Béla Bartók – Piano Works
| Лейбл: | Sony Classical – 82876 78750 2 Sony BMG Music Entertainment – 82876 78750 2 |
| Формат: | CD |
| Страна: | Europe |
| Дата релиза: | 2006 |
| Жанр: | Classical |
| Стиль: | Modern |
Подробнее об участниках записи
Треклист:
| Sonata (1926) |
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| 2 | II. Sostenuto E Pesante |
4:51 | |
| 3 | III. Allegro Molto |
3:35 | |
| Improvisations On Hungarian Peasant Songs, Op. 20 |
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| 5 | II. Molto Capriccioso |
0:53 | |
| 6 | III. Lento, Rubato |
2:08 | |
| 7 | IV. Allegretto Scherzando |
1:14 | |
| 8 | V. Allegro Molto |
0:48 | |
| 9 | VI. Allegro Moderato, Molto Capriccioso |
1:14 | |
| 10 | VII. Sostenuto, Rubato |
1:49 | |
| 11 | VIII. Allegro |
1:39 | |
| Suite, Op. 14 |
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| 13 | II. Scherzo |
1:45 | |
| 14 | III. Allegro Molto |
2:04 | |
| 15 | IV. Sostenuto |
2:48 | |
| Out Of Doors, Sz. 81 Im Freien / En Plein Air |
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| 17 | II. Barcarolla. Andante |
2:53 | |
| 18 | III. Musettes. Moderato |
3:00 | |
| 19 | IV. Musiques Nocturnes. Lento |
5:11 | |
| 20 | V. The Chase. Presto |
2:06 | |
| Sonata For Two Pianos And Percussion | |||
| 22 | II. Lento, Ma Non Troppo |
6:42 | |
| 23. | III. Allegro Non Troppo |
6:42 |
Участники записи:
- Composed By – Béla Bartók
- Percussion – Evelyn Glennie
- Percussion – David Corkhill
- Piano – Georg Solti
- Piano – Murray Perahia
- Producer – Andrew Kazdin
- Producer – Steve Epstein
- Reissue Producer – Andreas K. Meyer
Лейблы и идентификаторы:
- Barcode Scanned: 828767875026
- Rights Society : BIEM / GEMA
- Label Code : LC 06868
- Mastering SID Code : IFPI LB47
- Mould SID Code : IFPI RV04
- Matrix / Runout : [Sony BMG Music Entertainment logo] 51867161/82876787502 21
Компании:
- Copyright (c) – Sony BMG Music Entertainment
- Glass Mastered At – Sonopress Arvato
- Phonographic Copyright (p) – Sony BMG Music Entertainment
Участники записи:
- Composed By – Béla Bartók
- Percussion – Evelyn Glennie
- Percussion – David Corkhill
- Piano – Georg Solti
- Piano – Murray Perahia
- Producer – Andrew Kazdin
- Producer – Steve Epstein
- Reissue Producer – Andreas K. Meyer
