Trevor Wishart – On Sonic Art
| Лейбл: | Harwood Academic Publishers – 3-7186-5848-8 |
| Формат: | CD |
| Страна: | Netherlands |
| Дата релиза: | 1996 |
| Жанр: | Electronic, Non-Music |
| Стиль: | Education, Experimental, Field Recording, Musique Concrète, Technical |
Подробнее об участниках записи
Треклист:
| Chapter 1 |
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| 1 | Musical Box From Menagerie |
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| Chapter 2 |
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| 2 | Anna's Magic Garden |
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| Chapter 3 |
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| 3.1 | Melody With Individual Elements Less Than Five Milliseconds Long |
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| 3.2 | Melody With Individual Elements Ten Milliseconds Long |
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| 4.1 | A Low Note On The Piano |
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| 4.2 | As 3.3 But Filtering Out All Frequencies Below The Second Harmonic |
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| 5 | An Example Of Shepard Tones
Performer – Jean-Claude Risset |
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| 6.1 | White Noise |
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| 6.2 | Complex Sound |
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| 7.1 | As 3.6 |
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| 7.2 | Melody Of Filtered Noise |
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| 8.1 | (A) Piano With 'Flattened Envelope' (B) Flute At Same Pitch |
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| 8.2 | (A) Flute With Imposed 'Piano Envelope' (B) Piano At Same Pitch |
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| 9.1 | Sound With Relatively Constant Envelope |
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| 9.2 | Piano Note |
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| 10.1 | Bell Sound |
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| 10.2 | Cymbal Sound |
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| 11 | Vibraphone Sound |
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| 12.1 | Flute Note |
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| 12.2 | Trumpet Note |
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| 13 | The Influence Of Onset Synchrony On Coherence |
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| 14 | Splitting An Aural Image Into Two
Performer – Roger Reynolds |
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| 15 | Different Sound Objects From A Single Source |
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| 16 | Sound Of Definite Mass |
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| 17.1 | Grain Illustrated With Electronic Impulses |
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| 17.2 | Grain Illustrated For A Bassoon Note |
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| 18 | Speed Up Of Melody Into Grain |
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| 19 | Speed Up Of String Of Speech Sounds Approaches Speech Multiplex |
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| Chapter 4 |
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| 20 | Two Sequences Based On David Wessel's Researches Into Timbre Space
Performer – David Wessel |
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| Chapter 5 |
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| 21 | Chant Example: Transformation From Bell To Male Voice
Performer – Jean-Baptiste Barrière |
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| 22 | Red Bird Transformation: '(Li)-sss-(ten)' To Birdsong |
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| 23 | A Typically Vocally-Produced Multiplex |
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| 24 | As 5.3 But The Field Characteristic Of The Multiplex Changes With Time |
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| Chapter 6 |
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| 25 | Anna's Magic Garden |
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| 26 | Anticredos (Unspatialised Extract From Wishart Studio Demo Version) |
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| Chapter 7 |
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| 27 | Automusic (Extract) |
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| 28 | Chant Example: Transformation From Bell To Male Voice
Performer – Jean-Baptiste Barrière |
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| 29 | Red Bird: Book/Door Slam |
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| 30 | Red Bird: Lisss/Birds |
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| 31 | Musical Box From Menagerie |
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| 32 | Still Life From Menagerie |
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| Chapter 8 |
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| 33 | Sound-Image 'Bellows/Water-Pump' |
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| 34 | 'Listen To Reason' Transformation |
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| 35 | Garden Landscape |
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| 36 | Reason Landscape |
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| 37 | Animal-Like Sound Images |
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| 38 | Bird Cadenza |
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| 39 | Word Machine |
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| 40 | Phonemes As Flocking Birds |
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| 41 | 'Rea' Transformation To Bark |
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| 42 | '-ble' Bursts Into Bubbling |
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| 43 | Ambiguous Machinery / Animal Landscape |
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| 44 | 'Rea' Transformation To Clock |
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| Chapter 11 |
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| 45 | Comparison Of Simulated Signals Of The Great Northern Diver (Loon), The Wolf, The Whale And The Red Squirrel |
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| Chapter 12 |
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| The Glottis And Windpipe |
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| 46.1 | Glottal Vibrations (Vibrating Larynx): Iterated Impulses (Unpitched) |
