Roger Kamien – Music: An Appreciation (Eighth Edition)
| Лейбл: | McGraw-Hill – A8 27235 |
| Формат: | CD |
| Страна: | US |
| Дата релиза: | 2004 |
| Жанр: | Classical |
| Стиль: | Baroque, Choral, Classical, Early, Impressionist, Medieval, Modern, Opera, Oratorio, Renaissance, Romantic, Twelve-tone |
Подробнее об участниках записи
Треклист:
| CD 1: Elements, Middle Ages, Renaissance |
||
| Lohengrin, Prelude to Act III | ||
| 1-2 | Untitled |
|
| 1-3 | Untitled |
|
| 1-4 | Untitled |
|
| Prelude In C Minor For Piano, Op. 28, No. 20 | ||
| 1-6 | Untitled
Performer – The Incredible Columbia All-Star Band |
|
| 1-7 | Untitled
Performer – Mary Martin |
|
| The Firebird: Finale | ||
| 1-9 | Untitled |
|
| C-Jam Blues | ||
| 1-11 | Untitled |
|
| 1-12 | Untitled |
|
| 1-13 | Untitled |
|
| 1-14 | Untitled |
|
| 1-15 | Untitled
Performer – Sequentia (2) |
|
| 1-16 | Untitled | |
| 1-17 | Untitled | |
| The Young Person's Guide To The Orchestra | ||
| 1-19 | Untitled |
|
| 1-20 | Untitled | |
| 1-21 | Untitled
Performer – The Tallis Scholars |
|
| 1-22 | Untitled |
|
| 1-23 | Untitled
Performer – The Purcell Consort Of Voices |
|
| 1-24 | Untitled
Performer – New London Consort |
|
| 1-25 | Untitled
Performer – New London Consort |
|
| 1-26 | Untitled |
|
| 1-27 | Untitled |
|
| 1-28 | Untitled |
|
| 1-29 | Untitled |
|
| 1-30 | Untitled |
|
| 1-31 | Untitled |
|
| 1-32 | Untitled |
|
| 1-33 | Untitled |
|
| 1-34 | Untitled |
|
| 1-35 | Untitled |
|
| 1-36 | Untitled
Harpsichord – Davitt Maroney |
|
| 1-37 | Untitled |
|
| 1-38 | Untitled |
|
| 1-39 | Untitled |
|
| 1-40 | Untitled | |
| 1-41 | Untitled |
|
| 1-42 | Untitled |
|
| The Stars And Stripes Forever
Band – The Incredible Columbia All-Star Band Composed By – John Philip Sousa Conductor – Gunther Schuller |
||
| 1-44 | Untitled |
|
| 1-45 | Untitled |
|
| 1-46 | Untitled |
|
| 1-47 | I Got Rhythm From "Girl Crazy" (Excerpt) | |
| 1-48 | Unsquare Dance | |
| Over The Rainbow | ||
| 1-50 | Untitled |
|
| 1-51 | Untitled |
|
| 1-52 | Prelude In E Minor, Op. 28, No. 4 | |
| L'Arlésienne Suite No. 2, Farandole | ||
| 1-54 | Untitled |
|
| 1-55 | Untitled |
|
| 1-56 | Untitled
Performer – The Cleveland Orchestra String Quartet |
|
| 1-57 | Untitled |
|
| Nutcracker Suite, Op. 71a, "Dance Of The Reed Pipes"
Composed By – Pyotr Ilyich Tchaikovsky Conductor – Michael Tilson Thomas Orchestra – London Symphony Orchestra |
||
| 1-59 | Untitled |
|
| 1-60 | Untitled |
|
| Orchestral Suite No. 1 In C Major, Forlane
Compilation Producer – Johann Sebastian Bach Conductor – Roy Goodman Orchestra – Brandenburg Consort |
||
| 1-62 | Untitled |
|
| Alleluia: Vidimus Stellam
Composed By – Anonymous |
||
| 1-64 | Untitled |
|
| 1-65 | Untitled |
|
| 1-66 | O Successores | |
| 1-67 | Estampie | |
| 1-68 | Alleluia: Nativitas | |
| 1-69 | Ecco La Primavera
Composed By – Francesco Landini Directed By – David Munrow Performer – The Early Music Consort Of London |
