Atomizer™ – Atom Heart's Rather Interesting World Of Digital Drums
| Лейбл: | Big Fish Audio (2) – A-ATOM 1 |
| Формат: | CD |
| Страна: | US |
| Дата релиза: | 1999 |
| Жанр: | Electronic |
| Стиль: | Abstract, Breakbeat, Downtempo, Electro, Experimental, Freestyle, Latin |
Подробнее об участниках записи
Треклист:
| Atomizer™ |
1:20 | ||
| 1 | Intro Sequence (Var. BPM) |
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| Slo Motion™ |
8:46 | ||
| 2.1 | Slow Speedmetal (40.3 BPM) |
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| 2.2 | Bondi Beat (47.5 BPM) |
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| 2.3 | Medium Sized (58.6 BPM) |
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| 2.4 | No-fi Toms (64.2 BPM) |
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| 2.5 | Needs An Upper (64.8 BPM) |
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| 3.1 | Hintergrund (67.3 BPM) |
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| 3.2 | Depro House (67.7 BPM) |
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| 3.3 | Subquantized (75.5 BPM) |
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| 3.4 | Under Water (75.7 BPM) |
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| 3.5 | Hampel And Sold (77.1 BPM) |
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| 4.1 | Defect Rimshot (78.0 BPM) |
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| 4.2 | The Thing (78.3 BPM) |
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| 4.3 | Almost Bowie (80.1 BPM) |
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| 4.4 | Agua Fria (80.7 BPM) |
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| 4.5 | Nice Surface (81.0 BPM) |
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| 5.1 | Helado Caliente (82.2 BPM) |
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| 5.2 | Tiny Drumkit (Wet) (82.5 BPM) |
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| 5.3 | CHK_993 (85.7 BPM) |
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| 5.4 | HAT (86.0 BPM) |
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| 5.5 | Bit Beat (86.5 BPM) |
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| 6.1 | Inner Space (88.0 BPM) |
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| 6.2 | Hi-Hat Inferno (88.6 BPM) |
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| 6.3 | Drifting (89.7 BPM) |
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| 6.4 | Fellriss (91.5 BPM) |
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| 6.5 | Jabon Gringo (98.2 BPM) |
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| 7.1 | Calmante Fuerte (98.5 BPM) |
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| 7.2 | Hotel Malabar (100.0 BPM) |
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| 7.3 | 6/4 Times 1 (100.0 BPM) |
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| 7.4 | 6/4 Times 2 (100.0 BPM) |
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| 7.5 | Metalbender (100.8 BPM) |
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| 8.1 | Disk Kaputt (103.8 BPM) |
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| 8.2 | Shake Well (105.0 BPM) |
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| 8.3 | Star Wars Rhumba (107.8 BPM) |
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| 8.4 | 110 Volt (110.0 BPM) |
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| 8.5 | Gehoert Dazu (112.0 BPM) |
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| 8.6 | Atom's Loetkolben (112.0 BPM) |
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| 9.1 | Tonal By Accident (113.1 BPM) |
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| 9.2 | No Cymbals Needed (113.7 BPM) |
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| 9.3 | Para Bartos (113.7 BPM) |
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| 9.4 | Dave's Signal (115.7 BPM) |
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| 9.5 | Bontempi Spirit (116.0 BPM) |
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| Dig-Hop™ |
6:32 | ||
| 10.1 | Tone Lock (64.1 BPM) |
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| 10.2 | Funky Drummer (69.0 BPM) |
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| 10.3 | Credibility Loss (72.0 BPM) |
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| 10.4 | Subtle Snare (76.0 BPM) |
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| 10.5 | 4000Hz (76.5 BPM) |
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| 11.1 | Piece Of Art (77.0 BPM) |
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| 11.2 | Bronx Schlager (77.0 BPM) |
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| 11.3 | Recycle Sucks (77.9 BPM) |
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| 11.4 | For Teatime (80.0 BPM) |
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| 12.1 | Rissmnbluhs 1 (80.0 BPM) |
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| 12.2 | Rissmnbluhs 2 (80.0 BPM) |
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| 12.3 | Rissmnbluhs 3 (80.0 BPM) |
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| 12.4 | Schneller Gemacht (80.3 BPM) |
