Georg Friedrich Händel Anne Sofie Von Otter John Eliot Gardiner The Monteverdi Choir Michael Chance Stephen Varcoe The English Baroque Soloists Lynne Dawson Ruth Holton (2) Nigel Robson – Jephtha
| Жанр: | Classical |
| Стиль: | Baroque, Oratorio |
| Страна: | Europe |
| Год: | 1989 г. |
Подробнее об участниках записи
Треклист:
| 1-1 | Overture (Menuet) |
5:11 | |
| Act I = Erster Akt = Acte I = Atto Primo |
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| Scene = Szene = Scène = Scena 1 |
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| 1-2 | "It Must Be So: Or These Vile Ammonites" (Zebul) |
1:23 | |
| 1-3 | "Pour Forth No More Unheeded Pray'rs" (Zebul) |
2:51 | |
| 1-4 | "No More To Ammon's God And King" (Chorus) |
2:55 | |
| Scene = Szene = Scène = Scena 2 |
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| 1-5 | "But Jephtha Comes" (Zenul, Jephtha) |
0:53 | |
| 1-6 | "Virtue My Soul Shall Still Embrace" (Jephtha) |
4:07 | |
| 1-7 | "Twill Be A Painfull Separation, Jephtha" (Storgè) |
4:59 | |
| 1-7.2 | "In Gentle Murmers Will I Mourn" (Storgè) |
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| Scene = Szene = Scène = Scena 3 |
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| 1-8.1 | "Happy This Embassy, My Charming Iphis" (Hamor) |
3:50 | |
| 1-8.2 | "Dull Delay, In Piercing Anguish" (Hamor) |
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| 1-9.1 | "I'll Suits The Voice Of Love When Glory Calls" (Iphis) |
4:14 | |
| 1-9.2 | "Take The Heart You Fondly Gave" (Iphis) |
4:14 | |
| 1-10.1 | "I Go. My Soul, Inspir'd By Thy Command" (Hamor) |
7:27 | |
| 1-10.2 | "These Labours Past, How Happy We! (Iphis, Hamor) |
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| Scene = Szene = Scène = Scena 4 |
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| 1-11 | "What Mean These Doubtful Fancies" (Jephtha) |
1:58 | |
| 1-12 | "O God, Behold Our Sore Distress" (Chroous) |
4:33 | |
| Scene = Szene = Scène = Scena 5 |
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| 1-13.1 | "Some Dire Event Hangs O'er Our Heads" (Storgè) |
4:57 | |
| 1-13.2 | "Scenes Of Horror, Scenes Of Woe" (Storgè) |
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| Scene = Szene = Scène = Scena 5 |
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| 1-14 | Say, My Dear Mother" (Iphis) |
0:53 | |
| 1-15 | "The Smiling Dawn Of Happy Days" (Iphis) |
3:33 | |
| Scene = Szene = Scène = Scena 6 |
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| 1-16 | "Such, Jephtha, Was The Haughty King's Reply" (Zebul, Jephtha) |
0:26 | |
| 1-17 | "When His Loud Voice In Thunder Spoke" (Chorus) |
4:35 | |
| Act II = Zweiter Akt = Acte II = Atto Secondo |
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| Scene = Szene = Scène = Scena 1 |
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| 2-1 | "Glad Tidings Of Great Joy To Thee, Dear Iphis" (Hamor) |
1:14 | |
| 2-2 | "Cherub And Seraphim, Unbodied Forms" (Chorus) |
3:12 | |
| 2-3 | "Up The Dreadfull Steep Ascending" (Hamor) |
4:15 | |
| 2-4.1 | "Tis Well. Haste, Haste, Ye Maidens" (Iphis) |
4:42 | |
| 2-4.2 | "Tune The Soft Melodious Lute" (Iphis) |
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| Scene = Szene = Scène = Scena 2 |
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| 2-5.1 | "Heav'n Smiles Once More On His Repentant People" (Jephtha) |
6:29 | |
| 2-5.2 | "His Mighty Arm, With Sudden Blow" (Jephtha) |
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| Scene = Szene = Scène = Scena 3 |
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| 2-6 | "In Glory High, In Might Serene" (Chorus) |
2:32 | |
| 2-7 | Symphony- "Hail, Glorious Conqueror!" (Iphis) |
1:31 | |
| 2-8 | "Welcome As The Cheerful Light" (Iphis, Chorus) |
3:52 | |
| 2-9.1 | "Horror! Confusion!" (Jephtha) |
5:00 | |
| 2-9.2 | "Open Thy Marble Jaws, O Tomb" (Jephtha) |
5:00 | |
| 2-10 | "Why Is My Brother Thus Affected" (Zebul, Jephtha) |
0:59 | |
| 2-11 | "First Perish Thou, And Perish All The World!" (Storgè) |
2:20 | |
| 2-12.1 | "If Such Thy Cruel Purpose" (Hamor) |
1:48 | |
| 2-12.2 | "On Me Let Blind Mistaken Zeal" (Hamor) |
1:48 | |
| 2-13 | "O Spare Your Daughter" (Zebul, Storgè, Hamor, Jephtha) |
3:13 | |
| Scene = Szene = Scène = Scena 4 |
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| 2-14 | "Such News Flies Swift" (Iphis) |
1:21 | |
| 2-15 | "Happy They! This Viral Breath" (Iphis) |
3:31 | |
| 2-16 | "Deeper, And Deeper Still" (Jephtha) |
3:28 | |
