Glyndebourne Festival Chorus – The Very Best Of Glyndebourne On Record
| Лейбл: | Warner Classics – 50999 2 64218 2 7 |
| Формат: | CD , Box Set |
| Страна: | Europe |
| Жанр: | Classical |
| Стиль: | Baroque, Classical, Modern, Opera, Romantic |
Подробнее об участниках записи
Треклист:
| Le Nozze Di Figaro
Baritone Vocals [Count] – Roy Henderson (2) Baritone Vocals [Figaro] – Willy Domgraf-Faßbaender Bass Vocals [Bartolo] – Norman Allin Chorus – Glyndebourne Festival Chorus Composed By – Wolfgang Amadeus Mozart Conductor – Fritz Busch Engineer – Arthur Clarke (2) Engineer – Edward Fowler Libretto By – Lorenzo da Ponte Orchestra – Glyndebourne Festival Orchestra Producer – David Bicknell Soprano Vocals [Countess] – Aulikki Rautawaara Soprano Vocals [Marcellina] – Constance Willis Soprano Vocals [Susanna] – Audrey Mildmay Tenor Vocals [Antonio] – Morgan Jones (8) Tenor Vocals [Basilio] – Heddle Nash |
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| 1-2 | Se A Caso Madama (Act 1) (Susanna/Figaro) |
2:37 | |
| 1-3 | Dunque...O Cielo! Il Patente Del Paggio (Act 2: Finale) (All) |
5:30 | |
| 1-4 | Sull'aria...Che Soave Zeffiretto (Act 3) (Susanna/Countess) |
3:00 | |
| 1-5 | Ricevete. O Padronicina (Act 3) (Chorus) |
1:25 | |
| Cosi Fan Tutte
Baritone Vocals [Don Alfonso] – John Brownlee Baritone Vocals [Guglielmo] – Willy Domgraf-Faßbaender Chorus – Glyndebourne Festival Chorus Composed By – Wolfgang Amadeus Mozart Conductor – Fritz Busch Engineer – Arthur Clarke (2) Libretto By – Lorenzo da Ponte Orchestra – Glyndebourne Festival Orchestra Producer – David Bicknell Soprano Vocals [Despina] – Irene Eisinger Soprano Vocals [Dorabella] – Luise Helletsgruber Soprano Vocals [Fiordiligi] – Ina Souez Tenor Vocals [Ferrando] – Heddle Nash |
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| 1-7 | Ah Guarda, Sorella (Act 1) (Fiordiligi/Dorabella) |
5:02 | |
| 1-8 | Una Donna A Quindici Anni (Act 2) (Despina) |
3:27 | |
| 1-9 | Donne Mio, La Fate (Act 2) (Gugliemo) |
2:53 | |
| 1-10 | Fra Gli Amplessi (Act 2) (Fiordiligi/Ferrando) |
6:01 | |
| Don Giovanni
Baritone Vocals [Don Giovanni)] – John Brownlee Baritone Vocals [Leporello] – Salvatore Baccaloni Baritone Vocals [Masetto] – Roy Henderson (2) Bass Vocals [Commendatore] – David Franklin (4) Chorus – Glyndebourne Festival Chorus Composed By – Wolfgang Amadeus Mozart Conductor – Fritz Busch Engineer – Arthur Clarke (2) Libretto By – Lorenzo da Ponte Orchestra – Glyndebourne Festival Orchestra Producer – David Bicknell Soprano Vocals [Donna Anna] – Ina Souez Soprano Vocals [Donna Elvira] – Luise Helletsgruber Soprano Vocals [Zerlina] – Audrey Mildmay Tenor Vocals [Don Ottavio] – Koloman Von Pátaky |
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| 1-12 | Finch'han Dal Vino (Act 1) (Don Giovanni) |
1:23 | |
| 1-13 | Vedral, Carino (Act 2) (Zerlina) |
3:56 | |
| 1-14 | O Statua Gentilissima (Act 2) (Leporello/Don Giovanni/Commendatore) |
3:39 | |
| 1-15 | Che Grido È Questo Mai? (Act 2) (Don Giovanni/Leporello/Commendatore/Chorus) |
8:57 | |
| 1-16 | Ah, Dov'è Il Perfido? (Epilogue To Act 2) (Don Elvira/Zerlina/Don Ottavio/Masetto/Donna Anna/Leporello) |
