Johann Sebastian Bach – Brandenburgische Konzerte • Orchestersuiten • Kammermusik
| Лейбл: | Archiv Produktion – 0289 479 5384 |
| Формат: | CD , Box Set |
| Страна: | Europe |
| Дата релиза: | 2015 |
| Жанр: | Classical |
| Стиль: | Baroque |
Подробнее об участниках записи
Треклист:
| Brandenburgisches Konzert Nr. 1 F-dur BWV 1046 |
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| 1-1 | 1. (Allegro) |
3:37 | |
| 1-2 | 2. Adagio |
3:09 | |
| 1-3 | 3. Allegro |
4:02 | |
| 1-4 | 4. Menuet - Trio - Polonaise |
7:32 | |
| Brandenburgisches Konzert Nr. 2 F-dur BWV 1047 |
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| 1-5 | 1. (Allegro) |
4:34 | |
| 1-6 | 2. Andante |
3:19 | |
| 1-7 | 3. Allegro assai |
2:35 | |
| Brandenburgisches Konzert Nr. 3 G-dur BWV 1048 |
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| 1-8 | 1. (Allegro) |
5:06 | |
| 1-9 | 2. Allegro |
3:50 | |
| Brandenburgisches Konzert Nr. 4 G-dur BWV 1049 |
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| 1-10 | 1. Allegro |
6:11 | |
| 1-11 | 2. Andante |
3:19 | |
| 1-12 | 3. Presto |
4:16 | |
| Brandenburgisches Konzert Nr. 5 D-dur BWV 1050 |
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| 1-13 | 1. Allegro |
9:43 | |
| 1-14 | 2. Affetuoso |
5:46 | |
| 1-15 | 3. Allegro |
5:08 | |
| Brandenburgisches Konzert Nr. 6 B-dur BWV 1051 |
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| 2-1 | 1. (Allegro) |
4:26 | |
| 2-2 | 2. Adagio ma non tanto |
4:11 | |
| 2-3 | 3. Allegro |
4:51 | |
| Tripelkonzert a-moll BWV 1044 |
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| 2-4 | 1. Allegro |
8:13 | |
| 2-5 | 2. Adagio ma non tanto e dolce |
5:06 | |
| 2-6 | 3. Tempo di Alla breve |
6:44 | |
| Ouverture Nr. 1 C-dur BWV 1066 |
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| 2-7 | 1. Ouverture |
9:37 | |
| 2-8 | 2. Courante |
2:35 | |
| 2-9 | 3. Gavotte I-II |
3:06 | |
| 2-10 | 4. Forlane |
1:13 | |
| 2-11 | 5. Menuet I-II |
3:07 | |
| 2-12 | 6. Bourrée I-II |
2:26 | |
| 2-13 | 7. Passepied I-II |
2:27 | |
| Ouverture Nr. 2 h-moll BWV 1067 |
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| 2-14 | 1. Ouverture |
10:09 | |
| 2-15 | 2. Rondeau |
1:53 | |
| 2-16 | 3. Sarabande |
3:13 | |
| 2-17 | 4. Bourrée I-II |
1:34 | |
| 2-18 | 5. Polonaise |
2:49 | |
| 2-19 | 6. Menuet |
1:05 | |
| 2-20 | 7. Badinerie |
1:21 | |
| Ouverture Nr. 3 D-dur BWV 1068 |
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| 3-1 | 1. Ouverture |
10:24 | |
| 3-2 | 2. Air |
4:35 | |
| 3-3 | 3. Gavotte I-II |
3:43 | |
| 3-4 | 4. Bourrée |
1:33 | |
| 3-5 | 5. Gigue |
2:39 | |
| Ouverture Nr. 4 D-dur BWV 1069 |
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| 3-6 | 1. Ouverture |
12:30 | |
| 3-7 | 2. Bourrée I-II |
2:37 | |
| 3-8 | 3. Gavotte |
1:55 | |
| 3-9 | 4. Menuet I-II |
3:40 | |
| 3-10 | 5. Réjouissance |
2:24 | |
| Ouverture Nr. 5 g-moll BWV 1070 (Bach zugeschrieben) |
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| 3-11 | 1. Larghetto - Un poco allegro |
5:40 | |
| 3-12 | 2. Torneo (Allegretto) |
1:07 | |
| 3-13 | 3. Aria (Adagio) |
4:03 | |
