John Gay – The Beggar's Opera
| Лейбл: | Hyperion – CDA66591/2 |
| Формат: | CD |
| Страна: | UK |
| Дата релиза: | 1991 |
| Жанр: | Classical, Stage & Screen |
| Стиль: | Baroque, Opera |
Подробнее об участниках записи
Треклист:
| The Beggar's Opera, Ballad Opera |
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| 1-1 | Introduction |
1:57 | |
| 1-2 | Overture |
3:13 | |
| Act I |
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| 1-4 | Dialogue: Sir, Black Moll Hath Sent Word |
1:30 | |
| 1-5 | Air 2: 'Tis Woman That Seduces All Mankind (The Bonny Gray-ey'd Morn) |
1:43 | |
| 1-6 | Dialogue: But 'Tis Now High Time To Look About Me |
2:05 | |
| 1-7 | Dialogue: What Of Bob Booty, Husband? |
0:35 | |
| 1-8 | Air 3: If Any Wench Venus's Girdle Wear (Cold And Raw) |
3:45 | |
| 1-9 | Air 4: If Love The Virgin's Heart Invade (Of All The Simple Things We Do) |
3:01 | |
| 1-10 | Dialogue: Never Was A Man More Out The Way In An Argument |
0:23 | |
| 1-11 | Air 5: A Maid Is Like The Golden Ore (Of All The Simple Things We Do) |
0:42 | |
| 1-12 | Dialogue: Come Hither, Filch |
2:17 | |
| 1-13 | Dialogue: I Know As Well As Any Of The Fine Ladies |
0:31 | |
| 1-14 | Air 6: Virgins Are Like The Fair Flower In Its Lustre (What Shall I Do To Show How Much I Love Her) |
2:01 | |
| 1-15 | Air 7: Our Polly Is A Sad Slut! (Oh London Is A Fine Town) |
2:35 | |
| 1-16 | Air 8: Can Love Be Control'd By Advice? (Grim King Of The Ghosts) |
2:17 | |
| 1-17 | Air 9: O Polly, You Might Have Toy'd And Kissed (O Jenny, O Jenny, Where Hast Thou Been) |
1:41 | |
| 1-18 | Air 10: I Like A Ship In Storms Was Tossed (Thomas, I Cannot) |
1:14 | |
| 1-19 | Dialogue: Dear Wife, Be A Little Pacified |
0:53 | |
| 1-20 | Air 11: A Fox May Steal Your Hens, Sir (A Soldier And A Sailor) |
1:06 | |
| 1-21 | Dialogue: 'Twas Only Nimming Ned |
1:49 | |
| 1-22 | Air 12: Oh, Ponder Well! Be Not Severe (Now Ponder Well, Ye Parents Dear) |
1:19 | |
| 1-23 | Air 13: The Turtle Thus With Plaintive Crying (Le Printemps Rappelle Aux Armes) |
1:44 | |
| 1-24 | Dialogue: The Thing, Husband, Must & Shall Be Done |
0:49 | |
| 1-25 | Dialogue: Now I'm A Wretch |
1:34 | |
| 1-26 | Air 14: Pretty Polly, Say (Pretty Parrot, Say) |
1:14 | |
| 1-27 | Air 15: My Heart Was So Free (Pray, Fair One, Be Kind) |
1:10 | |
| 1-28 | Air 16: Were I Laid On Greenland's Coast (Over The Hills And Far Away) |
1:13 | |
| 1-29 | Air 17: O What A Pain It Is To Part! ('Gin Thou Wert Mine Awn Thing) |
2:50 | |
| 1-30 | Air 18: The Miser Thus A Shilling Sees (O The Broom) |
1:10 | |
| Act II |
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| 1-32 | Air 19: Fill Ev'ry Glass, For Wine Inspires Us (Fill Ev'ry Glass) |
0:54 | |
| 1-33 | Dialogue: Gentlemen, Well Met |
2:22 | |
| 1-34 | Air 20: Let Us Take The Road (March In 'Rinaldo') |
1:46 | |
| 1-35 | Dialogue: What a Fool is a Fond Wench! |
0:32 | |
