Benjamin Britten – Britten Operas II - Britten Conducts A Midsummer Night's Dream · The Rape Of Lucretia · The Turn Of The Screw; Bedford · Mackerras Conduct Death In Venice · Gloriana
| Лейбл: | Decca – 475 6029 |
| Формат: | Box Set |
| Страна: | Europe |
| Дата релиза: | 2004 |
| Жанр: | Classical |
| Стиль: | Modern, Opera |
Подробнее об участниках записи
Треклист:
| A Midsummer Night's Dream, Op.64 |
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| Act I |
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| Act I |
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| 1-2 | Oberon Is Passing |
3:06 | |
| 1-3 | Well, Go Thy Way |
3:25 | |
| 1-4 | How Now, My Love? |
4:33 | |
| 1-5 | Be It On Lion, Bear Or Wolf |
3:40 | |
| 1-6 | Welcome Wanderer! |
4:30 | |
| 1-7 | Is All Our Company Here? |
7:37 | |
| 1-8 | Fair Love, You Faint With Wand'ring In The Wood |
2:41 | |
| 1-9 | Through The Forest Have I Gone |
1:45 | |
| 1-10 | Stay, Tho' Thou Kill Me |
5:15 | |
| 1-11 | Come, Now A Roundel, And A Fairy Song |
1:59 | |
| 1-12 | You Spotted Snakes |
2:14 | |
| 1-13 | What Thou Seest When Thou Dost Wake |
1:47 | |
| Act II |
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| Act II |
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| 1-15 | Are We All Met? |
7:36 | |
| 1-16 | I See Their Knavery |
3:05 | |
| 1-17 | Be Kind And Courteous To This Gentleman |
1:17 | |
| 1-18 | Hail, Mortal, Hail! |
5:14 | |
| 1-19 | I Have A Reas'nable Good Ear In Music |
3:39 | |
| 1-20 | How Now, Mad Spirit |
3:06 | |
| 2-1 | Flower Of This Purple Dye |
6:32 | |
| 2-2 | Puppet? Why So? |
3:05 | |
| 2-3 | This Is Thy Negligence |
2:10 | |
| 2-4 | Up And Down |
6:02 | |
| 2-5 | On The Ground, Sleep Sound |
3:05 | |
| Act III |
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| Scene 1 |
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| 2-7 | Helena! - Hermia! - Demetrius! - Lysander! |
4:46 | |
| 2-8 | When My Cue Comes, Call Me |
3:37 | |
| 2-9 | Have You Sent To Bottom's House? |
3:10 | |
| Scene 2 |
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| 2-11 | If We Offend, It Is With Our Good Will |
1:20 | |
| 2-12 | Gentles, Perchance You Wonder |
1:16 | |
| 2-13 | In This Same Interlude |
1:11 | |
| 2-14 | O Grim-Look'd Night |
1:52 | |
| 2-15 | O Wall, Full Often Hast Thou Heard My Moans |
2:30 | |
| 2-16 | You Ladies, You |
0:47 | |
| 2-17 | This Lanthorn Doth The Horned Moon Present |
1:51 | |
| 2-18 | Sweet Moon, I Thank Thee For Thy Sunny Beams |
1:52 | |
| 2-19 | Asleep, My Love? |
2:32 | |
| 2-20 | Come, Your Bergomask |
2:46 | |
| 2-21 | Now The Hungry Lion Roars |
5:04 | |
| Phaedra, Op.93 |
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| Phaedra, Op.93 |
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| 3-2 | O Gods Of Wrath |
2:51 | |
| 3-3 | My Time's Too Short; Your Highness |
5:56 | |
| The Rape Of Lucretia, Op.37 |
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| Act I |
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| Scene 1 |
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| 3-5 | It Is An Axiom Among Kings |
2:33 | |
| 3-6 | Here The Thirsty Evening Has Drunk The Wine Of Light |
2:53 | |
| 3-7 | Who Reaches Heaven First Is The Best Philosopher |
2:32 | |
| 3-8 | Maria Was Unmasked |
4:14 | |
| 3-9 | Collatinus Is Politically Astute |
4:29 | |
| 3-10 | There Goes A Happy Man! |
4:15 | |
| 3-11 | Tarquinius Does Not Dare |
