Various – Montréal
| Лейбл: | Decca – 478 9466 |
| Формат: | CD |
| Страна: | Europe |
| Дата релиза: | 2016 |
| Жанр: | Classical |
| Стиль: | Choral, Classical, Impressionist, Modern, Neo-Classical, Neo-Romantic, Romantic |
Подробнее об участниках записи
Треклист:
| Daphnis Et Chloé |
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| Première Partie
Maurice Ravel Chorus – Chœurs de L'Orchestre Symphonique de Montréal Chorus – Неизвестный #14034196 Chorus Master – René Lacourse |
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| 1-2 | Scène -- Danse Générale |
3:27 | |
| 1-3 | Danse Grotesque De Dorcon -- Scène |
1:56 | |
| 1-4 | Danse Légère Et Gracieuse De Daphnis |
3:37 | |
| 1-5 | Scène -- Danse De Lycéion -- Scène (Les Pirates) |
4:01 | |
| 1-6 | Scène -- Danse Lente Et Mystérieuse |
5:07 | |
| Deuxième Partie | |||
| 1-8 | Danse Guerrière |
4:24 | |
| 1-9 | Scène -- Danse Suppliante De Chloé |
5:47 | |
| Troisième Partie | |||
| 1-11 | Daphnis Et Chloé Miment L'Aventure De Pan Et De Syrinx |
6:58 | |
| 1-12 | Danse Générale |
3:28 | |
| - |
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| 2-1 | Boléro | 15:02 | |
| 2-2 | Alborada Del Gracioso (Version Pour Orchestre) | 7:17 | |
| Rapsodie Espagnole | |||
| 2-4 | Malagueña |
2:07 | |
| 2-5 | Habanera |
2:51 | |
| 2-6 | Feria |
6:10 | |
| 2-7 | La Valse (Poème Chorégraphique) | 12:09 | |
| El Sombrero De Tres Picos |
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| 3-1 | Introducción | 1:31 | |
| Parte 1 | |||
| 3-3 | Danza De La Molinera |
3:34 | |
| 3-4 | Las Uvas |
4:05 | |
| Parte 2 | |||
| 3-6 | Danza Del Molinero |
7:31 | |
| 3-7 | Danza Del Corregidor |
6:12 | |
| 3-8 | Danza Final |
6:17 | |
| - |
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| El Amor Brujo | |||
| 3-10 | En La Cueva -- La Noche |
2:12 | |
| 3-11 | Canción Del Amor Dolido |
1:30 | |
| 3-12 | El Aparecido |
0:11 | |
| 3-13 | Danza Del Terror |
1:48 | |
| 3-14 | El Circulo Mágico |
2:20 | |
| 3-15 | A Media Noche. Los Sortilegios |
0:26 | |
| 3-16 | Danza Ritual Del Fuego, Para Ahuyentar Los Malos Espíritus |
3:53 | |
| 3-17 | Escena |
1:01 | |
| 3-18 | Canción Del Fuego Fatuo |
1:37 | |
| 3-19 | Pantomima |
4:25 | |
| 3-20 | Danza Del Juego De Amor |
2:46 | |
| 3-21 | Final. Les Campanas Del Amanecer |
1:28 | |
| Symphony No. 3 In C Minor, Op. 78 "Organ Symphony" | |||
| 4-2 | Poco Adagio |
9:27 | |
| 4-3 | II. Allegro Moderato -- Presto -- Allegro Moderato -- |
6:47 | |
| 4-4 | Maestoso -- Più Allegro -- Molto Allegro |
7:44 | |
| Symphony In B-Flat Major, Op. 20 | |||
| 4-6 | II. Très Lent |
9:26 | |
| 4-7 | III. Animé |
13:28 | |
| Piano Concerto In G Major | |||
| 5-2 | II. Adagio Assai |
9:55 | |
| 5-3 | III. Presto |
3:54 | |
| 5-4 | Menuet Antique (Version Pour Orchestre) | 6:31 | |
| Piano Concerto For The Left Hand | |||
| 5-6 | Une Barque Sur L'Océan (Version Pour Orchestre) | 7:53 | |
| 5-7 | Fanfare Pour "L'Éventail De Jeanne" | 1:19 | |
| Pini De Roma | |||
| 6-2 | II. Pini Presso Una Catacomba |
6:16 | |
| 6-3 | III. I Pini Del Gianicolo |
6:56 | |
| 6-4 | IV. I Pini Della Via Appia |
4:29 | |
| Fontane Di Roma | |||
| 6-6 | II. Il Giubileo |
7:06 | |
| 6-7 | III. L'Ottobrata |
7:51 | |
| 6-8 | IV. La Befana |
5:24 | |
| Feste Romane | |||
| 6-10 | II. La Fontana Del Tritone Al Mattino |
2:20 | |
| 6-11 | III. La Fontana Di Trevi Al Meriggio |
3:19 | |
| 6-12 | IV. La Fontana Di Villa Medici Al Tramonto |
5:14 | |
| Ma Mère L'Oye - Ballet Complet | |||
| 7-2 | 1er Tableau: Danse Du Rouet Et Scène |
3:29 | |
| 7-3 | 2e Tableau: Pavane De La Belle Au Bois Dormant |
2:28 | |
| 7-4 | 3e Tableau: Les Entretiens De La Belle Et De La Bête |
5:13 | |
| 7-5 | 4e Tableau: Petit Poucet |
4:24 | |
| 7-6 | 5e Tableau: Laideronnette, Impératrice Des Pagodes |
9:18 | |
| 7-7 | Pavane Pour Une Infante Défunte | 6:38 | |
| Le Tombeau De Couperin | |||
| 7-9 | II. Forlane |
5:19 | |
| 7-10 | III. Menuet |
4:30 | |
| 7-11 | IV. Rigaudon |