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| 46.2 | Glottal Vibrations (Vibrating Larynx): Normal Rate Of Vibration (Pitched) |
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| 46.3 | Windpipe Vibration Caused By Forcible Exhalation From Lungs: Below The Larynx |
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| 46.4 | Windpipe Vibration Caused By Forcible Exhalation From Lungs: Above The Larynx |
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| 47.1 | As 12.3 |
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| 47.2 | The Same (As 12.3) Combined With The Sound Of The Larynx |
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| 47.3 | As 12.4 |
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| 47.4 | The Same (As 12.4) Combined With The Sound Of The Larynx |
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| 47.5 | Octave Division (Normal Pitch Followed By Division) |
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| The Tongue |
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| 48.1 | Tongue Vibrations: Tip At Front Of Mouth |
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| 48.2 | Tongue Vibrations: Tip Onto Soft Palate |
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| 48.3 | Tongue Vibrations: Tip Strongly Retroflexed |
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| 49.1 | Rolled 'R' With Arched Tongue Middle Mouth |
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| 49.2 | Rolled 'R' With Arched Tongue Back Of Mouth |
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| 49.3 | Rolled 'R' With Arched Tongue Against Uvula (Snoring) |
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| 49.4 | Rolled 'R' With Arched Tongue Brought Into Sung Pitch Range |
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| The Lips And Cheeks |
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| 50.1 | Lip Vibration: Normal |
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| 50.2 | Lip Vibration: Folded Towards Teeth |
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| 50.3 | Lip Vibration: Strongly Pouted Outwards |
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| 50.4 | Use Of Hands To Assist Production Of Long Lip Notes |
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| 50.5 | Lip Oscillation Variations |
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| 50.6 | Tow Independent Lip Oscillations |
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| 51.1 | Cheek Vibrations With Pitch Variations Controlled By Hands |
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| 51.2 | Sub-Audio Cheek Vibration |
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| 51.3 | Independent Cheek Vibrations (With Resultant Beats) |
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| Filters |
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| 52.1 | Sun Vowels |
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| 52.2 | Different Routes From A To Ü Through The Vowel Space |
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| 52.3 | Effect Of Lip Rounding On Formants (Vowels) |
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| 52.4 | Different Mouth (Formant) Positions For I: (u)le As Compared With (e)le |
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| 53.1 | Filtered Inhaled Glottal Clicks |
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| 53.2 | Vocal Analogue Of Shepard Tone (Rising And Falling) |
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| 53.3 | Filtered Lip Vibrations |
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| 53.4 | Use Of Hands To Filter Cheek Vibrations |
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| 53.5 | Hand Funnel Filtering (Noise Sound) |
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| 54.1 | Formant Filtering To Accentuate Harmonics Of A Glottal Tone |
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| 54.2 | Formant Filtering To Accentuate Harmonics Of A Glottal Subharmonic |
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| 54.3 | Formant Filtering To Accentuate Harmonics Of A High Pitched Tongue Vibration |
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| Filtered Noise And Whistles |
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| 55.1 | Changing Formant Structure Of Continuous Noise Consonants (Mouth Cavity) |
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| 55.2 | Changing Formant Structure Of Continuous Noise Consonants (Mouth Cavity / Tongue Combination) |
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| 55.3 | X/f Hybrid Continuous Consonant |
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| 56.1 | The Lip Whistle: Three Registers |
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| 56.2 | Tongue Whistle (Tongue Arch Rear Position) |
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| 56.3 | Tongue Whistle (Tip Of Tongue in Sh Position) |
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| 56.4 | Tongue Whistle (Tip Of Tongue in S Position) |
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| 56.5 | Tongue / Lips Double Whistle |
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| Double And Treble Production |
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| 57.1 | Different Types Of Roar Or Bark (3 Variants) |
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| 57.2 | Tongue Vibration (rrr) Combined With Glotal Sounds (3 Variants) |
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| 57.3 | Tongue Vibration (RRR) Combined With Glotal Sounds (2 Variants) |
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| 57.4 | Tongue Vibration (Retroflexed RRR) Combined With Glottal Sounds (2 Variants) |
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| 57.5 | Tongue Vibrations (Uvula U) Combined With Glottal Sounds (3 Variants) |
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| 58.1 | Combinations Of Lip And Glottis Vibrations |
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| 58.2 | Combinations Of Cheek And Glottis Vibrations |
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| 58.3 | Combinations Of Noise Sounds And Glottis Vibrations |
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| 58.4 | Combination With Intermodulation Of (a) Ordinary Whistling With Singing Compared With (b) High S-Whistle With Low Glottal Sounds |
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| 58.5 | Two Simultaneous Tongue Vibrations |
