Roger Kamien – Music An Appreciation - Sixth Edition / Third Brief Addition
Лейбл: | McGraw-Hill – 0-07-913115-8 |
Формат: | CD |
Страна: | US |
Дата релиза: | 1997 |
Жанр: | Classical |
Стиль: | Classical, Education |
Подробнее об участниках записи
Треклист:
Elements |
|||
Lohengrin, Prelude To Act III | 3:13 | ||
Take The "A" Train | 2:52 | ||
The Young Persons Guide To The Orchestra, Op. 34 | 16:34 | ||
Farandole From L'Arlésienne Suite No. 2 | 3:08 | ||
Dance Of The Reed Pipes From Nutcracker Suite
Billy Strayhorn Pyotr Ilyich Tchaikovsky Conductor – Charles Dutoit Orchestra – Duke Ellington And His Orchestra Orchestra – Orchestre symphonique de Montréal |
2:17 | ||
Gavotte From French Suite No. 5 In G Major | 1:10 | ||
The Middle Ages And Renaissance |
|||
Alleluia: Vidimus Stellam
Benjamin Britten Неизвестный исполнитель Conductor – Benjamin Britten Orchestra – London Symphony Orchestra |
2:17 | ||
1-46 | O Successores | 2:07 | |
Agnus Dei From Notre Dame Mass
Guillaume de Machaut Choir – Taverner Choir Directed By – Andrew Parrott Orchestra – Taverner Consort |
3:03 | ||
Ave Maria...Virgo Serena | 4:43 | ||
1-53 | As Vesta Was Descending
Thomas Weelkes Directed By – Grayston Burgess Ensemble – The Purcell Consort Of Voices Ensemble – The Jaye Consort Harpsichord – Simon Preston |
2:53 | |
The Baroque Period |
|||
Brandenburg Concerto No. 5 In D Major, First Movement: Allegro | 9:44 | ||
Organ Fugue In G Minor (Little Fugue) | 4:04 | ||
1-62 | Tu Se' Morta From Orfeo
Claudio Monteverdi Choir – The Monteverdi Choir Conductor – John Eliot Gardiner Ensemble – The English Baroque Soloists Tenor Vocals – Anthony Rolfe Johnson |
2:20 | |
La Primavera, Concerto For Violin And String Orchestra, Op. 8, No. 1, From The Four Seasons, First Movement (Allegro) | 3:15 | ||
Cantata No. 140, Wachet Auf,Ruft Uns Die Stimme Fourth Movement, Tenor Chorale | 3:57 | ||
1-71 | Seventh Movement, Chorale | 1:44 | |
Messiah
Georg Friedrich Händel Choir – London Symphony Chorus Chorus Master – John Alldis Conductor – Sir Colin Davis Harpsichord – Leslie Pearson Orchestra – London Symphony Orchestra Organ – Ralph Downes Tenor Vocals – John Wakefield |
3:26 | ||
Hallelujah Chorus | 3:50 | ||
The Classical Period |
|||
Symphony No. 40 In G Minor, K. 550, First Movement: Molto Allegro | 8:17 | ||
Symphony No. 94 In G Major (Surprise), Second Movement: Andante | 6:12 | ||
Eine Kleine Nachtmusik, K. 525, Third Movement (Minuet)
Wolfgang Amadeus Mozart Conductor – Sir Neville Marriner Orchestra – The Academy Of St. Martin-in-the-Fields |
2:02 | ||
String Quartet In C Minor, Op. 18, No. 4, Fourth Movement (Rondo) | 4:18 | ||
Don Giovanni, K. 527, Act I: Introduction (Opening Scene)
Wolfgang Amadeus Mozart Bass Vocals – Kurt Böhme Bass Vocals – Fernando Corena Bass Vocals – Cesare Siepi Conductor – Josef Krips Orchestra – Wiener Philharmoniker Soprano Vocals – Hilde Güden Soprano Vocals – Suzanne Danco |
5:40 | ||