2:49 | |
| Valses Nobles Et Sentimentales | |||
| 7-12.2 | II. Assez Lent |
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| 7-13.1 | III. Modéré |
3:11 | |
| 7-13.2 | IV. Assez Animé |
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| 7-14.1 | V. Presque Lent |
2:13 | |
| 7-14.2 | VI. Assez Vif |
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| 7-15.1 | VII. Moins Vif |
6:47 | |
| 7-15.2 | VIII. Épilogue |
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| Scheherazade (Symphonic Suite, Op. 35) | |||
| 8-2 | The Story Of The Kalendar Prince |
11:31 | |
| 8-3 | The Young Prince And The Young Princess |
10:33 | |
| 8-4 | Festival At Baghdad -- The Sea -- Shipwreck |
12:24 | |
| Capriccio Espagnol | |||
| 8-6 | II. Variazoni |
4:48 | |
| 8-7 | III. Alborada |
1:12 | |
| 8-8 | IV. Scena E Canto Gitano |
5:13 | |
| 8-9 | V. Fandango Asturiano |
3:27 | |
| Gaité Parisienne (From Various Offenbach Works) | |||
| 9-2 | No. 1 - Allegro Brilliante (Mesdames De La Halle) |
1:05 | |
| 9-3.1 | No. 2 - Polka (Le Voyage Dans La Lune) |
3:49 | |
| 9-3.2 | No. 3 - Poco Allegro -- A Tempo De Ländler (Lischen Et Fritzchen) |
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| 9-4.1 | No. 4 - Mazurka (La Vie Parisienne) |
5:07 | |
| 9-4.2 | No. 5 - Valse (La Vie Parisienne) |
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| 9-5.1 | No. 6 - Peruvian Dance -- Allegro (La Vie Parisienne) |
2:52 | |
| 9-5.2 | No. 7 - Polka (La Belle Hélène) |
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| 9-6.1 | No. 8 - Valse Lente (Orphée Aux Enfers) |
4:52 | |
| 9-6.2 | No. 9 - Tempo Di Marcia (Tromb-Al-Cazar) |
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| 9-7.1 | No. 10 - Valse Moderato (La Vie Parisienne) |
6:54 | |
| 9-7.2 | No. 11 - Vivo (La Vie Parisienne) |
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| 9-7.3 | No. 12 - Valse (Les Contes D'Hoffmann) |
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| 9-7.4 | No. 13 - Allegro Misterioso (Rosenthal) |
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| 9-8 | No. 14 - Valse (Le Périchole) |
3:20 | |
| 9-9.1 | No. 15 - Allegro (Rosenthal) |
3:39 | |
| 9-9.2 | No. 16 - Cancan (Robinson Crusoe) |
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| 9-9.3 | No. 17 - Quadrille (Orphée Aux Enfers) |
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| 9-10.1 | No. 18 - Cancan [Allegro] (Orphée Aux Enfers) |
3:07 | |
| 9-10.2 | No. 19 - Allegro Moderato (Orphée Aux Enfers) |
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| 9-10.3 | No. 20 - Allegro (Orphée Aux Enfers) |
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| 9-10.4 | No. 21 - Leggiero (Orphée Aux Enfers) |
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| 9-11 | No. 22 - Vivo (Orphée Aux Enfers) |
1:07 | |
| 9-12 | No. 23 - Barcarolle (Les Contes D'Hoffmann) |
3:38 | |
| 9-13 | Faust - Ballet Music (1860/69 Version, Act V) | 17:00 | |
| Symphonie Fantastique | |||
| 10-2 | II. Un Bal |
6:30 | |
| 10-3 | III. Scéne Aux Champs |
17:01 | |
| 10-4 | IV. Marche Au Supplice |
4:52 | |
| 10-5 | V. Songe D'Une Nuit Du Sabbat |
10:27 | |
| 10-6 | Le Carnaval Romain (Ouverture) | 8:35 | |
| 10-7 | Le Corsaire (Ouverture) | 8:10 | |
| 10-8 | Les Francs-Juges (Ouverture) | 11:37 | |
| Le Sacre Du Printemps |
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| Première Partie: L'Adoration De La Terre | |||
| 11-2 | Les Augures Printaniers -- Danses Des Adolescents |
3:15 | |
| 11-3 | Jeu Du Rapt |
1:21 | |
| 11-4 | Rondes Printanières |
3:44 | |
| 11-5 | Jeux Des Cités Rivales |
1:51 | |
| 11-6 | Cortège Du Sage |
0:42 | |
| 11-7 | Le Sage |
0:21 | |
| 11-8 | Danse De La Terre |
1:10 | |
| Seconde Partie: Le Sacrifice | |||
| 11-10 | Cercles Mystérieux Des Adolescents |
3:32 | |
| 11-11 | Glorification De L'Élue |
1:38 | |
| 11-12 | Évocation Des Ancêtres |
0:43 | |
| 11-13 | Action Rituelle Des Ancêtres |
3:51 | |
| 11-14 | Danse Sacrale: L'Élue |