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| 12.5 | Gated (83.5 BPM) |
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| 12.6 | Air Jordan (83.5 BPM) |
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| 13.1 | Skippy Roo (84.0 BPM) |
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| 13.2 | Brushes (88.5 BPM) |
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| 13.3 | Linn Swing (88.7 BPM) |
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| 13.4 | Fuss Schachtel 1 (90.8 BPM) |
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| 13.5 | Fuss Schachtel 2 (90.8 BPM) |
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| 14.1 | Squareroot (91.0 BPM) |
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| 14.2 | Tubesound Stereo (92.5 BPM) |
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| 14.3 | Vorsicht Beisst (95.0 BPM) |
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| 14.4 | Joschka & Kosovo (98.0 BPM) |
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| 14.5 | Water March (100.5 BPM) |
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| 14.6 | Multiple Orgon (100.5 BPM) |
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| 15.1 | Saber Como (103.0 BPM) |
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| 15.2 | Soft Cake (104.4 BPM) |
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| 15.3 | HAT 2 (104.8 BPM) |
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| 15.4 | 8-bit Dig-Hop (108.5 BPM) |
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| 8-bit Boogie™ |
6:49 | ||
| 16.1 | Tonal Boogie (89.0 BPM) |
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| 16.2 | Less Tonal Boogie( 89.0 BPM) |
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| 16.3 | Hard Sync (96.0 BPM) |
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| 16.4 | Radio Mix (99.0 BPM) |
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| 16.5 | Mono Trademark (110.1 BPM) |
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| 16.6 | Mono Resampled (110.1 BPM) |
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| 17.1 | Dirty Boogie (104.3 BPM) |
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| 17.2 | Los Dientes (111.0 BPM) |
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| 17.3 | Frequency Shifted (116.0 BPM) |
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| 17.4 | Sticky Beat (All) (116.0 BPM) |
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| 17.5 | Sticky Beat (Less) (116.0 BPM) |
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| 18.1 | Hard Disk Rock 1 (116.1 BPM) |
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| 18.2 | Hard Disk Rock 2 (116.8 BPM) |
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| 18.3 | Preset Speed (120.0 BPM) |
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| 18.4 | Pitch Shifted (124.0 BPM) |
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| 18.5 | Digital Fuzz (124.0 BPM) |
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| 19.1 | Ningun Clave (125.0 BPM) |
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| 19.2 | C.P.U. (125.0 BPM) |
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| 19.3 | Corto Solo (126.0 BPM) |
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| 19.4 | Corto Completo (126.0 BPM) |
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| 19.5 | Bump Modulated (126.0 BPM) |
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| 20.1 | Computer Welt (128.0 BPM) |
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| 20.2 | Algo Ritmico (128.0 BPM) |
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| 20.3 | 2 Much 2 Explain (128.0 BPM) |
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| 20.4 | Schleift (128.0 BPM) |
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| 20.5 | Gagarin 1 (130.0 BPM) |
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| 20.6 | Gagarin 2 (130.0 BPM) |
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| 21.1 | Rings A Bell (131.0 BPM) |
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| 21.2 | Para Miguel (132.0 BPM) |
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| 21.3 | Miguel Gated (132.0 BPM) |
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| 21.4 | 2 Takter (Komplett) (132.0 BPM) |
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| 21.5 | 2 Takter (Hi Hats) (132.0 BPM) |
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| 22.1 | Miguel Violated (132.0 BPM) |
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| 22.2 | Sparse Arrangement (132.0 BPM) |
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| 22.3 | Hoelzer (133.0 BPM) |
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| 22.4 | White Nose (134.0 BPM) |
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| 22.5 | Brown Nose (134.0 BPM) |
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| 22.6 | 10Hz Overload (134.0 BPM) |
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| 23.1 | Waanabe Standard (135.0 BPM) |
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| 23.2 | Franzbranntwein (135.0 BPM) |
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| 23.3 | Good Old Times (135.0 BPM) |
