Ellen Hargis – Thésée
Лейбл: | cpo – 777 240-2 |
Формат: | CD |
Страна: | Germany |
Дата релиза: | 2007 |
Жанр: | Classical |
Стиль: | Baroque |
Подробнее об участниках записи
Треклист:
Prologue |
|||
1-1 | Overture |
1:51 | |
1-2 | Les Jeux & Les Amours (Choeur D'Amours, De Graces, De Plaisirs, Et De Jeux) |
4:04 | |
1-3 | Revenez, Amours Revenez (Venus) |
2:39 | |
1-4 | La Descente De Mars |
1:10 | |
1-5 | Que Rien Ne Trouble Icy (Mars) |
1:07 | |
1-6 | Les Hautbois |
0:59 | |
1-7 | Partez, Allez, Volez (Mars, Venus) |
3:42 | |
1-8 | Qu'il Passe Au Gré (Mars, Venus, Choeur, Cerés, Bachus) |
2:59 | |
1-9 | Premier Air |
0:47 | |
1-10 | Trop Heureux Qui Moissonne (Cerés) |
1:11 | |
1-11 | Second Air |
1:42 | |
1-12 | Pour Les Plus Fortunez (Bachus) |
1:15 | |
1-13 | Qu'il Passe Au Gré (Mars, Venus, Choeur) |
1:51 | |
1-14 | Overture Pour L'Entr'Acte |
1:55 | |
Acte I |
|||
1-15 | Scène I. Avançons, Avançons (Choeur De Combattans) |
0:59 | |
1-16 | Scène II. Quelque Soit Mon Destin (Aeglé, Choeur) |
1:11 | |
1-17 | Scène III. Est-ce Aux Atheniens (Aeglé, Cleone) |
2:49 | |
1-18 | Il Faut Perir (Choeur) |
0:32 | |
1-19 | Scène IV. Le Ciel Ne Veut-il Point Mettre Fin (Aeglé, Arcas, Cleone) |
1:17 | |
1-20 | Scène V. Laissons Aller La Princesse (Cleone, Arcas) |
4:08 | |
1-21 | Avançons, Avançons (Choeur) |
0:59 | |
1-22 | Scène VI. Prions, Prions La Déesse (La Prestresse, Aeglé, Cléone) |
0:51 | |
1-23 | Mourez, Mourez (Choeur, La Prestresse, Aeglé, Cleone, Un Combattant) |
2:33 | |
1-24 | O Minerve! Arrestez La Cruelle Furie (La Prestresse, Aeglé, Cleone) |
1:35 | |
1-25 | Liberté, Liberté (Choeur) |
0:59 | |
1-26 | Prelude |
0:53 | |
1-27 | Scène VII. Les Mutins Sont Vaincus (Le Roy, La Prestresse, Ensemble) |
1:11 | |
1-28 | Scène VIII. Cessez, Charmante Aeglé (Aegée, Aeglé) |
5:04 | |
1-29 | Scène IX. Prelude: Le Sacrifice |
0:34 | |
1-30 | Cet Empire (La Prestresse, Choeur Des Prestresses) |
4:32 | |
1-31 | La Marche |
1:18 | |
1-32 | Scène X. Minerve Sçavante (La Prestresse, Choeur) |
2:45 | |
1-33 | Entrée Des Combattans |
1:38 | |
1-34 | Que La Guerre Sanglante (Choeur, La Prestresse) |
2:15 | |
1-35 | La Marche Pour L'Entr'Acte |
0:34 | |
Acte II |
|||
2-1 | Scène I. Doux Repos (Medée, Dorine) |
6:45 | |
2-2 | Scène II. Je Voy Le Succez Favorable (Le Roy, Medée) |
4:06 | |
2-3 | Scène III. Seigneur, Songez A Vous (Arcas, Aegeé) |
0:28 | |
2-4 | Scène IV. Demeure, Escoute Un Mot (Dorine, Arcas) |
0:52 | |
2-5 | Scène V. C'Est Donc Là Tout Le Prix (Dorine) |
0:56 | |
2-6 | Scène VI. Regnez, Heros Indomptable (Choeur, Dorine) |
0:48 | |
2-7 | Premier Air Pour L'Entrée Triomphante De Thésée |
0:46 | |
2-8 | Scène VII. Que L'On Doit Estre (Choeur) |
2:01 | |
2-9 | Second Air & Pour Le Peu De Bon Temps (Les Vieillards) |
2:52 | |
2-10 | C'Est Assez, Amis, C'Est Assez (Thésée) |
0:44 | |
2-11 | Scène VIII. Thésée Où Courez-vous? (Medée, Thésée) |
3:41 | |
2-12 | Scène IX. Depit Mortel (Medée) |
1:09 | |
2-13 | Air Pour L'Entr'Acte |
0:58 | |
Acte III |
|||
2-14 | Scène I. Vous Allez Voir (Aeglé, Cleone) |