4:46 | |
| - |
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| 11-15 | Symphonies Of Wind Instruments (Original Version, 1920) | 9:05 | |
| 12-1 | Leichte Kavallerie (Ouvertüre) | 7:04 | |
| 12-2 | Fatinitza (Ouvertüre) | 7:37 | |
| 12-3 | Ein Morgen, Ein Mittag Und Ein Abend In Wien (Ouvertüre) | 8:29 | |
| 12-4 | Banditenstreiche (Ouvertüre) | 7:17 | |
| 12-5 | Die Schöne Galathée (Ouvertüre) | 7:17 | |
| 12-6 | Dichter Und Bauer (Ouvertüre) | 10:09 | |
| 12-7 | Pique Dame (Ouvertüre) | 8:30 | |
| L'Oiseau De Feu |
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| 13-1 | Introduction | 2:43 | |
| Premier Tableau | |||
| 13-3 | Apparition De L'Oiseau De Feu Poursuivi Par Ivan Tsarévitch |
2:15 | |
| 13-4 | Danse De L'Oiseau De Feu |
1:24 | |
| 13-5 | Capture De L'Oiseau De Feu Par Ivan Tsarévitch |
0:51 | |
| 13-6 | Supplications De L'Oiseau De Feu -- Apparition Des Treize Princesses Enchantées |
7:51 | |
| 13-7 | Jeu Des Princesses Avec Les Pommes D'Or |
2:29 | |
| 13-8 | Brusque Apparition D'Ivan Tsarévitch |
1:30 | |
| 13-9 | Khorovod (Ronde) Des Princesses |
4:42 | |
| 13-10 | Lever Du Jour -- Ivan Tsarévitch Pénètre Dans Le Palais De Kachtcheï |
1:29 | |
| 13-11 | Carillon Féerique -- Apparition Des Monstres-Gardiens De Kachtcheï -- Capture D'Ivan Tsarévitch -- Intercession Des Princesses |
5:14 | |
| 13-12 | Danse De La Suite De Kachtcheï Enchantée Par L'Oiseau De Feu |
0:47 | |
| 13-13 | Danse Infernale De Tous Les Sujets De Kachtcheï |
4:40 | |
| 13-14 | Berceuse (L'Oiseau De Feu) -- Réveil De Kachtcheï -- Mort De Kachtcheï -- Profonds Ténèbres |
5:36 | |
| Second Tableau | |||
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| 13-16 | Scherzo Fantastique, Op. 3 | 12:03 | |
| 13-17 | Feu D'Artifice, Op. 4 | 3:55 | |
| 14-1 | Khovanshchina -- Prelude | 5:35 | |
| 14-2 | Night On The Bare Mountain | 11:02 | |
| 14-3 | Russian Easter Festival Overture | 14:49 | |
| Pictures At An Exhibition | |||
| 14-5 | Promenade -- Il Vecchio Castello |
5:50 | |
| 14-6 | Promenade -- Tuileries |
1:34 | |
| 14-7 | Bydlo -- Promenade |
3:26 | |
| 14-8 | Ballet Of The Unhatched Chicks |
1:12 | |
| 14-9 | Samuel Goldenberg Und Schmuyle |
2:13 | |
| 14-10 | Limoges: Le Marché |
1:28 | |
| 14-11 | Catacombae: Cum Mortuis In Lingua Mortua |
3:56 | |
| 14-12 | The Hut On Fowl's Legs (Baba Yaga) |
3:24 | |
| 14-13 | The Great Gate Of Kiev |
5:46 | |
| Overture, Op. 21, And Incidental Music, Op. 61, From "A Midsummer Night's Dream" | |||
| 15-2 | II. Scherzo |
4:32 | |
| 15-3 | III. Intermezzo |
3:29 | |
| 15-4 | IV. Nocturne |
6:38 | |
| 15-5 | V. Wedding March |
5:01 | |
| 15-6 | Overture "The Hebrides," Op. 26 | 10:06 | |
| 15-7 | Overture "The Fair Melusine," Op. 32 | 11:09 | |
| 15-8 | Overture "Ruy Blas," Op. 95 | 7:27 | |
| The Planets, H125 | 52:33 | ||
| 16-2 | II. Venus, The Bringer Of Peace |
9:36 | |
| 16-3 | III. Mercury, The Winged Messenger |
3:59 | |
| 16-4 | IV. Jupiter, The Bringer Of Jollity |
8:01 | |
| 16-5 | V. Saturn, The Bringer Of Old Age |
9:51 | |
| 16-6 | VI. Uranus, The Magician |
6:01 | |
| 16-7 | VII. Neptune, The Mystic |
7:56 | |
| Pétrouchka (Version De 1911)
Igor Stravinsky Cornet – James Chompson Flute – Timothy Hutchins Piano – Armas Maiste Trumpet – Robert Early Tuba – Ellis Wean |
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| 17-2 | Tableau 2: Chez Pétrouchka |
4:21 | |
| 17-3 | Tableau 3: Chez Le Maure |
6:56 | |
| 17-4 | Tableau 4: Fête Populaire De La Semaine Grasse, Vers Le Soir |
13:21 | |
| Le Chant De Rossignol | |||
| 17-6 | Marche Chinoise |
6:44 | |
| 17-7 | Jeu De Rossignol Mécanique |
11:56 | |
| Quatre Études | |||
| 17-9 | II. Excentrique |
2:14 | |
| 17-10 | III. Cantique |
4:00 | |
| 17-11 | IV. Madrid |
2:36 | |
| L'Arlésienne, Suite No. 1 | |||
| 18-2 | Minuetto |
3:12 | |
| 18-3 | Adagietto |
3:10 | |
| 18-4 | Carillon |
4:32 | |
| L'Arlésienne, Suite No. 2
Georges Bizet Arranged By – Ernest Guiraud Flute – Timothy Hutchins Harp – Dorothy Weldon Masella Saxophone – Gilles Moisan |