|
| Notre Dame Mass, Agnus Dei | ||
| 1-71 | Untitled |
|
| 1-72 | Untitled |
|
| Ave Maria... Virgo Serena | ||
| 1-74 | Untitled |
|
| 1-75 | Untitled |
|
| Pope Marcellus Mass, Kyrie | ||
| 1-77 | Untitled |
|
| 1-78 | Untitled |
|
| 1-79 | As Vesta Was Descending | |
| 1-80 | Now Is The Month Of Maying | |
| 1-81 | Passamezzo From Terpsichore
Composed By – Pierre-Francisque Caroubel Directed By – Philip Pickett Performer – New London Consort |
|
| 1-82 | Galliard From Terpsichore
Composed By – Pierre-Francisque Caroubel Directed By – Philip Pickett Performer – New London Consort |
|
| Organ Fugue In G Minor ("The Little") | ||
| 1-84 | Untitled |
|
| 1-85 | Untitled |
|
| CD 2: Baroque |
||
| Brandenburg Concerto No. 5 In D Major
Composed By – Johann Sebastian Bach Conductor – Jeanne Lamon Orchestra – Tafelmusik Baroque Orchestra |
||
| 2-2 | First Movement |
|
| 2-3 | First Movement |
|
| 2-4 | First Movement |
|
| 2-5 | First Movement |
|
| 2-6 | Second Movement |
|
| 2-7 | Second Movement |
|
| 2-8 | Second Movement |
|
| 2-9 | Second Movement |
|
| 2-10 | Second Movement |
|
| 2-11 | Third Movement |
|
| 2-12 | Third Movement |
|
| 2-13 | Third Movement |
|
| 2-14 | "Tu Se' Morta" From Orfeo
Composed By – Claudio Monteverdi Directed By – Charles Medlam Orchestra – London Baroque Tenor Vocals – Nigel Rogers (2) |
|
| "Dido's Lament" From Dido And Aeneas
Composed By – Henry Purcell Conductor – Anthony Lewis (2) Mezzo-soprano Vocals – Janet Baker Orchestra – English Chamber Orchestra |
||
| 2-16 | Untitled |
|
| Concerto for Violin and String Orchestra, Op. 8, No. 1, "Spring" From The Four Seasons
Composed By – Antonio Vivaldi Conductor – Jeanne Lamon Orchestra – Tafelmusik Baroque Orchestra Violin – Jeanne Lamon |
||
| 2-18 | First Movement |
|
| 2-19 | First Movement |
|
| 2-20 | First Movement |
|
| 2-21 | First Movement |
|
| 2-22 | Second Movement |
|
| 2-23 | Third Movement |
|
| 2-24 | Third Movement |
|
| 2-25 | Third Movement |
|
| Well-Tempered Clavier, Book 1, Fugue In C Minor | ||
| 2-27 | Untitled |
|
| 2-28 | Untitled |
|
| Orchestral Suite No. 3 In D Major, S. 1068 | ||
| 2-34 | Air
Piano – Richard Taub |
|
| 2-35 | Bouréee |
|
| 2-36 | Bouréee |
|
| 2-37 | Gigue |
|
| 2-38 | Gigue |
|
| Cantata No. 140: Wachet Auf, Ruft Uns Die Stimme
Composed By – Johann Sebastian Bach Directed By – Jeffrey Thomas (2) Performer – American Bach Soloists |
||
| 2-40 | First Movement
Composed By, Piano – Scott Joplin |
|
| 2-41 | First Movement
Composed By, Performer – Bessie Smith |
|
| 2-42 | Fourth Movement
Composed By, Performer – King Oliver |
|
| 2-43 | Fourth Movement
Composed By, Performer – Louis Armstrong |
|
| 2-44 | Fourth Movement
Composed By, Performer – Charlie Parker |
|
| 2-45 | Seventh Movement
Composed By, Performer – Miles Davis |
|
| Messiah