2:26 | |
| 3-12 | Interlude: My Horse! My Horse! |
3:07 | |
| Scene 2 |
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| 3-14 | Listen! I Heard A Knock |
2:35 | |
| 3-15 | Time Treads Upon The Hands Of Women |
3:42 | |
| 3-16 | The Oatmeal Slippers Of Sleep |
7:37 | |
| Act II |
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| Scene 1 |
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| 4-2 | She Sleeps As A Rose |
5:26 | |
| 4-3 | Within This Frail Crucible Of Light |
4:26 | |
| 4-4 | Lucretia! |
5:57 | |
| 4-5 | Interlude: Here In This Scene You See Virtue Assailed By Sin |
4:07 | |
| Scene 2 |
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| 4-7 | We'll Leave The Orchids |
4:59 | |
| 4-8 | Flowers Bring To Every Year The Same Perfection |
3:24 | |
| 4-9 | You Were Right |
3:52 | |
| 4-10 | Lucretia! Lucretia! |
2:57 | |
| 4-11 | Last Night Tarquinius Ravished Me |
3:30 | |
| 4-12 | This Dead Hand |
4:09 | |
| 4-13 | Epilogue: Is That All? |
5:20 | |
| The Turn Of The Screw, Op.54 |
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| Act I |
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| 5-2 | Theme: The Journey |
3:26 | |
| 5-3 | Variation I: The Welcome |
4:08 | |
| 5-4 | Variation II: The Letter |
3:52 | |
| 5-5 | Variation III: The Tower |
5:50 | |
| 5-6 | Variation IV: The Window |
9:59 | |
| 5-7 | Variation V: The Lesson |
4:45 | |
| 5-8 | Variation VI: The Lake |
6:37 | |
| 5-9 | Variation VII: At Night |
10:45 | |
| Act II |
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| 6-2 | Variation IX: The Bells |
8:30 | |
| 6-3 | Variation X: Miss Jessel |
6:20 | |
| 6-4 | Variation XI: The Bedroom |
5:28 | |
| 6-5 | Variation XII: Quint |
2:07 | |
| 6-6 | Variation XIII: The Piano |
4:52 | |
| 6-7 | Variation XIV: Flora |
4:54 | |
| 6-8 | Variation XV: Miles |
11:43 | |
| Death In Venice, Op.88 |
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| Act I |
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| Scene 1: Munich |
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| 7-2 | Who's That? A Foreigner |
4:53 | |
| Scene 2: On The Boat To Venice |
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| 7-4 | Serenissima, Serenissima |
2:55 | |
| 7-5 | Overture: Venice |
2:36 | |
| Scene 3: The Journey To The Lido |
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| 7-7 | Mysterious Gondola |
1:42 | |
| Scene 4: The First Evening At The Hotel |
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| 7-9 | Was I Wrong To Come |
6:13 | |
| 7-10 | There Is Indeed In Every Artist's Nature |
2:41 | |
| Scene 5: On The Beach |
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| Scene 6: The Foiled Departure |
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| 7-13 | Naturally, Signore, I Understand |
7:56 | |
| Scene 7: The Games Of Apollo |
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| 8-1 | First The Race |
5:08 | |
| 8-2 | The Boy, Tadzio, Shall Inspire Me |
4:17 | |
| Act II |
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| 8-3 | So It Has Come To This |
4:38 | |
| Scene 8: The Hotel Barber's Shop (i) |
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| Scene 9: The Pursuit |
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| 8-6 | Careful Search Now Leads Me To Them |
7:48 | |
| Scene 10: The Strolling Players |
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| 8-8 | Fiorir Rose In Mezzo |