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| 58.6 | Combination Of Lip And Tongue Vibrations (With Intermodulation) |
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| 59.1 | Cheek And Tongue Vibrations |
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| 59.2 | Noise And Tongue Vibrations |
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| 59.3 | Lips And Arched Tongue Vibrations |
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| 59.4 | Cheeks And Arched Tongue Vibrations |
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| 60.1 | Noise And Arched Tongue Vibrations |
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| 60.2 | Whistle And Arched Tongue Vibrations |
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| 60.3 | Noise And Uvular Vibration Of Tongue |
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| 60.4 | Noise And Lip Vibrations |
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| 61.1 | Whistle And Lip Vibrations ('Trimphone') |
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| 61.2 | Simultaneous Noise, Tongue, Lip, Glottis Vibrations Independently Articulated |
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| 61.3 | Glottis And Tongue Vibration Through Pouted Lips ('Trumpet') |
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| Air Stream And Other Effects |
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| 62.1 | 'Wamp', 'Half-wamp' And 'Quarter-wamp' |
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| 62.2 | Half-Lunged Multiphonic |
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| 62.3 | Unlunged Whistle |
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| 63.1 | Manual-Diaphragm Flutter (Continuous Sound) |
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| 63.2 | Manual-Diaphragm Drumming (Short Staccato Sounds) |
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| 63.3 | Shake-head Flutter (Pitched And Noise Versions) |
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| 63.4 | Drum-glottis Flutter |
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| 63.5 | Shake-body Flutter |
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| 64.1 | Drum-cheeks Flutter |
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| 64.2 | Strum-Lips Flutter |
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| 64.3 | Strum-Nose Flutter |
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| 64.4 | Diaphragm Flutter With Tongue Vibration |
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| 64.5 | Diaphragm Flutter With Lip Vibration |
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| 65.1 | Ululation |
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| 65.2 | Ululation Across Break In Voice |
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| 65.3 | Ululation With High Depth ('Laugh') |
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| Water Effects |
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| 66.1 | Arched Tongue Vibration With Saliva/Water |
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| 66.2 | X/Water |
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| 66.3 | Filter X/Water |
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| 66.4 | Filtered Half-Lunged X/Water |
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| 66.5 | K-Plosive + X/Water ('Children's Gunshot') |
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| 66.6 | Filtered Half-Lunged X/Water: Plosive Staccato Production |
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| 67.1 | Filtered Half-Lunged X/Water: Plosive Staccato Production + Tongue-Tip Vibration |
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| 67.2 | Unvoiced/Water Sounds With Pitch Content |
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| 67.3 | Inhaled Lip Vibration (Normal Then Water Behind Lips) |
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| 67.4 | Inhaled Air Stream With Water Around The Sides Of Tongue |
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| Transformations (Exhaled Sustainable Sounds) |
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| 68.1 | Tongue Oscillation Transformations |
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| 68.2 | As 94 Adding And Subtracting Water |
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| 69.1 | Pitched Production: Transformations Between Lunged And Half-lunged |
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| 69.2 | Pitched Production: Transformations Between Under- And Over-breathed |
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| 70.1 | Pitched Production: Transformation Between Normal And Fluttered |
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| 70.2 | Transformation From Tongue To Lip Vibration |
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| Inhaled Sounds |
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| 71.1 | Inhaled Lip Vibrations: Tones, Pulses, Multiphonics |
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| 71.2 | As 100 + Control With Heals Of Hands |
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| 71.3 | Inhaled Tongue Vibration (Retroflex Position) |
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| 71.4 | Inhaled Tongue Vibration (Uvula Position) |
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| 72.1 | Inhaled Pure Tones |
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| 72.2 | Inhaled Click Trains |
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| 72.3 | Inhaled Sub-Harmonics |
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| 72.4 | Inhaled Complex Multiphonics |
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| 72.5 | Inhaled Unstable Complex Vibration |
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| 72.6 | Inhaled Unstable Complex Vibration With Filtering |
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| Pulses |
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| 73.1 | Epiglottis Pulses |
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| 73.2 | Arched Tongue Pulses (Rear, Centre And Front) |
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| 73.3 | Tip Of Tongue Pulses (From Retroflexed To Further Forward) |
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| 73.4 | Tongue/Teeth And Tongue/ Top Lip Pulses |
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| 73.5 | Teeth And Lips Pulses |