3:02 | |
2-15 | Scène II. Le Roy M'Ordonne De Vous Dire (Arcas, Aeglé, Cleone) |
2:42 | |
2-16 | Scène III. Princesse, Sçavez-vous (Medée, Aeglé) |
4:43 | |
2-17 | Prelude |
0:13 | |
2-18 | Scène IV. Dieux, Où Sommes-nous (Aeglé, Cleone, Arcas) |
0:23 | |
2-19 | Scène V. Contre Ce Monstre (Cleone, Arcas, Dorine) |
3:46 | |
2-20 | Scène VI. Qu'On Ne Me Trouble Point (Medée, Cleone, Arcas) |
0:18 | |
2-21 | Invocation (Ritournelle) |
0:26 | |
2-22 | Scène VII. Sortez, Ombres, Sortez (Medée, Choeur Des Habitans Des Enfers) |
5:23 | |
2-23 | Scène VIII. Que Tous Fremisse (Aeglé, Les Ombres) |
1:10 | |
Acte IV |
|||
3-1 | Scène I. Cruelle, Ne Voulez-vous Pas Faire (Aeglé, Medée) |
2:44 | |
3-2 | Scène II. Quel Spectacle Vient Me Surprendre? (Aeglé, Medée) |
0:43 | |
3-3 | Scène III. Faut-il Voir (Aeglé, Medée) |
2:46 | |
3-4 | Ritournelle |
0:42 | |
3-5 | Scène IV. Voyez Ce Que J'Ay Soin De Faire (Medée, Thésée) |
2:33 | |
3-6 | Scène V. Aeglé Ne M'Ayme Plus (Aeglé, Thésée) |
4:55 | |
3-7 | Scène VI. Finissez Vos Regrets (Medée, Aelgé, Thésée) |
4:01 | |
3-8 | Scène VII. Que Nos Prairies (Deux Bergeres) |
5:23 | |
3-9 | Aimons Tout Nous Y Convie (Deux Autres Bergeres) |
5:40 | |
3-10 | Qule Plaisir D'Aimer (Habitans De L'Isle Enchantée) |
2:50 | |
Acte V |
|||
3-11 | Scène I. Ah! Faut-il Me Vanger (Medée) |
2:56 | |
3-12 | Scène II. Que Thésée Est Content (Medée, Dorine) |
1:28 | |
3-13 | Scène III. Ce Vase Par Mes Soins (Medée, Le Roy) |
2:27 | |
3-14 | Scène IV. Ne Craignez Rien (Le Roy, Medée, Choeur) |
1:43 | |
3-15 | Oublions Le Passé (Le Roy, Thesée) |
1:41 | |
3-16 | Scène V. Ah! Perfide Medée! (Le Roy, Thésée, Aeglé) |
1:43 | |
3-17 | Que L'Hymen Prepare Des Noeuds (Le Roy, Thésée, Aeglé, Cleone, Arcas, Choeur) |
2:24 | |
3-18 | Scène VI. Vous N'Estes Pas Encor Délivrez (Medée) |
0:48 | |
3-19 | Scène VII. Secourez-nous, Justes Dieux! (Choeur) |
1:07 | |
3-20 | Prelude |
1:16 | |
3-21 | Scène VIII. Le Ciel Veut Ecarter (Minerve) |
0:44 | |
3-22 | Vivez, Vivez Contents (Minerve, Choeur) |
2:37 | |
3-23 | Premier Air Pour La Dernière Entrée |
1:37 | |
3-24 | Second Air - Le Plus Sage (Arcas & Cleone) |
3:50 |
Участники записи:
- Baritone Vocals – Aaron Engebreth
- Bass Vocals – Jörg Jacobi
- Bass Vocals – Olivier Laquerre
- Bass Vocals – Marek Rzepka
- Bass Vocals – Harry van der Kamp
- Bassoon [Baroque] – Jane Gower
- Bassoon [Baroque] – Monika Fischalek
- Chorus – Boston Early Music Festival Chorus
- Composed By – Jean-Baptiste Lully
- Concertmaster [Violin] – Robert Mealy
- Countertenor Vocals [Haute-contre] – Aaron Sheehan
- Countertenor Vocals [Haute-contre] – Marc Molomot
- Countertenor Vocals [Haute-contre] – Ilona Ziesemer-Schröder
- Countertenor Vocals [Haute-contre] – Moritz Von Cube
- Design – Lothar Bruweleit
- Directed By [Musical Director] – Paul O'Dette
- Directed By [Musical Director] – Stephen Stubbs
- Double Bass [Basse De Violon] – Juraj Kováč
- Double Bass [Basse De Violon] – Brent Wissick
- Double Bass [Basse De Violon] – Katie Reitman
