André Marchal (2) – Enregistrements Inédits
| Лейбл: | Disques Du Solstice – SOL 21 |
| Формат: | Vinyl Gatefold |
| Страна: | France |
| Жанр: | Classical |
| Стиль: | Baroque, Impressionist, Modern, Organ, Romantic |
Подробнее об участниках записи
Треклист:
| A1 | Toccata Op. 7/3
Composed By – Augustin Barié |
5:31 | |
| Extraits De La Messe Des Paroisses
Composed By – François Couperin |
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| A3 | Récit Du Cromorne, Du Kyrie |
2:07 | |
| A4 | Plain - Chant, Du Kyrie |
0:51 | |
| Extraits Du Gloria
Composed By – Nicolas De Grigny |
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| A6 | Fugue à 5 |
3:23 | |
| A7 | Final de la 4eme Symphonie
Composed By – Louis Vierne |
7:09 | |
| B1 | Improvisation Libre
Created By – André Marchal (2) |
4:31 | |
| Office de L'épiphanie
Composed By – Charles Tournemire |
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| B3 | Offertoire |
2:30 | |
| B4 | Élévation |
1:07 | |
| B5 | Communion |
2:33 | |
| B6 | Fantaisie |
6:54 | |
| B7 | Improvisation Sur Un Thème de Sir George Dyson | 7:28 |
Участники записи:
- Organ – André Marchal (2)
- Recorded By – Thomas Heinitz
- Recorded By – Georges Danion
- Recorded By – François Carbou
- Sleeve Notes – Louis Vierne
- Sleeve Notes – André Marchal (2)
- Sleeve Notes – Felix Aprahamian
- Sleeve Notes – François Carbou
- Sleeve Notes – Charles Tournemire
- Sleeve Notes – Norbert Dufourcq
Лейблы и идентификаторы:
- Other : CYD 75
- Matrix / Runout Runout etching Side A: MPO TL SOL 21A
- Matrix / Runout Runout etching Side B: MPO TL SOL 21B
Компании:
- Distributed By – Solstice Distribution
- Mastered At – Translab
- Pressed By – MPO
- Printed By – Offset France
- Recorded At – Église Saint-Gervais, Paris
- Recorded At – Notre-Dame De Paris
- Recorded At – Royal Festival Hall
- Recorded At – Institut National des Jeunes Aveugles
Участники записи:
- Organ – André Marchal (2)
- Recorded By – Thomas Heinitz
- Recorded By – Georges Danion
- Recorded By – François Carbou
- Sleeve Notes – Louis Vierne
- Sleeve Notes – André Marchal (2)
- Sleeve Notes – Felix Aprahamian
- Sleeve Notes – François Carbou
- Sleeve Notes – Charles Tournemire
- Sleeve Notes – Norbert Dufourcq