4:11 | |
| Scene 11: The Travel Bureau |
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| 8-10 | In These Last Years |
2:56 | |
| Scene 12: The Lady Of The Pearls |
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| Scene 13: The Dream |
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| Scene 14: The Empty Beach |
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| Scene 15: The Hotel Barber's Shop (ii) |
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| Scene 16: The Last Visit To Venice |
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| 8-16 | Chaos, Chaos And Sickness |
4:24 | |
| Scene 17: The Departure |
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| 8-18 | Ah, No! |
5:07 | |
| Gloriana, Op.53 |
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| Act I |
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| Scene 1 |
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| 9-2 | The Tournament |
4:19 | |
| 9-3 | Recitative And Fight |
1:25 | |
| 9-4 | Entrance Of The Queen |
1:29 | |
| 9-5 | Recitative |
1:08 | |
| 9-6 | The Two Lords' Explanation |
1:24 | |
| 9-7 | Raleigh's Song |
1:43 | |
| 9-8 | Ensemble Of Reconciliation |
4:53 | |
| 9-9 | Recitative And Final March |
1:29 | |
| Scene 2 |
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| 9-11 | The Queen's Song |
1:57 | |
| 9-12 | Cecil's Song Of Government |
1:56 | |
| 9-13 | Recitative And Essex's Entry |
2:36 | |
| 9-14 | First Lute Song |
1:59 | |
| 9-15 | Second Lute Song |
3:44 | |
| 9-16 | The Frst Duet For The Queen And Essex |
4:13 | |
| 9-17 | Soliloquy And Prayer |
5:10 | |
| Act II |
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| Scene 1 |
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| 9-19 | The Masque |
11:48 | |
| 9-20 | Finale |
2:52 | |
| Scene 2 |
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| 9-22 | Duet |
1:25 | |
| 9-23 | Double Duet |
1:47 | |
| 9-24 | Quartet |
3:38 | |
| Scene 3 |
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| 10-2 | Conversation |
1:21 | |
| 10-3 | Galliard |
1:50 | |
| 10-4 | Conversation And The Queen's Entrance |
1:04 | |
| 10-5 | Lavolta |
1:25 | |
| 10-6 | Conversation |
0:49 | |
| 10-7 | Morris Dance |
1:04 | |
| 10-8 | Recitative |
0:25 | |
| 10-9 | The Queen's Burlesque |
1:49 | |
| 10-10 | Quartet |
2:51 | |
| 10-11 | March |
0:47 | |
| 10-12 | The Queen's Announcement |
2:05 | |
| 10-13 | Ensemble |
3:09 | |
| 10-14 | Coranto |
1:14 | |
| Act III |
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| Scene 1 |
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| 10-16 | Essex's Intrusion |
0:57 | |
| 10-17 | The Second Duet Of The Queen And Essex |
8:01 | |
| 10-18 | The Dressing-Table Song |
2:46 | |
| 10-19 | The Entrance Of Cecil |
1:04 | |
| 10-20 | Cecil's Report |
0:48 | |
| 10-21 | Discussion |
0:58 | |
| 10-22 | The Queen's Decision |
1:38 | |
| Scene 2 |
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| Scene 3 |
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| 10-25 | Cecil's Warning |
0:57 | |
| 10-26 | The Queen's Dilemma |
1:30 | |
| 10-27 | Trio |
2:31 | |
| 10-28 | Lady Essex's Pleading |
2:36 | |
| 10-29 | Penelope Rich's Pleading |
1:41 | |
| 10-30 | Epilogue |
8:51 |
Участники записи:
- Adapted By (Text) – Peter Pears
- Adapted By (Text) – Benjamin Britten
- Baritone Vocals – Benjamin Luxon
- Baritone Vocals – Keith Raggett
- Baritone Vocals – Alan Opie
