Cal Tjader – Plays The Contemporary Music Of Mexico And Brazil
Лейбл: | Verve Records – V-8470 |
Формат: | Vinyl Gatefold |
Страна: | US |
Дата релиза: | 1962 |
Жанр: | Jazz, Latin |
Стиль: | Bossa Nova |
Подробнее об участниках записи
Треклист:
A1 | Elizete |
2:25 | |
A2 | Qué Tristeza |
2:45 | |
A3 | Meditação |
3:28 | |
A4 | Soñé |
3:05 | |
A5 | Se É Tarde, Me Perdõa |
2:47 | |
A6 | Não Diga Nada | 2:45 | |
B1 | Silenciosa |
3:22 | |
B2 | Vai Querer |
2:59 | |
B3 | Imagen |
2:36 | |
B4 | Tentação Do Inconveniente |
2:28 | |
B5 | Preciosa |
2:28 | |
B6 | Chôro E Batuque |
4:58 |
Участники записи:
- Arranged By, Piano, Liner Notes – Clare Fischer
- Bass – Freddie Schreiber
- Congas – Changuito
- Cover, Design – Blake Hampton
- Drums – Johnny Rae
- Guitar – Laurindo Almeida
- Percussion – Milt Holland
- Producer – Creed Taylor
- Timbales – Johnny Rae
- Vibraphone [Vibes] – Cal Tjader
- Vocals – Ardeen de Camp
- Woodwind – Don Shelton (2)
- Woodwind – John Lowe
- Woodwind – Bernie Fleischer
- Woodwind – Gene Cipriano
- Woodwind – Paul Horn
Лейблы и идентификаторы:
- Matrix / Runout Label side A: VG-136
- Matrix / Runout Label side B: VG137
- Matrix / Runout Runout side A, etched: 62-VG-136 V-8470-A
- Matrix / Runout Runout side B, etched: 62-VG-137 V-8470-B
- Matrix / Runout Runout side B, stamped: Block S [MGM Identifier]
- Rights Society A1, A4, B1, B3, B5: BMI
Компании:
- Pressed By – MGM Record Manufacturing Division
- Published By – Radcliffe Publ. Co.
- Published By – Peer International
- Record Company – Metro-Goldwyn-Mayer, Inc.
- Record Company – MGM Records
Участники записи:
- Arranged By, Piano, Liner Notes – Clare Fischer
- Bass – Freddie Schreiber
- Congas – Changuito
- Cover, Design – Blake Hampton
- Drums – Johnny Rae
- Guitar – Laurindo Almeida
- Percussion – Milt Holland
- Producer – Creed Taylor
- Timbales – Johnny Rae
- Vibraphone [Vibes] – Cal Tjader
- Vocals – Ardeen de Camp
- Woodwind – Don Shelton (2)
- Woodwind – John Lowe
- Woodwind – Bernie Fleischer
- Woodwind – Gene Cipriano
- Woodwind – Paul Horn