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| 18-6 | Intermezzo |
4:41 | |
| 18-7 | Menuet |
4:25 | |
| 18-8 | Farandole |
3:21 | |
| Carmen, Suite No. 1 | |||
| 18-10 | Intermezzo |
2:35 | |
| 18-11 | Séguedille |
1:56 | |
| 18-12 | Les Dragons D'Alcala |
1:53 | |
| 18-13 | Les Toréadors |
2:10 | |
| Carmen, Suite No. 2
Georges Bizet Arranged By – Fritz Hoffmann Trumpet, Cornet – Robert Early Violin – Richard Roberts (10) |
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| 18-15 | Habanera |
2:05 | |
| 18-16 | Nocturne |
5:57 | |
| 18-17 | Chanson Du Toréador |
2:31 | |
| 18-18 | La Garde Montante |
3:45 | |
| 18-19 | Danse Bohème |
4:45 | |
| Requiem, Op. 48 | |||
| 19-2 | II. Offertoire ("Domine, Jesu Christe") |
8:56 | |
| 19-3 | III. Sanctus |
3:01 | |
| 19-4 | IV. Pie Jesu |
3:42 | |
| 19-5 | V. Agnus Dei |
6:03 | |
| 19-6 | VI. Libera Me |
5:20 | |
| 19-7 | VII. In Paradisum |
3:14 | |
| Pelléas Et Mélisande -- Suite, Op. 80 | |||
| 19-9 | Andantino Quasi Allegretto |
2:38 | |
| 19-10 | Sicilienne: Allegro Molto Moderato |
3:52 | |
| 19-11 | Molto Adagio |
4:36 | |
| 19-12 | Pavane Pour Orchestre Avec Chœur, Op. 50
Gabriel Fauré Choir – Неизвестный #14034196 Chorus Master – Iwan Edwards Text By – Robert de Montesquiou |
6:43 | |
| Concerto For Orchestra, BB 123 | |||
| 20-2 | II. Giuoco Delle Coppie: Allegretto Scherzando |
6:37 | |
| 20-3 | III. Elegia: Andante, Non Troppo |
7:39 | |
| 20-4 | IV. Intermezzo Interrotto: Allegretto |
4:17 | |
| 20-5 | V. Finale: Pesante -- Presto |
9:30 | |
| Music For Strings, Percussion And Celesta, BB 114 | |||
| 20-7 | II. Allegro |
7:22 | |
| 20-8 | III. Adagio |
7:49 | |
| 20-9 | IV. Allegro Molto |
7:16 | |
| Fête À La Française |
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| 21-1 | Joyeuse Marche | 3:51 | |
| 21-2 | L'Apprenti Sorcier | 11:33 | |
| 21-3 | España (Rhapsody For Orchestra) | 6:20 | |
| Deux Gymnopédies | |||
| 21-5 | II. Lent Et Douloureux (Satie No. 3) |
3:30 | |
| 21-6 | Air Et Danse Bacchanale (Samson Et Dalila) | 7:06 | |
| Petite Suite D'Orchestre (Jeux D'Enfants Nos. 2, 3, 6, 11, 12) | |||
| 21-8 | II. Berceuse (La Poupée) |
2:33 | |
| 21-9 | III. Impromptu (La Toupie) |
1:00 | |
| 21-10 | IV. Duo (Petit Mari, Petite Femme) |
3:32 | |
| 21-11 | V. Galop (Le Bal) |
1:50 | |
| 21-12 | Ouverture "Raymond" | 8:07 | |
| Divertissement | |||
| 21-14 | II. Cortège |
4:54 | |
| 21-15 | III. Nocturne |
2:35 | |
| 21-16 | IV. Valse |
3:01 | |
| 21-17 | V. Parade |
1:43 | |
| 21-18 | VI. Finale |
1:50 | |
| - |
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| Images Pour Orchestre |
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| 22-1 | Gigues | 7:29 | |
| Ibéria | |||
| 22-3 | II. Les Parfums De La Nuit |
8:16 | |
| 22-4 | III. Le Matin D'Un Jour De Fête |
4:25 | |
| 22-5 | Rondes De Printemps | 7:31 | |
| - |
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| Trois Nocturnes | |||
| 22-7 | Fêtes |
6:17 | |
| 22-8 | Sirènes | 10:47 | |
| La Mer | |||
| 23-2 | II. Jeux De Vagues |
6:11 | |
| 23-3 | III. Dialogue Du Vent Et De La Mer |
7:57 | |
| 23-4 | Jeux (Poème Dansé) | 17:24 | |
| Le Martyre De Saint Sébastien (Fragments Symphoniques) | |||
| 23-6 | II. Danse Extatique Et Final Du Premier Acte |
7:16 | |
| 23-7 | III. La Passion |
6:20 | |
| 23-8 | IV. Le Bon Pasteur |
6:40 | |
| 23-9 | Prélude À L'Après-Midi D'Un Faune | 10:44 | |
| Symphonie En Ré Mineur | |||
| 24-2 | II. Allegretto |
10:41 | |
| 24-3 | III. Allegro Non Troppo |
10:22 | |
| Symphonie Sur Un Chant Montagnard Français, Op. 25 (Symphonie Cévenole) | |||
| 24-5 | II. Assez Modéré, Mais Sans Lenteur |
7:24 | |
| 24-6 | III. Animé |
7:30 | |
| Swan Lake, Op. 20 |
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| Acte Un | |||
| 25-2 | No. 2 - Valse (Tempo Di Valse) |
7:30 | |
| 25-3 | No. 3 - Scène (Allegro Moderato) |
4:14 | |
| 25-4 | No. 4 - Pas De Trois |
11:06 | |
