Various – An Invitation To Dance
| Лейбл: | In Classical Mood – 12 In Classical Mood – ICM012 |
| Формат: | CD |
| Страна: | US |
| Дата релиза: | 1998 |
| Жанр: | Classical |
| Стиль: | Baroque, Classical, Modern, Opera, Romantic |
Подробнее об участниках записи
Треклист:
| 1 | The Bartered Bride: Act 3 (Dance Of The Comedians) | 5:32 | |
| 2 | Peer Gynt, Suite No. 1, Opus 46: Anitra's Dance
Composed By – Edvard Grieg Conductor – Enrique Batiz Orchestra – The Budapest Philharmonic Orchestra |
3:35 | |
| 3 | Slavonic Dance No. 8, Opus 46 | 4:04 | |
| 4 | Mazurka In B-flat Major No. 1, Opus 7 | 2:17 | |
| 5 | Symphonie Fantastique: Second Movement (Un Bal) | 6:27 | |
| 6 | Tritsch Tratsch Polka
Composed By – Johann Strauss Jr. Conductor – Joseph Francek Orchestra – The Vienna Strauss Orchestra |
2:38 | |
| 7 | España, Opus 16 | 2:37 | |
| 8 | Invitation To The Dance
Composed By – Carl Maria von Weber Conductor – Roy Goodman Orchestra – Hanover Band Orchestrated By – Hector Berlioz |
9:29 | |
| 9 | Symphony No. 5 In B-flat Major: Third Movement | 5:42 | |
| 10 | Ancient Airs And Dances: Suite No. 2 (Bergamasca) | 4:46 | |
| 11 | Eugene Onegin: Act 3, Scene 1 | 4:42 | |
| 12 | Wilson's Wilde/Mistress Winter's Jump | 2:50 | |
| 13 | La Gioconda: Act 3 (Dance Of The Hours)
Composed By – Amilcare Ponchielli Conductor – András Kórodi Orchestra – The Budapest Philharmonic Orchestra |
9:32 | |
| 14 | Prince Igor: Act 2 (Polovtsian Dances)
Composed By – Alexander Borodin Conductor – Enrique Batiz Orchestra – Orquesta Sinfonica Del Estado De Mexico |
9:14 |
Участники записи:
- Illustration [All Illustrations And Symbols] – John See (2)
Лейблы и идентификаторы:
- Other ISBN: 1-886614-34-2
- Other : US P 2201 12 012
Компании:
- Copyright (c) – Brewhouse Music
- Copyright (c) – Lambourne Productions Limited
- Copyright (c) – Chandos Records Ltd
- Copyright (c) – International Masters Publishers AB
- Copyright (c) – Nimbus Records Limited
- Copyright (c) – Delta Music GMBH
- Copyright (c) – ASV Ltd.
Участники записи:
- Illustration [All Illustrations And Symbols] – John See (2)
