Carl Michael Bellman – Songs Of Carl Michael Bellman (1740-1795) Sung In English
Лейбл: | Nimbus Records – NI 5174 |
Формат: | CD |
Страна: | UK |
Дата релиза: | 1989 |
Жанр: | Classical |
Стиль: | Classical |
Подробнее об участниках записи
Треклист:
1 | Fredman's Epistle No 2: To Father Berg, Concerning His Fiddle
Translated By – Paul Britten Austin |
2:02 | |
2 | Fredman's Epistle No 71: To Ulla At Her Window; Fisherman's Cottage, At Lunchtime On A Summer's Day
Translated By – Paul Britten Austin |
4:09 | |
3 | Fredman's Song No 31: Going Fishing
Translated By – Paul Britten Austin |
2:28 | |
4 | Fredman's Epistle No 82: An Unexpected Leave Taking Declared At Ulla Winblad's Breakfact On The Greensward, A Summer's Morning
Translated By – Paul Britten Austin |
5:43 | |
5 | Fredman's Song No 56: Memorandum
Translated By – Tom Fletcher |
1:52 | |
6 | Fredman's Song No 16
Translated By – Paul Britten Austin |
1:25 | |
7 | Crade Song: For My Son Carl
Translated By – Tom Fletcher |
2:15 | |
8 | Fredman Song No 64: Haga
Translated By – Paul Britten Austin |
2:45 | |
9 | Fredman Song No 14:
Translated By – Paul Britten Austin |
3:07 | |
10 | Fredman Epistle No 52: To Movitz On The Death Of His Beloved: An Elegy
Translated By – Tom Fletcher |
3:16 | |
11 | Fredman Epistle No 80: Concerning Ulla Winblad's Excursion To First Cottage Just Outside The Kattrump Tollgate
Translated By – Paul Britten Austin |
4:29 | |
12 | Fredman Song No 32: Song At Nightfall
Translated By – Tom Fletcher |
4:44 | |
13 | Fredman Song No 38.
Translated By – Paul Britten Austin |
1:34 | |
14 | Fredman Epistle No 54: At Corporal Boman's Grave In St. Katarina Courtyard
Translated By – Paul Britten Austin |
5:12 |
Участники записи:
- Guitar [Classical Guitar] – Martin Best
- Voice – Martin Best
Лейблы и идентификаторы:
- Barcode : 5 014827 517424
- Matrix / Runout : NI 5174 MASTERED BY NIMBUS
Компании:
- Manufactured By – Nimbus Records Limited
- Recorded By – Nimbus Records Limited
Участники записи:
- Guitar [Classical Guitar] – Martin Best
- Voice – Martin Best