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Brian McKnight – Anytime

Лейбл: Mercury – 536 215-2
Формат: CD
Страна: Europe
Дата релиза: 1997
Жанр: Funk / Soul, Hip Hop
Стиль: Contemporary R&B, Soul
Подробнее об участниках записи

Треклист:

1 Anytime
Drum Programming – Anthony Nance
Written-By – Brandon Barnes
4:31
2 Could
Arranged By [Orchestra] – Bill Meyers
Bass – Oscar Meza
Bass – David Young (8)
Cello – Daniel Smith (4)
Cello – Steve Richards
Cello – Larry Corbett
Cello – Christine Ermacoff
Cello – Rudy Stein
Cello, Contractor [Orchestra], Coordinator [Orchestra] – Suzie Katayama
Drum Programming – Anthony Nance
French Horn – David Duke
French Horn – Brad Warnaar
French Horn – Joe Meyer
Viola – Denyse Buffum
Viola – Scott Haupert
Viola – Maria Newman
Viola – Robert Becker
Viola – John Scanlon
Violin – Kenneth Yerke
Violin – Bob Peterson
Violin – Bruce Dukov
Violin – Endre Granat
Violin – Harris Goldman
Violin – Peter Kent (2)
Violin – James Getzoff
Violin – Susan Chatman
Violin – Ron Clark
Violin – Joy Lyle
Violin – Ralph Morrison
Violin – Murray Adler
Violin – John Wittenberg
Violin – Anatoly Rosinsky
Violin – Jay Rosen
Violin – Armen Garabedian
Violin – Barbra Porter
Violin – Berj Garabedian
Violin – Haim Shtrum
Violin – Michael Markman
Written-By – Brandon Barnes
4:27
3 You Should Be Mine (Don't Waste Your Time)
Backing Vocals, Arranged By [Vocal] – Kelly Price
Featuring, Rap [Vocals] – Mase
Producer – Stevie J
Producer – Ron "Amen-Ra" Lawrence
Producer – Sean Combs
Written-By – James Brown
Written-By – Steven Jordan
Written-By – Ron "Amen-Ra" Lawrence
Written-By – Kelly Price
Written-By – Sean Combs
Written-By – Mason Betha
4:49
4 Show Me The Way Back To Your Heart
Backing Vocals – Kim Fleming
Backing Vocals – Lisa Cochran
Classical Guitar – Tom Hemby
Drum Programming – Mark Hammond
Guitar – Dann Huff
Guitar – Jerry McPherson
Producer, Synth, Piano, Programmed By [Bass] – Keith Thomas
Written-By – Diane Warren
3:55
5 Everytime We Say Goodbye
Drum Programming [Additional] – Rodney Jerkins
Instruments – Anthony Nance
Written-By – Anthony Nance
4:05
6 You Got The Bomb
Drum Programming – Anthony Nance
4:41
7 Hold Me
Backing Vocals – DJ Clue
Backing Vocals – Willie Max
Producer, Drum Programming – Poke And Tone
Producer, Keyboards – Cory Rooney
Written-By – Cory Rooney
Written-By – Larry Troutman
Written-By – Shirley Murdock
Written-By – Tupac Shakur
Written-By – Mary J. Blige
Written-By – Roger Troutman
Written-By – Samuel Barnes
Written-By – Jean-Claude Olivier
Written-By – Ronald Brooks (2)
Written-By – Gregory Jacobs
3:49
8 The Only One For Me
Drum Programming – Anthony Nance
5:13
9 Til I Get Over You
Drum Programming – Anthony Nance
4:58
10 I Belong To You
Producer, Arranged By, Instruments – Peter Black
Written-By – Peter Black
4:47
11 Jam Knock
Backing Vocals – Troy Taylor
Co-producer, Drum Programming, Arranged By [Rhythm, Vocal] – The Characters
Written-By – John Smith (7)
4:34
12 When The Chariot Comes
Arranged By [Orchestra] – Bill Meyers
Bass – Oscar Meza
Bass – David Young (8)
Bass Clarinet – Gary Bovyer
Cello – Daniel Smith (4)
Cello – Steve Richards
Cello – Larry Corbett
Cello – Christine Ermacoff
Cello – Rudy Stein
Cello, Contractor [Orchestra], Coordinator [Orchestra] – Suzie Katayama
English Horn – Jon Clarke
Flute [Alto] – Geraldine Rotella
Flute [Alto] – Louise Di Tullio
French Horn – David Duke
French Horn – Brad Warnaar
French Horn – Joe Meyer
Percussion – Daniel Greco
Percussion – Bob Zimmitti
Percussion – Don Williams (5)
Trumpet – Rick Baptist
Viola – Denyse Buffum
Viola – Scott Haupert
Viola – Maria Newman
Viola – Robert Becker
Viola – Janet Lakatos
Viola – John Scanlon
Violin – Kenneth Yerke
Violin – Bob Peterson
Violin – Bruce Dukov
Violin – Endre Granat
Violin – Harris Goldman
Violin – Peter Kent (2)
Violin – James Getzoff
Violin – Susan Chatman
Violin – Ron Clark
Violin – Joy Lyle
Violin – Ralph Morrison
Violin – Murray Adler
Violin – John Wittenberg
Violin – Anatoly Rosinsky
Violin – Jay Rosen
Violin – Armen Garabedian
Violin – Barbra Porter
Violin – Berj Garabedian
Violin – Haim Shtrum
Violin – Michael Markman
Written-By – Brandon Barnes
4:32

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