- Baritone Vocals – Thomas Hemsley
- Baritone Vocals – Bryn Terfel
- Baritone Vocals – James Miller-Coburn
- Baritone Vocals – Jonathan Summers
- Baritone Vocals – Robert Carpenter-Turner
- Baritone Vocals – Peter Leeming
- Baritone Vocals – Bryan Drake
- Bass Vocals – Norman Lumsden
- Bass Vocals – Owen Brannigan
- Bass Vocals – David Kelly (7)
- Bass Vocals – Richard Van Allan
- Bass Vocals – Michael Follis
- Bass Vocals – John Shirley-Quirk
- Bass Vocals – Willard White
- Chorus – Choir Of Downside School, Purley
- Chorus – Monmouth School Choir
- Chorus – Welsh National Opera Chorus
- Chorus – Chorus Of Boys From Emanuel School, Wandsworth
- Chorus Master – Christian Strover
- Chorus Master – Derrick Herdman
- Chorus Master – Gareth Jones (6)
- Composed By – Benjamin Britten
- Conductor – Benjamin Britten
- Conductor – Steuart Bedford
- Conductor – Sir Charles Mackerras
- Contralto Vocals – Helen Watts
- Countertenor Vocals – Alfred Deller
- Countertenor Vocals – James Bowman (2)
- Engineer – James Lock (2)
- Engineer – Kenneth Wilkinson
- Engineer – Gordon Parry
- Engineer – Simon Eadon
- Engineer – John Dunkerley
- Engineer – James Brown (13)
- Libretto By – Ronald Duncan
- Libretto By – Myfanwy Piper
- Libretto By – William Plomer
- Mezzo-soprano Vocals – Anne Wilkens
- Mezzo-soprano Vocals – Josephine Veasey
- Mezzo-soprano Vocals – Janet Baker
- Mezzo-soprano Vocals – Della Jones
- Mezzo-soprano Vocals – Elizabeth Bainbridge
- Mezzo-soprano Vocals – Janice Hooper Roe
- Mezzo-soprano Vocals – Penelope MacKay
- Mezzo-soprano Vocals – Jenevora Williams
- Orchestra – The London Symphony Orchestra
- Orchestra – The English Opera Group
- Orchestra – The Welsh National Opera Orchestra
- Orchestra – English Chamber Orchestra
- Orchestra – London Symphony Orchestra
- Producer – John Culshaw
- Producer – Andrew Cornall
- Producer – Ray Minshull
- Soprano Vocals – Elizabeth Harwood
- Soprano Vocals – Jennifer Vyvyan
- Soprano Vocals – Yvonne Kenny
- Soprano Vocals – Arda Mandikian
- Soprano Vocals – Olive Dyer
- Soprano Vocals – Joan Cross
- Soprano Vocals – Heather Harper
- Soprano Vocals – Jenny Hill
- Soprano Vocals – Anna Vincent
- Soprano Vocals – Janice Watson
- Soprano Vocals – Iris Saunders
- Soprano Vocals – Angela Vernon Bates
- Soprano Vocals – Sheila Brand
- Soprano Vocals – Josephine Barstow
- Speech – Stephen Terry
- Tenor Vocals – Peter Pears
- Tenor Vocals – Peter Hoare (2)
- Tenor Vocals – John Mark Ainsley
- Tenor Vocals – Neville Williams
- Tenor Vocals – Stephen James Adams
- Tenor Vocals – Kenneth Bowen
- Tenor Vocals – Kenneth Macdonald
- Tenor Vocals – Philip Langridge
- Tenor Vocals – Robert Tear
- Text By – William Shakespeare
- Text By – Robert Lowell
- Treble Vocals – David Hemmings
- Treble Vocals – Eric Adler (2)
- Treble Vocals – Richard Dakin
- Treble Vocals – Ian Wodehouse
- Treble Vocals – Gordon Clerk
- Treble Vocals – John Pryer
- Vocals – Stuart Harling
- Vocals – Dominic Gill
- Vocals – Christopher Cornall
- Vocals – Ronald Murdock
Лейблы и идентификаторы:
- Barcode : 028947560296
- Label Code : LC 00171
- SPARS Code : DDD/ADD
- Rights Society : BIEM/SABAM
Компании:
- Copyright (c) – Decca Music Group Limited
- Phonographic Copyright (p) – Decca Music Group Limited
- Record Company – Universal Music
- Recorded At – The Maltings
- Recorded At – The Maltings
- Recorded At – Walthamstow Assembly Hall
- Recorded At – Walthamstow Assembly Hall
