Franz Liszt – The Collection (Piano Music, Orchestral Works, Concertos, Choral Works, Lieder)
| Лейбл: | Deutsche Grammophon – 0289 477 9525 4 Universal – 0289 477 9525 4 |
| Формат: | Box Set |
| Страна: | Europe |
| Дата релиза: | 2011 |
| Жанр: | Classical |
| Стиль: | Romantic |
Подробнее об участниках записи
Треклист:
| Piano Concerto No.1 In E Flat Major, S.124 |
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| 1-2 | 2. Quasi Adagio - Allegretto Vivace - Allegro Animato |
8:54 | |
| 1-3 | 3. Allegro Marziale Animato |
4:03 | |
| Piano Concerto No.2 In A, S.125 |
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| 1-5 | 2. Allegro Moderato - Allegro Deciso |
8:19 | |
| 1-6 | 3. Marziale Un Poco Meno Allegro |
4:23 | |
| 1-7 | 4. Allegro Animato - Stretto (Molto Accelerando) |
1:44 | |
| 1-8 | Totentanz, S. 525 |
15:12 | |
| 2-1 | Fantasia On Hungarian Folk Tunes, S.123 |
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| 2-2 | Malédiction For Piano And Orchestra, S121 |
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| Piano Concerto No.2 In A, S.125 |
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| 2-4 | 2. Andante Sostenuto |
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| 2-5 | 3. Allegro |
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| A Faust Symphony, S.108 |
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| 3-2 | 2. Gretchen |
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| 3-3 | 3A. Mephistopheles |
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| 3-4 | - Final Chorus "Alles Vergängliche Ist Nur Ein Gleichnis" (Chorus, Tenor Solo) |
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| A Dante Symphony, S.109 |
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| 4-2 | 2. Purgatorio |
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| 4-3 | - Magnificat |
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| 5-1 | Prometheus, Symphonic Poem No. 5, S.99 |
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| 5-2 | Les Préludes, Symphonic Poem No. 3, S.97 |
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| 5-3 | Festklänge, Symphonic Poem No. 7, S.101 |
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| 5-4 | Mazeppa, Symphonic Poem No. 6, S.100 |
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| 6-1 | Tasso, Lamento E Trionfo, Symphonic Poem No. 2, S.96
Written-By [After] – George Gordon Byron |
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| Scenes From Lenau's "Faust", S.110 |
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| 6-3 | Von Der Wiege Bis Zum Grabe, Symphonic Poem No.13, S.107 |
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| 7-1 | Heroïde Funèbre, Symphonic Poem No.8, S.102 |
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| 7-2 | Hungaria, Symphonic Poem No.9 S. 103 |
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| 7-3 | Hamlet, Symphonic Poem No.10, S.104 |
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| 7-4 | Hunnenschlacht, Symphonic Poem No.11, S.105 |
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| 8-1 | Ce Qu'On Entend Sur La Montagne, Symphonic Poem No.1, S.95
Written-By [After] – Victor Hugo |
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| 8-2 | Orpheus, Symphonic Poem No.4, S.98 |
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| 8-3 | Die Ideale, Symphonic Poem No. 12, S. 106
Written-By [After] – Friedrich Schiller |
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| 9-1 | Hungarian Rhapsody No. 1 In F Minor, S.359 No. 1 (Corresponds With Piano Version No. 14 In F Minor) | ||
| 9-2 | Hungarian Rhapsody No. 2 In D Minor, S.359 No. 2 (Corresponds With Piano Version No. 2 In C Sharp Minor)
Orchestrated By – Albert Franz Doppler |
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| 9-3 | Hungarian Rhapsody No. 3 In D, S.359 No. 3 (Corresponds With Piano Version No. 6 In D Flat) | ||
| 9-4 | Hungarian Rhapsody No. 4 In D Minor, S.359 No. 4 (Corresponds Piano Version No. 12 In C Sharp Minor)
Orchestrated By – Franz Liszt |
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| 9-5 | Hungarian Rhapsody No. 5 In E Minor, S.359 No. 5 (Corresponds With Piano Version No. 5 In E Minor)
Orchestrated By – Franz Liszt |
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| 9-6 | Hungarian Rhapsody No. 6 In D, S.359 No. 6 (Corresponds With Piano Version No. 9 In E Flat)
Orchestrated By – Franz Liszt |
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| 10-1 | Hungarian Rhapsody No. 1 In C Sharp Minor, S.244/1 |
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| 10-2 | Hungarian Rhapsody No. 2 In C-Sharp Minor, S.244/2 |
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| 10-3 | Hungarian Rhapsody No. 3 In B Flat, S.244 |
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| 10-4 | Hungarian Rhapsody No. 4 In E Flat, S.244 |
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| 10-5 | Hungarian Rhapsody No. 5 In E Minor, S.244 Heroïde-Elégiaque |
