Igor Stravinsky – Pulcinella - Renard - Suites 1&2 - Ragtime
| Лейбл: | TELDEC – 4509-94548-2 |
| Формат: | CD |
| Страна: | Germany |
| Дата релиза: | 1995 |
| Жанр: | Classical |
| Стиль: | Modern, Neo-Classical |
Подробнее об участниках записи
Треклист:
| Pulcinella (Complete Ballet) |
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| 1 | Overture: Allegro Moderato |
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| 2 | Serenata: Larghetto: 'Mentre L'erbetta' |
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| 3 | Scherzino: Allegro |
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| 4 | Allegro |
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| 5 | Andantino |
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| 6 | Allegro |
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| 7 | Ancora Poco Meno: 'Contento Forse Vivere' |
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| 8 | Allegro Assai |
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| 9 | Allegro - Alla Breve: 'Con Queste Paroline' |
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| 10 | Andante: 'Sento Dire No'nce Pace' |
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| 11 | 'Chi Disse Ce La Femma', Ten. |
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| 12 | Allegro |
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| 13 | Presto |
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| 14 | Larghetto |
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| 15 | Allegro - Alla Breve |
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| 16 | Tarantella |
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| 17 | Andantino: 'Se Tu M'ami' |
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| 18 | Allegro |
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| 19 | Gavotta Con Due Variazioni |
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| 20 | Vivo |
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| 21 | Tempo Di Minuetto: 'Pupillette, Fiammette D'amore' |
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| 22 | Allegro Assai |
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| Renard |
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| 23 | March |
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| 24 | Allegro |
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| 25 | Meno Mosso |
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| 26 | [Salto Mortale] |
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| 27 | Con Brio |
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| 28 | Meno Mosso |
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| 29 | [Salto Mortale] |
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| 30 | Moderato |
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| 31 | Scherzando |
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| 32 | Poco Meno Mosso |
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| 33 | Vivo |
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| 34 | March |
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| Suite No.1 For Small Orchestra 1917 |
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| 35 | Andante |
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| 36 | Napolitana |
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| 37 | Espanola |
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| 38 | Balalaika |
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| Suite No. 2 For Small Orchestra 1919 |
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| 39 | Marche |
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| 40 | Valse |
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| 41 | Polka |
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| 42 | Galop |
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| Ragtime For Eleven Instruments 1918 |
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| 43 | Ragtime |
Участники записи:
- Bass Vocals – John Cheek
- Bass Vocals – Jan Opalach
- Cimbalom – Laurence Kaptain
- Conductor – Hugh Wolff
- Mezzo-soprano Vocals – Jennifer Larmore
- Orchestra – The Saint Paul Chamber Orchestra
- Tenor Vocals – John Aler
- Tenor Vocals – Frank Kelley
Лейблы и идентификаторы:
Нет данных
Компании:
Нет данных
Участники записи:
- Bass Vocals – John Cheek
- Bass Vocals – Jan Opalach
- Cimbalom – Laurence Kaptain
- Conductor – Hugh Wolff
- Mezzo-soprano Vocals – Jennifer Larmore
- Orchestra – The Saint Paul Chamber Orchestra
- Tenor Vocals – John Aler
- Tenor Vocals – Frank Kelley