| 25-5 | No. 5 - Pas De Deux
Violin – Chantal Juillet |
10:43 | |
| 25-6 | No. 6 - Pas D'Action (Andantino Quasi Moderato -- Allegro) |
3:08 | |
| 25-7 | No. 7 - Sujet |
0:46 | |
| 25-8 | No. 8 - Danse Des Coupes (Tempo Di Polacca) |
5:25 | |
| 25-9 | No. 9 - Finale (Andante) |
2:53 | |
| Acte Deux | |||
| 25-11 | No. 11 - Scène (Allegro Moderato -- Moderato -- Allegro Vivo) |
5:24 | |
| 25-12 | No. 12 - Scène (Allegro -- Moderato Assai Quasi Andante) |
3:22 | |
| 25-13 | No. 13 - Danses Des Cygnes | 14:39 | |
| Acte Trois | |||
| 26-2 | No. 16 - Danses Du Corps De Ballet Et Des Nains (Moderato Assai -- Allegro Vivo) |
5:24 | |
| 26-3 | No. 17 - Scène. Sortie Des Invités Et Valse (Allegro -- Tempo Di Valse) |
8:11 | |
| 26-4 | No. 18 - Scène (Allegro -- Allegro Giusto) |
1:39 | |
| 26-5 | No. 19 - Pas De Six |
13:06 | |
| 26-6 | Numéro Supplémentaire: Pas De Deux
Cello – Guy Fouquet |
8:15 | |
| 26-7 | No. 20 - Danse Hongroise. Czardas |
2:56 | |
| 26-8 | No. 20a - Numéro Supplémentaire: Danse Russe
Cello – Guy Fouquet |
4:33 | |
| 26-9 | No. 21 - Danse Espagnole (Allegro Non Troppo. Tempo Di Bolero) |
2:49 | |
| 26-10 | No. 22 - Danse Napolitaine |
2:11 | |
| 26-11 | No. 23 - Mazurka (Tempo Di Mazurka) |
4:15 | |
| 26-12 | No. 24 - Scène (Allegro -- Valse -- Allegro Vivo) |
3:25 | |
| Acte Quatre | |||
| 26-14 | No. 26 - Scène (Allegro Non Troppo) |
2:02 | |
| 26-15 | No. 27 - Danses Des Petits Cygnes (Moderato) |
5:28 | |
| 26-16 | No. 28 - Scène (Allegro Agitato -- Molto Meno Mosso -- Allegro Vivace |
3:12 | |
| 26-17 | No. 29 - Scène Finale (Andante -- Allegro Agitato -- Alla Breve. Moderato E Maestoso - Moderato) |
6:44 | |
| - |
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| The Nutcracker, Op. 71 |
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| 27-1 | Ouverture | 3:15 | |
| Act One, Scene 1 - Premiere Tableau | |||
| 27-3 | No. 2 - Marche |
2:26 | |
| 27-4 | No. 3 - Petit Galop Des Enfants Et Entrée Des Parents |
2:24 | |
| 27-5 | No. 4: Scène Dansante -- L'Entrée De Drosselmeyer Et La Distribution Des Jouets |
5:41 | |
| 27-6 | No. 5: Scène -- La Présentation Du Casse-Noisette, Danse Großvater |
7:08 | |
| 27-7 | No. 6: Scène -- Le Départ Des Invités - La Nuit |
6:32 | |
| 27-8 | No. 7: Scène -- La Bataille |
3:19 | |
| Act One, Scene Two - Second Tableau | |||
| 27-10 | No. 9 - Valse Des Flocons De Neige | 6:37 | |
| Act Two | |||
| 27-12 | No. 11: Scène -- L'Arrivée De Clara Et Casse-Noisette |
4:46 | |
| 27-13 | No. 12 - Divertissement: a) Le Chocolate (Danse Espagnole) |
1:17 | |
| 27-14 | b) Le Café (Danse Arabe) |
3:16 | |
| 27-15 | c) Le Thé (Danse Chinoise) |
1:09 | |
| 27-16 | d) Trépak (Danse Russe) |
1:08 | |
| 27-17 | e) Danse Des Mirlitons |
2:24 | |
| 27-18 | f) La Mère Cigogne Et Les Polichinelles |
2:51 | |
| 28-1 | No. 13 - Valse Des Fleurs |
6:50 | |
| 28-2 | No. 14: Pas De Deux -- Le Prince Et La Fée Dragée (Var. 1 - Tarantella) |
5:42 | |
| 28-3 | (Var. 2 - Danse De La Fée Dragée); Coda |
3:44 | |
| 28-4 | No. 15 - Valse Finale Et Apothéose |
5:24 | |
| - |
|||
| The Sleeping Beauty, Op. 66 - Aurora's Wedding | |||
| 28-6 | Polacca (Act III, No. 22): [Allegro Moderato E Brilliante] |
5:08 | |
| 28-7 | Pas De Six (Prologue No. 3): [Adagio -- Andante -- Allegro Vivo] |
4:14 | |
| 28-8 | Var. 1 - Candite (Allegro Moderato) |
0:50 | |
| 28-9 | Var. 2 - Coulante. Fleur De Farine (Allegro) |
0:31 | |
| 28-10 | Var. 3 - Miettes De Tombent (Allegro Moderato) |
0:52 | |
| 28-11 | Var. 4 - Canari Que Chante (Moderato) |
0:28 | |
| 28-12 | Var. 5 - Violente (Allegro Molto Vivace) |
1:03 | |
| 28-13 | Var. 6 - La Fée Des Lilas (Tempo Di Valse) |
1:05 | |
| 28-14 | Scène: (Act II, No. 12): [Moderato] |
1:01 | |
| 28-15 | b) Danse Des Duchesses (Moderato Con Moto. Tempo Di Minuetto) |
0:58 | |
| 28-16 | e) Danse Des Marquises (Allegro Non Troppo) |
0:48 | |
| 28-17 | Farandole (Act II, No. 13): a) Scène [Poco Più Vivo] |
0:16 | |
| 28-18 | b) Danse (Allegro Non Troppo. Tempo Di Mazurka) |