- Recorded At – Decca Studios
- Recorded At – Decca Studios
- Recorded At – All Saints Church Petersham
- Recorded At – All Saints Church Petersham
- Recorded At – Brangwyn Hall, Swansea
- Recorded At – Brangwyn Hall, Swansea
Участники записи:
- Adapted By (Text) – Peter Pears
- Adapted By (Text) – Benjamin Britten
- Baritone Vocals – Benjamin Luxon
- Baritone Vocals – Keith Raggett
- Baritone Vocals – Alan Opie
- Baritone Vocals – Thomas Hemsley
- Baritone Vocals – Bryn Terfel
- Baritone Vocals – James Miller-Coburn
- Baritone Vocals – Jonathan Summers
- Baritone Vocals – Robert Carpenter-Turner
- Baritone Vocals – Peter Leeming
- Baritone Vocals – Bryan Drake
- Bass Vocals – Norman Lumsden
- Bass Vocals – Owen Brannigan
- Bass Vocals – David Kelly (7)
- Bass Vocals – Richard Van Allan
- Bass Vocals – Michael Follis
- Bass Vocals – John Shirley-Quirk
- Bass Vocals – Willard White
- Chorus – Choir Of Downside School, Purley
- Chorus – Monmouth School Choir
- Chorus – Welsh National Opera Chorus
- Chorus – Chorus Of Boys From Emanuel School, Wandsworth
- Chorus Master – Christian Strover
- Chorus Master – Derrick Herdman
- Chorus Master – Gareth Jones (6)
- Composed By – Benjamin Britten
- Conductor – Benjamin Britten
- Conductor – Steuart Bedford
- Conductor – Sir Charles Mackerras
- Contralto Vocals – Helen Watts
- Countertenor Vocals – Alfred Deller
- Countertenor Vocals – James Bowman (2)
- Engineer – James Lock (2)
- Engineer – Kenneth Wilkinson
- Engineer – Gordon Parry
- Engineer – Simon Eadon
- Engineer – John Dunkerley
- Engineer – James Brown (13)
- Libretto By – Ronald Duncan
- Libretto By – Myfanwy Piper
- Libretto By – William Plomer
- Mezzo-soprano Vocals – Anne Wilkens
- Mezzo-soprano Vocals – Josephine Veasey
- Mezzo-soprano Vocals – Janet Baker
- Mezzo-soprano Vocals – Della Jones
- Mezzo-soprano Vocals – Elizabeth Bainbridge
- Mezzo-soprano Vocals – Janice Hooper Roe
- Mezzo-soprano Vocals – Penelope MacKay
- Mezzo-soprano Vocals – Jenevora Williams
- Orchestra – The London Symphony Orchestra
- Orchestra – The English Opera Group
- Orchestra – The Welsh National Opera Orchestra
- Orchestra – English Chamber Orchestra
- Orchestra – London Symphony Orchestra
- Producer – John Culshaw
- Producer – Andrew Cornall
- Producer – Ray Minshull
- Soprano Vocals – Elizabeth Harwood
- Soprano Vocals – Jennifer Vyvyan
- Soprano Vocals – Yvonne Kenny
- Soprano Vocals – Arda Mandikian
- Soprano Vocals – Olive Dyer
- Soprano Vocals – Joan Cross
- Soprano Vocals – Heather Harper
- Soprano Vocals – Jenny Hill
- Soprano Vocals – Anna Vincent
- Soprano Vocals – Janice Watson
- Soprano Vocals – Iris Saunders
- Soprano Vocals – Angela Vernon Bates
- Soprano Vocals – Sheila Brand
- Soprano Vocals – Josephine Barstow
- Speech – Stephen Terry
- Tenor Vocals – Peter Pears
- Tenor Vocals – Peter Hoare (2)
- Tenor Vocals – John Mark Ainsley
- Tenor Vocals – Neville Williams
- Tenor Vocals – Stephen James Adams
- Tenor Vocals – Kenneth Bowen
- Tenor Vocals – Kenneth Macdonald
- Tenor Vocals – Philip Langridge
- Tenor Vocals – Robert Tear
- Text By – William Shakespeare
- Text By – Robert Lowell
- Treble Vocals – David Hemmings
- Treble Vocals – Eric Adler (2)
- Treble Vocals – Richard Dakin
- Treble Vocals – Ian Wodehouse
- Treble Vocals – Gordon Clerk
- Treble Vocals – John Pryer
- Vocals – Stuart Harling
- Vocals – Dominic Gill
- Vocals – Christopher Cornall
- Vocals – Ronald Murdock
