Various – Let No One Judge You: Early Recordings From Iran, 1906-1933
Лейбл: | Honest Jon's Records – HJR69LP |
Формат: | Vinyl |
Страна: | UK |
Дата релиза: | 2014 |
Жанр: | Folk, World, & Country |
Стиль: | Folk |
Подробнее об участниках записи
Треклист:
A1 | Bidād (Homāyun) | 2:44 | |
A2 | Gavri (Shur) | 3:15 | |
A3 | Bayāt Esfahān (Homāyun) | 2:59 | |
A4 | Darāmad (Homāyun) | 3:13 | |
A5 | Tar Solo | 3:03 | |
B1 | Darāmad, Dād (Māhur) | 3:33 | |
B2 | Mansuri (Chahārgāh) | 3:35 | |
B3 | Zābol, Mokhālef (Segāh) | 3:52 | |
B4 | Mokhālef (Segāh) | 3:35 | |
C1 | Bayāt Esfahān, Bayāt Rāje' (Homāyun) | 3:48 | |
C2 | Morgh‐e Bi‐Āshiān / Afshāri (Shur) | 3:30 | |
C3 | Bidād (Homāyun) | 3:29 | |
C4 | Dashti (Shur) | 3:22 | |
D1 | Qafqāz I (Segāh) | 3:35 | |
D2 | Qafqāz II (Segāh) | 3:34 | |
D3 | Darāmad (Homāyun) | 3:33 | |
D4 | Shushtar (Homāyun) | 3:39 | |
E1 | Abu-'Atā (Shur) | 2:52 | |
E2 | Qafqāz (Segāh) | 3:18 | |
E3 | Darāmad, Bayāt Rāje' (Navā) | 3:14 | |
E4 | Afshāri (Shur) | 3:09 | |
E5 | Rezā-Qoli Shahnāz (Shur) | 3:19 | |
F1 | Nā Dideh Rokhat / Bayāt Esfahān (Homāyun) | 3:03 | |
F2 | Māvarā'-an-Nahr (Rāst‐Panjgāh) | 3:31 | |
F3 | Darāmad, Dād, Khāvarān (Māhur) | 3:02 | |
F4 | Delkash, 'Erāq (Māhur) | 3:23 | |
G1 | 'Erāq (Māhur) | 3:33 | |
G2 | Golriz (Shur) | 3:29 | |
G3 | Darāmad, Zābol (Segāh) | 3:31 | |
G4 | Hejāz (Shur) | 3:37 | |
H1 | Bayāt Esfahān, Bayāt Rāje' (Homāyun) | 3:39 | |
H2 | 'Oshshāq, Bayāt Esfahān (Homāyun) | 3:39 | |
H3 | Darāmad, Zābol (Chahārgāh) | 3:10 | |
H4 | Bidād (Homāyun) | 3:37 |
Участники записи:
- Artwork By – Will Bankhead
- Artwork By – Sandhya Ellis
- Compiled By – Mark Ainley
- Engineer [Sound Restoration], Mastered By – Andrew Walter
- Liner Notes – Mohsen Mohammadi
- Liner Notes – Mark Ainley
Лейблы и идентификаторы:
Нет данных
Компании:
- Mastered At – Abbey Road Studios
Участники записи:
- Artwork By – Will Bankhead
- Artwork By – Sandhya Ellis
- Compiled By – Mark Ainley
- Engineer [Sound Restoration], Mastered By – Andrew Walter
- Liner Notes – Mohsen Mohammadi
- Liner Notes – Mark Ainley