1:20 | |
| 28-19 | Pas De Quatre (Act III, No. 23): [Allegro Non Tanto] |
1:40 | |
| 28-20 | Pas De Charactère (Act III, No. 26): [Allegro Moderato] |
1:25 | |
| 28-21 | Pas De Quatre (Act III, No. 25): [Adagio] |
1:49 | |
| 28-22 | Var. 1 (Cendrillon Et Fortuné): [Allegro. Tempo Di Valse] |
1:03 | |
| 28-23 | Var. 2 (L'Oiseau Bleu Et La Princesse Florine): [Andantino] |
0:42 | |
| 28-24 | Coda (Presto) |
1:24 | |
| 28-25 | Coda (Act III, No. 28): [Allegro Vivace] |
1:17 | |
| 28-26 | Pas De Deux (Aurora Et Désirée) [Act III, No. 28]: {Allegretto} |
0:10 | |
| 28-27 | Entrée (Allegro Moderato) |
1:37 | |
| 28-28 | Adagio (Andante Non Troppo) |
4:18 | |
| 28-29 | Finale (Act III, No. 30): [Allegro Brilliante. Tempo Di Mazurka] |
6:23 | |
| 28-30 | Apothéose (Andante Molto Maestoso) |
2:26 | |
| Escales ... | |||
| 29-2 | II. Tunis -- Nefta (Modéré, Très Rythmé) |
2:40 | |
| 29-3 | III. Valencia (Animé) |
5:27 | |
| Concerto For Flute & Orchestra | |||
| 29-5 | II. Andante |
7:01 | |
| 29-6 | III. Allegro Scherzando |
7:59 | |
| 29-7 | Hommage À Mozart | 4:37 | |
| Paris -- Suite Symphonique | |||
| 29-9 | II. Faubourgs |
2:33 | |
| 29-10 | III. La Mosquée De Paris |
1:34 | |
| 29-11 | IV. Restaurant Au Bois De Boulogne |
3:15 | |
| 29-12 | V. Le Paquebot "Ile-De-France" |
1:58 | |
| 29-13 | VI. Parade Foraine |
1:34 | |
| 29-14 | Bacchanale | 8:21 | |
| 29-15 | Bostoniana | 6:17 | |
| 29-16 | Louisville-Concert | 11:45 | |
| Printemps <Suite Symphonique> | |||
| 30-2 | Modéré |
6:18 | |
| La Boîte À Joujoux <Ballet Pour Enfants> | |||
| 30-4 | I. Le Magasin De Jouets |
11:25 | |
| 30-5 | II. Le Champ De Bataille |
9:11 | |
| 30-6 | III. La Bergerie À Vendre |
6:46 | |
| 30-7 | IV. Après Fortune Faite |
1:51 | |
| 30-8 | V. Épilogue
Cor Anglais – Pierre-Vincent Plante |
1:17 | |
| Children's Corner <Petite Suite Pour Piano> | |||
| 30-10 | II. Jimbo's Lullaby |
3:53 | |
| 30-11 | III. Serenade For The Doll |
2:40 | |
| 30-12 | IV. The Snow Is Dancing |
2:43 | |
| 30-13 | V. The Little Shepherd |
2:46 | |
| 30-14 | VI. Golliwogg's Cake-Walk
Oboe – Theodore Baskin |
2:52 | |
| 30-15 | La Plus Que Lente <Valse Pour Piano> | 5:20 | |
| 31-1 | Ouverture <Première Ouverture> | 13:26 | |
| Scènes Bohémiennes (Suite From "La Jolie Fille De Perth") | |||
| 31-3 | II. Sérénade |
2:08 | |
| 31-4 | III. Marche |
3:14 | |
| 31-5 | IV. Danse Bohémienne |
3:01 | |
| Symphony In C Major | |||
| 31-7 | II. Adagio
Oboe – Theodore Baskin |
10:01 | |
| 31-8 | III. Allegro Vivace/Trio |
5:52 | |
| 31-9 | IV. Allegro Vivace |
8:55 | |
| 31-10 | Patrie <Ouverture Dramatique> | 12:33 | |
| Carmina Burana (Cantiones Profanae Cantoribus Et Choris Cantandae Comitantibus Instrumentis Atque Imaginibus Magicis) |
|||
| Fortuna Imperatrix Mundi | |||
| 32-2 | Fortune Plango Vulnera |
2:38 | |
| I. Primo Vere | |||
| 32-4 | Omnia Sol Temperat
Baritone Vocals – Mark Oswald (2) |
2:18 | |
| 32-5 | Ecce Gratum |
2:46 | |
| Uf Dem Anger | |||
| 32-7 | Floret Silva Nobilis |
3:13 | |
| 32-8 | Chramer, Gip Die Varwe Mir |
3:17 | |
| 32-9 | Reie |
4:26 | |
| 32-10 | Were Diu Werlt Alle Min |
0:53 | |
| II. In Taberna | |||
| 32-12 | Olim Lacus Colueram
Tenor Vocals – Stanford Olsen |
3:16 | |
| 32-13 | Ego Sum Abbas
Baritone Vocals – Mark Oswald (2) |
1:39 | |
| 32-14 | In Taberna Quando Sumus |
2:52 | |
| III. Cour D'Amours | |||
| 32-16 | Dies, Nox Et Omnia
Baritone Vocals – Mark Oswald (2) |
2:20 | |
| 32-17 | Stetit Puella
Soprano Vocals – Beverly Hoch |
1:55 | |
| 32-18 | Circa Mea Pectora
Baritone Vocals – Mark Oswald (2) |
2:02 | |
| 32-19 | Si Puer Cum Puellela |
0:57 | |
| 32-20 | Veni, Veni, Venias |
0:59 | |
| 32-21 | In Trutina
Soprano Vocals – Beverly Hoch |
2:26 | |
| 32-22 | Tempus Est Iocundum | 2:25 | |
| 32-23 | Dulcissime
Soprano Vocals – Beverly Hoch |
0:44 | |
| Blanziflor Et Helena | |||
| Fortuna Imperatrix Mundi | |||
| - |
|||
| 33-1 | Hungarian Rhapsody No. 2 In D Minor, S359 No.2 | 10:50 | |
