Dallas Symphony Orchestra – An American Tapestry
| Лейбл: | Dorian Recordings – DOR-90224 |
| Формат: | CD |
| Страна: | US |
| Дата релиза: | 1996 |
| Жанр: | Classical |
| Стиль: | Modern, Neo-Romantic |
Подробнее об участниках записи
Треклист:
| New England Triptych
Composed By – William Schuman |
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| 2 | II. When Jesus Wept |
7:34 | |
| 3 | III. Chester |
3:04 | |
| 4 | The White Peacock, Op. 7, No. 1
Composed By – Charles Griffes |
5:15 | |
| Three Places In New England
Composed By – Charles Ives |
|||
| 6 | II. Putnam's Camp, Redding, Connecticut |
5:48 | |
| 7 | III. The Housatonic At Stockbridge |
3:49 | |
| Mysterious Mountain (Symphony No. 2)
Composed By – Alan Hovhaness |
|||
| 9 | Moderato Maestoso (Double Fugue) |
5:33 | |
| 10 | Andante Espressivo |
5:12 | |
| The Incredible Flutist
Composed By – Walter Piston |
|||
| 12 | Entrance Of The Vendors |
2:15 | |
| 13 | Entrance Of The Customers |
0:33 | |
| 14 | Tango Of The Merchant's Daughters |
3:21 | |
| 15 | Arrival Of The Circus |
0:30 | |
| 16 | Circus March |
0:35 | |
| 17 | The Flutist |
1:52 | |
| 18 | Minuet |
0:40 | |
| 19 | Spanish Waltz |
0:55 | |
| 20 | (Eight O'Clock Strikes) |
0:17 | |
| 21 | Siciliana |
2:21 | |
| 22 | Polka Finale |
2:02 |
Участники записи:
- Artwork [Quilt Pieced By] – Nylene Dory
- Bassoon – Wilfred Roberts (2)
- Bassoon – Scott Walzel
- Bassoon, Contrabassoon – Peter Grenier
- Booklet Editor [Booklet Preparation & Editing] – Katherine A. Dory
- Cello – Christopher Adkins
- Cello – John Myers (13)
- Cello – Daniel Levine (5)
- Cello – Merle Clayton
- Cello – Yuri Anshelevich
- Cello – Charles Jacot
- Cello – Mitchell Maxwell
- Cello – Janet Nathan
- Cello – Michael Coren
- Cello – Mildred McShane
- Clarinet – Stephen Girko
- Clarinet – Harold Nogle, Jr.
- Clarinet, Bass Clarinet – Christopher Runk
- Clarinet, Clarinet [Eb] – Paul Garner (9)
- Conductor – Andrew Litton
- Conductor [Assistant Conductor] – Keri-Lynn Wilson
- Conductor [Resident Conductor] – James Rives-Jones
- Contractor – Wilfred Roberts (2)
- Design [Graphic Design] – Kimberly Smith Company
- Double Bass – Clifford Spohr
- Double Bass – Roger Fratena
- Double Bass – Alan Yanofsky
- Double Bass – Paula Holmes Fleming
- Double Bass – Elizabeth Patterson Girko
- Double Bass – Kirk Baker
- Double Bass – Tom Lederer
- Double Bass – Dwight Shambley
- Edited By, Mastered By – Brian C. Peters
- Engineer – Brian C. Peters
- Engineer – Douglas Brown (2)
- Executive-Producer – Brian M. Levine
- Flute – Jean Weger Larson
- Flute – Harvey Boatright
- Flute, Piccolo Flute – Deborah Baron
- Harp – Ellen Ritscher
- Harp – Susan Dederich-Pejovich
- Horn – Paul Capehart
- Horn – David Battey
- Horn – Robin Raby
- Horn – Gregory Hustis
- Horn – James London (3)
- Liner Notes – Kevin Bazzana
- Management [Personnel Manager] – Michael Coren
- Music Librarian – Karen Schnackenberg
- Music Librarian [Assistant Librarian] – Mark Wilson (40)
- Oboe – David Matthews (14)
- Oboe – Catherine Barr
- Oboe – Eric Barr (2)
- Oboe, English Horn – Stephen Lickman
- Orchestra – Dallas Symphony Orchestra
- Organ – Mary Preston (3)
- Percussion – Vernon Ewan
- Percussion – Michael Pfeifer (2)
- Percussion – Michael Pfeiffer (4)
- Percussion – Ronald Snider
- Percussion – Douglas Howard