6:02 | |
| The Beggar's Opera
Baritone Vocals [Peachum] – Roy Henderson (2) Chorus – Glyndebourne Festival Chorus Composed By – John Gay Composed By – Johann Christoph Pepusch Conductor – Michael Mudie Engineer – Arthur Clarke (2) Orchestra – Glyndebourne Festival Orchestra Producer – Walter Legge Soprano Vocals [Lucy] – Linda Gray (4) Soprano Vocals [Mrs Peachum] – Constance Willis Soprano Vocals [Polly Peachum] – Audrey Mildmay Vocals [Filch] – Bruce Flegg Vocals [Macheath] – Michael Redgrave |
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| 1-18 | My Heart Was So Free (Macheath) |
0:38 | |
| 1-19 | Were I Laid On Greenland's Coast (Polly/Macheath) |
1:17 | |
| 1-20 | How Happy I Could Be With Either (Macheath) |
0:43 | |
| 1-21 | I'm Bubbled, I'm Troubled (Lucy/Polly) |
0:41 | |
| 1-22 | Cease Your Funning (Polly) |
1:49 | |
| 1-23 | The Modes Of The Court (Macheath/Filch/Chorus) |
1:00 | |
| 1-24 | Would I Might Be Hanged (Mrs Peachum/Polly/Macheath) |
2:10 | |
| The Rape Of Lucretia
Co-producer – Lawrance Collingwood Co-producer – David Bicknell Composed By – Benjamin Britten Conductor – Reginald Goodall Engineer – Douglas Larter Libretto By – Ronald Duncan Mezzo-soprano Vocals [Bianca] – Flora Nielson Mezzo-soprano Vocals [Lucretia] – Nancy Evans (3) Orchestra – The English Opera Group Piano – Reginald Goodall Soprano Vocals [Female Chorus] – Joan Cross Supervised By – Benjamin Britten Tenor Vocals [Male Chorus] – Peter Pears |
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| 2-2 | She Sleeps As A Rose (Act 2) (Female Chorus) |
3:01 | |
| 2-3 | Flowers Bring To Every Year (Act 2) (Lucretia/Bianca) |
3:20 | |
| Macbeth
Bass Vocals [Medico] – Ernest Frank Composed By – Giuseppe Verdi Conductor – Sir Thomas Beecham Engineer – Arthur Clarke (2) Libretto By – Francesco Maria Piave Orchestra – Royal Philharmonic Orchestra Producer – Lawrance Collingwood Soprano Vocals [Dama] – Vera Terry Soprano Vocals [Lady Macbeth] – Margherita Grandi |
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| Cosi Fan Tutte
Baritone Vocals [Don Alfonso] – Mario Borriello Baritone Vocals [Guglielmo] – Erich Kunz Composed By – Wolfgang Amadeus Mozart Conductor – Fritz Busch Engineer – Douglas Larter Libretto By – Lorenzo da Ponte Orchestra – Glyndebourne Festival Orchestra Producer – Lawrance Collingwood Soprano Vocals [Dorabella] – Blanche Thebom Soprano Vocals [Fiordiligi] – Sena Jurinac |
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| 2-6 | Penderò Quel Brunettino (Act 2) (Fiordiligi/Dorabella) |
3:06 | |
| 2-7 | Il Core Ve Dono (Act 2) (Guglielmo/Dorabella) |
4:09 | |
| Idomeneo
Chorus – Glyndebourne Festival Chorus Composed By – Wolfgang Amadeus Mozart Conductor – Fritz Busch Engineer – Douglas Larter Libretto By – Abbate Giambattista Varesco Orchestra – Glyndebourne Festival Orchestra Producer – David Bicknell Soprano Vocals [Elettra] – Dorothy MacNeil Soprano Vocals [Ilia] – Sena Jurinac Tenor Vocals [Idomeneo] – Richard Lewis (3) |
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| 2-9 | Placido È Il Mar (Act 2) (Elletra/Chorus) |
4:41 | |
| 2-10 | Zeffiretti Lusinghieri (Act 3) (Ilia) |
4:48 | |