| 1-36 | Air 21: If The Heart Of A Man Is Deprest With Cares (Would You Have A Young Virgin) |
2:25 | |
| 1-37 | Dialogue: Dear Mrs Coaxer, You Are Welcome |
2:18 | |
| 1-38 | Air 22: Youth's The Season Made For Joys (Cotillon) |
3:29 | |
| 1-39 | Air 23: Before The Barn Door Crowing (All In A Misty Morning) |
1:51 | |
| 1-40 | Air 24: The Gamesters & Lawyers Are Jugglers Alike (When Once I Lay With Another Man's Wife) |
1:17 | |
| 1-41 | Dialogue: I Seize Your, Sir, As My Prisoner |
0:43 | |
| 1-42 | Air 25: At The Tree I Shall Suffer With Pleasure (When I First I Laid Siege To My Chloris) |
0:36 | |
| 1-43 | Dialogue: Look Ye, Mrs Jenny |
0:58 | |
| 1-44 | Dialogue: Noble Captain, You Are Welcome |
1:32 | |
| 1-45 | Air 26: Man May Escape From Rope & Gun (Courtiers, Courtiers Think It No Harm) |
1:46 | |
| 2-1 | Dialogue: You Base Man, You! |
0:17 | |
| 2-2 | Air 27: Thus When A Good Huswife Sees A Rat (A Lovely Lass To A Friar Came) |
0:53 | |
| 2-3 | Air 28: How Cruel Are The Traitors ('Twas When The Sea Was Roaring) |
3:05 | |
| 2-4 | Air 29: The First Time At The Looking-Glass (The Sun Has Loos'd His Weary Teams) |
1:09 | |
| 2-5 | Dialogue: In This Last Affair, Brother Peachum |
1:01 | |
| 2-6 | Air 30: When You Censure the Age (How Happy Are We) |
2:37 | |
| 2-7 | Dialogue: Whence Come You, Hussy? |
0:35 | |
| 2-8 | Air 31: Is Then His Fate Decreed, Sir? (Of A Noble Race Was Shenkin) |
0:13 | |
| 2-9 | Air 32: You'll Think E'er Many Days Ensue |
2:15 | |
| 2-10 | Dialogue: Though The Ordinary Was Out Of The Way Today |
0:35 | |
| 2-11 | Air 33: If You At An Office Solicit Your Due (London Ladies) |
0:41 | |
| 2-12 | Dialogue: Where Is My Dear Husband? |
0:52 | |
| 2-13 | Air 34: Thus When The Swallow Seeking Prey (All In The Downs) |
2:19 | |
| 2-14 | Air 35: How Happy Could I Be With Either (Have You Heard Of A Frolicksome Ditty) |
0:50 | |
| 2-15 | Air 36: I'm Bubbled (Irish Trot) |
1:00 | |
| 2-16 | Air 37: Cease Your Funning |
1:34 | |
| 2-17 | Air 38: Why How Now, Madam Flirt? (Good-morrow, Gossip) |
0:38 | |
| 2-18 | Dialogue: Where's My Wench? |
0:27 | |
| 2-19 | Air 39: No Power On Earth Can E'er Divide (Irish Howl) |
1:18 | |
| 2-20 | Dialogue: I Am Naturally Compassionate, Wife |
1:33 | |
| 2-21 | Air 40: I Like The Fox Shall Grieve (The Lass Of Patie's Mill) |
2:01 | |
| Act III |
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| 2-23 | Air 41: When Young At The Bar You First Taught Me To Score (If Love's A Sweet Passion) |
2:42 | |
| 2-24 | Air 42: My Love Is All Madness & Folly (South Sea Ballad) |
1:23 | |
| 2-25 | Dialogue: Peachum Then Intends To Outwit Me |
0:56 | |
| 2-26 | Air 43: Thus Gamesters United In Friendship Are Found (Packington's Pound) |
1:11 | |
| 2-27 | Dialogue: Why, Boy, Thou Lookest As If Thou Wert Half Starv'd |
1:14 | |
| 2-28 | Dialogue: I Am Sorry, Gentlemen |
0:17 | |