| 2-17 | "How Dark, O Lord, Are Thy Decrees!" (Chorus) |
8:02 | |
| Act III = Dritter Akt = Acte III = Atto Terzo |
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| Scene = Szene = Scène = Scena 1 |
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| 3-1 | "Hide Thou Thy Hated Beams, O Sun" (Jephtha) |
3:02 | |
| 3-2 | "Waft Her, Angels, Through The Skies" (Jephtha) |
4:30 | |
| 3.3 | "Ye Sacred Priests" (Iphis) |
6:26 | |
| 3.4 | "Farewell, Ye Limpid Springs And Floods" (Iphis) |
6:26 | |
| 3-5 | "Doubtful Fear And Rev'rent Awe" (Chorus) |
3:51 | |
| 3-6 | Symphony |
2:44 | |
| 3-7 | "Rise, Jephtha, And Ye Rev'end Priests" (Angel) |
1:01 | |
| 3-8 | "Happy, Iphis Shalt Thou Live" (Angel) |
3:59 | |
| 3-9 | "For Ever Blessed Be Thy Holy Name" (Jephtha) |
1:29 | |
| 3-10 | "Theme Sublime Of Endless Praise" (Chorus) |
3:23 | |
| Scene = Szene = Scène = Scena 2 |
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| 3-11 | "Let Me Congratulate This Happy Turn" (Zebul) |
2:22 | |
| 3-12 | "Laud Her, All Ye Virgin Train" (Zebul) |
2:22 | |
| 3-13 | "O Let Me Fold Thee In A Mother's Arms" (Storgè) |
2:16 | |
| 3-14 | "Sweet As Sight To The Blind" (Storgè) |
2:16 | |
| 3-15 | "My Faithful Hamor, May That Providence" (Iphis) |
3:37 | |
| 3-16 | "All That Is In Hamor Mine" (Iphis, Hamor, Storgè, Jephtha, Zebul) |
3:37 | |
| 3-17 | "Ye House Of Gilead, With One Voice" (Chorus) |
3:00 | |
| - |
|||
| 3-18 | Applause |
0:19 |
Компании:
- Copyright (c) – Philips Classics Productions
- Phonographic Copyright (p) – Philips Classics Productions
- Pressed By – PDO, Germany
- Recorded At – Stadthalle Göttingen
Участники записи:
- A&R [Artists and Repertoire Production] – Erik Smith
- A&R [Artists and Repertoire Production] – Una Marchetti
- Art Direction – George Cramer
- Baritone Vocals [Zebul] – Stephen Varcoe
- Choir – The Monteverdi Choir
- Composed By – Georg Friedrich Händel
- Conductor – John Eliot Gardiner
- Contralto Vocals [Storgè] – Anne Sofie Von Otter
- Countertenor Vocals [Hamor] – Michael Chance
- Cover, Illustration [The Sacrifice of Polyxena] – Giovanni Battista Pittoni
- Edited By [Tape Editor] – Tony Bridge
- Edited By [Tape Editor] – Stan Taal
- Engineer [Balance Engineer] – Hein Dekker
- Engineer [Balance Engineer] – Wilhelm Hellweg
- Engineer [Recording Engineer] – Onno Scholtze
- Engineer [Recording Engineer] – Stan Taal
- Harpsichord – Alastair Ross
- Illustration – Giovanni Battista Pittoni
- Illustration [Engraving, Booklet p. 23] – Gilliam van der Gouwen
- Illustration [Engraving, Booklet p. 37] – F. Bartolozzi
- Libretto By [Text] – Thomas Morell
- Liner Notes – Winton Dean
- Liner Notes [French] – Jean-François Labie
- Liner Notes [German] – Lothar Hoffmann-Erbrecht
- Liner Notes [Libretto Traduction] – Nina Lesieur
- Liner Notes [Libretto Traduzione] – Paola Simonetti
- Liner Notes [Libretto Übersetzung] – Gerd Uekermann
- Liner Notes [Lothar Hoffmann-Erbrecht Traduzione] – Claudio Maria Perselli
- Orchestra – The English Baroque Soloists
- Organ – Paul Nicholson
- Painting ["Jephtha's daughter meets her father", Booklet p. 31] – Jacob Hogers
- Photography By [Booklet p. 15] – Ingo Bulla
- Photography By [Booklet p. 46: John Eliot Gardiner] – Richard Holt
- Photography By [Booklet p. 47: Nigel Robson] – X (44)
- Photography By [Booklet p. 48: Lynne Dawson] – Nigel Luckhurst
- Photography By [Booklet p. 49: Anne Sofie von Otter] – Lies Askonas Ltd.
- Photography By [Booklet p. 50: Michael Chance] – Lies Askonas Ltd.
- Photography By [Booklet p. 51: Stephen Varcoe] – X (44)
- Photography By [Booklet p. 52: Ruth Holton] – Gerald Place
- Producer [Assistant Producer] – Hein Dekker
- Producer [Recording Producer] – Wilhelm Hellweg
- Soprano Vocals [Angel] – Ruth Holton (2)
- Soprano Vocals [Iphis] – Lynne Dawson
- Tenor Vocals [Jephtha] – Nigel Robson
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| Фото | Название | Формат | Лейбл и каталожный номер | Страна | Год | Сейчас в продаже | |
|
|
Jephtha
Album |
422 351-4 |
Netherlands | 1989 | Посмотреть в продаже | ||
|
|
Jephtha
LP, Album, Stereo |
422 351-1 |
Netherlands | 1989 | Посмотреть в продаже | ||
|
|
Jephtha
Album, Stereo |
422 351-2 |
Europe | 1989 | Посмотреть в продаже | ||
|
|
Jephtha
Album, Reissue |
478 0398 |
Europe | 2008 | Посмотреть в продаже | ||
|
|
Jephtha
Album, Reissue |
478 0398 |
UK & Europe | Посмотреть в продаже | |||
|
|
Jephtha
Album, Repress |
422 351-2 |
Europe | Посмотреть в продаже |
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