254833
- Mastering SID Code CD2: IFPI LV27
- Mould SID Code CD2: IFPI 0149
- Matrix / Runout CD3: 00289 478 553-7 01 * 53255750
- Mastering SID Code CD3: IFPI LV26
- Mould SID Code CD3: IFPI 0123
- Matrix / Runout CD4: 00289 478 553-8 01 * 53255549
- Mastering SID Code CD4: IFPI LV26
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- Matrix / Runout CD5: 00289 478 553-9 01 * 53255551
- Mastering SID Code CD5: IFPI LV26
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- Matrix / Runout CD6: 00289 478 554-0 01 * 53258515
- Mastering SID Code CD6: IFPI LV26
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- Matrix / Runout CD7: 00289 478 554-1 01 * 53258566
- Mastering SID Code CD7: IFPI LV26
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- Matrix / Runout CD8: 00289 478 554-2 01 + 53255752
- Mastering SID Code CD8: IFPI LV27
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- Matrix / Runout CD9: 00289 478 554-3 01 + 53254835
- Mastering SID Code CD9: IFPI LV27
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- Matrix / Runout CD10: 00289 478 554-4 02 * 53254837
- Mastering SID Code CD10: IFPI LV26
- Mould SID Code CD10: IFPI 0131
- Matrix / Runout CD11: 00289 478 554-5 01 # 53254839
- Mastering SID Code CD11: IFPI LZ87
- Mould SID Code CD11: IFPI 0139
- Matrix / Runout CD12: 00289 478 554-6 01 + 53259144
- Mastering SID Code CD12: IFPI LV27
- Mould SID Code CD12: IFPI 0123
- Matrix / Runout CD13: 00289 478 554-7 01 * 53254841
- Mastering SID Code CD13: IFPI LV26
- Mould SID Code CD13: IFPI 0138
Компании:
- Copyright (c) – Decca Music Group Limited
- Licensed From – Virgin Classics
- Licensed From – Cobra Records (11)
- Licensed From – Naxos
- Licensed From – BIS
- Licensed From – EMI Classics
- Licensed From – Devine Art
- Licensed From – Champs Hill Records
- Licensed From – Continuum
- Licensed From – Dutton Epoch
- Licensed From – NMC (3)
- Licensed From – Warner Classics
- Licensed From – Regent Records Ltd
- Made By – EDC, Germany
- Made By – EDC, Germany
- Made By – EDC, Germany
- Made By – EDC, Germany
- Made By – EDC, Germany
- Made By – EDC, Germany
- Made By – EDC, Germany
- Made By – EDC, Germany
- Made By – EDC, Germany
- Made By – EDC, Germany
- Made By – EDC, Germany
- Made By – EDC, Germany
- Made By – EDC, Germany
- Phonographic Copyright (p) – Decca Music Group Limited
Участники записи:
- Composed By – Benjamin Britten
- Engineer [Assistant] – Didier Jean
- Engineer [Balance] – Michael Sheady
- Engineer [Balance] – Arne Akselberg
- Engineer [Balance] – Mike Clements
- Engineer [Recording] – Tony Faulkner
- Engineer [Recording] – Rico Yntema
- Engineer [Recording] – Michael Mailes
- Engineer [Recording] – Tryggvi Tryggvason
- Engineer [Recording] – Ian Parr
- Engineer [Recording] – James Lock (2)
- Engineer [Recording] – Philip Siney
- Engineer [Recording] – Arthur Lilley
- Engineer [Recording] – Andrew Pinder
- Engineer [Recording] – Peter Van Biene
- Engineer [Recording] – Bob Auger
- Engineer [Recording] – Jack Law
- Engineer [Recording] – Kenneth Wilkinson
- Engineer [Recording] – Gordon Parry
- Engineer [Recording] – Stanley Goodall
- Engineer [Recording] – Simon Eadon
- Engineer [Recording] – Alan Reeve
- Engineer [Recording] – John Dunkerley
- Engineer [Recording] – Krzysztof Jarosz
- Engineer [Recording] – Tobias Lehmann
- Engineer [Recording] – Jean Chatauret
- Engineer [Recording] – Sean Lewis (2)
- Engineer [Recording] – Jeffrey Ginn
- Liner Notes – Andrew Huth
- Producer [Recording] – Tony Harrison (2)
- Producer [Recording] – John Fraser
- Producer [Recording] – Paul Hindmarsh
- Producer [Recording] – Erik Smith
- Producer [Recording] – Friedemann Engelbrecht
- Producer [Recording] – John Culshaw
- Producer [Recording] – David Harvey
- Producer [Recording] – Andrew Cornall
- Producer [Recording] – Ray Minshull
- Producer [Recording] – Michael Bremner
- Producer [Recording] – Mike Purton
- Producer [Recording] – Andrew Keener
- Producer [Recording] – Martin Sauer
- Producer [Recording] – Robert Hardcastle
- Producer [Recording] – Michael Woolcock
- Producer [Recording] – Michael Moor
- Producer [Recording] – Paul Myers (2)
- Producer [Recording] – John Willan
- Producer [Recording] – Robert Suff
- Producer [Recording] – Tom Peeters
- Producer [Recording] – John H. West
- Producer [Recording] – Colin Matthews
- Producer [Recording] – Andrew Raeburn
- Producer [Recording] – Chris Hazell
- Producer [Recording] – James Walker (3)
- Producer [Recording] – John Mordler
- Producer [Recording] – Peter Andry
- Producer [Recording], Engineer [Balance] – Tryggvi Tryggvason
- Producer [Recording], Engineer [Balance] – Ursula Singer
- Producer [Recording], Engineer [Balance] – Chris Craker
- Producer [Recording], Engineer [Balance] – Jens Braun
- Producer [Recording], Engineer [Recording] – Alexander Van Ingen
- Producer [Recording], Engineer [Recording] – David Lefeber
- Producer [Recording], Engineer [Recording] – Gary Cole