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| 23.4 | Text (135.0 BPM) |
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| 23.5 | Ruido Espantoso (135.0 BPM) |
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| Cut 'n' Paste™ |
6:04 | ||
| 24.1 | Gold Stinkt (143.0 BPM) |
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| 24.2 | Silber Auch (146.5 BPM) |
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| 24.3 | Brown 1 (146.5 BPM) |
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| 24.4 | Brown 2 (146.5 BPM) |
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| 24.5 | Brown 3 (146.5 BPM) |
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| 24.6 | Brown 4 (146.5 BPM) |
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| 25.1 | Fine Percussion (148.5 BPM) |
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| 25.2 | Male Box (150.5 BPM) |
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| 25.3 | Dos Track (150.1 BPM) |
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| 25.4 | Tres Track (150.5 BPM) |
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| 25.5 | Quatro Track (150.7 BPM) |
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| 26.1 | Kyma Treatment (151.0 BPM) |
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| 26.2 | Digital Patchwork (151.8 BPM) |
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| 26.3 | Cut 'n' Jazz (152.5 BPM) |
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| 26.4 | Brushing Untight (155.1 BPM) |
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| 26.5 | Low Pass Spass (155.5 BPM) |
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| 27.1 | Empty Jungle (157.1 BPM) |
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| 27.2 | Cut 'n' Paste 1 (159.0 BPM) |
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| 27.3 | Cut 'n' Paste 2 (159.0 BPM) |
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| 27.4 | Cut 'n' Paste 3 (159.0 BPM) |
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| 27.5 | Cut 'n' Paste 4 (159.0 BPM) |
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| 28.1 | Cut 'n' Paste 5 (159.0 BPM) |
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| 28.2 | Cut 'n' Paste 6 (159.0 BPM) |
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| 28.3 | Cut 'n' Paste 7 (159.0 BPM) |
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| 28.4 | Cut 'n' Paste 8 (159.0 BPM) |
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| 28.5 | Cut 'n' Paste 9 (159.0 BPM) |
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| 29.1 | Cut 'n' Paste 10 (159.0 BPM) |
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| 29.2 | Cut 'n' Paste 11 (159.0 BPM) |
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| 29.3 | Cut 'n' Paste 12 (159.0 BPM) |
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| 29.4 | Cut 'n' Paste 13 (159.0 BPM) |
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| 30.1 | Cut 'n' Paste 14 (159.0 BPM) |
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| 30.2 | Haaboescht (160.0 BPM) |
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| 30.3 | 02R (160.7 BPM) |
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| 30.4 | S6000 Crash 1 (161.0 BPM) |
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| 31.1 | You Hear Right (162.4 BPM) |
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| 31.2 | Farbe (165.0 BPM) |
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| 31.3 | Beispiel (165.0 BPM) |
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| 31.4 | Einrasten (165.0 BPM) |
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| 31.5 | Nochmal Einrasten (165.0 BPM) |
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| 31.6 | Und Nochmal (165.0 BPM) |
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| 32.1 | Hegel, Masturbating (165.0 BPM) |
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| 32.2 | 30ML vs E3A (167.2 BPM) |
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| 32.3 | Random LFO (173.5 BPM) |
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| 32.4 | Soft Step (175.1 BPM) |
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| 33.1 | Rough Like A Cookie (175.5 BPM) |
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| 33.2 | Hummeln (179.0 BPM) |
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| 33.3 | Dala Y Lama (181.0 BPM) |
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| 33.4 | S6000 Crash 2 (182.1 BPM) |
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| Supertropical™ |
7:04 | ||
| 34.1 | Festplatten Mambo (88.0 BPM) |
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| 34.2 | HAT in Havanna (95.0 BPM) |
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| 34.3 | Cumbiamberita (95.5 BPM) |
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| 34.4 | Chocolatina (101.0 BPM) |
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| 34.5 | Santi A Go Go (101.5 BPM) |
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| 35.1 | Beguine (104.0 BPM) |
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| 35.2 | Tito's Hard Disk (110.6 BPM) |
