Musica Antiqua Köln – Le Parnasse Français
| Лейбл: | Archiv Produktion – 00289 479 6206 Archiv Produktion – 479 6206 |
| Формат: | CD |
| Страна: | Europe |
| Дата релиза: | 2016 |
| Жанр: | Classical |
| Стиль: | Baroque |
Подробнее об участниках записи
Треклист:
| 1-1 | La Sonnerie De Sainte-Geneviéve Du Mont De Paris | 7:50 | |
| Tombeau De Monsieur De Lully | |||
| 1-3 | 2. Vive / Marqué / Gay |
2:00 | |
| 1-4 | 3. Lentement / Doux / Récit / Grave |
3:10 | |
| 1-5 | 4. Doux / Récit / Vivement |
4:36 | |
| 1-6 | 5. Lentement / Gravement |
3044 | |
| Sonata "La Sultane" | |||
| 1-8 | 2. Gayment |
1:55 | |
| 1-9 | 3. Air (Tendrement) - Gravement |
3:05 | |
| 1-10 | 4. Légèrement - Vivement |
1:49 | |
| Sonata À La Marésienne
Composed By – Marin Marais |
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| 1-12 | 2. Légèrement |
1:39 | |
| 1-13 | 3. Un Peu Gay |
1:36 | |
| 1-14 | 4. Sarabande |
2:26 | |
| 1-15 | 5. Très Vivement |
2:05 | |
| 1-16 | 6. Gravement |
2:06 | |
| 1-17 | 7. Gigue |
2:12 | |
| 2-1 | Marche De Triomhe
Composed By – Marc Antoine Charpentier |
2:25 | |
| Messe Pour Plusieurs Instruments Au Lieu Des Orgues H 513 | |||
| 2-3 | 2. Gloria |
9:28 | |
| 2-4 | 3. Offerte |
3:23 | |
| 2-5 | 4. Sanctus |
1:02 | |
| 2-6 | Fanfare À Deux Trompettes H Deest
Composed By – Marc Antoine Charpentier |
0:27 | |
| 2-7 | Offerte Pour L'Orgue Et Pour Les Violons, Flûtes Et Hautbois H 514
Composed By – Marc Antoine Charpentier |
3:05 | |
| Suite Pour Un Reposoir
Composed By – Marc Antoine Charpentier |
|||
| 2-9 | 2. Tantum Ergo |
1:29 | |
| 2-10 | 3. Quand Les Prêtres Auront Chanté - Tantum Ergo |
0:43 | |
| 2-11 | 4. Quand Les Prêtres Auront Chanté - Genitori Amen |
3:55 | |
| 2-12 | 5. Allemande Grave |
2:30 | |
| 2-13 | Ouverture Pour L'Église H 524
Composed By – Marc Antoine Charpentier |
2:30 | |
| Symphonies Pour Un Reposoir H 515
Composed By – Marc Antoine Charpentier |
|||
| 2-15 | 2. Pange Lingua À 4 parties De Violons |
2:32 | |
| 2-16 | 3. In Supremae Pour Le Petit Chœur |
1:57 | |
| 2-17 | 4. Tantum Ergo Pour Les Violons - Amen Pour Les Violons |
2:53 | |
| 2-18 | Offerte Non Encore Exécutée H 522
Composed By – Marc Antoine Charpentier |
3:17 | |
| Suite Pour 4 Parties Des Violes H 545
Composed By – Marc Antoine Charpentier |
|||
| 2-20 | 2. Allemande |
1:58 | |
| 2-21 | 3. Sarabande |
3:03 | |
| 2-22 | 4. Gigue Angloise |
0:56 | |
| 2-23 | 5. Gigue Françoise |
0:57 | |
| 2-24 | 6. Passecaille |
2:00 | |
| 2-25 | Pour Un Reposoir: Ouverture Dèw Que La Procession Paraît H 523
Composed By – Marc Antoine Charpentier |
3:28 | |
| 2-26 | Second Air De Trompette
Composed By – Marc Antoine Charpentier |
3:20 | |
| Orphée
Composed By – Louis-Nicolas Clérambault Flute – Wilbert Hazelzet Harpsichord – Alan Curtis (2) Soprano Vocals – Rachel Yakar Viola da Gamba – Charles Medlam Violin – Reinhard Goebel |