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| 73.6 | Lips Pulses |
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| 74.1 | Pulses k and t: Lunged, Half Lunged, Unlunged |
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| 74.2 | Plosive Half-lunged d |
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| 74.3 | Plosive Half-lunged p |
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| 74.4 | Plosive Unlunged p |
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| Voiced Pulses |
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| 75.1 | Pulse D (Lunged) With Secondary Voicing And Breath |
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| 75.2 | As 120: Other Types Of Voicing (Windpipe, Tongue Vibration, Whistle) |
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| 75.3 | Pulse K (Lunged): Vibration Of Airstream Content |
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| 75.4 | Pulse k (Lunged): Vibration Of Airstream Type |
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| 75.5 | Pulse K (Lunged): Vibration Of Airstream Glissando |
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| 75.6 | Plosive Air Stream Effect (Suppression Of Original Pulses) |
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| Pulses With Stops, Buzzes, Filtering |
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| 76.1 | Plosive D (Unvoiced, Voiced) Compared With Addition Of G-Stop (d(g)!) (Unvoiced, Voiced) |
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| 76.2 | Plosive D With Addition Of p-stop (d(p)!) |
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| 76.3 | Drum Imitation (d(g)! With Glottal Vibration) |
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| 76.4 | H-stream Stopped With Ch And K |
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| 76.5 | S-stream Stopped With P |
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| 76.6 | Slap Tongue (Unlunged T), Slap Teeth Pulses |
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| 77.1 | Buzzed Lips: Lunged |
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| 77.2 | Buzzed Lips: Half Lunged |
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| 77.3 | Buzzed Lips: Unlunged |
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| 77.4 | As 134 With Air Exhalation |
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| 77.5 | Manually Initiated Lip Pulses |
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| 78.1 | Pulse (Unlunged K) With Oral Filtering |
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| 78.2 | Pulse (Unlunged P) Resonance Control Through Pouting |
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| 78.3 | Plosive Click With Filter Glissando |
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| Simultaneous And Alternated Pulses |
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| 79.1 | Simultaneous Pulses G + K |
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| 79.2 | Simultaneous Pulses T + K |
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| 79.3 | Pulse Alternation Tktk…: Lunged |
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| 79.4 | Pulse Alternation Tktk…: Half-Lunged |
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| 79.5 | Pulse Alternation tktk…: Unlunged |
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| 79.6 | Pulse Alternation Gthgth…: Unlunged |
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| 80.1 | Pulse Alternation Ptpt…: Lunged |
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| 80.2 | Pulse Alternation Ptpt…: Half-lunged |
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| 80.3 | Pulse Alternation Ptpt…: Unlunged |
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| 80.4 | Manual Iteration Lip Pulses: Lunged |
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| 80.5 | Manual Iteration Lip Pulses: Unlunged |
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| Pulses (Clicks And Combinations) |
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| 81.1 | Pulse During Inhalation At Epiglottis |
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| 81.2 | Unlunged Click: Lateral Tongue Movement |
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| 81.3 | Unlunged Click: Vertical Tongue Movement (kl) |
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| 81.4 | Unlunged Click: Plosive Vertical Tongue Movement |
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| 81.5 | Unlunged T- Or Tut-click |
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| 81.6 | Unlunged Th-click |
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| 82.1 | Kiss (Short) With Various Degrees Of Lip Pouting |
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| 82.2 | Plosive + Kiss Combination |
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| 82.3 | Lateral + Kiss Combination |
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| Transitionals And Percussives |
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| 83 | Consonant Transitions Between Harmonics Of A Given Glottal Pitch: M, N, Ng, 'Deep' Ng |
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| 84 | Iterations Of Transitionals: Mnmn… And N-ng-n-ng… |
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| 85.1 | Hand Clap With Mouth As Variable Resonator |
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| 85.2 | Tapping Teeth With Mouth As Variable Resonator |
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| 85.3 | Popping Finger Out Of Closed Lips |
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| 85.4 | Manual Expulsion Of Air From Checks Through Lips |
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| 85.5 | Water Drop |
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| Multiplexes And Complex Articulations |
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| 86.1 | Multiplex Combinations: Pkƒlgr + X+ (Lunged And Half-Lunged) + Lip-Flabber |
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| 86.2 | As 167 + Tongue Movement |
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| 86.3 | As 168 + Glottal Glissando |
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| Chapter 13 |
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| 87 | Birdsong Trills Slowed Down |
Участники записи:
- Performer – Trevor Wishart
Лейблы и идентификаторы:
- Barcode : 9 783718 658473
- Other ISBN (paperback): 3-7186-5847-X
Компании:
Нет данных
Участники записи:
- Performer – Trevor Wishart