| 33-2 | Slavonic Rhapsody No. 3 In A-Flat Major, Op. 45 No.3 | 14:07 | |
| 33-3 | Swedish Rhapsodie No. 1, Op. 19 "Midsommarvaka" | 11:38 | |
| 33-4 | Roumanian Rhapsody In A Major, Op. 11 No.1 | 12:21 | |
| Rhapsodie Orientale, Op. 29 | |||
| 33-6 | II. Presto |
4:48 | |
| 33-7 | III. Andante (A Capriccio) |
4:47 | |
| 33-8 | IV. Moderato Alla Marcia |
2:36 | |
| 33-9 | V. Finale -- Allegro |
4:31 | |
| 34-1 | Adiós Nonino | 8:50 | |
| 34-2 | Milonga Del Ángel | 7:41 | |
| Double Concerto For Bandoneon And Guitar | |||
| 34-4 | II. Milonga |
5:47 | |
| 34-5 | III. Tango |
6:32 | |
| 34-6 | Oblivion | 4:40 | |
| Tres Movimientos Tanguísticos Porteños | |||
| 34-8 | II. Moderato |
7:59 | |
| 34-9 | III. Vivace |
4:30 | |
| 34-10 | Danza Criolla | 2:23 | |
| 34-11 | Tangazo | 14:10 | |
| 35-1 | Adagio For Solo Flute, String Orchestra And Percussion | 3:48 | |
| Zorbas -- Suite-Ballet <Deuxième Partie> | |||
| 35-3 | Scène 14: Petite Étoile
Mezzo-soprano Vocals – Ionna Forti |
3:16 | |
| 35-4 | Scène 15: Marina
Mezzo-soprano Vocals – Ionna Forti |
6:33 | |
| 35-5 | Scène 16: Le Meurtre De La Veuve |
5:15 | |
| 35-6 | Scène 17: La Danse De Hassapiko |
3:16 | |
| 35-7 | Scène 18: La Mort De Hortense |
3:04 | |
| 35-8 | Scène 21: Danse De Zorbas Et Scène 22 |
7:03 | |
| 35-9 | Scène 23 |
2:14 | |
| Carnaval -- Suite-Ballet | |||
| 35-11 | Danse De La Jeune Fille |
2:50 | |
| 35-12 | Danse D'Amour |
6:44 |
Участники записи:
- Booklet Editor [Editorial Direction], Art Direction – WLP Ltd.
- Conductor – Charles Dutoit
- Engineer [Balance] – James Lock (2)
- Engineer [Balance] – Colin Moorfoot
- Engineer [Balance] – Stanley Goodall
- Engineer [Balance] – Simon Eadon
- Engineer [Balance], Engineer [Recording] – Philip Siney
- Engineer [Balance], Engineer [Recording] – John Dunkerley
- Engineer [Recording] – Graham Kirkby
- Engineer [Recording] – Jonathan Stokes
- Engineer [Recording] – Roger de Schot
- Engineer [Recording] – Martin Atkinson
- Engineer [Recording] – Duncan Mitchell
- Liner Notes – Andrew Stewart (2)
- Liner Notes [Translation] – Isabelle Battioni
- Liner Notes [Translation] – Dennis Collins (2)
- Orchestra – L'Orchestre Symphonique De Montreal
- Orchestra – Orchestre symphonique de Montréal
- Photography By – Julian Broad
- Photography By – Jim Steere
- Photography By – Vivianne Purdom
- Photography By – Christian Steiner (6)
- Photography By – G. Fortin
- Photography By – Phil Sayer
- Photography By – John Harquail
- Producer – Christopher Pope
- Producer – Andrew Cornall
- Producer – Michael Woolcock
- Producer – Paul Myers (2)
- Producer – Chris Hazell
- Producer, Liner Notes – Ray Minshull
- Remastered By – Audio Archiving
Лейблы и идентификаторы:
- Barcode : 0 28947 89466 7
- Matrix / Runout CD 1: 00289 478 946-7 01 * 53853342
- Matrix / Runout CD 2: 00289 478 946-8 01 * 53867651
- Matrix / Runout CD 3: 00289 478 947-2 01 + 53867653
- Matrix / Runout CD 4: 00289 478 946-9 01 * 53867655
- Matrix / Runout CD 5: 00289 478 947-0 01 + 53853340
- Matrix / Runout CD 6: 00289 478 947-1 01 * 53850750
- Matrix / Runout CD 7: 00289 478 947-3 01 + 53852611
- Matrix / Runout CD 8: 00289 478 947-4 01 * 53850738
- Matrix / Runout CD 9: 00289 478 948-9 01 + 53852609
- Matrix / Runout CD 10: 00289 478 947-5 02 + 53867649
- Matrix / Runout CD 11: 00289 478 947-6 01 + 53867657
- Matrix / Runout CD 12: 00289 478 947-7 02 + 53850736
- Matrix / Runout CD 13: 00289 478 947-8 02 # 53850740
- Matrix / Runout CD 14: 00289 478 948-2 01 + 53850748
- Matrix / Runout CD 15: 00289 478 948-0 01 * 53850744
- Matrix / Runout CD 16: 00289 478 947-9 01 * 53850742
- Matrix / Runout CD 17: 00289 478 948-1 01 * 53850746
- Matrix / Runout CD 18: 00289 478 948-3 01 + 53850752
- Matrix / Runout CD 19: 00289 478 948-4 01 + 53850754
- Matrix / Runout CD 20: 00289 478 950-1 01 + 53850756
- Matrix / Runout CD 21: 00289 478 948-5 01 + 53852220
- Matrix / Runout CD 22: 00289 478 948-6 01 + 53853332
- Matrix / Runout CD 23: 00289 478 948-7 01 + 53853334
