Yehudi Menuhin – Instruments Of The Orchestra
| Лейбл: | Oxford University Press – OUP 137 |
| Формат: | Cassette |
| Страна: | France |
| Жанр: | Classical, Non-Music |
| Стиль: | Classical, Education |
Подробнее об участниках записи
Треклист:
| Violin |
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| A1 | String Orchestra - Air From Suite No. 3 In D | |
| A2 | Open Strings And Compass-Scales
Violin – Yehudi Menuhin |
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| A3 | Crescendo And Diminuendo (Selection Of Chaconne From Bach's Suite No. 4 In D Minor) | |
| Methods Of Bowing:
Violin – Yehudi Menuhin |
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| A4.b | Martellato (Bourrée From Bach's Partita In G Minor) |
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| A4.c | Tremolo (Song Of The Volga Boatmen) |
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| A4.d | Col Legno |
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| A5 | Double Stopping (Drink To Me Only) | |
| A6 | Muted Strings (Mozart's Concerto In G Major, K.216)
Violin – Yehudi Menuhin |
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| A7 | Harmonics (A) Natural, (B) Artificial
Violin – Yehudi Menuhin |
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| A8 | Pizzicato (Nel Cor Più Non Mi Sento) | |
| A9 | Sound Of Violin Section Of Full Orchestra (Finale, Symphony No. 1) | |
| Viola |
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| A10 | Open Strings Of Violin Followed By Open Strings And Compass Of Viola
Viola – Yehudi Menuhin |
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| A11 | Tone Quality (Opening Of 2nd Movement Of Mozart's Sinfonia Concertante, K.364) | |
| A12 | Sound Of The Viola Section (Finale, Brandenburg Concerto No. 6) | |
| Cello |
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| A13 | Open Strings And Compass Of Cello In Comparison With Open Strings Of Viola
Cello – Anthony Pini |
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| A14 | Melody In Low Register (From 1st Movement Of Schubert's Unfinished Symphony) | |
| A15 | Melody In High Register (From Weber's Invitation To The Dance) | |
| A16 | Muted Strings (From Same Work) | |
| A17 | Harmonics
Cello – Anthony Pini |
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| A18 | Sound Of Cello With Orchestra (From Opening Of 3rd Movement Of Brahm's Piano Concerto No. 2) | |
| A19 | Sound Of Cello Section (Recapitulation Of 1st Movement Of Schubert's Unfinished Symphony) | |
| Double Bass |
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| A20 | Open Strings And Compass Of Double Bass In Comparison With Open Strings Of Cello
Double Bass – Edmund Chesterman |
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| A21 | Pizzicato (From Sing For You Supper) | |
| A22 | Sound Of Double Bass Playing Bass Part (Scherzo From Beethoven's Fifth Symphony) | |
| A23 | Full Orchestra Playing Same Passage | |
| Harp |
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| A24.a | Compass - 47 Strings, Plucked
Harp – Renata Scheffel-Stein |
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| A24.b | Chords (With Pedal Changes)
Harp – Renata Scheffel-Stein |
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| A24.c | Whole-Tone Scale (Sons Étouffés)
Harp – Renata Scheffel-Stein |
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| A24.d | Prés De La Table (Near The Soundboard)
Harp – Renata Scheffel-Stein |
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| A25 | Glissando
Harp – Renata Scheffel-Stein |
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| A26 | Harmonics
Harp – Renata Scheffel-Stein |
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| A27 | Solo (Capriccio Espagnol) | |
| Flute |
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| A28 | Primitive Whistle (Actual Instrument)
Flute – Geoffrey Gilbert |
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| A29 | Scale Passage Showing Compass Of Flute
Flute – Geoffrey Gilbert |
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| Tone Quality
Flute – Geoffrey Gilbert |
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| A30.b | High Register (From Bizet's Carmen) | |
| A31 | Three Flutes Playing Together (Dance Of The Flutes From Tchaikovsky's Nutcracker Suite) | |
| Piccolo |
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| A32 | Scale Passage Showing Compass (From Danse Chinoise, Nutcracker Suite) | |
| A33 | Extract From Rossini's Semiramide Overture | |
| Clarinet |
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| A34 | Compass Of Instrument
Clarinet – Jack Brymer |
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| Tone Quality
Composed By – Pyotr Ilyich Tchaikovsky Conductor – Constantin Silvestri Orchestra – Philharmonia Orchestra |
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| A35.b | High Register (From Mendelssohn's Overture Fingal's Cave)
Composed By – Felix Mendelssohn-Bartholdy Conductor – Sir Eugene Goossens Orchestra – The Royal Philharmonic Orchestra |
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| A36 | Comparison Of Flute And Clarinet (Blue Bird Variation From Tchaikovsky's Sleeping Beauty) | |
| A37 | Music For 2 Clarinets Playing In Different Registers (Trio, 3rd Movement Of Mozart's Symphony No. 39) | |
| Bass Clarinet |
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| A38 | Compass Of Instrument
Bass Clarinet – Walter Lear |
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| A39 | Solo From Dance Of The Sugar Plum Fairy, Nutcracker Suite | |
| A40 | Same Phrase With Celeste Added |
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| Oboe |
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| A41 | Sound Of Reed Alone
Oboe – Terence MacDonagh |
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| A42 | Compass
Oboe – Terence MacDonagh |
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| A43 | Quick Passage (From Hornpipe By Purcell) | |
| Two Characteristic Solo Passages | ||
| A44.b | From Schubert's Great C Major Symphony
Composed By – Franz Schubert Conductor – Rafael Kubelik Orchestra – The Royal Philharmonic Orchestra |
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| Cor Anglais |
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| A45 | Oboe Compass Followed By Scale Of Cor Anglais
Cor Anglais – Terence MacDonagh |
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| A46 | Melody From Slow Movement Of Dvořak's New World Symphony | |
| Bassoon |
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| B1 | Compass
Bassoon – Gwydion Brooke |
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| B2 | Staccato Playing (From Symphony No. 4) | |