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| 3-2 | 2. Récitatif: Mais Que Sert À Mon Désespoir - Air: Allez Orphée |
4:17 | |
| 3-3 | 3. Récitatif: Cependant Le Héros Arrive - Air: Monarque Redouté |
7:29 | |
| 3-4 | 4. Récitatif: Pluton Surpris - Air: Chantez La Victoire |
3:19 | |
| Médée
Composed By – Louis-Nicolas Clérambault Flute – Wilbert Hazelzet Harpsichord – Alan Curtis (2) Soprano Vocals – Rachel Yakar Viola da Gamba – Charles Medlam Violin – Reinhard Goebel |
|||
| 3-6 | 2. Récitatif: Que Dis-je - Air: L'Amour Dans Ses Fers |
2:51 | |
| 3-7 | 3. Récitatif: Mais Quelle Est Mon Erreur - Invocation: Cruelle Fille Des Enfers |
6:37 | |
| 3-8 | 4. Récitatif: Le Charme Est Fit - Air: Volez Démons |
5:05 | |
| Les Élémens (Simphonie Nouvelle)
Composed By – Jean-Féry Rebel |
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| 3-10 | 2. Loure I: La Terre Et L'Eau |
2:24 | |
| 3-11 | 3. Chaconne: Le Feu |
2:38 | |
| 3-12 | 4. Ramage: L'Air |
1:07 | |
| 3-13 | 5. Rossignuols |
1:18 | |
| 3-14 | 6. Rondeau: Air Pour L'Amour |
1:16 | |
| 3-15 | 7. Loure II |
2:24 | |
| 3-16 | 8. Sicilienne |
2:26 | |
| 3-17 | 9. Caprice |
2:47 | |
| 3-18 | 10. Tambourins I & II |
1:44 | |
| Les Nations (Premier Ordre "La Françoise")
Composed By – François Couperin |
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| 4-2 | 2. Allemande |
3:34 | |
| 4-3 | 3. Courante |
1:22 | |
| 4-4 | 4. Seconde Courante |
1:16 | |
| 4-5 | 5. Sarabande |
1:59 | |
| 4-6 | 6. Gigue |
1:14 | |
| 4-7 | 7. Chaconne En Passacaille |
2:31 | |
| 4-8 | 8. Gavotte |
0:55 | |
| 4-9 | 9. Menuet |
0:58 | |
| Les Nations (Deuxième Ordre "L'Espagnole")
Composed By – François Couperin |
|||
| 4-11 | 2. Allemande |
2:54 | |
| 4-12 | 3. Courante |
1:41 | |
| 4-13 | 4. Seconde Courante |
1:35 | |
| 4-14 | 5. Sarabande |
1:39 | |
| 4-15 | 6. Gigue Lourée |
2:15 | |
| 4-16 | 7. Gavotte |
0:55 | |
| 4-17 | 8. Rondeau |
2:25 | |
| 4-18 | 9. Bourée & Double |
0:51 | |
| 4-19 | 10. Bourée & Double - Répétition |
0:51 | |
| 4-20 | 11. Passacaille |
4:29 | |
| Les Nations (Troisième Ordre "L'Impériale")
Composed By – François Couperin |
|||
| 5-2 | 2. Allemande |
2:20 | |
| 5-3 | 3. Courante |
1:25 | |
| 5-4 | 4. Seconde Courante |
1:29 | |
| 5-5 | 5. Sarabande |
2:15 | |
| 5-6 | 6. Bourée |
1:00 | |
| 5-7 | 7. Gigue |
1:09 | |
| 5-8 | 8. Rondeau |
2:07 | |
| 5-9 | 9. Chaconne |
4:31 | |
| 5-10 | 10. Menuet |
0:58 | |
| Les Nations (Quatrième Ordre "La Piémontoise")
Composed By – François Couperin |
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| 5-12 | 2. Allemande |
2:35 | |
| 5-13 | 3. Courante |
1:23 | |
| 5-14 | 4. Seconde Courante |
1:50 | |
| 5-15 | 5. Sarabande |
2:30 | |
| 5-16 | 6. Rondeau |
2:02 | |
| 5-17 | 7. Gigue |
1:54 | |
| Messe Des Morts