| La Cenerentola
Baritone Vocals [Dandini] – Sesto Bruscantini Baritone Vocals [Don Magnifico] – Ian Wallace (3) Bass Vocals [Alidoro] – Hervey Alan Chorus – Glyndebourne Festival Chorus Composed By – Gioacchino Rossini Conductor – Vittorio Gui Engineer – Douglas Larter Engineer – Robert Beckett Libretto By – Jacopo Ferretti Mezzo-soprano Vocals [Tisbe] – Fernanda Cadoni Orchestra – Glyndebourne Festival Orchestra Producer – Lawrance Collingwood Producer – David Bicknell Soprano Vocals [Angelina - La Cenerentola] – Marina De Gabarain Soprano Vocals [Clorinda] – Alda Noni Tenor Vocals [Don Ramiro] – Juan Oncina |
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| 2-12 | Nel Volto Estatico (Act 1) (Don Magnifico/Angelina/Dandini/Don Ramiro/Alidoro) |
5:06 | |
| 2-13 | Nacqui All'affanno (Act 2: Finale) (Don Magnifico/Angelina/Dandini/Don Ramiro/Alidoro/Tisbe/Chorus) |
6:26 | |
| Arlecchino
Baritone Vocals [Arlecchino] – Kurt Gester Composed By – Ferruccio Busoni Conductor – John Pritchard Engineer – Francis Dillnutt Libretto By – Ferruccio Busoni Orchestra – Glyndebourne Festival Orchestra Producer – Lawrance Collingwood Soprano Vocals [Colombina] – Elaine Malbin Tenor Vocals [Leandro] – Murray Dickie |
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| The Soldier's Tale
Bassoon – Gwydion Brooke Clarinet – Jack Brymer Composed By – Igor Stravinsky Conductor – John Pritchard Cornet – Richard Walton Double Bass – Edmond Chesterman Engineer – Harold Davidson Percussion – Stephen Whittaker (2) Producer – Lawrance Collingwood Text By – Charles-Ferdinand Ramuz Trombone – Sidney Langston Violin – Arthur Leavins Voice Actor [The Devil] – Robert Helpman Voice Actor [The Narrator] – Anthony Nicholls Voice Actor [The Soldier] – Terence Longdon |
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| 2-16 | Waltz |
1:38 | |
| 2-17 | Ragtime |
2:04 | |
| 2-18 | The Devil's Dance |
1:21 | |
| 2-19 | The Little Choral |
0:28 | |
| 2-20 | The Devil's Song |
0:40 | |
| 2-21 | The Great Choral |
3:42 | |
| 2-22 | Triumphal March Of The Devil |
2:22 | |
| Le Nozze Di Figaro
Baritone Vocals [Bartolo] – Ian Wallace (3) Baritone Vocals [Count] – Franco Calabrese Baritone Vocals [Figaro] – Sesto Bruscantini Composed By – Wolfgang Amadeus Mozart Conductor – Vittorio Gui Contralto Vocals [Marcellina] – Monica Sinclair Engineer – Harold Davidson Engineer – Christopher Parker Libretto By – Lorenzo da Ponte Orchestra – Glyndebourne Festival Orchestra Producer – Lawrance Collingwood Soprano Vocals [Barbarina] – Jeannette Sinclair Soprano Vocals [Countess] – Sena Jurinac Soprano Vocals [Susanna] – Graziella Sciutti Tenor Vocals [Antonio] – Gwyn Griffiths Tenor Vocals [Basilio] – Hugues Cuénod Tenor Vocals [Don Curzio] – Daniel McCoshan |
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| 3-2 | E Susanna Non Vien!...Dove Sono (Countess) |
6:58 | |
| 3-3 | In Quegi'anni (Act 4) (Basilio) |
3:58 | |
| 3-4 | Pace, Pace Mio Dolce Tesoro (Act 4: Finale) (All) |
6:44 | |
| Idomeneo