Choir – London Symphony Chorus Composed By – Georg Friedrich Händel Conductor – Sir Colin Davis Orchestra – London Symphony Orchestra |
||
| 2-47 | Sinfonia |
|
| 2-48 | Comfort Ye |
|
| 2-49 | Comfort Ye |
|
| 2-50 | Ev'ry Valley |
|
| 2-51 | For Unto Us A Child Is Born
Composed By, Performer – Ravi Shankar |
|
| 2-52 | For Unto Us A Child Is Born
Performer – Izumi-Kai Original Instrumental Group |
|
| 2-53 | For Unto Us A Child Is Born |
|
| 2-54 | Hallelujah |
|
| 2-55 | Hallelujah |
|
| 2-56 | Hallelujah |
|
| 2-57 | Hallelujah |
|
| 2-58 | Hallelujah |
|
| 2-59 | Hallelujah |
|
| CD 3: Classical |
||
| Symphony No. 40 In G Minor, K. 550 | ||
| 3-2 | First Movement |
|
| 3-3 | First Movement |
|
| 3-4 | First Movement |
|
| 3-5 | First Movement |
|
| 3-6 | First Movement |
|
| 3-7 | First Movement |
|
| 3-8 | First Movement |
|
| 3-9 | First Movement |
|
| 3-10 | Second Movement |
|
| 3-11 | Second Movement |
|
| 3-12 | Second Movement |
|
| 3-13 | Third Movement |
|
| 3-14 | Third Movement |
|
| 3-15 | Third Movement |
|
| 3-16 | Fourth Movement |
|
| 3-17 | Fourth Movement |
|
| 3-18 | Fourth Movement |
|
| 3-19 | Fourth Movement |
|
| 3-20 | Fourth Movement |
|
| 3-21 | Fourth Movement |
|
| 3-22 | Fourth Movement |
|
| Symphony No. 94 In G Major (Surprise) | ||
| 3-24 | First Movement |
|
| 3-25 | First Movement |
|
| 3-26 | First Movement |
|
| 3-27 | First Movement |
|
| 3-28 | First Movement |
|
| 3-29 | First Movement |
|
| 3-30 | First Movement |
|
| 3-31 | Second Movement |
|
| 3-32 | Second Movement |
|
| 3-33 | Second Movement |
|
| 3-34 | Second Movement |
|
| 3-35 | Second Movement |
|
| 3-36 | Second Movement |
|
| Eine Kleine Nachtmusik, K. 525, III
Composed By – Wolfgang Amadeus Mozart Conductor – Sir Neville Marriner Orchestra – The Academy Of St. Martin-in-the-Fields |
||
| 3-38 | Untitled |
|
| 3-39 | Untitled |
|
| String Quartet in C Minor, Op. 18, No. 4, IV | ||
| 3-41 | Untitled |
|
| 3-42 | Untitled |
|
| 3-43 | Untitled |
|
| Trumpet Concerto In E Flat Major, III
Composed By – Joseph Haydn Conductor – Raymond Leppard Orchestra – Philharmonia Orchestra Trumpet – Wynton Marsalis |
||
| 3-45 | Untitled |
|
| 3-46 | Untitled |
|
| 3-47 | Untitled |
|
| 3-48 | Untitled |
|
| 3-49 | Untitled |
|
| 3-50 | Untitled |
|
| Don Giovanni, K. 527, Act I Excerpts
Bass Vocals – Kurt Böhme Bass Vocals – Fernando Corena Bass Vocals – Cesare Siepi Composed By – Wolfgang Amadeus Mozart Conductor – Josef Krips Orchestra – Wiener Philharmoniker Soprano Vocals – Hilde Güden Soprano Vocals – Suzanne Danco |
||
| 3-52 | Introduction |
|
| 3-53 | Introduction |
|
| 3-54 | Introduction |
|
| 3-55 | Catalogue Aria |
|
| 3-56 | Catalogue Aria |
|
| 3-57 | La Ci Darem La Mano |
|
| 3-58 | La Ci Darem La Mano |
|
| 3-59 | La Ci Darem La Mano |
|
| 3-60 | La Ci Darem La Mano |
|
| 3-61 | Requiem, "Dies Irae"
Composed By – Wolfgang Amadeus Mozart Conductor – Carlo Maria Giulini Orchestra – Philharmonia Orchestra |