| 2-29 | Air 44: The Modes Of The Court So Common Are Grown (Lillibullero) |
2:40 | |
| 2-30 | Dialogue: The Coronation Account, Brother Peachum |
1:29 | |
| 2-31 | Air 45: What Gudgeons Are We Men! (Down In The North Country) |
1:20 | |
| 2-32 | Dialogue: Dear Mrs Dye, Your Servant |
0:28 | |
| 2-33 | Air 46: In The Days Of My Youth (A Shepherd Kept Sheep) |
4:47 | |
| 2-34 | Dialogue: Jealousy, Rage, Love & Fear |
0:09 | |
| 2-35 | Air 47: I'm Like A Skiff On The Ocean Tossed (One Evening, Having Lost My Way) |
1:15 | |
| 2-36 | Dialogue: Dear Madam, Your Servant |
0:17 | |
| 2-37 | Air 48: When A Wife's In Her Pout (Now Roger, I'll Tell Thee, Because Thou'rt My Son) |
2:08 | |
| 2-38 | Air 49: A Curse Attends That Woman's Love (O Bessy Bell) |
1:23 | |
| 2-39 | Air 50: Among The Men, Coquets We Find (Would Fate To Me Belinda Give) |
1:29 | |
| 2-40 | Air 51: Come, Sweet Lass (Come, Sweet Lass) |
1:00 | |
| 2-41 | Dialogue: All This Wheedling Of Lucy Cannot Be For Nothing |
0:20 | |
| 2-42 | Dialogue: Come, Miss Polly |
0:51 | |
| 2-43 | Dialogue: Set Your Heart To Rest, Captain |
0:32 | |
| 2-44 | Air 52: Hither, Dear Husband, Turn Your Eyes(The Last Time I Went O'er The Moor) |
1:45 | |
| 2-45 | Air 53: Which Way Shall I Turn Me? (Tom Tinker's My True Love) |
0:59 | |
| 2-46 | Air 54: When My Hero In Court Appears (I Am A Poor Shepherd Undone) |
1:14 | |
| 2-47 | Air 55: When He Holds Up His Hand (Ianthe The Lovely) |
1:40 | |
| 2-48 | Air 56: Our Selves, Like The Great, To Secure A Retreat (A Cobbler There Was) |
1:27 | |
| 2-49 | Air 57: The Charge Is Prepar'd (Bonny Dundee) |
1:20 | |
| 2-50 | Dialogue: Follow Them, Filch, To The Court |
1:07 | |
| 2-51a | Air 58: O Cruel, Cruel, Cruel Case! (Happy Groves) |
3:18 | |
| 2-51b | Air 59: Of All The Friends In Time Of Grief (Of All The Girls That Are So Smart) |
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| 2-51c | Air 60: Since I Must Swing (Britons Strike Home) |
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| 2-51d | Air 61: But Now Again My Spirits Sink (Chevy Chase) |
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| 2-51e | Air 62: But Valour The Stronger Grows (To Old Sir Simon The King) |
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| 2-51f | Air 63: If Thus - A Man Can Die (Joy To The Great Caesar) |
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| 2-51g | Air 64: So I Drink Of This Bumper (There Was An Old Woman) |
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| 2-51h | Air 65: But Can I Leave My Pretty Hussies (Did You Ever Hear Of A Gallant Sailor) |
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| 2-51i | Air 66: Their Eyes, Their Lips, Their Busses (Why Are Mine Eyes Still Flowing) |
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| 2-52 | Air 67: Since Laws Were Made Tor Ev'ry Degree (Green Sleeves) |
1:02 | |
| 2-53 | Dialogue: For My Having Broke Prison |