Choir – Collegium Vocale Composed By – Jean Gilles Directed By [Artistic Director] – Philippe Herreweghe |
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| 6-2 | 2. Kyrie | 2:22 | |
| 6-3 | 3. Graduale
Bass Vocals – Ulrich Studer |
5:12 | |
| 6-4 | 4. Offertorium | 9:43 | |
| 6-5 | 5. Sanctus
Bass Vocals – Peter Kooij Bass Vocals – Ulrich Studer Contralto Vocals – Jean Nirouët Tenor Vocals – Martyn Hill |
3:57 | |
| 6-6 | 6. Agnus Dei
Bass Vocals – Ulrich Studer |
4:00 | |
| 6-7 | 7. Post Communio
Bass Vocals – Ulrich Studer |
4:32 | |
| 6-8 | Carillon Des Morts | 4:46 | |
| Overture In D Major Op. 13 No. 2 | |||
| 7-2 | 2. Andante |
4:53 | |
| 7-3 | 3. Allegro |
2:31 | |
| Sonata For Two Violins In G Minor Op. 12 No. 5
Composed By – Jean-Marie Leclair Harpsichord – Henk Bouman Viol [Bass Viol] – Charles Medlam Violin [Baroque] – Hajo Bäß Violin [Baroque] – Reinhard Goebel |
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| 7-5 | 2. Aria Gratioso. Andante - Un Poco Più Allegro - Più Andante |
5:16 | |
| 7-6 | 3. Allegro Assai |
3:54 | |
| 7-7 | Trio In A Major Op. 14: Overture
Composed By – Jean-Marie Leclair |
8:47 | |
| Sonata For Two Violins In B Flat Major Op. 12 No. 6
Composed By – Jean-Marie Leclair Harpsichord – Henk Bouman Viol [Bass Viol] – Charles Medlam Violin [Baroque] – Hajo Bäß Violin [Baroque] – Reinhard Goebel |
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| 7-9 | 2. Allegro Moderato |
2:22 | |
| 7-10 | 3. Andante |
4:43 | |
| 7-11 | 4. Allegro Non Presto |
2:55 | |
| 8-1 | Te Deum (Motet À Deux Chœurs)
Composed By – Jean-Baptiste Lully |
2:18 | |
| 8-2 | La Bocanne Primitive
Composed By – Jacques Cordier |
1:43 | |
| 8-3 | La Bocanne Compliquée
Composed By – Jacques Cordier |
1:07 | |
| 8-4 | Phaëton: Troupe D'Atrée Dansante
Composed By – Jean-Baptiste Lully |
0:46 | |
| 8-5 | La Nuit (Ballet): Ouverture
Composed By – Jean-Baptiste Lully |
2:03 | |
| 8-6 | La Plaisiers (Ballet): Sarabande
Composed By – Jean-Baptiste Lully |
2:19 | |
| 8-7 | La Nuit (Ballet): Le Roi Représentant Le Soleils Levant
Composed By – Jean-Baptiste Lully |
1:57 | |
| Xerxes (Ballet)
Composed By – Jean-Baptiste Lully |
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| 8-9 | Air Pour Les Esclaves Et Singes Dansants |
0:42 | |
| 8-10 | Air Pour Les Postures De Scaramouche |
1:14 | |
| 8-11 | Air Pour Les Docteurs, Frivelins Et Polichinelles |
1:13 | |
| 8-12 | Air Pour Les Esclaves Dansants |
2:11 | |
| 8-13 | Idylle Sur La Paix: Air Pour Madame La Dauphine
Composed By – Jean-Baptiste Lully |
2:07 | |
| Alcidiane (Ballet)
Composed By – Jean-Baptiste Lully |
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| 8-15 | Ouverture |
0:58 | |
| 8-16 | Le Triomphe De L'Amour: Ouverture
Composed By – Jean-Baptiste Lully |
3:31 | |
| 8-17 | Persée: Entrée Des Divinités Infernales
Composed By – Jean-Baptiste Lully |