|
| CD 4: Classical, Romantic |
||
| Piano Concerto In A Major, K. 488, I
Composed By – Wolfgang Amadeus Mozart Orchestra – English Chamber Orchestra Piano, Conductor – Murray Perahia |
||
| 4-2 | Untitled |
|
| 4-3 | Untitled |
|
| 4-4 | Untitled |
|
| 4-5 | Untitled |
|
| 4-6 | Untitled |
|
| 4-7 | Untitled |
|
| Piano Sonata In C Minor, Op. 13 (Pathétique) | ||
| 4-9 | First Movement |
|
| 4-10 | First Movement |
|
| 4-11 | First Movement |
|
| 4-12 | First Movement |
|
| 4-13 | First Movement |
|
| 4-14 | First Movement |
|
| 4-15 | Second Movement |
|
| 4-16 | Second Movement |
|
| 4-17 | Second Movement |
|
| 4-18 | Second Movement |
|
| 4-19 | Third Movement |
|
| 4-20 | Third Movement |
|
| 4-21 | Third Movement |
|
| 4-22 | Third Movement |
|
| Symphony No. 5 In C Minor, Op. 67 | ||
| 4-24 | First Movement |
|
| 4-25 | First Movement |
|
| 4-26 | First Movement |
|
| 4-27 | First Movement |
|
| 4-28 | First Movement |
|
| 4-29 | First Movement |
|
| 4-30 | First Movement |
|
| 4-31 | Second Movement |
|
| 4-32 | Second Movement |
|
| 4-33 | Second Movement |
|
| 4-34 | Second Movement |
|
| 4-35 | Second Movement |
|
| 4-36 | Second Movement |
|
| 4-37 | Third Movement |
|
| 4-38 | Third Movement |
|
| 4-39 | Third Movement |
|
| 4-40 | Third Movement |
|
| 4-41 | Fourth Movement |
|
| 4-42 | Fourth Movement |
|
| 4-43 | Fourth Movement |
|
| 4-44 | Fourth Movement |
|
| 4-45 | Fourth Movement |
|
| 4-46 | Fourth Movement |
|
| 4-47 | Fourth Movement |
|
| Erlkönig | ||
| 4-49 | Untitled |
|
| 4-50 | Untitled |
|
| 4-51 | Untitled |
|
| 4-52 | Untitled |
|
| 4-53 | Untitled |
|
| Die Forelle | ||
| 4-55 | Untitled |
|
| Piano Quintet In A Major, D. 667 (Trout), IV | ||
| 4-57 | Untitled |
|
| 4-58 | Untitled |
|
| 4-59 | Untitled |
|
| 4-60 | Untitled |
|
| 4-61 | Untitled |
|
| 4-62 | Untitled |
|
| Nocturne In E Flat Major, Op. 9, No. 2 | ||
| 4-64 | Untitled |
|
| 4-65 | Untitled |
|
| CD 5: Romantic |
||
| Carnaval, Op. 9 (Selections) | ||
| 5-2 | Chiarina |
|
| 5-3 | Chopin |
|
| 5-4 | Estrella |
|
| 5-5 | Estrella |
|
| 5-6 | Réconnaisance |
|
| 5-7 | Réconnaisance |
|
| Romance In G Minor For Violin And Piano, Op. 22, No. 2 | ||
| 5-9 | Untitled |
|
| 5-10 | Untitled |
|
| 5-11 | Untitled |
|
| 5-12 | Untitled |
|
| Polonaise In A-Flat, Op. 53 | ||
| 5-14 | Untitled |
|
| 5-15 | Untitled |
|
| 5-16 | Untitled |
|
| 5-17 | Etude In C Minor, Op. 10, No. 12 (Revolutionary) | |
| Transcendental Etude No. 10 In F Minor | ||
| 5-19 | Untitled |
|
| 5-20 | Untitled |
|
| 5-21 | Untitled |
|
| 5-22 | Untitled |
|
| 5-23 | Untitled |
|
| Concerto For Violin And Orchestra In E Minor, Op. 64, I
Composed By – Felix Mendelssohn-Bartholdy Conductor – Eugene Ormandy Orchestra – The Philadelphia Orchestra Violin – Isaac Stern |
||
| 5-25 | Untitled |
|
| 5-26 | Untitled |
|
| 5-27 | Untitled |
|
| 5-28 | Untitled |