Piano Concerto No. 23 In A Major, K. 488, First Movement (Allegro)
Wolfgang Amadeus Mozart Conductor – John Eliot Gardiner Ensemble – The English Baroque Soloists Fortepiano – Malcolm Bilson |
10:34 | ||
Symphony No. 5 In C Minor, Op. 67, First Movement: Allegro Con Brio | 7:07 | ||
The Romantic Period |
|||
Erlkönig | 4:13 | ||
Nocturne In E Flat Major, Op. 9, No. 2 | 4:05 | ||
2-51 | Étude In C Minor, Op. 10, No. 12 (Revolutionary)
Georges Bizet Frédéric Chopin Conductor – Igor Markevitch Orchestra – Orchestre Des Concerts Lamoureux Piano – Vladimir Ashkenazy |
2:42 | |
Symphonic Fantastique, Op. 14, Fourth Movement: March To The Scaffold | 4:54 | ||
The Moldau | 12:03 | ||
Symphony No. 4 In E Minor, Op. 98, Fourth Movement (Allegro Energetico E Passionato) | 10:13 | ||
La Bohème, Act I, Excerpt (Mimi's Entrance Through End Of Rudolpho's Aria)
Giacomo Puccini Baritone Vocals – Gianni Maffeo Baritone Vocals – Rolando Panerai Bass Vocals – Nicolai Ghiaurov Conductor – Herbert von Karajan Orchestra – Berliner Philharmoniker Soprano Vocals – Mirella Freni Tenor Vocals – Luciano Pavarotti |
8:48 | ||
Die Walküre, Act I (Love Scene, Conclusion)
Richard Wagner Pyotr Ilyich Tchaikovsky Conductor – Charles Dutoit Conductor – Karl Böhm Orchestra – Orchester der Bayreuther Festspiele Orchestra – Orchestre symphonique de Montréal Soprano Vocals – Leonie Rysanek Tenor Vocals – James King (3) |
8:58 | ||
The Twentieth Century |
|||
Prélude À L'Après-Midi D'un Faune | 10:25 | ||
Le Sacre Du Printemps, Part I: Introduction, Omens Of Spring - Maidens, Ritual Of Abduction
Igor Stravinsky Johann Sebastian Bach Conductor – Georg Solti Harpsichord – Gustav Leonhardt Orchestra – Chicago Symphony Orchestra |
7:35 | ||
A Survivor From Warsaw, Op. 46
Arnold Schoenberg Conductor – Robert Craft Narrator – John Horton (4) Orchestra – CBC Symphony Orchestra Vocals – Festival Singers Of Toronto |
5:59 | ||
3-32 | Third Piece From Five Pieces For Orchestra, Op. 10 | 1:28 | |
Concerto For Orchestra, Second Movement: Game Of Pairs | 6:06 | ||
Appalachian Spring, Section 7 (Theme And Variations On Simple Gifts) | 2:58 | ||
Concerto Grosso 1985, First Movement | 2:41 | ||
Sextet, Third Movement
Hildegard Von Bingen Steve Reich Music By – The Manhattan Marimba Quartet Music By – Nexus (18) Orchestra – Sequentia (2) |
2:28 | ||
Ritual Melodies, Excerpt
Jonathan Harvey Guillaume de Machaut Choir – Taverner Choir Directed By – Andrew Parrott Orchestra – Taverner Consort |
3:00 | ||
3-58 | Title Song From Oklahoma! | 2:28 | |
Nonwestern Music |
|||
3-59 | Song From Angola | 1:25 | |
3-60 | Maru-Bihag, Introductory Section | 1:59 | |
1-52 | Ave, Praeclara Omnibus... |
||
1-53 | As Vesta Was Descending
Thomas Weelkes Directed By – Grayston Burgess Ensemble – The Purcell Consort Of Voices Ensemble – The Jaye Consort Harpsichord – Simon Preston |
2:53 | |
The Baroque Period |
|||
Brandenburg Concerto No. 5 In D Major, First Movement: Allegro | 9:44 | ||