Composed By – Wolfgang Amadeus Mozart Conductor – John Pritchard Engineer – Harold Davidson Engineer – Douglas Larter Libretto By – Abbate Giambattista Varesco Orchestra – Glyndebourne Festival Orchestra Producer – Lawrance Collingwood Soprano Vocals [Elettra] – Lucille Udovick Soprano Vocals [Ilia] – Sena Jurinac Tenor Vocals [Idamante] – Leopold Simoneau Tenor Vocals [Idomeneo] – Richard Lewis (3) |
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| 3-6 | Andrò ramingo (Act 3) (Idamante/Ilia/Idomeneo/Elettra) |
5:34 | |
| 3-7 | Oh Smania!...D'Oreste, D'Alace (Act 3) (Elettra) |
2:54 | |
| Le Comte Ory
Composed By – Gioacchino Rossini Conductor – Vittorio Gui Engineer – Harold Davidson Libretto By – Charles-Gaspard Delestre-Poirson Libretto By – Eugène Scribe Mezzo-soprano Vocals [Bianca] – Flora Nielson Mezzo-soprano Vocals [Isoller] – Cora Canne Meijer Orchestra – Glyndebourne Festival Orchestra Producer – Lawrance Collingwood Soprano Vocals [La Contesse Adèle] – Sari Barabas Tenor Vocals [Le Comt Ory] – Juan Oncina |
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| 3-9 | À la Faveur (Act 2) (Isolier/Le Comte Ory/La Contesse Adèle) |
9:51 | |
| Il barbiere Di Seviglia
Baritone Vocals [An Official] – John Rhys Evans Baritone Vocals [Bartolo] – Ian Wallace (3) Baritone Vocals [Figaro] – Sesto Bruscantini Bass Vocals [Basilio] – Carlo Cava Chorus – Glyndebourne Festival Chorus Composed By – Gioacchino Rossini Conductor – Vittorio Gui Engineer – Christopher Parker Libretto By – Cesare Sterbini Orchestra – Glyndebourne Festival Orchestra Producer – Victor Olof Producer – Ronald Kinloch Anderson Soprano Vocals [Berta] – Laura Sarti Soprano Vocals [Rosina] – Victoria De Los Angeles Tenor Vocals [Count] – Luigi Alva |
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| 3-11 | La Calunnia È Un Venticello (act 1) (Basilio) |
4:35 | |
| 3-12 | Fermi Tutti. Nessun Si Muova (Act 1: Finale) (All) |
10:04 | |
| 3-13 | Ah, Quai Colpo Inespettato!...Zitti, Zitti, Piano, Piano (Act 2) (Rosina/Count/Figaro) |
6:05 | |
| L'incoronazione Di Poppea
Composed By – Claudio Monteverdi Conductor – John Pritchard Engineer – Robert Gooch Libretto By – Giovanni Francesco Busenello Orchestra – Glyndebourne Festival Orchestra Producer – Ronald Kinloch Anderson Producer – Peter Andry Soprano Vocals [Poppea] – Magda Laszlo Tenor Vocals [Nerone] – Richard Lewis (3) |
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| Die Entführung Aus Dem Serail
Bass Vocals [Osmin] – Noel Mangin Composed By – Wolfgang Amadeus Mozart Conductor – John Pritchard Libretto By – Christoph Friedrich Bretzner Libretto By – Gottlieb Stephanie Der Jüngere Orchestra – London Philharmonic Orchestra Producer – John Boyden Soprano Vocals [Constanze] – Margaret Price Tenor Vocals [Belmonte] – Ryland Davies |
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| 4-2 | O! Wie Will Ich Triumphieren (Act 3) (Osmin) |
3:30 | |
| 4-3 | Welch Ein Geschick (Act 3) (Belmonte/Osmin) |
8:03 | |
| Don Giovanni
Baritone Vocals [Don Giovanni] – Thomas Allen Baritone Vocals [Leporello] – Richard Van Allan Baritone Vocals [Masetto] – John Rawnsley Composed By – Wolfgang Amadeus Mozart Conductor – Bernard Haitink Engineer – Stuart Eltham Libretto By – Lorenzo da Ponte Orchestra – London Philharmonic Orchestra Producer – John Fraser Soprano Vocals [Donna Anna] – Carol Vaness Soprano Vocals [Donna Elvira] – Maria Ewing Soprano Vocals [Zerlina] – Elizabeth Gale Tenor Vocals [Don Ottavio] – Keith Lewis (4) |