|
| 5-29 | Untitled |
|
| Symphonie Fantastique | ||
| 5-31 | IV: March To The Scaffold |
|
| 5-32 | IV: March To The Scaffold |
|
| 5-33 | IV: March To The Scaffold |
|
| 5-34 | V: Dream Of A Witches' Sabbath |
|
| 5-35 | V: Dream Of A Witches' Sabbath |
|
| 5-36 | V: Dream Of A Witches' Sabbath |
|
| 5-37 | V: Dream Of A Witches' Sabbath |
|
| 5-38 | V: Dream Of A Witches' Sabbath |
|
| 5-39 | V: Dream Of A Witches' Sabbath |
|
| The Great Gate At Kiev From Pictures At An Exhibition
Arranged By – Maurice Ravel Composed By – Modest Mussorgsky Conductor – Leonard Bernstein Orchestra – New York Philharmonic |
||
| 5-41 | Untitled |
|
| 5-42 | Untitled |
|
| 5-43 | Untitled |
|
| Romeo And Juliet, Overture-Fantasy
Composed By – Pyotr Ilyich Tchaikovsky Conductor – Leonard Bernstein Orchestra – New York Philharmonic |
||
| 5-45 | Untitled |
|
| 5-46 | Untitled |
|
| 5-47 | Untitled |
|
| 5-48 | Untitled |
|
| 5-49 | Untitled |
|
| 5-50 | Untitled |
|
| 5-51 | Untitled |
|
| 5-52 | Untitled |
|
| 5-53 | Untitled |
|
| CD 6: Romantic |
||
| The Moldau | ||
| 6-2 | Untitled |
|
| 6-3 | Untitled |
|
| 6-4 | Untitled |
|
| 6-5 | Untitled |
|
| 6-6 | Untitled |
|
| 6-7 | Untitled |
|
| Symphony No. 9 In E Minor, Op. 95 (From The New World), I | ||
| 6-9 | Untitled |
|
| 6-10 | Untitled |
|
| 6-11 | Untitled |
|
| 6-12 | Untitled |
|
| 6-13 | Untitled |
|
| 6-14 | Untitled |
|
| Symphony No. 4 In E Minor, Op. 98, IV | ||
| 6-16 | Untitled |
|
| 6-17 | Untitled |
|
| 6-18 | Untitled |
|
| 6-19 | A German Requiem, IV "How Lovely Is Thy Dwelling Place"
Chorus – New Philharmonia Chorus Composed By – Johannes Brahms Conductor – Lorin Maazel Orchestra – New Philharmonia Orchestra |
|
| Rigoletto, "La Donna È Mobile" And Quartet From Act III
Baritone Vocals – Sherrill Milnes Bass Vocals – Martti Talvela Composed By – Giuseppe Verdi Conductor – Richard Bonynge Mezzo-soprano Vocals – Huguette Tourangeau Orchestra – London Symphony Orchestra Soprano Vocals – Joan Sutherland Tenor Vocals – Luciano Pavarotti |
||
| 6-21 | Untitled |
|
| 6-22 | Untitled |
|
| La Bohème, Act I: Excerpt (Mimi's Entrance Through Conclusion Of Act I)
Baritone Vocals – Gianni Maffeo Baritone Vocals – Rolando Panerai Bass Vocals – Nicolai Ghiaurov Composed By – Giacomo Puccini Conductor – Herbert von Karajan Orchestra – Berliner Philharmoniker Soprano Vocals – Mirella Freni Tenor Vocals – Luciano Pavarotti |
||
| 6-24 | Untitled |
|
| 6-25 | Untitled |
|
| 6-26 | Untitled |
|
| Die Walküre, Act I (Love Scene, Conclusion)
Composed By – Richard Wagner Conductor – Karl Böhm Orchestra – Orchester der Bayreuther Festspiele Soprano Vocals – Leonie Rysanek Tenor Vocals – James King (3) |
||
| 6-28 | Untitled |
|
| 6-29 | Untitled |
|
| 6-30 | Untitled |
|
| 6-31 | Untitled |
|
| 6-32 | Untitled |
|
| 6-33 | Untitled |
|
| 6-34 | Untitled |
|
| "Ging Heut'Morgen Übers Feld" From Lieder Eines Fahrenden Gesellen