1-55 | 1b. First Solo Section |
||
1-56 | 2b. Solo Section |
||
1-57 | 5c. New Theme In Minor, Solo Section |
||
1-58 | 8c. Harpsichord Solo |
||
Organ Fugue In G Minor (Little Fugue) | 4:04 | ||
1-60 | 1e. Brief Episode |
||
1-61 | 3a. Subject In Alto, Major Key |
||
1-62 | Tu Se' Morta From Orfeo
Claudio Monteverdi Choir – The Monteverdi Choir Conductor – John Eliot Gardiner Ensemble – The English Baroque Soloists Tenor Vocals – Anthony Rolfe Johnson |
2:20 | |
La Primavera, Concerto For Violin And String Orchestra, Op. 8, No. 1, From The Four Seasons, First Movement (Allegro) | 3:15 | ||
1-64 | 1. Song Of The Birds |
||
1-65 | 2b. Murmuring Streams |
||
1-66 | 3b. Thunder And Lightning |
||
1-67 | 4b. Song Of The Birds |
||
Cantata No. 140, Wachet Auf,Ruft Uns Die Stimme Fourth Movement, Tenor Chorale | 3:57 | ||
1-69 | Zion Hört Die Wächter Singen |
||
1-70 | Nun Komm, Du Werte Kron |
||
1-71 | Seventh Movement, Chorale | 1:44 | |
Messiah
Georg Friedrich Händel Choir – London Symphony Chorus Chorus Master – John Alldis Conductor – Sir Colin Davis Harpsichord – Leslie Pearson Orchestra – London Symphony Orchestra Organ – Ralph Downes Tenor Vocals – John Wakefield |
3:26 | ||
Hallelujah Chorus | 3:50 | ||
1-74 | For The Lord God, Monophonic |
||
1-75 | For The Lord God Combined With Hallelujah, Polyphonic |
||
1-76 | The Kingdom Of This World, Hymnlike Homophonic Texture |
||
1-77 | And He Shall Reign For Ever And Ever, Monophonic, Then Polyphonic Imitation |
||
1-78 | Rising Sequence On King Of Kings - For Ever And Ever |
||
The Classical Period |
|||
Symphony No. 40 In G Minor, K. 550, First Movement: Molto Allegro | 8:17 | ||
2-2 | 2a. Bridge |
||
2-3 | 3a. Second Theme |
||
2-4 | 4a. Closing Section |
||
2-5 | 4b. Exposition Is Repeated |
||
2-6 | Development (LO 1-3) |
||
2-7 | 1a. First Theme |
||
2-8 | 3a. Second Theme |
||
2-9 | Coda (LO 1a.) |
||
Symphony No. 94 In G Major (Surprise), Second Movement: Andante | 6:12 | ||
2-11 | Variation 1 |
||
2-12 | Variation 2 |
||
2-13 | Variation 3 |
||
2-14 | Variation 4 |
||
2-15 | Closing Section |
||
Eine Kleine Nachtmusik, K. 525, Third Movement (Minuet)
Wolfgang Amadeus Mozart Conductor – Sir Neville Marriner Orchestra – The Academy Of St. Martin-in-the-Fields |
2:02 | ||
2-17 | Trio (B) |
||
2-18 | Minuet (A) |
||
String Quartet In C Minor, Op. 18, No. 4, Fourth Movement (Rondo) | 4:18 | ||
2-20 | Theme B |
||
2-21 | Theme A |
||
2-22 | Theme C |
||
Don Giovanni, K. 527, Act I: Introduction (Opening Scene)
Wolfgang Amadeus Mozart Bass Vocals – Kurt Böhme Bass Vocals – Fernando Corena Bass Vocals – Cesare Siepi Conductor – Josef Krips Orchestra – Wiener Philharmoniker Soprano Vocals – Hilde Güden Soprano Vocals – Suzanne Danco |
5:40 | ||
2-24 | String Tremolo, The Commandant Appears |
||
2-25 | Andante, Ah, Soccorso!, The Commandants Agonized Last Gasps |
||
2-26 | Recitative, Accompanied By Harpsichord, Leporello, Dove Seí? |