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| 10-6 | Hungarian Rhapsody No. 6 In D Flat, S.244 |
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| 10-7 | Hungarian Rhapsody No. 7 In D Minor, S.244 |
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| 10-8 | Hungarian Rhapsody No. 8 In F Sharp Minor, S.244 |
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| 10-9 | Hungarian Rhapsody No. 9 In E Flat, S.244 "Pesther Carneval" |
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| 10-10 | Hungarian Rhapsody No. 10 In E, S.244 "Preludio" |
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| 11-1 | Hungarian Rhapsody No. 11 In A Minor, S.244 |
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| 11-2 | Hungarian Rhapsody No. 12 In C-Sharp Minor, S.244 |
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| 11-3 | Hungarian Rhapsody No. 13 In A Minor, S.244 |
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| 11-4 | Hungarian Rhapsody No. 14 In F Minor, S.244 |
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| 11-5 | Hungarian Rhapsody No. 15 In A Minor, S.244 Rákóczy March |
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| 11-6 | Hungarian Rhapsody No. 16 In A Minor, S.244 |
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| 11-7 | Hungarian Rhapsody No. 17 In D Minor, S.244 |
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| 11-8 | Hungarian Rhapsody No. 18 In F Sharp Minor, S.244 |
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| 11-9 | Hungarian Rhapsody No. 19 In D Minor, S.244 |
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| 11-10 | Rhapsodie Espagnole, S. 254 |
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| Années De Pèlerinage: Première Année: Suisse, S.160 |
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| 12-2 | 2. Au Lac De Wallenstadt |
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| 12-3 | 3. Pastorale |
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| 12-4 | 4. Au Bord D'Une Source |
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| 12-5 | 5. Orage |
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| 12-6 | 6. Vallée D'Obermann |
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| 12-7 | 7. Eglogue |
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| 12-8 | 8. Le Mal Du Pays |
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| 12-9 | 9. Les Cloches De Genêve |
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| Années De Pèlerinage: Deuxième Année: Italie, S.161 |
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| 13-2 | 2. Il Penseroso |
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| 13-3 | 3. Canzonetta Del Salvator Rosa |
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| 13-4 | 4. Sonetto Del Petrarca No. 47 |
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| 13-5 | 5. Sonetto 104 Del Petrarca |
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| 13-6 | 6. Sonetto 123 Del Petrarca |
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| 13-7 | 7. Après Une Lecture Du Dante (Fantasia Quasi Sonata) |
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| Venezia E Napoli, S.162 (Rev. Version 1859) Supplement To Années De Pelerinage, 2ème Année: Italie (S.161) |
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| 13-9 | 2. Canzone |
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| 13-10 | 3. Tarantella |
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| Années De Pèlerinage: Troisième Année, S.163 |
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| 14-2 | 2. Aux Cyprès De La Villa D'Este No.1 (Thrénodie) |
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| 14-3 | 3. Aux Cyprès De La Villa D'Este No.2 (Thrénodie) |
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| 14-4 | 4. Les Jeux D'Eau À La Villa D'Este |
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| 14-5 | 5. Sunt Lacrimae Rerum (En Mode Hongrois) |
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| 14-6 | 6. Marche Funèbre (En Mémoire De Maximilien I) |
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| 14-7 | 7. Sursum Corda (Erhebet Eure Herzen) |
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| 15-1 | Piano Sonata In B Minor, S.178 |
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| 15-2 | Nuages Gris, S.199 |
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| 15-3 | La Notte, S.602 |
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| 15-4 | La Lugubre Gondola, S.200 No.2 |
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| 15-5 | Funérailles |
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| 12 Études D'Exécution Transcendante, S.139 |
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| 16-2 | No. 2 Molto Vivace |
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| 16-3 | No. 3 Paysage (Poco Adagio) |
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| 16-4 | No. 4 Mazeppa (Presto) |
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| 16-5 | No. 5 Feux Follets (Allegretto) |