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| 4-5 | Or Sai Chi L'onore (Act 1) (Donna Anna) |
2:55 | |
| 4-6 | Dalla sua pace (Act 1) (Don Ottavio) |
4:35 | |
| 4-7 | Riposate, Vezzose Ragazze (Act 1: Finale) (All) |
9:16 | |
| 4-8 | Deh Vieni Alla Finestra (Act 2) (Don Giovanni) |
2:07 | |
| Cosi Fan Tutte
Baritone Vocals [Don Alfonso] – Claudio Desderi Baritone Vocals [Guglielmo] – Dale Duesing Composed By – Wolfgang Amadeus Mozart Conductor – Bernard Haitink Engineer – Stuart Eltham Libretto By – Lorenzo da Ponte Mezzo-soprano Vocals [Dorabella] – Delores Ziegler Orchestra – London Philharmonic Orchestra Producer – John Fraser Soprano Vocals [Despina] – Lillian Watson Soprano Vocals [Fiordiligi] – Carol Vaness Tenor Vocals [Ferrando] – John Aler |
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| 4-10 | Come Scoglio Immoto Resta (Act 1) (Fiordiligi) |
4:47 | |
| 4-11 | Non Siete Ritrosi, Occhietti Vezzosi (Act 1) (Guglielmo) |
1:37 | |
| 4-12 | Un'aura Amorosa (Act 1) (Ferrando) |
4:46 | |
| 4-13 | Dammi Un Bacio, O Mio Tesoro (Act 1: Finale) (All) |
3:27 | |
| Le Nozze Di Figaro
Baritone Vocals [Count] – Richard Stilwell Baritone Vocals [Figaro] – Claudio Desderi Composed By – Wolfgang Amadeus Mozart Conductor – Bernard Haitink Engineer – Stuart Eltham Libretto By – Lorenzo da Ponte Orchestra – London Philharmonic Orchestra Producer – John Fraser Soprano Vocals [Barbarina] – Anne Dawson Soprano Vocals [Cherubino] – Faith Esham Soprano Vocals [Countess] – Felicity Lott Soprano Vocals [Susanna] – Gianna Rolandi |
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| 4-15 | Porgi, Amor (Act 2) (Countess) |
4:37 | |
| 4-16 | Voi, Che Sapete (Act 2) (Cherubino) |
2:57 | |
| 4-17 | Vedro, Mentr'io Sospiro (Act 3) (Count) |
3:34 | |
| 4-18 | L'ho Perduta, Me Meschina! (Act 4) (Barbarina) |
1:55 | |
| 4-19 | Deh Vieni, Non Tardar (Act 1) (Susanna) |
3:56 | |
| Porgy And Bess
Bass Vocals [Porgy] – Willard White Chorus – Glyndebourne Festival Chorus Chorus Master – Craig Rutenberg Co-producer – Tony Harrison (2) Composed By – George Gershwin Conductor – Sir Simon Rattle Engineer – Mark Vigars Mezzo-soprano Vocals [Maria] – Marietta Simpson Mezzo-soprano Vocals [Serena] – Cynthia Clarey Orchestra – London Philharmonic Orchestra Producer – David R. Murray Soprano Vocals [Bess] – Cynthia Haymon Soprano Vocals [Clara] – Harolyn Blackwell Soprano Vocals [Lily] – Maureen Brathwaite Tenor Vocals [Mingo] – Barrington Coleman Tenor Vocals [Sporting Life] – Damon Evans |
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| 5-2 | Bess, you is my woman now (Act 2, Scene 1) (Porgy/Bess) |
5:35 | |
| 5-3 | Oh, I Can't Sit Down (Act 2, Scene 1) (Maria/Bess/Porgy/Chorus) |
4:17 | |
| 5-4 | It Ain't Necessarily So (Act 2, Scene 2) (Sporting Life/Chorus) |
3:47 | |
| 5-5 | Bess Is Gone (Act 3) (Lily/Porgy/Serena/Mingo/Maria/Chorus) |
3:26 | |
| Die Lustige Witwe