| 3-14 | 4. Menuetto - Trio |
3:07 | |
| 3-15 | 5. Capriccio (Vivace) |
3:34 | |
| Musikalisches Opfer BWV 1079 |
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| 4-1 | Ricercar a 3 |
5:43 | |
| 4-2 | Canon a 2 cancrizans |
0:51 | |
| 4-3 | Canon a 2 violini in unisono |
0:48 | |
| 4-4 | Canon a 2 per motum contrarium |
0:34 | |
| 4-5 | Canon a 2 per augmentationem, contrario motu |
2:42 | |
| 4-6 | Canon a 2 per tonos |
2:36 | |
| 4-7 | Fuga canonica |
2:07 | |
| 4-8 | Canon perpetuus super thema regium |
1:01 | |
| 4-9 | Canon perpetuus |
2:17 | |
| 4-10 | Canon a 2 |
1:41 | |
| 4-11 | Canon a 4 |
1:52 | |
| 4-12 | Sonata a 3 - I Largo |
6:00 | |
| 4-13 | Sonata a 3 - II Allegro |
6:01 | |
| 4-14 | Sonata a 3 - III Andante |
2:48 | |
| 4-15 | Sonata a 3 - IV Allegro |
3:10 | |
| 4-16 | Ricercar a 6 |
7:28 | |
| Die Kunst der Fuge BWV 1080 |
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| 5-1 | Contrapunctus 1 |
2:57 | |
| 5-2 | Contrapunctus 2 |
2:58 | |
| 5-3 | Contrapunctus 3 |
2:54 | |
| 5-4 | Contrapunctus 4 |
3:10 | |
| 5-5 | Canon alla Ottava |
3:54 | |
| 5-6 | Contrapunctus 5 |
3:26 | |
| 5-7 | Contrapunctus 6 a 4 in Stylo Francese |
3:34 | |
| 5-8 | Contrapunctus 7 a 4 per Augmentationem et Diminutionem |
2:50 | |
| 5-9 | Canon alla Decima In Contrapunto alla Terza |
4:18 | |
| 5-10 | Contrapunctus 9 a 4 alla Duodecima |
2:22 | |
| 5-11 | Contrapunctus 10 a 4 alla Decima |
4:13 | |
| 5-12 | Contrapunctus 8 a 3 |
4:56 | |
| 5-13 | Contrapunctus 11 a 4 |
4:14 | |
| 5-14 | Canon alla Duodecima in Contrapunto alla Quinta |
3:54 | |
| Die Kunst der Fuge BWV 1080 (Fortsetzung) |
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| 6-1 | Contrapunctus 12 a 4: a. Rectus |
2:20 | |
| 6-2 | Contrapunctus 12 a 4: b. Inversus |
2:19 | |
| 6-3 | Contrapunctus 12 a 3: a. Rectus |
2:13 | |
| 6-4 | Contrapunctus 12 a 3: b. Inversus |
2:15 | |
| 6-5 | Fuga a 2 Clav. |
2:12 | |
| 6-6 | Alio modo. Fuga a 2 Clav. |
2:15 | |
| 6-7 | Canon per Augmentationem in Contrario Motu |
4:18 | |
| 6-8 | Fuga a 3 Soggetti |
7:31 | |
| Canon trias harmonica a 8 BWV 1072 |
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| 6-9 | Canon trias harmonica a 8 |
0:45 | |
| Canon a 4 perpetua BWV 1073 |
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| 6-10 | Canon a 4 perpetua |
1:37 | |
| Canon a 4 BWV 1074 |
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| 6-11 | Canon a 4 |
1:50 | |
| Canon a 2 perpetua BWV 1075 |
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| 6-12 | Canon a 2 perpetua |
0:34 | |
| Canon triplex a 6 BWV 1076 |
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| 6-13 | Canon triplex a 6 |
0:30 | |
| Canon doppio sopr'il soggetto BWV 1077 |
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| 6-14 | Canon doppio sopr'il soggetto |
0:50 | |
| Canon Concordia discors a 2 BWV 1086 |
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| 6-15 | Canon Concordia discors a 2 |
1:21 | |
| Canon super fa mi a 7 post tempus musicum BWV 1078 |
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| 6-16 | Canon super fa mi a 7 post tempus musicum |