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| 16-6 | No. 6 Vision (Lento) |
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| 16-7 | No. 7 Eroica (Allegro) |
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| 16-8 | No. 8 Wilde Jagd (Presto Furioso) |
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| 16-9 | No. 9 Ricordanza (Andantino) |
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| 16-10 | No. 10 Allegro Agitato Molto |
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| 16-11 | No. 11 Harmonies Du Soir (Andantino) |
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| 16-12 | No. 12 Chasse Neige (Andante Con Moto) |
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| 2 Etudes De Concert, S.145 |
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| 17-2 | No. 2 Gnomenreigen |
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| 3 Etudes De Concert, S.144 |
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| 17-4 | No. 2 In F Minor "La Leggierezza" (A Capriccio - Quasi Allegretto) |
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| 17-5 | No. 3 In D Flat "Un Sospiro" (Allegro Affettuoso) |
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| 17-6 | Consolation No. 1, Andante Con Moto |
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| 17-7 | Consolation No. 2, Un Poco Più Mosso |
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| 17-8 | Consolation No. 3, Lento Placido - S.142 |
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| 17-9 | Consolation No. 4, Quasi Adagio |
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| 17-10 | Consolation No. 5, Andantino |
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| 17-11 | Consolation No. 6, S.172 No.6, Allegretto Sempre Cantabile |
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| 17-12 | Réminiscences De Don Juan, S. 418 (After Mozart) |
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| 18-1 | Liebestraum No. 1 In A Flat Major, S.541 No.1 |
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| 18-2 | Liebestraum No. 2 In E Flat Major, S.541 No.2 |
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| 18-3 | Liebestraum No. 3 In A-Flat, S.541 No.3 |
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| Legende S. 175 |
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| 18-5 | St. Francis Of Paola Walking On The Water, S. 175 No. 2 |
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| 6 Etudes D'Exécution Transcendante D'Après Paganini, S.140 |
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| 18-7 | 2. Octaves |
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| 18-8 | 3. La Campanella |
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| 18-9 | 4. Arpeggio |
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| 18-10 | 5. La Chasse |
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| 18-11 | 6. Thème Et Variations |
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| 19-1 | Die Forelle, S. 564 Piano Transcription
Written-By [After] – Franz Schubert |
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| 19-2 | Der Müller Und Der Bach
Written-By [After] – Franz Schubert |
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| 19-3 | Wohin?, S565/5
Written-By [After] – Franz Schubert |
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| 19-4 | Lebe Wohl!, S563/1 (After Schubert)
Written-By [After] – Franz Schubert |
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| 19-5 | Das Wandern, S565/1 (After Schubert)
Written-By [After] – Franz Schubert |
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| 19-6 | Der Lindenbaum, S561, No.7 (After Schubert)
Written-By [After] – Franz Schubert |
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| 19-7 | Ständchen ("Horch, Horch! Die Lerch"), S.558 No.9 Piano Transcription After Schubert
Written-By [After] – Franz Schubert |
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| 19-8 | Auf Dem Wasser Zu Singen, S. 558 No.2 Piano Transcription After Schubert
Written-By [After] – Franz Schubert |
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| 19-9 | Die Post, S561/4 (After Schubert)
Written-By [After] – Franz Schubert |
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| 19-10 | Aufenthalt, S.560 (After Schubert, D.957)
Written-By [After] – Franz Schubert |
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| 19-11 | Lob Der Tränen, S557 (After Schubert)
Written-By [After] – Franz Schubert |
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| 19-12 | Erlkönig, S.558 (After , D.328)
Written-By [After D.328 By] – Franz Schubert |
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| Concert Paraphrase On Rigoletto, S.434
Written-By [After The Opera By] – Giuseppe Verdi |
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| 20-2 | Ernani: Concert Paraphrase, S.432 |
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| 20-3 | Il Trovatore: Miserere, S.433 |
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| 20-4 | I Lombardi: Salve Maria: Concert Paraphrase, S.431 |
