The King's College Choir Of Cambridge – Choral Evensong For Ascension Day
| Лейбл: | His Master's Voice – TC-ASD 3764 |
| Формат: | Cassette |
| Страна: | UK |
| Дата релиза: | 1980 |
| Жанр: | Classical |
| Стиль: | Religious, Vocal |
Подробнее об участниках записи
Треклист:
| A1 | Introit: Alleluia, Ascendit Deus
Composed By – William Byrd |
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| A2 | Sentence |
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| A3 | The Preces
Composed By – William Smith (22) |
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| A4 | Psalm 24
Composed By – Joseph Barnby |
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| A5 | First Lesson: Ezekiel 1, Chapter 1, Verse 4 |
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| A6 | Hymn No. 147
Composed By – Thomas Kelly (4) |
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| A7 | St Magnus (Nottingham)
Composed By – Jeremiah Clarke |
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| A8 | Magnificat In A Flat, Op. 65
Composed By – Edmund Rubbra |
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| A9 | Second Lesson: The Epistle To The Hebrews, Chapter 9, Verse 11 |
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| A10 | Nunc Dimittis In A Flat Major, Op. 65
Composed By – Edmund Rubbra |
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| A11 | The Creed
Composed By – William Smith (22) |
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| A12 | The Responses
Composed By – William Smith (22) |
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| A13 | The Collects
Composed By – William Smith (22) |
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| Anthems |
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| B1 | O Clap Your Hands (From Psalm 47 (With Gloria))
Composed By – Orlando Gibbons |
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| B2 | Ascendit Deus (Cantiones 1612)
Composed By – Peter Philips |
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| B3 | Prayers |
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| B4 | A Prayer Of King Henry VI (Ley) (A)
Composed By – Henry Ley |
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| B5 | The Blessing |
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| B6 | Hymn No. 148 (English Hymnal) | |
| Organ Voluntaries |
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| B7 | Chorale Prelude: Nun Freut Euch, BWV.734
Composed By – Johann Sebastian Bach |
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| B8 | Toccata (Gigout) (D)
Composed By – Eugène Gigout |
Участники записи:
- Choir – The King's College Choir Of Cambridge
- Directed By – Philip Ledger
- Engineer [Balance] – Neville Boyling
- Organ – Thomas Trotter
- Producer – John Willan
- Sleeve Notes – Michael Till
Лейблы и идентификаторы:
Нет данных
Компании:
- Phonographic Copyright (p) – EMI Records Ltd.
- Recorded At – Chapel Of King's College, Cambridge
Участники записи:
- Choir – The King's College Choir Of Cambridge
- Directed By – Philip Ledger
- Engineer [Balance] – Neville Boyling
- Organ – Thomas Trotter
- Producer – John Willan
- Sleeve Notes – Michael Till