- Double Bass [Basse De Violon] – Mark Caudle
- Edited By [Digital Editing], Recording Supervisor – Renate Wolter-Seevers
- Engineer [Recording Assistant] – Wolfgang Seesko
- Engineer [Recording Assistant] – Frauke Schulz
- Engineer [Recording Assistant] – Christine Potschkat
- Engineer [Recording] – Klaus Schumann
- Executive Producer – Burkhard Schmilgun
- Executive Producer – Helmut Schaarschmidt
- Executive Producer [Boston Early Music Festival Orchestra & Chorus] – Kathleen Fay
- Executive-Producer – Burkhard Schmilgun
- Executive-Producer – Helmut Schaarschmidt
- Executive-Producer [Boston Early Music Festival Orchestra & Chorus] – Kathleen Fay
- Flute [Baroque] – Sarah Möller
- Flute [Baroque] – Dorothee Müller
- Guitar [Baroque] – Simon Linné
- Guitar [Baroque] – Paul O'Dette
- Guitar [Baroque] – Stephen Stubbs
- Harpsichord – Alexander Weimann
- Harpsichord – Kristian Bezuidenhout
- Leader – Robert Mealy
- Libretto By – Philippe Quinault
- Mezzo-soprano Vocals – Mireille Lebel
- Oboe [Baroque] – Saskia Fikentscher
- Oboe [Baroque] – Kristin Linde
- Oboe [Haute-contre] – Matthew Jennejohn
- Oboe [Musette] – Jean-Christophe Maillard (2)
- Oboe [Musette] – François Lazarevitch
- Oboe [Taille] – Nils Jönsson
- Orchestra – Boston Early Music Festival
- Orchestra – Boston Early Music Festival Orchestra
- Other [Drama Coach] – Gilbert Blin
- Percussion – Marie-Ange Petit
- Photography By – Peter Schweitzer
- Recorder – Monika Fischalek
- Recorder – Han Tol
- Recorder – Sarah Möller
- Recorder – Annette John
- Recorder – Dorothee Müller
- Recorder – Matthew Jennejohn
- Soprano Vocals – Yulia Van Doren
- Soprano Vocals – Teresa Wakim
- Soprano Vocals – Amanda Forsythe
- Soprano Vocals – Yulia Wakim
- Soprano Vocals – Laura Pudwell
- Soprano Vocals – Margaret Hunter
- Soprano Vocals – Suzie LeBlanc
- Soprano Vocals – Ellen Hargis
- Tenor Vocals – Olaf Tetampel (2)
- Tenor Vocals – Aaron Sheehan
- Tenor Vocals – Mirko Ludwig
- Tenor Vocals – Bernhard Scheffel
- Tenor Vocals – Howard Crook
- Theorbo – Simon Linné
- Theorbo – Paul O'Dette
- Theorbo – Stephen Stubbs
- Trumpet [Baroque] – Will Wroth
- Trumpet [Baroque] – Susan Williams (2)
- Viol – Frauke Hess
- Viol – Erin Headley
- Viola – Peter Šesták
- Viola – Henrieke Gosch
- Viola – Bodo Lönartz
- Viola – Gregor DuBuclet
- Viola – Klaus Bundies
- Viola – David Douglass
- Violin – Mary Riccardi
- Violin – Corinna Hildebrand-Malcolm
- Violin – Dagmar Valentová
- Violin – Miloš Valent
- Violin – Robert Mealy
Лейблы и идентификаторы:
- Barcode text: 7 61203 72402 4
- Barcode scan: 761203724024
- Barcode EAN: 0761203724024
- Label Code : LC 8492
- SPARS Code : DDD
- Rights Society : GEMA
Компании:
- Recorded At – Radio Bremen Sendesaal
Участники записи:
- Baritone Vocals – Aaron Engebreth
- Bass Vocals – Jörg Jacobi
- Bass Vocals – Olivier Laquerre
- Bass Vocals – Marek Rzepka
- Bass Vocals – Harry van der Kamp
- Bassoon [Baroque] – Jane Gower
- Bassoon [Baroque] – Monika Fischalek
- Chorus – Boston Early Music Festival Chorus
- Composed By – Jean-Baptiste Lully