- Percussion – Brad Wagner (2)
- Photography By [Cover Photography] – Craig D. Dory
- Photography By [Cover Photography] – Bill Murphy
- Photography By [Cover Photography] – Brian M. Levine
- Piano, Celesta [Celeste] – Alfred Mouledous
- Producer – Andrew Keener
- Stage Manager – John Gutierrez (4)
- Technician [Stage Technician] – Carl Wong (2)
- Timpani – Kalman Cherry
- Trombone – Philip Graham (4)
- Trombone – John Kitzman
- Trombone, Bass Trombone – Daral Rauscher
- Trumpet – David Bilger
- Trumpet – Bert Truax
- Trumpet – Richard Giangiulio
- Trumpet – Thomas Booth (2)
- Tuba – Everett Gilmore
- Viola – Tom Demer
- Viola – Kay Gardner (4)
- Viola – Valerie Dimond
- Viola – Pamela Askew
- Viola – Mitta Angell
- Viola – Barbara Hustis
- Viola – Ellen Ruth Rose
- Viola – Lionello Forzanti
- Viola – John Geisel
- Viola – Jean Pinkston
- Viola – David Schultz (4)
- Viola – Caroline Clayton (2)
- Violin [First Violin] – Mary Reynolds
- Violin [First Violin] – Melvin Baer
- Violin [First Violin] – Diane Kitzman
- Violin [First Violin] – Andrzej Kapica
- Violin [First Violin] – Susan Ager
- Violin [First Violin] – Motoi Takeda
- Violin [First Violin] – Bruce Wittrig
- Violin [First Violin] – Sarah Hardesty
- Violin [First Violin] – Jan Mark Sloman
- Violin [First Violin] – Andrew Schast
- Violin [First Violin] – Arkady Fomin
- Violin [First Violin] – Ronald Hudson (2)
- Violin [First Violin] – Kay Buchbinder
- Violin [First Violin] – Peggy Miller Zimmers
- Violin [First Violin] – Joan Davis (7)
- Violin [First Violin], Concertmaster [Barbara and Seymour R. Thum Chair] – Emanuel Borok
- Violin [Second Violin] – Bruce Patti
- Violin [Second Violin] – Delmar Pettys
- Violin [Second Violin] – Heidi Trevor Itashiki
- Violin [Second Violin] – William Scobie
- Violin [Second Violin] – Alexandra Shtarkman
- Violin [Second Violin] – Mary Battey
- Violin [Second Violin] – Ann Garlichs
- Violin [Second Violin] – Mary K. Glass
- Violin [Second Violin] – Dawn Stahler-McClure
- Violin [Second Violin] – Yuly Daneman
- Violin [Second Violin] – Sho Mei Pelletier
- Violin [Second Violin] – Janet Cherry
- Violin [Second Violin] – Maria Schleuning
Лейблы и идентификаторы:
- Barcode Scanned: 0053479022424
- Barcode Text: 0 53479 02242 4
- Matrix / Runout Variant 1: DOR 90224 MASTERED BY NIMBUS 1 : 2
- Mastering SID Code Variant 1: IFPI L124
- Mould SID Code Variant 1: ifpi 2312
- Matrix / Runout Variant 2: DOR 90224 ∙ :MASTERED: ∙BY NIMBUS∙
- Mastering SID Code Variant 2: IFPI L124
- Mould SID Code Variant 2: IFPI 2406
- SPARS Code : DDD
Компании:
- Copyright (c) – Dorian Recordings
- Glass Mastered At – Nimbus
- Phonographic Copyright (p) – Dorian Recordings
- Record Company – The Dorian Group, Ltd.
- Recorded At – Morton H. Meyerson Symphony Center
Участники записи:
- Artwork [Quilt Pieced By] – Nylene Dory
- Bassoon – Wilfred Roberts (2)
- Bassoon – Scott Walzel
- Bassoon, Contrabassoon – Peter Grenier
- Booklet Editor [Booklet Preparation & Editing] – Katherine A. Dory
- Cello – Christopher Adkins
- Cello – John Myers (13)
- Cello – Daniel Levine (5)
- Cello – Merle Clayton
- Cello – Yuri Anshelevich
- Cello – Charles Jacot
- Cello – Mitchell Maxwell
- Cello – Janet Nathan
- Cello – Michael Coren
- Cello – Mildred McShane
- Clarinet – Stephen Girko
- Clarinet – Harold Nogle, Jr.