||
Piano Concerto No. 23 In A Major, K. 488, First Movement (Allegro)
Wolfgang Amadeus Mozart Conductor – John Eliot Gardiner Ensemble – The English Baroque Soloists Fortepiano – Malcolm Bilson |
10:34 | ||
2-28 | 2. Bridge |
||
2-29 | 3a. Second Theme |
||
2-30 | 1a. First Theme In Piano |
||
2-31 | 1a. Development Theme In Strings |
||
2-32 | 1a. First Theme In Strings |
||
2-33 | 5c. Piano Solo |
||
Symphony No. 5 In C Minor, Op. 67, First Movement: Allegro Con Brio | 7:07 | ||
2-35 | 2a. Bridge |
||
2-36 | 3a. Second Theme |
||
2-37 | 4a. Triumphant Melody |
||
2-38 | Exposition Is Repeated |
||
2-39 | Development |
||
2-40 | Recapitulation |
||
2-41 | Coda |
||
The Romantic Period |
|||
Erlkönig | 4:13 | ||
2-43 | Father, Mein Sohn, Low Register |
||
2-44 | Son, Siehst, Vater, Higher Register |
||
2-45 | Erlking, Du Liebs Kind, Coaxing Tune, Major |
||
2-46 | Son, Outcry, Mein Vater |
||
2-47 | Son, Outcry, Mein Vater, Higher Than Before |
||
Nocturne In E Flat Major, Op. 9, No. 2 | 4:05 | ||
2-49 | Decorated Repetition Of Main Melody |
||
2-50 | Subordinate Melody Played With Rubato |
||
2-51 | Étude In C Minor, Op. 10, No. 12 (Revolutionary) | 2:42 | |
Symphonic Fantastique, Op. 14, Fourth Movement: March To The Scaffold | 4:54 | ||
2-53 | First Theme |
||
2-54 | March Tune |
||
2-55 | Idée Fixe |
||
The Moldau | 12:03 | ||
2-57 | 2. The River |
||
2-58 | 3a. Forest Hunt |
||
2-59 | 4a. Peasant Wedding |
||
2-60 | 5a. Moonlight: Dance Of Water Nymphs |
||
2-61 | 7a. The Rapids |
||
2-62 | 8. The River At Its Widest Point; River Theme In Major |
||
Symphony No. 4 In E Minor, Op. 98, Fourth Movement (Allegro Energetico E Passionato) | 10:13 | ||
3-2 | Variation 1 |
||
3-3 | Variation 12 (B) |
||
3-4 | Variation 16 (A) |
||
La Bohème, Act I, Excerpt (Mimi's Entrance Through End Of Rudolpho's Aria)
Giacomo Puccini Baritone Vocals – Gianni Maffeo Baritone Vocals – Rolando Panerai Bass Vocals – Nicolai Ghiaurov Conductor – Herbert von Karajan Orchestra – Berliner Philharmoniker Soprano Vocals – Mirella Freni Tenor Vocals – Luciano Pavarotti |
8:48 | ||
3-6 | Rodolfo's Aria: Che Gelida Manina |
||
Die Walküre, Act I (Love Scene, Conclusion)
Richard Wagner Conductor – Karl Böhm Orchestra – Orchester der Bayreuther Festspiele Soprano Vocals – Leonie Rysanek Tenor Vocals – James King (3) |
8:58 | ||
3-8 | Valahalla Leitmotif, French Horns |
||
3-9 | Love Leitmotif, Voice |
||
3-10 | Volsung And Sword Leitmotifs |
||
3-11 | Notung, Downward Octave Skips |
||
3-12 | Sword Leitmotif, Trumpets |
||
3-13 | Spring Leitmotif, Voice |
||
3-14 | Sword Leitmotif, Brasses |
||
The Twentieth Century |
|||
Prélude À L'Après-Midi D'un Faune | 10:25 | ||
3-16 | 1b. Flute Melody, Strings Accompany |
||
3-17 | 1c. Flute, Main Melody Varied |
||
3-18 | 2b. New Oboe Melody |
||
3-19 | 3a. New Legato Melody In Woodwinds (B) |
||
3-20 | 4a. Harp Accompanies Flute, Main Melody In Longer Notes (A) |
||