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| 20-5 | Aida: Danza Sacre E Duetto Finale: Concert Paraphrase, S.436 |
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| 20-6 | Don Carlo: Coro Di Festa E Marcia Funebre: Concert Paraphrase, S.435 |
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| 20-7 | Réminiscences De Simone Boccanegra, S.438
Written-By [After The Opera By] – Giuseppe Verdi |
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| 21-1 | Entry Of The Guests On The Wartburg, S. 445 No. 1 |
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| 21-2 | Spinning Song From Der Fliegende Holländer, S.440 |
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| 21-3 | Elsa's Dream And Lohengrin's Rebuke, S. 446, No. 2 |
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| 21-4 | Isoldes Liebestod, S.447 |
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| 21-5 | Ballade From The Flying Dutchman, S.441 |
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| 21-6 | Fantasy On Themes From Rienzi, S.439 |
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| Fantasy And Fugue On "Ad Nos, Ad Salutarem Undam", S. 259 |
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| 22-2 | 2. Adagio |
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| 22-3 | 3. Fuga |
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| 22-4 | Weinen, Klagen, Sorgen, Zagen - Variations On Bach's Cantata, S.179
Written-By [After The Canatata By] – Johann Sebastian Bach |
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| 22-5 | Evocation To The Sistine Chapel, S.658 |
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| 22-6 | Prelude And Fugue On The Name B-A-C-H, S.260 |
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| 23-1 | Prelude And Fugue On The Name B-A-C-H, S.260 |
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| 23-2 | Orpheus, Symphonic Poem No.4, S.98 | ||
| 23-3 | Ave Maria | ||
| 23-4 | Prometheus, Symphonic Poem No. 5, S.99
Transcription By – Jean Guillou |
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| 24-1 | O Lieb, So Lang Du Lieben Kannst, S.298 |
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| 24-2 | Es Muss Ein Wunderbares Sein S.314 |
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| 24-3 | Die Loreley, S.273 |
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| 24-4 | Angiolin Dal Bionda Crin S.269 |
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| 24-5 | Im Rhein, Im Schönen Strome S.272 |
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| 24-6 | La Tombe Et La Rose S.285 |
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| 24-7 | Le Vieux Vagabond S.304 |
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| 24-8 | Gastibelza S.286 |
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| 24-9 | Hohe Liebe (Uhland) |
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| 24-10 | Gestorben War Ich S.308 |
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| 24-11 | Wie Singt Die Lerche Schön S.312 |
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| 24-12 | Kling Leise, Mein Lied S.301 |
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| 24-13 | Es Rauschen Die Winde S.294 |
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| 24-14 | Ein Fichtenbaum Steht Einsam S.309 |
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| 24-15 | Schwebe, Schwebe, Blaues Auge S.305 |
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| 24-16 | Die Vätergruft S. 281 |
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| 25-1 | Anfangs Wollt' Ich Fast Verzagen S.311 |
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| 25-2 | Lasst Mich Ruhen |
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| 25-3 | In Liebeslust S.318 |
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| 25-4 | Ich Möchte Hingehn |
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| 25-5 | Du Bist Wie Eine Blume |
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| 25-6 | Vergiftet Sind Meine Lieder S.289 |
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| 25-7 | Morgens Steh' Ich Auf Und Frage S.290 |
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| 25-8 | Wer Nie Sein Brot Mit Tränen Aß S.297 |
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| 25-9 | Über Allen Gipfeln Ist Ruh S.306 |
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| 25-10 | Der Du Von Dem Himmel Bist S.279 |
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| Drei Lieder Aus "Wilhelm Tell" S.292 |
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| 25-12 | 2. Der Hirt |
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| 25-13 | 3. Der Alpenjäger |
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| 26-1 | Die Drei Zigeuner S.320 |
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| 26-2 | Die Stille Wasserrose S.321 |
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| 26-3 | Wieder Möcht' Ich Dir Begegnen |
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| 26-4 | Blume Und Duft (Hebbel) |