- Matrix / Runout CD 24: 00289 478 948-8 01 + 53852222
- Matrix / Runout CD 25: 00289 478 949-0 01 * 53852224
- Matrix / Runout CD 26: 00289 478 949-1 01 * 53852228
- Matrix / Runout CD 27: 00289 478 949-2 02 * 53852226
- Matrix / Runout CD 28: 00289 478 949-3 01 * 53852232
- Matrix / Runout CD 29: 00289 478 949-4 01 * 53852230
- Matrix / Runout CD 30: 00289 478 949-5 02 * 53853336
- Matrix / Runout CD 31: 00289 478 949-6 01 * 53852234
- Matrix / Runout CD 32: 00289 478 949-7 02 # 53852236
- Matrix / Runout CD 33: 00289 478 949-8 01 + 53852238
- Matrix / Runout CD 34: 00289 478 949-9 01 + 53852240
- Matrix / Runout CD 35: 00289 478 950-0 01 + 53853338
- Mastering SID Code CD's 1,2,4,6,8,15,16,17,25,26,27,28,29,30,31: IFPI LV26
- Mastering SID Code CD's 3,5,7,9,10,11,12,14,18,19,20,21,22,23,24,33,34,35: IFPI LV27
- Mastering SID Code CD's 13,32: IFPI LZ87
- Mould SID Code CD's 1,3,18,20,23: IFPI 0113
- Mould SID Code CD's 2,6,8,11,12,17,25,28: IFPI 0133
- Mould SID Code CD's 4,10,13: IFPI 0123
- Mould SID Code CD's 5,14,30: IFPI 0157
- Mould SID Code CD's 7,16,19,31: none
- Mould SID Code CD's 9,21,24,33: IFPI 0149
- Mould SID Code CD's 15,22,26,27,29: IFPI 0155
- Mould SID Code CD 32: IFPI 0122
- Mould SID Code CD 34: IFPI 0115
- Mould SID Code CD 35: IFPI 0147
- Label Code : LC 00171
- Rights Society : BIEM/SDRM
- Other CD's 1 to 35 - Matrix Area/Mirror Band: [Universal Logo] [Universal Logo] [Universal Logo] [Universal Logo]
- Other CD's 1 to 9, 11, 14 to 35 - Mould Stamp: MADE IN GERMANY BY EDC A
Компании:
- Copyright (c) – Decca Music Group Limited
- Phonographic Copyright (p) – Decca Music Group Limited
- Pressed By – EDC, Germany
- Pressed By – EDC, Germany
- Pressed By – EDC, Germany
- Pressed By – EDC, Germany
- Pressed By – EDC, Germany
- Pressed By – EDC, Germany
- Pressed By – EDC, Germany
- Pressed By – EDC, Germany
- Pressed By – EDC, Germany
- Pressed By – EDC, Germany
- Pressed By – EDC, Germany
- Pressed By – EDC, Germany
- Pressed By – EDC, Germany
- Pressed By – EDC, Germany
- Pressed By – EDC, Germany
- Pressed By – EDC, Germany
- Pressed By – EDC, Germany
- Pressed By – EDC, Germany
- Pressed By – EDC, Germany
- Pressed By – EDC, Germany
- Pressed By – EDC, Germany
- Pressed By – EDC, Germany
- Pressed By – EDC, Germany
- Pressed By – EDC, Germany
- Pressed By – EDC, Germany
- Pressed By – EDC, Germany
- Pressed By – EDC, Germany
- Pressed By – EDC, Germany
- Pressed By – EDC, Germany
- Pressed By – EDC, Germany
- Pressed By – EDC, Germany
- Pressed By – EDC, Germany
- Pressed By – EDC, Germany
- Pressed By – EDC, Germany
- Pressed By – EDC, Germany
- Recorded At – Saint Eustache Church
- Recorded At – Watford Colosseum
Участники записи:
- Booklet Editor [Editorial Direction], Art Direction – WLP Ltd.
- Conductor – Charles Dutoit
- Engineer [Balance] – James Lock (2)
- Engineer [Balance] – Colin Moorfoot
- Engineer [Balance] – Stanley Goodall
- Engineer [Balance] – Simon Eadon
- Engineer [Balance], Engineer [Recording] – Philip Siney
- Engineer [Balance], Engineer [Recording] – John Dunkerley
- Engineer [Recording] – Graham Kirkby
- Engineer [Recording] – Jonathan Stokes
- Engineer [Recording] – Roger de Schot
- Engineer [Recording] – Martin Atkinson
- Engineer [Recording] – Duncan Mitchell
- Liner Notes – Andrew Stewart (2)
- Liner Notes [Translation] – Isabelle Battioni
- Liner Notes [Translation] – Dennis Collins (2)
- Orchestra – L'Orchestre Symphonique De Montreal
- Orchestra – Orchestre symphonique de Montréal
- Photography By – Julian Broad
- Photography By – Jim Steere
- Photography By – Vivianne Purdom
- Photography By – Christian Steiner (6)
- Photography By – G. Fortin
- Photography By – Phil Sayer
- Photography By – John Harquail
- Producer – Christopher Pope
- Producer – Andrew Cornall
- Producer – Michael Woolcock
- Producer – Paul Myers (2)
- Producer – Chris Hazell
- Producer, Liner Notes – Ray Minshull
- Remastered By – Audio Archiving