3-21 | 5a. Antique Cymbals, Flute, Main Melody |
||
Le Sacre Du Printemps, Part I: Introduction, Omens Of Spring - Maidens, Ritual Of Abduction | 7:35 | ||
3-23 | Repeated Four-Note Figure |
||
3-24 | Omens Of Spring - Dances Of The Youths And Maidens |
||
3-25 | Omens Of Spring - Dances Of The Youths And Maidens, Bassoons, Staccato Melodic Fragment |
||
3-26 | Omens Of Spring - Dances Of The Youths And Maidens, French Horn, Legato Melody |
||
3-27 | Omens Of Spring - Dances Of The Youths And Maidens, Trumpets, Repeated-Note Melody |
||
3-28 | Ritual Of Abduction |
||
3-29 | Ritual Of Abduction, Powerful Accents And Rapid Changes Of Meter |
||
A Survivor From Warsaw, Op. 46
Arnold Schoenberg Conductor – Robert Craft Narrator – John Horton (4) Orchestra – CBC Symphony Orchestra Vocals – Festival Singers Of Toronto |
5:59 | ||
3-31 | They Started Slowly And Irregularly |
||
3-32 | Third Piece From Five Pieces For Orchestra, Op. 10 | 1:28 | |
Concerto For Orchestra, Second Movement: Game Of Pairs | 6:06 | ||
3-34 | 3a. Two Oboes |
||
3-35 | 4a. Two Clarinets |
||
3-36 | 5a. Two Flutes |
||
3-37 | 6. Two Muted Trumpets |
||
3-38 | 1a. Brasses, Hymnlike Melody |
||
3-39 | 1. Two Bassoons, Opening Melody, Third Bassoon In Background |
||
Appalachian Spring, Section 7 (Theme And Variations On Simple Gifts) | 2:58 | ||
3-41 | Variation 1 |
||
3-42 | Variation 2 |
||
3-43 | Variation 3 |
||
3-44 | Variation 4 |
||
3-45 | Variation 5 |
||
Concerto Grosso 1985, First Movement | 2:41 | ||
3-47 | 1c. Handel Quotation |
||
Sextet, Third Movement | 2:28 | ||
3-49 | Solo Vibraphone |
||
3-50 | Staccato Low Piano Chords Join |
||
3-51 | Faster Dancelike Rhythms |
||
3-52 | Accented Faster Beat |
||
Ritual Melodies, Excerpt | 3:00 | ||
3-54 | Higher Nasal Prolonged Tone |
||
3-55 | Loud Bell Chord |
||
3-56 | Single "Chime" |
||
3-57 | Loud Sustained Single Tone |
||
3-58 | Title Song From Oklahoma! | 2:28 | |
Nonwestern Music |
|||
3-59 | Song From Angola | 1:25 | |
3-60 | Maru-Bihag, Introductory Section | 1:59 |
Участники записи:
- Conductor – Bernard Haitink
- Orchestra – Concertgebouworkest
Лейблы и идентификаторы:
- Matrix / Runout CD1 CD Face: 038452-5
- Matrix / Runout CD2 CD Face: 038453-3
- Matrix / Runout CD3 CD Face: 038454-1
- Matrix / Runout CD1: 038 452 5 01! K
- Matrix / Runout CD2: 038 453 3 02@ A
- Matrix / Runout CD3: 038 454 1 05@ A
- Mastering SID Code CD1: IFPI L005
- Mastering SID Code CD2, CD3: IFPI L006
- Mould SID Code CD1: IFPI 0360
- Mould SID Code CD2: IFPI 0380
- Mould SID Code CD3: IFPI 0374
- Other CD1 Inner-hub: MADE IN USA BY PMDC
- Other CD2 Inner-hub: MADE IN USA BY UML
- Other CD3 Inner-hub: MADE IN USA BY PMD
- Other ISBN: 0-07-913115-8
Компании:
- Copyright (c) – McGraw-Hill Companies, Inc.
- Manufactured By – Polygram Special Markets
- Phonographic Copyright (p) – PolyGram Records, Inc.
Участники записи:
- Conductor – Bernard Haitink
- Orchestra – Concertgebouworkest