| Tone Quality | ||
| B3.b | Low Register (From Bizet's Carmen) | |
| Double Or Contra Bassoon |
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| B4 | Lowest Notes Compared With Bottom Notes Of Bassoon
Bassoon – Kenneth Cooper |
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| B5 | Typical Double Bassoon Part (Brahms' Symphony No. 1, Finale) | |
| B6 | Full Orchestra Playing Same Passage | |
| Trumpet |
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| Open Notes:
Trumpet – David Mason (2) |
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| B7.b | Harmonic Series In A |
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| B8 | Natural Trumpet Solo (Overture, Leonora No. 3) | |
| B9 | Valve Trumpet (Ballerina's Dance From Petrouchka) | |
| B10 | Two Trumpets In Full Orchestra (From Tchaikovsky's Romeo And Juliet Overture)
Composed By – Pyotr Ilyich Tchaikovsky Conductor – Artur Rodzinski Orchestra – The Royal Philharmonic Orchestra |
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| Mute Effects
Trumpet – David Mason (2) |
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| B11.b | With Ordinary 'Straight' Mute |
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| B11.c | With Cup Mute |
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| B11.d | With Wow-wow Mute |
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| B12 | Two Muted Trumpets With Full Orchestra (Bartók's Concerto For Orchestra) | |
| Trombone |
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| B13 | Compass
Trombone [Tenor] – Evan Watkins |
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| B14 | Glissando
Trombone [Tenor] – Evan Watkins |
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| B15 | Mute
Trombone [Tenor] – Evan Watkins |
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| Tone Quality Of 2 Tenor Trombones And A Bass Trombone In The Orchestra | ||
| B16.b | Tannhäuser Overture | |
| Horn |
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| B17 | Opening Of Delibres' Coppélia Ballet | |
| B18 | Compass
Horn – James W. Brown (2) |
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| B19 | Open Notes Followed By Stopped Notes
Horn – James W. Brown (2) |
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| B20 | Cuivré ('Brassy') Effects
Horn – James W. Brown (2) |
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| B21 | Music For 3 Natural (Valveless) Horns (Trio From 3rd Movement Of Eroica Symphony) | |
| B22 | Ease Of Playing Melodies With Valve Horns (2nd Movement Of Symphony No. 5)
Composed By – Pyotr Ilyich Tchaikovsky Conductor – Constantin Silvestri Orchestra – Philharmonia Orchestra |
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| B23 | Valve Horn With Characteristic Horn Tune (From Till Eulenspiegel) | |
| Tuba |
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| B24 | Compass
Tuba – John Wilson (42) |
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| B25 | Tone Quality (Meistersinger Overture) | |
| B26 | Tone Quality ('Bydlo' From Pictures At An Exhibition)
Composed By – Modest Mussorgsky Conductor – Sir Eugene Goossens Orchestra – The Royal Philharmonic Orchestra |
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| Saxophone |
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| B27 | Compass
Saxophone – Walter Lear |
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| B28 | Tone Quality Of Alto Saxophone (Prelude From Bizet's L'Arlésienne)
Composed By – Georges Bizet Conductor – Sir Thomas Beecham Orchestra – The Royal Philharmonic Orchestra |
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| Timpani |
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| B29 | Three Drums
Timpani – James Bradshaw (2) |
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| B30 | Pedal Glissando
Timpani – James Bradshaw (2) |
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| B31 | Opening Of March To The Scaffold (From Symphonie Fantastique) | |
| Bass Drum |
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| B32 | Roll And Single Strokes |
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| Side Drum |
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| B33 | Rolls And Single Strokes |
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| Cymbals |
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| B34 | Clashes |
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| B35 | Suspended And Played With A Drum Stick ; A Roll ppp To fff |
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| B36 | Edges Brushed Against Each Other |
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| Triangle |
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| B37 | Single Stroke And Roll |
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| Tam-Tam |
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| B38 | Rolls And Crashes |
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| Tambourine |
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| B39 | Hit And Shaken |
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| B40 | Played Against Knee |
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| B41 | Finger Trill |
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| - |
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| B42 | Castanets |
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| B43 | Whip |
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| Latin-American Instruments: |
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| B45 | Gourd |
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| B46 | Claves |
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| Instruments Of Definite Pitch: |
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| B48 | Vibraphone |
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| B49 | Glockenspiel |
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| B50 | Tubular Bells |
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| Celeste |
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| B51 | Tone Quality (Dance Of The Sugar Plum Fairy From Tchaikovsky's Nutcracker Suite) |
Участники записи:
- Illustration [Cover] – Raoul Dufy
- Narrator [Introduced By] – Yehudi Menuhin
- Performer [Instruments Of Indefinite Pitch] – James Blades
- Written-By – John Hosier
Лейблы и идентификаторы:
- Barcode : 9 780193 213524
- Rights Society : S.P.A.D.E.M.
- Other ISBN: 0-19-321352-4
Компании:
Нет данных
Участники записи:
- Illustration [Cover] – Raoul Dufy
- Narrator [Introduced By] – Yehudi Menuhin
- Performer [Instruments Of Indefinite Pitch] – James Blades
- Written-By – John Hosier