1:36 | |
| Vierzehn Kanons über die ersten acht Fundamentalnoten der Goldberg-Aria BWV 1087 |
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| 6-17 | 1. Canon simplex |
0:21 | |
| 6-18 | 2. All'roverscio |
0:21 | |
| 6-19 | 3. Beede vorigen Canons zugleich, Motu recto e contrario |
0:16 | |
| 6-20 | 4. Motu contrario e recto |
0:19 | |
| 6-21 | 5. Canon duplex a 4 |
0:23 | |
| 6-22 | 6. Canon simplex über besagtes Fundament a 3 |
0:39 | |
| 6-23 | 7. Idem a 3 |
0:20 | |
| 6-24 | 8. Canon simplex a 3 il soggetto in Alto |
0:23 | |
| 6-25 | 9. Canon in unisono post semifusam a 3 |
0:20 | |
| 10. |
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| 6-26.2 | 10b. Evolutio |
0:52 | |
| 6-27 | 11. Canon duplex übers Fundament a 5 |
0:52 | |
| 6-28 | 12. Canon duplex über besagte Fundamental-Noten a 5 |
0:33 | |
| 6-29 | 13. Canon triplex a 6 |
0:36 | |
| 6-30 | 14. Canon a 4 per Augmentationem et Diminutionem |
0:34 | |
| Triosonate G-dur BWV 1038 Anh. III 154 |
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| 7-1 | 1. Largo |
3:50 | |
| 7-2 | 2. Vivace |
0:56 | |
| 7-3 | 3. Adagio |
2:16 | |
| 7-4 | 4. Presto |
1:21 | |
| Sonate C-dur BWV 1037 Anh. III 187 |
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| 7-5 | 1. Adagio |
3:30 | |
| 7-6 | 2. Alla breve |
2:26 | |
| 7-7 | 3. Largo |
1:55 | |
| 7-8 | 4. Gigue (Presto) |
4:50 | |
| Triosonate G-dur BWV 1039 |
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| 7-9 | 1. Adagio |
3:42 | |
| 7-10 | 2. Allegro ma non tanto |
3:32 | |
| 7-11 | 3. Adagio e piano |
2:17 | |
| 7-12 | 4. Allegro Moderato |
2:52 | |
| Triosonate d-moll BWV 1036 Anh. III 186 |
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| 7-13 | 1. Adagio |
3:37 | |
| 7-14 | 2. Allegro |
2:00 | |
| 7-15 | 3. Largo |
3:02 | |
| 7-16 | 4. Vivace |
2:14 | |
| Sonate für Violine und Cembalo Nr. 1 h-moll BWV 1014 |
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| 8-1 | 1. Adagio |
3:37 | |
| 8-2 | 2. Allegro |
2:58 | |
| 8-3 | 3. Andante |
3:17 | |
| 8-4 | 4. Allegro |
3:13 | |
| Sonate für Violine und Cembalo Nr. 2 A-dur BWV 1015 |
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| 8-5 | 1. (Ohne Satzbezeichnung) |
3:06 | |
| 8-6 | 2. Allegro |
3:09 | |
| 8-7 | 3. Andante un poco |
2:53 | |
| 8-8 | 4. Presto |
4:18 | |
| Sonate für Violine und Cembalo Nr. 3 E-dur BWV 1016 |
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| 8-9 | 1. Adagio |
3:41 | |
| 8-10 | 2. Allegro |
3:01 | |
| 8-11 | 3. Adagio ma non tanto |
4:33 | |
| 8-12 | 4. Allegro |
3:53 | |
| Sonate für Violine und Cembalo Nr. 4 c-moll BWV 1017 |
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| 8-13 | 1. Largo |
4:01 | |
| 8-14 | 2. Allegro |
4:23 | |
| 8-15 | 3. Adagio |
3:00 | |
| 8-16 | 4. Allegro |
4:29 | |
| Sonate für Violine und Cembalo Nr. 5 f-moll BWV 1018 |
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| 8-17 | 1. Largo |
6:23 | |
| 8-18 | 2. Allegro |
4:24 | |
| 8-19 | 3. Adagio |
2:16 | |
| 8-20 | 4. Vivace |
2:21 | |
| Sonate für Violine und Cembalo Nr. 6 G-dur BWV 1019 |