- Concertmaster [Violin] – Robert Mealy
- Countertenor Vocals [Haute-contre] – Aaron Sheehan
- Countertenor Vocals [Haute-contre] – Marc Molomot
- Countertenor Vocals [Haute-contre] – Ilona Ziesemer-Schröder
- Countertenor Vocals [Haute-contre] – Moritz Von Cube
- Design – Lothar Bruweleit
- Directed By [Musical Director] – Paul O'Dette
- Directed By [Musical Director] – Stephen Stubbs
- Double Bass [Basse De Violon] – Juraj Kováč
- Double Bass [Basse De Violon] – Brent Wissick
- Double Bass [Basse De Violon] – Katie Reitman
- Double Bass [Basse De Violon] – Mark Caudle
- Edited By [Digital Editing], Recording Supervisor – Renate Wolter-Seevers
- Engineer [Recording Assistant] – Wolfgang Seesko
- Engineer [Recording Assistant] – Frauke Schulz
- Engineer [Recording Assistant] – Christine Potschkat
- Engineer [Recording] – Klaus Schumann
- Executive Producer – Burkhard Schmilgun
- Executive Producer – Helmut Schaarschmidt
- Executive Producer [Boston Early Music Festival Orchestra & Chorus] – Kathleen Fay
- Executive-Producer – Burkhard Schmilgun
- Executive-Producer – Helmut Schaarschmidt
- Executive-Producer [Boston Early Music Festival Orchestra & Chorus] – Kathleen Fay
- Flute [Baroque] – Sarah Möller
- Flute [Baroque] – Dorothee Müller
- Guitar [Baroque] – Simon Linné
- Guitar [Baroque] – Paul O'Dette
- Guitar [Baroque] – Stephen Stubbs
- Harpsichord – Alexander Weimann
- Harpsichord – Kristian Bezuidenhout
- Leader – Robert Mealy
- Libretto By – Philippe Quinault
- Mezzo-soprano Vocals – Mireille Lebel
- Oboe [Baroque] – Saskia Fikentscher
- Oboe [Baroque] – Kristin Linde
- Oboe [Haute-contre] – Matthew Jennejohn
- Oboe [Musette] – Jean-Christophe Maillard (2)
- Oboe [Musette] – François Lazarevitch
- Oboe [Taille] – Nils Jönsson
- Orchestra – Boston Early Music Festival
- Orchestra – Boston Early Music Festival Orchestra
- Other [Drama Coach] – Gilbert Blin
- Percussion – Marie-Ange Petit
- Photography By – Peter Schweitzer
- Recorder – Monika Fischalek
- Recorder – Han Tol
- Recorder – Sarah Möller
- Recorder – Annette John
- Recorder – Dorothee Müller
- Recorder – Matthew Jennejohn
- Soprano Vocals – Yulia Van Doren
- Soprano Vocals – Teresa Wakim
- Soprano Vocals – Amanda Forsythe
- Soprano Vocals – Yulia Wakim
- Soprano Vocals – Laura Pudwell
- Soprano Vocals – Margaret Hunter
- Soprano Vocals – Suzie LeBlanc
- Soprano Vocals – Ellen Hargis
- Tenor Vocals – Olaf Tetampel (2)
- Tenor Vocals – Aaron Sheehan
- Tenor Vocals – Mirko Ludwig
- Tenor Vocals – Bernhard Scheffel
- Tenor Vocals – Howard Crook
- Theorbo – Simon Linné
- Theorbo – Paul O'Dette
- Theorbo – Stephen Stubbs
- Trumpet [Baroque] – Will Wroth
- Trumpet [Baroque] – Susan Williams (2)
- Viol – Frauke Hess
- Viol – Erin Headley
- Viola – Peter Šesták
- Viola – Henrieke Gosch
- Viola – Bodo Lönartz
- Viola – Gregor DuBuclet
- Viola – Klaus Bundies
- Viola – David Douglass
- Violin – Mary Riccardi
- Violin – Corinna Hildebrand-Malcolm
- Violin – Dagmar Valentová
- Violin – Miloš Valent
- Violin – Robert Mealy