1:43 | |
| Le Bourgeois Gentilhomme
Composed By – Jean-Baptiste Lully |
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| 8-19 | Giourdina | 0:37 | |
| 8-20 | Chaconne Des Scaramouches, Frivelins Et Arlequins |
1:45 | |
| 8-21 | Ombre De Mon Amant (Air De Cour) | 4:58 | |
| 8-22 | Le Triomphe De L'Amour: Prélude Pour La Nuit
Composed By – Jean-Baptiste Lully |
4:58 | |
| Pomone
Composed By – Robert Cambert |
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| 8-24 | Que Voyez-vous Mes Yeux
Soprano Vocals – Céline Scheen |
2:16 | |
| 8-25 | Armide: Plus J'Observe Ces Lieux
Composed By – Jean-Baptiste Lully |
3:16 | |
| 8-26 | Atys, "Le Sommeil": Dormons, Dormons Tous
Composed By – Jean-Baptiste Lully |
7:35 | |
| Armide
Composed By – Jean-Baptiste Lully |
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| 8-28 | Prélude |
1:27 | |
| 8-29 | Les Folies D'Espagne
Composed By – Jean-Baptiste Lully |
2:52 | |
| 8-30 | Les Amants Magnifiques: Entrée D'Apollon
Composed By – Jean-Baptiste Lully |
1:02 | |
| Le Triomphe De L'Amour
Composed By – Jean-Baptiste Lully |
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| 8-32 | Deuxième Air |
0:54 | |
| 8-33 | Isis: C'est Lui Dont Les dieux Ont Fait Choix | 1:57 | |
| Armide
Composed By – Jean-Baptiste Lully |
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| 8-35 | Esprits Empressés À Nous Plaire | 1:47 | |
| Concerto A 5 In E Minor
Composed By – Pierre-Gabriel Buffardin |
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| 9-2 | 2. Andante |
4:01 | |
| 9-3 | 3. Vivace |
3:32 | |
| Concerto In D Major Op. 26 No. 6
Composed By – Joseph Bodin de Boismortier |
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| 9-5 | 2. Largo |
1:54 | |
| 9-6 | 3. La Fustemberg. Allegro |
1:59 | |
| "Concerto Comique" No. 25 In G Minor ("Les Sauvages Et La Fustemberg") | |||
| 9-8 | 2. Quand On Sçait Aimer Et Plaire. Andante |
2:18 | |
| 9-9 | 3. Allegro |
3:59 | |
| Concerto In A Major Op. 12 No. 1 | |||
| 9-11 | 2. Allegro |
3:30 | |
| 9-12 | 3. Adagio |
3:30 | |
| 9-13 | 4. Allegro |
2:34 | |
| Concerto À 4 Parties In A Minor
Composed By – Michel Blavet |
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| 9-15 | 2. Gavotte I And Gavotte II. Tendrement |
3:28 | |
| 9-16 | 3. Allegro |
4:41 | |
| "Sonate En Quatuor" In A Minor Op. 17 No. 6 | |||
| 10-2 | 2. Aria Grazioso |
6:47 | |
| 10-3 | 3. Presto |
3:33 | |
| Trio Sonata In E Major Op. 2 No. 6 | |||
| 10-5 | 2. Courante |
3:40 | |
| 10-6 | 3. Sicilienne |
4:11 | |
| 10-7 | 4. Rondeau |
2:55 | |
| L'Art de La Modulation: Quaturo In G Major | |||
| 10-9 | 2. Aria Grazioso |
2:29 | |
| 10-10 | 3. Giga. Allegro |
3:35 | |
| "Sonate À 4 Parties" In D Minor | |||
| 10-12 | 2. Adagio |
2:27 | |
| 10-13 | 3. Modérément |
8:32 | |
| 10-14 | 4. Aria |
4:36 |
Участники записи:
- Design – WLP Ltd.