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| 9-1 | 1. Allegro |
3:23 | |
| 9-2 | 2. Largo |
1:35 | |
| 9-3 | 3. Allegro |
2:50 | |
| 9-4 | 4. Adagio |
2:54 | |
| 9-5 | 5. Allegro |
3:03 | |
| Sonate für Violine und Cembalo g-moll BWV 1020 |
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| 9-6 | 1. (Ohne Satzbezeichnung) |
3:08 | |
| 9-7 | 2. Adagio |
2:56 | |
| 9-8 | 3. Allegro |
4:51 | |
| Sonate für Violine und Cembalo F-dur BWV 1022 Anh. II 154 |
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| 9-9 | 1. (Ohne Satzbezeichnung) |
3:08 | |
| 9-10 | 2. Allegro e Presto |
2:37 | |
| 9-11 | 3. Adagio |
2:21 | |
| 9-12 | 4. Presto |
1:17 | |
| Fuge g-moll BWV 1026 |
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| 9-13 | Fuge G-moll |
4:12 | |
| Suite für Violine und Cembalo A-dur BWV 1025 |
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| 9-14 | Fantasia |
2:05 | |
| 9-15 | Coutante |
3:46 | |
| 9-16 | Entrée |
3:29 | |
| 9-17 | Rondeau |
3:39 | |
| 9-18 | Sarabande |
4:46 | |
| 9-19 | Menuet |
2:52 | |
| 9-20 | Allegro |
3:36 | |
| Sonate für Violine und Continuo G-dur BWV 1021 |
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| 9-21 | 1. Adagio |
4:49 | |
| 9-22 | 2. Vivace |
0:56 | |
| 9-23 | 3. Largo |
2:46 | |
| 9-24 | 4. Presto |
1:22 | |
| Sonate für Violine und Continuo e-moll BWV 1023 |
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| 10-1 | 1. Adagio - Adagio ma non tanto |
4:31 | |
| 10-2 | 2. Allemande |
4:21 | |
| 10-3 | 3. Gigue |
3:02 | |
| Sonate für Violine und Continuo c-moll BWV 1024 |
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| 10-4 | 1. Adagio |
2:49 | |
| 10-5 | 2. Presto |
3:28 | |
| 10-6 | 3. Affettuoso |
3:34 | |
| 10-7 | 4. Vivace |
3:54 | |
| Sonate für Violine und Continuo A-dur BWV Ahn. II 153 |
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| 10-8 | 1. Allegro |
2:10 | |
| 10-9 | 2. (Largo) |
3:36 | |
| 10-10 | 3. (Allegro assai) |
1:42 | |
| 10-11 | 4. (Adagio) |
3:42 | |
| 10-12 | 5. (Allegro) |
2:06 | |
| Sonate für Viola da gamba und Cembalo Nr. 1 G-dur BWV 1027 |
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| 10-13 | 1. Adagio |
3:43 | |
| 10-14 | 2. Allegro ma non tanto |
3:36 | |
| 10-15 | 3. Andante |
2:14 | |
| 10-16 | 4. Allegro moderato |
3:10 | |
| Sonate für Viola da gamba und Cembalo Nr. 2 D-dur BWV 1028 |
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| 10-17 | 1. Adagio |
1:56 | |
| 10-18 | 2. Allegro |
3:53 | |
| 10-19 | 3. Andante |
4:25 | |
| 10-20 | 4. Allegro |
4:11 | |
| Sonate für Viola da gamba und Cembalo Nr. 3 g-moll BWV 1029 |
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| 11-1 | 1. Vivace |
5:15 | |
| 11-2 | 2. Adagio |
5:10 | |
| 11-3 | 3. Allegro |
3:40 | |
| Sonate für Violine und Continuo G-dur BWV 1019a |
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| 11-4 | 1. Presto |
3:03 | |
| 11-5 | 2. Largo |
1:41 | |
| 11-6 | 3. Cantabile ma un poco Adagio |
5:38 | |
| 11-7 | 4. Adagio |
1:57 | |
| 11-8 | 5. Presto |
3:01 | |
| Sonate für Flöte und Continuo C-dur BWV 1033 |