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| 35.3 | Short Latin Wedding (112.3 BPM) |
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| 35.4 | Long Latin Wedding (112.3 BPM) |
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| 35.5 | Ouch, My Hands (112.8 BPM) |
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| 36.1 | Fonosandwich 1 (113.0 BPM) |
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| 36.2 | Fonosandwich 2 (113.0 BPM) |
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| 36.3 | Fonosandwich 3 (113.0 BPM) |
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| 36.4 | Fonosandwich 4 (114.0 BPM) |
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| 36.5 | Sao Paulo Shuffle 1 (114.8 BPM) |
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| 36.6 | Sao Paulo Shuffle 2 (114.8 BPM) |
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| 37.1 | Conga Chueca (115.2 BPM) |
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| 37.2 | 2/4 Off Quantize (116.0 BPM) |
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| 37.3 | Cuban Radio 1 (123.0 BPM) |
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| 37.4 | Cuban Radio 2 (123.0 BPM) |
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| 37.5 | Rio Streetsound (124.6 BPM) |
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| 38.1 | Talking Drums (126.0 BPM) |
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| 38.2 | Synthetic Rhumba (126.6 BPM) |
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| 38.3 | Clave Inferno (128.0 BPM) |
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| 38.4 | African Traditional (128.0 BPM) |
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| 38.5 | Musica Moderna (129.0 BPM) |
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| 38.6 | Quira En Azul (129.0 BPM) |
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| 39.1 | Para Antonio Machin (134.0 BPM) |
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| 39.2 | Bongo Pensante (136.5 BPM) |
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| 39.3 | Puerto Rican Power (146.0 BPM) |
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| 39.4 | Miami Weiss (148.0 BPM) |
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| 39.5 | Miles' Horses (151.0 BPM) |
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| 40.1 | Merengue For Matt (151.5 BPM) |
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| 40.2 | Neo Latino (153.5 BPM) |
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| 40.3 | Preset Freakout (153.5 BPM) |
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| 40.4 | Poco Loco (170.0 BPM) |
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| 40.5 | Mambo No. 4 (172.2 BPM) |
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| 41.1 | El Coco Baile 1 (175.0 BPM) |
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| 41.2 | El Coco Baile 2 (175.0 BPM) |
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| 41.3 | El Coco Baile 3 (175.0 BPM) |
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| 41.4 | El Coco Baile 4 (175.0 BPM) |
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| 41.5 | El Coco Baile 5 (175.0 BPM) |
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| 42.1 | El Coco Baile 6 (175.0 BPM) |
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| 42.2 | El Coco Baile 7 (175.0 BPM) |
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| 42.3 | El Coco Baile 8 (175.0 BPM) |
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| 42.4 | El Coco Baile 9 (175.0 BPM) |
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| 43.1 | Cafe Con Leche (185.7 BPM) |
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| 43.2 | Prado's Bontempi (190.0 BPM) |
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| 43.3 | S-key-vel Through V-S-T (196.5 BPM) |
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| Scientific Freestyle™ |
7:46 | ||
| 44.1 | Speed Devil (68.0 BPM) |
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| 44.2 | Dig-Hop Exile (68.2 BPM) |
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| 44.3 | Bajo Nieve (71.8 BPM) |
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| 44.4 | LFO Artefact 1 (76.0 BPM) |
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| 44.5 | LFO Artefact 2 (76.0 BPM) |
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| 45.1 | Clap Your Hands (81.5 BPM) |
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| 45.2 | Fritten Groove (85.5 BPM) |
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| 45.3 | Neo Fragmentism 1 (87.0 BPM) |
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| 45.4 | Neo Fragmentism 2 (87.0 BPM) |
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| 45.5 | Good Old Times (93.1 BPM) |
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| 46.1 | Fono Pizza (95.0 BPM) |
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| 46.2 | Mars Disco (95.1 BPM) |
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| 46.3 | Hall Rhythmus (96.5 BPM) |
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| 46.4 | Multi Quantize (97.0 BPM) |