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| 26-5 | J'Ai Perdu Ma Force Et Ma Vie S.327 Tristesse |
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| 26-6 | Ihr Glocken Von Marling S.328 |
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| 26-7 | Des Tages Laute Stimmen Schweigen S.337 |
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| 26-8 | Oh, Quand Je Dors S 282 |
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| 26-9 | Comment, Disaient-Ils S 276 |
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| 26-10 | Enfant, Si J'Étais Roi S.283 |
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| 26-11 | S'Il Est Un Charmant Gazon S 284 |
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| 26-12 | Der Traurige Mönch S.348 |
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| Tre Sonetti Di Petrarca, S. 270 |
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| 26-14 | 2. Benedetto Sia 'L Giorno |
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| 26-15 | 3. I' Vidi In Terra |
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| Jugendglueck, S. 323 |
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| Die Loreley, S.273 |
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| 27-3 | Ihr Glocken Von Marling S.328 |
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| 27-4 | Es War Ein König In Thule, S. 278 |
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| 27-5 | Freudvoll Und Leidvoll, S. 280 (Ca. 1860) 2. Fassung Der 1. Vertonung |
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| 27-6 | Ich Liebe Dich, S. 315 (1857) |
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| 27-7 | Wo Weilt Er?, S. 295 (Ca. 1845) |
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| Jeanne D'Arc Au Bûcher, S. 293 (1874) |
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| Mignons Lied, S. 275 (Ca. 1856) |
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| 27-10 | Freudvoll Und Leidvoll, S. 280 (Ca. 1848) 2. Vertonung |
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| Tre Sonetti Di Petrarca, S. 270 |
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| La Perla, S. 326 (1872) |
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| Die Fischerstochter, S. 325 (1871) |
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| 27-14 | Es Muss Ein Wunderbares Sein S.314 |
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| 27-15 | O Lieb, So Lang Du Lieben Kannst, S.298 |
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| 28-1 | O Lieb, So Lang Du Lieben Kannst, S.298 |
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| 28-2 | Freudvoll Und Leidvoll (Goethe) |
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| 28-3 | Mignons Lied - Kennst Du Das Land |
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| 28-4 | Es War Ein König In Thule (Goethe) |
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| 28-5 | Über Allen Gipfeln, (Goethe) |
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| 28-6 | Der Du Von Dem Himmel Bist (Goethe) |
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| 28-7 | Ich Möchte Hingehn |
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| 28-8 | Und Wir Dachten Der Toten (Freiligrath) |
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| 28-9 | Lasst Mich Ruhen |
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| 28-10 | Blume Und Duft (Hebbel) |
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| 28-11 | Du Bist Wie Eine Blume |
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| 28-12 | Im Rhein, Im Schönen Strome (Heine) |
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| 28-13 | Was Liebe Sei (Hagn) |
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| 28-14 | Hohe Liebe (Uhland) |
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| 28-15 | Einst (Bodenstedt) |
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| 28-16 | Wieder Möcht' Ich Dir Begegnen |
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| 28-17 | Ihr Auge (Rellstab) |
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| 28-18 | Die Drei Zigeuner S.320 |
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| 28-19 | Vergiftet Sind Meine Lieder S.289 |
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| 28-20 | Ein Fichtenbaum Steht Einsam S.309 |
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| 28-21 | Es Muss Ein Wunderbares Sein S.314 |
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| 28-22 | Oh, Quand Je Dors S 282 |
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| 28-23 | Comment, Disaient-Ils S 276 |
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| 28-24 | S'Il Est Un Charmant Gazon S 284 |
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| 28-25 | Enfant, Si J'Étais Roi S.283 |
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| Die Legende Von Der Heiligen Elisabeth - 1. Ankunft der Elisabeth auf Wartburg |
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| 29-2 | Willkommen Die Braut |