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| 11-9 | 1. Andante - Presto |
1:46 | |
| 11-10 | 2. Allegro |
2:53 | |
| 11-11 | 3. Adagio |
1:59 | |
| 11-12 | 4. Menuet I - II |
2:46 | |
| Sonate für Flöte und Continuo e-moll BWV 1034 |
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| 11-13 | 1. Adagio ma non tanto |
3:09 | |
| 11-14 | 2. Allegro |
2:40 | |
| 11-15 | 3. Andante |
3:52 | |
| 11-16 | 4. Allegro |
3:34 | |
| Sonate für Flöte und Continuo E-dur BWV 1035 |
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| 11-17 | 1. Adagio ma non tanto |
2:43 | |
| 11-18 | 2. Allegro |
3:26 | |
| 11-19 | 3. Siciliano |
3:06 | |
| 11-20 | 4. Allegro assai |
3:08 | |
| Partita für Flöte solo a-moll BWV 1013 |
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| 12-1 | 1. Allemande |
4:15 | |
| 12-2 | 2. Corrente |
2:51 | |
| 12-3 | 3. Sarabande |
4:31 | |
| 12-4 | 4. Bourrée anglaise |
1:52 | |
| Sonate für Flöte und Cembalo h-moll BWV 1030 |
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| 12-5 | 1. Andante |
7:41 | |
| 12-6 | 2. Largo e Dolce |
3:40 | |
| 12-7 | 3. Presto |
5:24 | |
| Sonate für Flöte und Cembalo Es-dur BWV 1031 |
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| 12-8 | 1. Allegro moderato |
3:28 | |
| 12-9 | 2. Siciliano |
1:58 | |
| 12-10 | 3. Allegro |
4:18 | |
| Sonate für Flöte und Cembalo A-dur BWV 1032 |
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| 12-11 | 1. Vivace |
5:10 | |
| 12-12 | 2. Largo e Dolce |
3:24 | |
| 12-13 | 3. Allegro |
4:07 | |
| Bonus-CD REINHARD GOEBEL IM GESPRÄCH ZU DEN THEMEN (INTERVIEW MIT MUSIKBEISPIELEN) |
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| Brandenburgisches Konzert Nr. 2 F-dur Bwv 1047 | |||
| 13-2 | Interview: Eine Revolution für das Musikleben |
2:16 | |
| Messe Des Morts | |||
| 13-4 | Interview: Der Begriff Alte Musik |
4:17 | |
| Konzert für 2 Cembali, Streicher und Continuo C-moll BWV 1060 (Arr. für Violine, Oboe, Streicher & Continuo) | |||
| 13-6 | Interview: Die Barockinstrumente |
2:59 | |
| Sonate für Blockflöte e-moll | |||
| 13-8 | Interview: Stichwort Quellenlage |
1:46 | |
| 13-9 | Lasse! comment oublieray | 4:09 | |
| 13-10 | Interview: IndDie Zeut zurückversetzen |
3:08 | |
| Konzert G-dur RV 102 | |||
| 13-12 | Interview: Zuwachs an musikalischer Qualität |
1:08 | |
| Didon - Kantate | |||
| 13-14 | Interview: Alte Musik auf modernen Instrumenten |
1:07 | |
| Oboenkonzert C-dur KV 314 | |||
| 13-16 | Interview: Neue Masstäbe im musikalischen Umgang |
1:09 | |
| Hail, Bright Cecilia! Z. 328 Ode For St. Cecilia's Day | |||
| 13-18 | Interview: Stichwort Natürlichkeit |
1:37 | |
| Second Booke of Songes | |||
| 13-20 | Interview: Spezialisierung |
1:20 | |
| 13-21 | S'elle m'amera | 3:58 | |
| 13-22 | Interview: Jede Periode Schafft ihre eigene Alte Musik |
1:34 | |
| Wassermusik Suiten 2 & 3 HWV 348 |
Участники записи:
- Composed By – Johann Sebastian Bach
- Directed By – Trevor Pinnock
Лейблы и идентификаторы:
- Barcode Text: 0028947953845
Компании:
Нет данных
Участники записи:
- Composed By – Johann Sebastian Bach
- Directed By – Trevor Pinnock