Baritone Vocals [Count Danilo Danilowitsch] – Thomas Hampson Chorus – Glyndebourne Festival Chorus Composed By – Franz Lehár Conductor – Franz Welser-Möst Engineer – John Kurlander Orchestra – London Philharmonic Orchestra Producer – Simon Woods Soprano Vocals [Hanna Glawari] – Felicity Lott |
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| 5-7 | Es Lebt' Eine Vilja... (Act 2) (Hanna/Chorus) |
6:20 | |
| 5-8 | Lippen Schweigen (Act 3) (Danilo/Hanna) |
3:35 | |
| Figures In The Garden
Bassoon – Frances Eustace Bassoon – Andrew Watts (2) Clarinet – Timothy Lines Clarinet – Nicholas Bucknall Composed By – Jonathan Dove Conductor – Jonathan Dove Engineer – Mike Clements Horn – Roger Montgomery Horn – Robert Maskell Oboe – Paul Goodwin (2) Oboe – Catherine Latham Producer – Mike Purton |
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| 5-10 | Susanna In The Rain |
3:47 | |
| 5-11 | A Conversation |
1:19 | |
| 5-12 | Barbarina Alone |
2:18 | |
| 5-13 | The Countess Interrupts A Quarrel |
2:36 | |
| 5-14 | Voices In The Garden |
1:39 | |
| 5-15 | Nocturne: Figaro And Susanna |
3:15 | |
| Emi Centenary Gala At Glyndebourne, 1997
Conductor – Franz Welser-Möst Conductor – Andrew Davis Engineer – Simon Rhodes Orchestra – London Philharmonic Orchestra Producer – Simon Woods |
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| 5-17 | Ol' Man River (Show Boat, Act 1) | 3:30 | |
| 5-18 | È Sogno? O Realtà? (Falstaff, Act 2) | 4:55 | |
| 5-19 | Sul Fil D'un Soffio Etsio (Falstaff, Act 3) | 3:49 | |
| 5-20 | Where'er You Walk (Semele, Act 2) | 4:26 | |
| 5-21 | Glitter And Be Gay (Candide, Act 1) | 5:46 |
Участники записи:
- Baritone Vocals [Count] – Roy Henderson (2)
- Baritone Vocals [Figaro] – Willy Domgraf-Faßbaender
- Bass Vocals [Bartolo] – Norman Allin
- Chorus – Glyndebourne Festival Chorus
- Composed By – Wolfgang Amadeus Mozart
- Conductor – Fritz Busch
- Engineer – Arthur Clarke (2)
- Engineer – Edward Fowler
- Libretto By – Lorenzo da Ponte
- Orchestra – Glyndebourne Festival Orchestra
- Producer – David Bicknell
- Soprano Vocals [Countess] – Aulikki Rautawaara
- Soprano Vocals [Marcellina] – Constance Willis
- Soprano Vocals [Susanna] – Audrey Mildmay
- Tenor Vocals [Antonio] – Morgan Jones (8)
- Tenor Vocals [Basilio] – Heddle Nash
Лейблы и идентификаторы:
- Barcode Text: 5 099926 421827
- Label Code : LC 06646
- SPARS Code : ADD/DDD
Компании:
- Recorded At – Abbey Road Studios
- Recorded At – Royal Festival Hall
- Recorded At – Henry Wood Hall, London
- Recorded At – Kingsway Hall
- Recorded At – Glyndebourne Festival Opera House
Участники записи:
- Baritone Vocals [Count] – Roy Henderson (2)
- Baritone Vocals [Figaro] – Willy Domgraf-Faßbaender
- Bass Vocals [Bartolo] – Norman Allin
- Chorus – Glyndebourne Festival Chorus
- Composed By – Wolfgang Amadeus Mozart
- Conductor – Fritz Busch
- Engineer – Arthur Clarke (2)
- Engineer – Edward Fowler
- Libretto By – Lorenzo da Ponte
- Orchestra – Glyndebourne Festival Orchestra
- Producer – David Bicknell
- Soprano Vocals [Countess] – Aulikki Rautawaara
- Soprano Vocals [Marcellina] – Constance Willis
- Soprano Vocals [Susanna] – Audrey Mildmay
- Tenor Vocals [Antonio] – Morgan Jones (8)
- Tenor Vocals [Basilio] – Heddle Nash