Composed By – Gustav Mahler Conductor – Andrew Davis Orchestra – London Philharmonic Orchestra Soprano Vocals – Frederica von Stade |
||
| 6-36 | Untitled |
|
| 6-37 | Untitled |
|
| 6-38 | Untitled |
|
| CD 7: Twentieth Century And Beyond |
||
| Prélude À L'Après-Midi D'Un Faune | ||
| 7-2 | Untitled |
|
| 7-3 | Untitled |
|
| 7-4 | Untitled |
|
| 7-5 | Untitled |
|
| 7-6 | Untitled |
|
| 7-7 | Untitled |
|
| Bolero | ||
| 7-9 | Untitled |
|
| 7-10 | Untitled |
|
| 7-11 | Untitled |
|
| 7-12 | Untitled |
|
| 7-13 | Untitled |
|
| 7-14 | Untitled |
|
| Le Sacre Du Printemps (Excerpts) | ||
| 7-16 | Part I: Introduction, Omens Of Spring; Dances Of The Youth And Maidens; Ritual Of Abduction |
|
| 7-17 | Part I: Introduction, Omens Of Spring; Dances Of The Youth And Maidens; Ritual Of Abduction |
|
| 7-18 | Part I: Introduction, Omens Of Spring; Dances Of The Youth And Maidens; Ritual Of Abduction |
|
| 7-19 | Part I: Introduction, Omens Of Spring; Dances Of The Youth And Maidens; Ritual Of Abduction |
|
| 7-20 | Part I: Introduction, Omens Of Spring; Dances Of The Youth And Maidens; Ritual Of Abduction |
|
| 7-21 | Part I: Introduction, Omens Of Spring; Dances Of The Youth And Maidens; Ritual Of Abduction |
|
| 7-22 | Part I: Introduction, Omens Of Spring; Dances Of The Youth And Maidens; Ritual Of Abduction |
|
| 7-23 | Part II: Sacrificial Dance |
|
| 7-24 | Part II: Sacrificial Dance |
|
| 7-25 | Part II: Sacrificial Dance |
|
| 7-26 | Symphony Of Psalms, I | |
| 7-27 | "Mondestrunken" From Pierrot Lunaire | |
| A Survivor From Warsaw, Op. 46
Chorus – Festival Singers Of Toronto Composed By – Arnold Schoenberg Conductor – Robert Craft Narrator – John Horton (4) Orchestra – CBC Symphony Orchestra |
||
| 7-29 | Untitled |
|
| 7-30 | Untitled |
|
| 7-31 | Five Pieces For Orchestra, Op. 10, 3: Very Slow And Extremely Calm | |
| Wozzeck, Act III, Scenes 4 And 5
Baritone Vocals – Walter Berry Composed By – Alban Berg Conductor – Pierre Boulez Orchestra – Orchestre National De L'Opéra De Paris |
||
| 7-33 | Untitled |
|
| 7-34 | Untitled |
|
| 7-35 | Untitled |
|
| 7-36 | Untitled |
|
| Concerto For Orchestra | ||
| 7-38 | First Movement: Introduction |
|
| 7-39 | First Movement: Introduction |
|
| 7-40 | First Movement: Introduction |
|
| 7-41 | First Movement: Introduction |
|
| 7-42 | First Movement: Introduction |
|
| 7-43 | First Movement: Introduction |
|
| 7-44 | First Movement: Introduction |
|
| 7-45 | First Movement: Introduction |
|
| 7-46 | Second Movement: Game Of Pairs |
|
| 7-47 | Second Movement: Game Of Pairs |
|
| 7-48 | Second Movement: Game Of Pairs |
|
| 7-49 | Second Movement: Game Of Pairs |
|
| 7-50 | Second Movement: Game Of Pairs |
|
| 7-51 | Second Movement: Game Of Pairs |
|
| 7-52 | Second Movement: Game Of Pairs |
|
| Sonatas And Interludes For Prepared Piano: Sonata No. 2 | ||
| 7-54 | Untitled |
|