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| 29-3 | Willkommen Mein Töchterlein |
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| 29-4 | So Leg' Ich Dieses Teure Pfand |
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| 29-5 | Was Vaterliebe Treu Vermag |
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| 29-6 | Fröhliche Spiele Sannen Wir Aus |
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| Die Legende von Der Heiligen Elisabeth 2. Landgraf Ludwig |
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| 29-8 | Doch Sieh, Was Schimmert Durch Das Grün |
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| 29-9 | Was Seh' Ich, Rosen! |
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| 29-10 | Ein Wunder! Ja, Ich Will Ihn Loben |
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| Die Legende von Der Heiligen Elisabeth 3. Die Kreuzritter |
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| 29-12 | Versammelt Hab' Ich Meine Treuen |
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| 29-13 | Ins Heil'Ge Land, Ins Palmenland - Hörst Du Den Mahnungsruf? - Es Folg' Uns, Wer Sein Christenschwert |
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| 30-1 | Herein! Herein! Hast Du Die Botschaft Schon Gehört? |
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| 30-2 | O Tag Der Trauer, Tag Der Klage |
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| 30-3 | Entschieden Ist Dein Los - Du Willst Wie Eine Bettlerin - Noch Diese Nacht? - Hier Ist Des Mitleids Stimme Tot |
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| 30-4 | Die Pforte Schloß Sich Hinter Ihr - Es Wächst Der Sturm |
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| 30-5 | Es Beruhigt Sich Das Toben |
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| 30-6 | Hier Wohnt Sie Unterm Hüttendach |
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| 30-7 | Die Lüfte Schauern Kühl |
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| 30-8 | Der Schmerz Ist Aus, Die Bande Weichen |
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| 30-9 | So Kommt, Laßt Uns Zur Letzten Huldigung - Decorata Novo Flore |
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| Missa Choralis (S.10) |
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| 31-2 | Gloria |
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| 31-3 | Credo |
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| 31-4 | Sanctus |
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| 31-5 | Benedictus |
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| 31-6 | Agnus Dei |
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| Hungarian Coronation Mass, S.11 |
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| 31-8 | 2. Gloria |
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| 31-9 | 3. Graduale (Psalm 116) |
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| 31-10 | 4. Credo |
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| 31-11 | 5. Offertorium |
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| 31-12 | 6. Sanctus |
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| 31-13 | 7. Benedictus |
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| 31-14 | 8. Agnus Dei |
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| Missa Solemnis Zur Einweihung Der Basilika In Gran |
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| 32-2 | 2. Gloria |
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| 32-3 | 3. Credo |
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| 32-4 | 4. Sanctus |
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| 32-5 | 5. Benedictus |
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| 32-6 | 6. Agnus Dei |
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| Via Crucis, Version With Piano/Organ, S.53 |
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| 33-2 | Station I: Jesus Wird Zum Tode Verdammt |
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| 33-3 | Station Ii: Jesus Trägt Sein Kreuz |
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| 33-4 | Station Iii: Jesus Fällt Zum Ersten Mal |
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| 33-5 | Station Iv: Jesus Begegnet Seiner Heiligen Mutter |
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| 33-6 | Station V: Simon Von Kyrene Hilft Jesus Das Kreuz Zu Tragen |
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| 33-7 | Station Vi: Sancta Veronica |
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| 33-8 | Station Vii: Jesus Fällt Zum Zweiten Mal |
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| 33-9 | Station Viii: Die Frauen Von Jerusalem |
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| 33-10 | Station Ix: Jesus Fällt Zum Dritten Mal |
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| 33-11 | Station X: Jesus Wird Entkleidet |
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| 33-12 | Station Xi: Jesus Wird Ans Kreuz Geschlagen |
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| 33-13 | Station Xii: Jesus Stirbt Am Kreuze |
