Georges Delerue – La Passante Du Sans-Souci (Bande Originale Du Film)
| Лейбл: | RCA – PL 37634 |
| Формат: | Vinyl |
| Страна: | France |
| Дата релиза: | 1982 |
| Жанр: | Classical, Pop, Stage & Screen |
| Стиль: | Chanson, Soundtrack |
Подробнее об участниках записи
Треклист:
| A1 | Chanson D'Exil | 3:15 | |
| A2 | Générique |
1:32 | |
| A3 | Photo Souvenir |
1:16 | |
| A4 | Max Et Son Père |
0:30 | |
| A5 | Le Départ De Berlin |
0:48 | |
| A6 | La Valse Parisienne |
0:53 | |
| A7 | L'Arbre De Noël |
1:30 | |
| A8 | La Chanson D'Elsa | 3:30 | |
| A9 | Une Femme Seule Avec Un Enfant |
2:17 | |
| A10 | Goles Lid | 3:15 | |
| B1 | Air Tzigane |
2:30 | |
| B2 | Air De Max |
2:00 | |
| B3 | L'Attente D'Elsa |
3:15 | |
| B4 | Le Retour De Michel |
0:38 | |
| B5 | Elsa Et Michel Enfin Réunis |
2:31 | |
| B6 | Le Petit Max Au Rajah |
1:33 | |
| B7 | Charlotte Et Son "Client" |
1:05 | |
| B8 | Accordéon Parisien |
2:09 | |
| B9 | Elsa Et Maurice |
3:00 | |
| B10 | Air Des Rues |
1:35 |
Участники записи:
- Composed By, Conductor – Georges Delerue
- Engineer – Claude Ermelin
- Illustration [Affiche] – René Ferracci
- Lacquer Cut By – Alain Morand
- Text By [Scenario Adapted From] – Joseph Kessel
Лейблы и идентификаторы:
- Rights Society : SACEM SACD SDRM SGDL
- Price Code Boxed: RC 250
- Matrix / Runout Label side A: PL 37634 A
- Matrix / Runout Label side B: PL 37634 B
- Matrix / Runout Runout side A: [AGI logo]82-3 PL 37634 A AM
- Matrix / Runout Runout side B: [AGI logo] 82-3 PL 37634 B AM
- Price Code Printed on rear, boxed: RC 250
- Matrix / Runout Runout side A: [AGI logo] 82-3 PL 37634 A AM
Компании:
- Lacquer Cut At – Dyam
- Phonographic Copyright (p) – RCA
- Pressed By – Disco France
- Printed By – France Imprimerie Sorel
- Published By – Editions Musicales Hortensia
- Record Company – RCA
- Recorded At – Studio Davout
Участники записи:
- Composed By, Conductor – Georges Delerue
- Engineer – Claude Ermelin
- Illustration [Affiche] – René Ferracci
- Lacquer Cut By – Alain Morand
- Text By [Scenario Adapted From] – Joseph Kessel