| CD 8: Twentieth Century And Beyond, Jazz, American Musical, Nonwestern |
||
| Symphony No. 5, II | ||
| 8-2 | Untitled |
|
| 8-3 | Untitled |
|
| 8-4 | Untitled |
|
| 8-5 | Untitled |
|
| 8-6 | Untitled |
|
| Putnam's Camp, Redding, Connecticut From Three Places In New England | ||
| 8-8 | Untitled |
|
| 8-9 | Untitled |
|
| 8-10 | Untitled |
|
| 8-11 | Untitled |
|
| Afro-American Symphony, III | ||
| 8-13 | Untitled |
|
| 8-14 | Untitled |
|
| 8-15 | Untitled |
|
| 8-16 | Untitled |
|
| Appalachian Spring, Section 7: Theme And Variations On "Simple Gifts" | ||
| 8-18 | Untitled |
|
| 8-19 | Untitled |
|
| 8-20 | Untitled |
|
| 8-21 | Untitled |
|
| 8-22 | Untitled |
|
| Semi-Simple Variations | ||
| 8-24 | Untitled |
|
| 8-25 | Untitled |
|
| 8-26 | Untitled |
|
| 8-27 | Untitled |
|
| 8-28 | Untitled |
|
| Poème Électronique
Composed By, Realization – Edgard Varèse |
||
| 8-30 | Untitled |
|
| 8-31 | Untitled |
|
| 8-32 | Untitled |
|
| 8-33 | Ancient Voices Of Children: "From Where Do You Come, My Love, My Child?"
Composed By – George Crumb Conductor – Arthur Weisberg Mezzo-soprano Vocals – Jan DeGaetani Orchestra – Contemporary Chamber Ensemble |
|
| Knee Play 1 From Einstein On The Beach | ||
| 8-35 | Untitled |
|
| Concerto Grosso 1985, I | ||
| 8-37 | Untitled |
|
| A Short Ride In A Fast Machine
Composed By – John Adams Conductor – Sir Simon Rattle Orchestra – City Of Birmingham Symphony Orchestra |
||
| 8-39 | Untitled |
|
| 8-40 | Untitled |
|
| 8-41 | Untitled |
|
| Maple Leaf Rag | ||
| 8-43 | Untitled |
|
| 8-44 | Untitled |
|
| 8-45 | Untitled |
|
| 8-46 | Lost Your Head Blues
Composed By, Performer – Bessie Smith |
|
| 8-47 | Dippermouth Blues
Composed By, Performer – King Oliver |
|
| Hotter Than That
Composed By, Performer – Louis Armstrong |
||
| 8-49 | Untitled |
|
| 8-50 | Untitled |
|
| 8-51 | Untitled |
|
| 8-52 | Untitled |
|
| 8-53 | Untitled |
|
| 8-54 | Bloomdido | |
| 8-55 | Miles Runs The Voodoo Down From The Album Bitches' Brew (Excerpt)
Composed By, Performer – Miles Davis |
|
| 8-56 | "The Rain In Spain" From My Fair Lady
Composed By – Lerner & Loewe |
|
| "Tonight" Ensemble From West Side Story
Composed By – Leonard Bernstein |
||
| 8-58 | Untitled |
|
| 8-59 | Song Of Angola (Gangele Song)
Composed By – Anonymous |
|
| 8-60 | Mitamba Yalagala
Composed By – Anonymous |
|
| 8-61 | Hinganyengisa Masingita
Composed By – Anonymous |
|
| Maru-Bihag
Composed By, Performer – Ravi Shankar |
||
| 8-63 | Untitled |
|
| 8-64 | Untitled |
|
| 8-65 | Godan Ginuta |
Участники записи:
- Composed By – Richard Wagner
- Conductor – Bernard Haitink
- Orchestra – Concertgebouworkest
Лейблы и идентификаторы:
- Barcode String: 9780072844863
- Barcode Typed: 9 780072 84486 3
- Other ISBN: 0-07-284486-8
Компании:
Нет данных
Участники записи:
- Composed By – Richard Wagner
- Conductor – Bernard Haitink
- Orchestra – Concertgebouworkest