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| 33-14 | Station Xiii: Jesus Wird Vom Kreuz Genommen |
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| 33-15 | Station Xiv: Jesus Wird Ins Grab Gelegt |
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| Légendes De Saint Francois |
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| 34-2 | Francesco D'Assisi |
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| 34-3 | Cantique Au Soleil Pour Baryton, Choer Et Orchestre |
Участники записи:
- Choir – St. John's College Choir
- Choir – Hersfelder Festspielchor
- Choir – Kinderchor Siegfried Heinrich
- Choir – RIAS-Kammerchor
- Choir – Frankfurter Konzertchor
- Choir – Marburger Konzertchor
- Choir – Nederlands Kamerkoor
- Chorus – Chor der Staatsoper Dresden
- Chorus – Budapesti Kórus
- Chorus – Women's Chorus Of The Dresden State Opera Chorus
- Chorus Master – Matthias Brauer
- Composed By – Franz Liszt
- Conductor – Ivan Fischer
- Conductor – Reinbert de Leeuw
- Conductor – János Ferencsik
- Conductor – Georg Solti
- Conductor – Seiji Ozawa
- Conductor – George Guest (2)
- Conductor – Gerd Albrecht
- Conductor – Siegfried Heinrich
- Conductor – Forrai Miklós
- Conductor – Bernard Haitink
- Conductor – Giuseppe Sinopoli
- Conductor – Herbert von Karajan
- Orchestra – London Philharmonic Orchestra
- Orchestra – Hungarian State Orchestra
- Orchestra – Orchestre De Paris
- Orchestra – The London Symphony Orchestra
- Orchestra – Radio-Symphonie-Orchester Berlin
- Orchestra – Berliner Philharmoniker
- Orchestra – Boston Symphony Orchestra
- Orchestra – Radio Symphony Orchestra Warsaw
- Orchestra – Staatskapelle Dresden
- Orchestra – The London Philharmonic Orchestra
- Orchestra – Budapest Festival Orchestra
- Orchestra – London Symphony Orchestra
- Organ – Stephen Cleobury
- Performer – András Faragó
- Performer – Sándor Margittay
- Performer – Maria Szechowska
- Performer – Mária Werner
- Performer – Klaus Lapins
- Performer – Alfonz Bartha
- Performer – Doreen Millmann
- Performer – Brigitte Fassbaender
- Performer – Dietrich Fischer-Dieskau
- Performer – István Berczelly
- Performer – József Simándy
- Performer – Tiszay Magda
- Performer – Vinson Cole
- Performer – Walton Grönroos
- Performer – Hildegard Behrens
- Performer – Szecsődy Irén
- Performer – Olga Szönyi
- Piano – Cord Garben
- Piano – Nikita Magaloff
- Piano – Wilhelm Kempff
- Piano – Thomas Trotter
- Piano – Claudio Arrau
- Piano – Daniel Barenboim
- Piano – Shura Cherkassky
- Piano – Jean-Yves Thibaudet
- Piano – Jorge Bolet
- Piano – Lazar Berman
- Piano – Alice Sara Ott
- Piano – Irwin Gage
- Piano – Krystian Zimerman
- Piano – Roberto Szidon
- Piano – John Ogdon
- Piano – Brenda Lucas
Лейблы и идентификаторы:
- Barcode : 028947795254
Компании:
Нет данных
Участники записи:
- Choir – St. John's College Choir
- Choir – Hersfelder Festspielchor
- Choir – Kinderchor Siegfried Heinrich
- Choir – RIAS-Kammerchor
- Choir – Frankfurter Konzertchor
- Choir – Marburger Konzertchor
- Choir – Nederlands Kamerkoor
- Chorus – Chor der Staatsoper Dresden
- Chorus – Budapesti Kórus
- Chorus – Women's Chorus Of The Dresden State Opera Chorus
- Chorus Master – Matthias Brauer
- Composed By – Franz Liszt
- Conductor – Ivan Fischer
- Conductor – Reinbert de Leeuw
- Conductor – János Ferencsik
- Conductor – Georg Solti
- Conductor – Seiji Ozawa
- Conductor – George Guest (2)
- Conductor – Gerd Albrecht
- Conductor – Siegfried Heinrich
- Conductor – Forrai Miklós
- Conductor – Bernard Haitink
- Conductor – Giuseppe Sinopoli
- Conductor – Herbert von Karajan
- Orchestra – London Philharmonic Orchestra
- Orchestra – Hungarian State Orchestra
- Orchestra – Orchestre De Paris
- Orchestra – The London Symphony Orchestra
- Orchestra – Radio-Symphonie-Orchester Berlin
- Orchestra – Berliner Philharmoniker
- Orchestra – Boston Symphony Orchestra
- Orchestra – Radio Symphony Orchestra Warsaw
- Orchestra – Staatskapelle Dresden
- Orchestra – The London Philharmonic Orchestra
- Orchestra – Budapest Festival Orchestra
- Orchestra – London Symphony Orchestra
- Organ – Stephen Cleobury
- Performer – András Faragó
- Performer – Sándor Margittay
- Performer – Maria Szechowska
- Performer – Mária Werner
- Performer – Klaus Lapins
- Performer – Alfonz Bartha
- Performer – Doreen Millmann
- Performer – Brigitte Fassbaender
- Performer – Dietrich Fischer-Dieskau
- Performer – István Berczelly
- Performer – József Simándy
- Performer – Tiszay Magda
- Performer – Vinson Cole
- Performer – Walton Grönroos
- Performer – Hildegard Behrens
- Performer – Szecsődy Irén
- Performer – Olga Szönyi
- Piano – Cord Garben
- Piano – Nikita Magaloff
- Piano – Wilhelm Kempff
- Piano – Thomas Trotter
- Piano – Claudio Arrau
- Piano – Daniel Barenboim
- Piano – Shura Cherkassky
- Piano – Jean-Yves Thibaudet
- Piano – Jorge Bolet
- Piano – Lazar Berman
- Piano – Alice Sara Ott
- Piano – Irwin Gage
- Piano – Krystian Zimerman
- Piano – Roberto Szidon
- Piano – John Ogdon
- Piano – Brenda Lucas
