François Joseph Naderman – La Harpe Au Temps De L'Impératrice Joséphine
| Лейбл: | Symphony Land – SL 940-01 Symphony Land – SL 941 |
| Формат: | CD |
| Страна: | France |
| Дата релиза: | 1994 |
| Жанр: | Classical |
| Стиль: | Classical |
Подробнее об участниках записи
Треклист:
| Duetto Pour Harpe Et Piano Forte
Composed By – Jan Ladislav Dusík |
10:56 | ||
| 2 | Adagio |
1:46 | |
| 3 | Rondo Allegretto |
3:28 | |
| Nocturne Pour Flûte Et Harpe | 11:46 | ||
| 5 | Tyrolienne |
4:37 | |
| 6 | Rondoletto |
3:00 | |
| 2e Grande Sonate Pour Flûte & Harpe
Composed By – Robert-Nicholas-Charles Bochsa |
24:38 | ||
| 8 | Andante |
5:08 | |
| 9 | Minuetto |
1:17 | |
| 10 | Trio |
3:12 | |
| Duo Pour Harpe & Piano Forte
Composed By – Martin-Pierre D'Alvimare |
16:05 | ||
| 12 | Adagio |
2:53 | |
| 13 | Rondo Allegreto |
5:23 |
Участники записи:
- Art Direction, Producer – Maurice Cevrero
- Edited By – Wilfrid Harpaillé
- Flute – Philippe Pierlot
- Fortepiano – Monique Bouvet
- Harp – Catherine Michel
- Liner Notes – Bernard Chevallier
- Liner Notes – Béatrice de Durfort
- Liner Notes – Jean-Paul Clément (2)
- Painting – François Gérard
- Photography By – Claude Henriont
- Recorded By – Serge Bakhine
- Recorded By – Pierre Jacquot
Лейблы и идентификаторы:
- Rights Society : SACEM SACD SDRM SGDL
- Matrix / Runout : SL 941 11240409
- SPARS Code : DDD
Компании:
- Edited At – Digital Edge
- Manufactured By – SNA
- Produced For – Fondation Napoléon
- Produced For – Société Des Amis De Malmaison
- Produced For – La Maison De Chateaubriand
- Published By – Editions Symphony Land
- Recorded At – Château De Malmaison
- Recorded By – Futur Acoustic
Участники записи:
- Art Direction, Producer – Maurice Cevrero
- Edited By – Wilfrid Harpaillé
- Flute – Philippe Pierlot
- Fortepiano – Monique Bouvet
- Harp – Catherine Michel
- Liner Notes – Bernard Chevallier
- Liner Notes – Béatrice de Durfort
- Liner Notes – Jean-Paul Clément (2)
- Painting – François Gérard
- Photography By – Claude Henriont
- Recorded By – Serge Bakhine
- Recorded By – Pierre Jacquot