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| 46.5 | Treated Triplets (101.8 BPM) |
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| 46.6 | Triplets No Mas (101.8 BPM) |
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| 47.1 | Rock With You (102.6 BPM) |
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| 47.2 | Sounds Familiar (105.0 BPM) |
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| 47.3 | Tripless (111.1 BPM) |
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| 47.4 | Service Technician (112.0 BPM) |
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| 47.5 | Feinwaesche (114.0 BPM) |
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| 48.1 | Zero Pole (118.4 BPM) |
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| 48.2 | R 'n' B (118.7 BPM) |
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| 48.3 | Todo Bajo Control (119.0 BPM) |
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| 48.4 | Uranus Disco (119.0 BPM) |
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| 48.5 | Happy End (120.0 BPM) |
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| 48.6 | Capy (120.0 BPM) |
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| 49.1 | Rimini 1 (120.1 BPM) |
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| 49.2 | Rimini 2 (120.1 BPM) |
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| 49.3 | Edgy Stuff (121.0 BPM) |
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| 49.4 | The Fine Line... (121.1 BPM) |
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| 49.5 | Spock's Favourite (121.2 BPM) |
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| 50.1 | For Whitney Houston (124.1 BPM) |
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| 50.2 | Goa Trance 1 (125.0 BPM) |
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| 50.3 | Goa Trance 2 (125.1 BPM) |
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| 50.4 | Shift Pitcher 126.0 BPM) |
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| 50.5 | En Vogue (127.5 BPM) |
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| 51.1 | Partikel House (129.0 BPM) |
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| 51.2 | Useful? (131.0 BPM) |
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| 51.3 | Heart Beat 1 (135.5 BPM) |
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| 51.4 | Heart Beat 2 (135.5 BPM) |
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| 51.5 | Plus Twelve (138.0 BPM) |
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| 52.1 | Flanger (All) (146.5 BPM) |
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| 52.2 | Flanger (HH) (146.5 BPM) |
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| 52.3 | Flanger (Rest) (146.5 BPM) |
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| 52.4 | Clap Your Hands 2 (179.0 BPM) |
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| 52.5 | Depro Polka (209.4 BPM) |
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| Repetitive Digital Noise™ |
8:09 | ||
| 53.1 | Timing Off (69.0 BPM) |
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| 53.2 | Cobain's Dead (76.3 BPM) |
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| 53.3 | Tuning Problems (84.2 BPM) |
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| 53.4 | Beg Loop (86.0 BPM) |
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| 53.5 | Has Its Own Life (86.0 BPM) |
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| 54.1 | Basura Digital (87.3 BPM) |
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| 54.2 | Binary Swing (88.8 BPM) |
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| 54.3 | Phil's Fill (90.5 BPM) |
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| 54.4 | Hoergeraet (90.5 BPM) |
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| 54.5 | Strauss Waltz (90.5 BPM) |
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| 55.1 | My Cockpit (94.1 BPM) |
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| 55.2 | 74% (96.0 BPM) |
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| 55.3 | Never Trust A Raver (96.3 BPM) |
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| 55.4 | HH Haengt (96.5 BPM) |
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| 55.5 | Weichei (97.6 BPM) |
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| 56.1 | Aerobic (99.7 BPM) |
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| 56.2 | Hitler = Pinochet (100.3 BPM) |
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| 56.3 | Wasserfall (100.8 BPM) |
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| 56.4 | Small Ludwig Kit (101.7 BPM) |
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| 56.5 | Mid Tempo Ballad (105.0 BPM) |
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| 57.1 | Fringe Existence (106.2 BPM) |
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| 57.2 | Clipping (107.8 BPM) |
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| 57.3 | R 'n' B 2 (108.2 BPM) |
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| 57.4 | Watch Your Speakers (108.4 BPM) |
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| 57.5 | 25 Envelope (108.9 BPM) |