- Clarinet, Bass Clarinet – Christopher Runk
- Clarinet, Clarinet [Eb] – Paul Garner (9)
- Conductor – Andrew Litton
- Conductor [Assistant Conductor] – Keri-Lynn Wilson
- Conductor [Resident Conductor] – James Rives-Jones
- Contractor – Wilfred Roberts (2)
- Design [Graphic Design] – Kimberly Smith Company
- Double Bass – Clifford Spohr
- Double Bass – Roger Fratena
- Double Bass – Alan Yanofsky
- Double Bass – Paula Holmes Fleming
- Double Bass – Elizabeth Patterson Girko
- Double Bass – Kirk Baker
- Double Bass – Tom Lederer
- Double Bass – Dwight Shambley
- Edited By, Mastered By – Brian C. Peters
- Engineer – Brian C. Peters
- Engineer – Douglas Brown (2)
- Executive-Producer – Brian M. Levine
- Flute – Jean Weger Larson
- Flute – Harvey Boatright
- Flute, Piccolo Flute – Deborah Baron
- Harp – Ellen Ritscher
- Harp – Susan Dederich-Pejovich
- Horn – Paul Capehart
- Horn – David Battey
- Horn – Robin Raby
- Horn – Gregory Hustis
- Horn – James London (3)
- Liner Notes – Kevin Bazzana
- Management [Personnel Manager] – Michael Coren
- Music Librarian – Karen Schnackenberg
- Music Librarian [Assistant Librarian] – Mark Wilson (40)
- Oboe – David Matthews (14)
- Oboe – Catherine Barr
- Oboe – Eric Barr (2)
- Oboe, English Horn – Stephen Lickman
- Orchestra – Dallas Symphony Orchestra
- Organ – Mary Preston (3)
- Percussion – Vernon Ewan
- Percussion – Michael Pfeifer (2)
- Percussion – Michael Pfeiffer (4)
- Percussion – Ronald Snider
- Percussion – Douglas Howard
- Percussion – Brad Wagner (2)
- Photography By [Cover Photography] – Craig D. Dory
- Photography By [Cover Photography] – Bill Murphy
- Photography By [Cover Photography] – Brian M. Levine
- Piano, Celesta [Celeste] – Alfred Mouledous
- Producer – Andrew Keener
- Stage Manager – John Gutierrez (4)
- Technician [Stage Technician] – Carl Wong (2)
- Timpani – Kalman Cherry
- Trombone – Philip Graham (4)
- Trombone – John Kitzman
- Trombone, Bass Trombone – Daral Rauscher
- Trumpet – David Bilger
- Trumpet – Bert Truax
- Trumpet – Richard Giangiulio
- Trumpet – Thomas Booth (2)
- Tuba – Everett Gilmore
- Viola – Tom Demer
- Viola – Kay Gardner (4)
- Viola – Valerie Dimond
- Viola – Pamela Askew
- Viola – Mitta Angell
- Viola – Barbara Hustis
- Viola – Ellen Ruth Rose
- Viola – Lionello Forzanti
- Viola – John Geisel
- Viola – Jean Pinkston
- Viola – David Schultz (4)
- Viola – Caroline Clayton (2)
- Violin [First Violin] – Mary Reynolds
- Violin [First Violin] – Melvin Baer
- Violin [First Violin] – Diane Kitzman
- Violin [First Violin] – Andrzej Kapica
- Violin [First Violin] – Susan Ager
- Violin [First Violin] – Motoi Takeda
- Violin [First Violin] – Bruce Wittrig
- Violin [First Violin] – Sarah Hardesty
- Violin [First Violin] – Jan Mark Sloman
- Violin [First Violin] – Andrew Schast
- Violin [First Violin] – Arkady Fomin
- Violin [First Violin] – Ronald Hudson (2)
- Violin [First Violin] – Kay Buchbinder
- Violin [First Violin] – Peggy Miller Zimmers
- Violin [First Violin] – Joan Davis (7)
- Violin [First Violin], Concertmaster [Barbara and Seymour R. Thum Chair] – Emanuel Borok
- Violin [Second Violin] – Bruce Patti
- Violin [Second Violin] – Delmar Pettys
- Violin [Second Violin] – Heidi Trevor Itashiki
- Violin [Second Violin] – William Scobie
- Violin [Second Violin] – Alexandra Shtarkman
- Violin [Second Violin] – Mary Battey
- Violin [Second Violin] – Ann Garlichs
- Violin [Second Violin] – Mary K. Glass
- Violin [Second Violin] – Dawn Stahler-McClure
- Violin [Second Violin] – Yuly Daneman
- Violin [Second Violin] – Sho Mei Pelletier
- Violin [Second Violin] – Janet Cherry
- Violin [Second Violin] – Maria Schleuning