- Directed By – Reinhard Goebel
- Edited By – Hans-Ulrich Bastin
- Edited By – Jürgen Bulgrin
- Edited By – Joachim Niss
- Edited By – Mark Buecker
- Edited By – Wolfgang Mitlehner
- Edited By – Reinhild Schmidt
- Engineer [Balance] – Onno Scholtze
- Engineer [Balance] – Klaus Scheibe
- Engineer [Balance] – Hans-Ulrich Bastin
- Engineer [Balance] – Andrew Wedman
- Engineer [Balance] – Wolfgang Mitlehner
- Engineer [Balance] – Hans-Peter Schweigmann
- Engineer [Recording] – Jörg Iwaschuta
- Engineer [Recording] – Hans-Rudolf Müller
- Engineer [Recording] – Mark Buecker
- Engineer [Recording] – Reinhard Lagemann
- Engineer [Recording] – Rainer Höpfner
- Engineer [Recording] – Helmut Najda
- Engineer [Recording] – Reinhild Schmidt
- Executive-Producer – Marita Prohmann
- Executive-Producer – Dr. Andreas Holschneider
- Executive-Producer – Peter Czornyj
- Liner Notes – Reinhard Goebel
- Liner Notes [Translation] – Brad Robinson (3)
- Liner Notes [Translation] – Daniel Fesquet
- Orchestra – Musica Antiqua Köln
- Photography By [Booklet: p. 12] – Andreas Wucke
- Photography By [Booklet: p. 2] – René-Gabriel Ojéda
- Producer [Recording] – Sid McLauchlan
- Producer [Recording] – Wolfgang Mitlehner
- Producer [Recording] – Christopher Alder
- Producer [Recording] – Dr. Gerd Ploebsch
- Product Manager [Project Management] – Ulrike Bährle
Лейблы и идентификаторы:
- Barcode : 0 28947 96206 9
- Label Code : LC 0113
- Other Suffix Following Box Cat# (Boxed): A B 10
- Rights Society Public Domain: D.P.
- Other Cat# CD1: 00289 479 6207
- Other Cat# CD2: 00289 479 6208
- Other Cat# CD3: 00289 479 6209
- Other Cat# CD4: 00289 479 6210
- Other Cat# CD5: 00289 479 6211
- Other Cat# CD6: 00289 479 6212
- Other Cat# CD7: 00289 479 6213
- Other Cat# CD8: 00289 479 6214
- Other Cat# CD9: 00289 479 6215
- Other Cat# CD10: 00289 479 6216
- SPARS Code : ADD / DDD
Компании:
- Copyright (c) – Deutsche Grammophon GmbH
- Designed At – WLP Ltd.
- Phonographic Copyright (p) – Deutsche Grammophon GmbH
- Pressed By – EDC, Germany
- Recorded At – Melanchthon Kirche
- Recorded At – Lutherse Kerk, Haarlem
- Recorded At – Karmelieter Kerk, Gent
- Recorded At – Deutschlandfunk Sendesaal
- Recorded At – Plenarsaal Der Akademie Der Wissenschaften
- Recorded At – Zentralsaal, Bamberg
- Recorded At – Beethovensaal, Hannover
Участники записи:
- Design – WLP Ltd.
- Directed By – Reinhard Goebel
- Edited By – Hans-Ulrich Bastin
- Edited By – Jürgen Bulgrin
- Edited By – Joachim Niss
- Edited By – Mark Buecker
- Edited By – Wolfgang Mitlehner
- Edited By – Reinhild Schmidt
- Engineer [Balance] – Onno Scholtze
- Engineer [Balance] – Klaus Scheibe
- Engineer [Balance] – Hans-Ulrich Bastin
- Engineer [Balance] – Andrew Wedman
- Engineer [Balance] – Wolfgang Mitlehner
- Engineer [Balance] – Hans-Peter Schweigmann
- Engineer [Recording] – Jörg Iwaschuta
- Engineer [Recording] – Hans-Rudolf Müller
- Engineer [Recording] – Mark Buecker
- Engineer [Recording] – Reinhard Lagemann
- Engineer [Recording] – Rainer Höpfner
- Engineer [Recording] – Helmut Najda
- Engineer [Recording] – Reinhild Schmidt
- Executive-Producer – Marita Prohmann
- Executive-Producer – Dr. Andreas Holschneider
- Executive-Producer – Peter Czornyj
- Liner Notes – Reinhard Goebel
- Liner Notes [Translation] – Brad Robinson (3)
- Liner Notes [Translation] – Daniel Fesquet
- Orchestra – Musica Antiqua Köln
- Photography By [Booklet: p. 12] – Andreas Wucke
- Photography By [Booklet: p. 2] – René-Gabriel Ojéda
- Producer [Recording] – Sid McLauchlan
- Producer [Recording] – Wolfgang Mitlehner
- Producer [Recording] – Christopher Alder
- Producer [Recording] – Dr. Gerd Ploebsch
- Product Manager [Project Management] – Ulrike Bährle