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| 58.1 | Pop Music (110.1 BPM) |
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| 58.2 | Glamrock (110.3 BPM) |
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| 58.3 | With-A-Tone (111.5 BPM) |
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| 58.4 | R2D2's Wedding Song (113.5 BPM) |
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| 58.5 | Help Me Doctor (114.4 BPM) |
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| 59.1 | Northern Beat (117.2 BPM) |
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| 59.2 | Machine Language (117.9 BPM) |
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| 59.3 | FB 50% (118.0 BPM) |
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| 59.4 | Happy Hardcore (119.4 BPM) |
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| 59.5 | Ragtime (120.4 BPM) |
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| 59.6 | Fidelity Edge (120.4 BPM) |
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| 60.1 | Blubber Bad (121.0 BPM) |
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| 60.2 | Cute Kick (121.1 BPM) |
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| 60.3 | Latin House (124.0 BPM) |
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| 60.4 | Clip Sequence (126.0 BPM) |
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| 60.5 | Drum & Lieb (141.7 BPM) |
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| 60.6 | Bease Ute (141.8 BPM) |
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| 61.1 | Be-Bop Dosmil (142.1 BPM) |
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| 61.2 | Kann Jeder (149.1 BPM) |
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| 61.3 | Polythene Swing (159.0 BPM) |
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| 61.4 | RNDM (169.5 BPM) |
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| World Shuffle™ |
8:51 | ||
| 62.1 | No More Words (68.0 BPM) |
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| 62.2 | DLY Unsync (76.5 BPM) |
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| 62.3 | Beg Your Pardon? (80.5 BPM) |
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| 62.4 | Bit Reduction (81.0 BPM) |
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| 62.5 | Casa Suave (86.5 BPM) |
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| 63.1 | Rock The Box (90.5 BPM) |
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| 63.2 | Jack The Box (90.5 BPM) |
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| 63.3 | Just A B-Side (91.4 BPM) |
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| 63.4 | Notas Cortas (92.2 BPM) |
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| 63.5 | I Got Soul (94.0 BPM) |
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| 63.6 | But I'm Superbad (94.0 BPM) |
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| 64.1 | Nervous Kick (96.0 BPM) |
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| 64.2 | Ricky's Dream (100.0 BPM) |
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| 64.3 | Notas Cortadas (100.7 BPM) |
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| 64.4 | Word Off (101.5 BPM) |
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| 64.5 | On The Air Tonight (101.5 BPM) |
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| 65.1 | Hey! Vicky! (8-bit) (103.0 BPM) |
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| 65.2 | Hey! Vicky! (Floppy) (103.0 BPM) |
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| 65.3 | Hey! Vicky! (20-bit) (103.0 BPM) |
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| 65.4 | Linn (105.5 BPM) |
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| 65.5 | Garage For Rent (107.0 BPM) |
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| 66.1 | Oops! Sorry! (108.0 BPM) |
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| 66.2 | Customs Thieves (110.0 BPM) |
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| 66.3 | Dandy's Dream (110.0 BPM) |
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| 66.4 | Route 5 (110.0 BPM) |
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| 66.5 | Tacowbell (114.0 BPM) |
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| 67.1 | You're French? (115.0 BPM) |
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| 67.2 | Love Without Sound (115.0 BPM) |
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| 67.3 | All Of A Sudden (116.0 BPM) |
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| 67.4 | Coppelia (118.0 BPM) |
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| 67.5 | Unpretentious (118.0 BPM) |
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| 68.1 | Gretsch, Detuned (120.0 BPM) |
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| 68.2 | Capy De Ozono 1 (120.0 BPM) |
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| 68.3 | Capy De Ozono 2 (120.0 BPM) |
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| 68.4 | Otro Lado B (120.0 BPM) |
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| 68.5 | Weltempfaenger (120.0 BPM) |
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| 69.1 | Gon (122.0 BPM) |