1:02 | |
| 2-54 | Dialogue: My Dear Lucy, My Dear Polly |
0:30 | |
| 2-55 | Air 68: Would I Might Be Hang'd! (All You That Must Take A Leap) |
1:49 | |
| 2-56 | Dialogue: But, Honest Friend |
1:21 | |
| 2-57 | Dialogue: So, It Seems, I Am Not Left To My Choice |
0:38 | |
| 2-58 | Air 69: Thus I Stand Like The Turk (Lumps Of Pudding) |
1:40 |
Участники записи:
- Alto Vocals [Jenny Driver] – Catherine Wyn-Rogers
- Baritone Vocals [Lockit] – Richard Jackson (8)
- Bass Vocals [Matt of the Mint] – Roger Bryson
- Bassoon – Frances Eustace
- Cello – Dominic O'Dell
- Cello – Marilyn Sansom
- Composed By – Johann Christoph Pepusch
- Conductor – Jeremy Barlow
- Double Bass – Chi Chi Nwanoku
- Ensemble – The Broadside Band
- Harp – Delyth Wynne
- Leader [The Broadside Band] – Alastair McLachlan
- Libretto By, Script By – John Gay
- Mezzo-soprano Vocals [Mrs Peachum, Diana Trapes] – Sarah Walker (2)
- Oboe – Matthew Dixon
- Oboe – Mark Radcliffe (3)
- Soprano Vocals [Lucy Lockit] – Anne Dawson
- Soprano Vocals [Polly Peachum] – Bronwen Mills
- Tenor Vocals [Filch] – Ian Honeyman
- Tenor Vocals [Macheath] – Adrian Thompson
- Tenor Vocals [Peachum] – Charles Daniels (2)
- Viola – Lisa Cochrane
- Viola – Melanie Strover
- Violin [First] – Peter Lissauer
- Violin [First] – Marie Knight (2)
- Violin [Second] – Ann Monnington
- Violin [Second] – Sarah Bealby-Wright
- Violin [Second] – Simon Jones (10)
- Voice Actor [The Beggar] – Bob Hoskins
- Voice Actor [The Player] – Ian Caddy
Лейблы и идентификаторы:
- Barcode : 0 34571 16591 2
- Barcode Scanned: 034571165912
- SPARS Code : DDD
Компании:
- Copyright (c) – Hyperion Records Limited
- Phonographic Copyright (p) – Hyperion Records Limited
- Recorded At – St. Paul's Church, New Southgate, London
Участники записи:
- Alto Vocals [Jenny Driver] – Catherine Wyn-Rogers
- Baritone Vocals [Lockit] – Richard Jackson (8)
- Bass Vocals [Matt of the Mint] – Roger Bryson
- Bassoon – Frances Eustace
- Cello – Dominic O'Dell
- Cello – Marilyn Sansom
- Composed By – Johann Christoph Pepusch
- Conductor – Jeremy Barlow
- Double Bass – Chi Chi Nwanoku
- Ensemble – The Broadside Band
- Harp – Delyth Wynne
- Leader [The Broadside Band] – Alastair McLachlan
- Libretto By, Script By – John Gay
- Mezzo-soprano Vocals [Mrs Peachum, Diana Trapes] – Sarah Walker (2)
- Oboe – Matthew Dixon
- Oboe – Mark Radcliffe (3)
- Soprano Vocals [Lucy Lockit] – Anne Dawson
- Soprano Vocals [Polly Peachum] – Bronwen Mills
- Tenor Vocals [Filch] – Ian Honeyman
- Tenor Vocals [Macheath] – Adrian Thompson
- Tenor Vocals [Peachum] – Charles Daniels (2)
- Viola – Lisa Cochrane
- Viola – Melanie Strover
- Violin [First] – Peter Lissauer
- Violin [First] – Marie Knight (2)
- Violin [Second] – Ann Monnington
- Violin [Second] – Sarah Bealby-Wright
- Violin [Second] – Simon Jones (10)
- Voice Actor [The Beggar] – Bob Hoskins
- Voice Actor [The Player] – Ian Caddy