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| 69.2 | Boese Buben (123.0 BPM) |
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| 69.3 | KFC 1 (123.0 BPM) |
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| 69.4 | KFC 2 (123.0 BPM) |
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| 69.5 | Drifting HAT (123.0 BPM) |
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| 70.1 | Low Bit HAT (124.0 BPM) |
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| 70.2 | 4 On The Floor (124.0 BPM) |
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| 70.3 | Interesting 1 (128.0 BPM) |
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| 70.4 | Interesting 2 (129.0 BPM) |
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| 70.5 | Interesting 3 (132.0 BPM) |
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| 70.6 | Interesting 4 (132.0 BPM) |
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| 71.1 | Speed Garage (134.4 BPM) |
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| 71.2 | Poco Baroco (138.0 BPM) |
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| 71.3 | Polka House (189.0 BPM) |
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| Percussion O.D.™ |
6:11 | ||
| 72.1 | Additional Clicks (80.7 BPM) |
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| 72.2 | Waterpowder (80.8 BPM) |
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| 72.3 | Another S6000 Crash (83.3 BPM) |
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| 72.4 | 8-bar Spidercore (89.7 BPM) |
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| 72.5 | No Wordclock! (91.0 BPM) |
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| 73.1 | Partnerwahl (100.2 BPM) |
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| 73.2 | Sampling Problems (103.0 BPM) |
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| 73.3 | And Solutions (107.3 BPM) |
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| 73.4 | Goldfischsessel (107.6 BPM) |
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| 73.5 | Trouble With Treble (109.2 BPM) |
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| 74.1 | Romulan Videogame (110.0 BPM) |
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| 74.2 | Intro (110.0 BPM) |
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| 74.3 | Kostis c/o Pluntke (110.0 BPM) |
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| 74.4 | S6000 Crash #208 (110.3 BPM) |
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| 74.5 | Unnerum (112.3 BPM) |
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| 75.1 | Midi Geiger Counter (112.7 BPM) |
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| 75.2 | Mosca Muerta (116.0 BPM) |
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| 75.3 | Viehling Fankie (116.2 BPM) |
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| 75.4 | Wannabe Shuffle 1 (120.0 BPM) |
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| 75.5 | Wannabe Shuffle 2 (120.0 BPM) |
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| 75.6 | Tribal Techno (120.0 BPM) |
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| 76.1 | Wacky Litepipe (120.5 BPM) |
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| 76.2 | Pentatonic End (121.0 BPM) |
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| 76.3 | Wet, Wet, Wet... (123.2 BPM) |
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| 76.4 | Pseudo Latin (127.1 BPM) |
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| 76.5 | The Bauhaus Principle (127.4 BPM) |
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| 77.1 | HH Freakout (128.0 BPM) |
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| 77.2 | Freakout Resampled (128.0 BPM) |
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| 77.3 | Laser Alignment (131.0 BPM) |
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| 77.4 | HH Battle (133.0 BPM) |
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| 77.5 | Tambourine Man? (133.9 BPM) |
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| 78.1 | Crosstalk Percussion (135.3 BPM) |
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| 78.2 | Technics, Emulated (142.8 BPM) |
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| 78.3 | Rapa Nui 2000 (143.0 BPM) |
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| 78.4 | For Lulu (149.7 BPM) |
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| 78.5 | Charleston (152.4 BPM) |
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| 78.6 | Ears Are Not Enough (180.8 BPM) |
Участники записи:
- Edited By [Digital] – Matt Haines
- Performer [Intro Sequence By] – Matt Haines
- Sounds [Generated By], Programmed By, Recorded By [Digitally], Liner Notes [Uncredited] – Atom Heart
Лейблы и идентификаторы:
- Matrix / Runout : DOC-21138-2 A-ATOM 1 \BIG FISH AUDIO
- Mould SID Code : IFPI 6RA4
Компании:
- Copyright (c) – Big Fish Audio (2)
- Recorded At – Mira, Musica!
Участники записи:
- Edited By [Digital] – Matt Haines
- Performer [Intro Sequence By] – Matt Haines
- Sounds [Generated By], Programmed By, Recorded By [Digitally], Liner Notes [Uncredited] – Atom Heart
