David Spear – Exterminator 2 (Original Score)
| Лейбл: | Dragon's Domain Records – DDRDG728 Dragon's Domain Records – none |
| Формат: | File 24 Bit, 44.1 kHz, File VBR |
| Страна: | US |
| Дата релиза: | 2022 |
| Жанр: | Electronic, Stage & Screen, Stage & Screen |
| Стиль: | Ambient, Drum n Bass, Score, Soundtrack, Theme |
Подробнее об участниках записи
Треклист:
| Program One - The Soundtrack Album |
|||
| 1 | Opening Titles / Police Scanner |
2:44 | |
| 2 | John’s Theme / Life In The City |
2:08 | |
| 3 | X Meets With The Drug Lords |
2:02 | |
| 4 | Kidnapping In Broad Daylight |
1:23 | |
| 5 | X’s Crew Tail The Garbage Truck To Caroline’s Home |
1:09 | |
| 6 | The Parking Ticket |
1:23 | |
| 7 | Love Theme (Short) |
0:33 | |
| 8 | X’s Crew Break Caroline’s Legs / Police Scanner / Alley Incineration |
4:41 | |
| 9 | Caroline Pushes John Away |
0:40 | |
| 10 | The Electrocution Execution (Album Edit) |
2:51 | |
| 11 | Fury |
0:19 | |
| 12 | Love Theme (Vocal Duet) |
1:31 | |
| 13 | John And Be Gee Steal The Uzi (Album Extended) |
2:49 | |
| 14 | Fighting The Punks |
0:57 | |
| 15 | John’s Urban Assault Vehicle (Welding Montage) |
2:06 | |
| 16 | The Drug Deal Begins / Crashing The Party |
3:31 | |
| 17 | X Kills Be Gee / Escape / Dog Tags / Too Late To Save Caroline |
2:25 | |
| 18 | Extermination |
1:39 | |
| 19 | Final Showdown With X (The Big Shootout) Bulldozing The Gang / The Scaffold Chase / The Money Bag Bomb |
9:52 | |
| Program Two - The Score |
|||
| 20 | Opening Titles / Police Scanner |
2:44 | |
| 21 | Liquor Store Robbery / Incinerating Punks |
1:46 | |
| 22 | John’s Theme / X’s Introduction / John And Caroline |
1:26 | |
| 23 | Armored Car Robbery / Police Chopper Explosion |
2:03 | |
| 24 | Be Gee’s Garbage Truck |
0:50 | |
| 25 | The Electrocution Execution |
3:59 | |
| 26 | John And Be Gee Ride Along / X Meets The Drug Lords |
2:14 | |
| 27 | Kidnapping In Broad Daylight |
1:23 | |
| 28 | Testing The Drug Sample |
0:58 | |
| 29 | A Toast And A Kiss From Caroline |
1:01 | |
| 30 | X’s Crew Tail The Garbage Truck To Caroline’s Home |
1:09 | |
| 31 | The Parking Ticket |
1:23 | |
| 32 | Love Theme (Vocal Duet) |
1:31 | |
| 33 | X’s Crew Break Caroline’s Legs |
3:09 | |
| 34 | John And Be Gee Bring Caroline Home From The Hospital |
2:37 | |
| 35 | Police Scanner And Alley Incineration |
1:40 | |
| 36 | Caroline Pushes John Away |
0:40 | |
| 37 | Spotting The Punks In The Park |
1:41 | |
| 38 | Fighting The Punks |
0:57 | |
| 39 | The Drug Deal Begins / Crashing The Party |
3:31 | |
| 40 | X Kills Be Gee / Escape / Dog Tags / Too Late To Save Caroline |
2:26 | |
| 41 | John’s Urban Assault Vehicle (Welding Montage) |
2:07 | |
| 42 | X Kills The Snitch |
1:23 | |
| 43 | The Big Shootout / Bulldozing The Gang |
3:02 | |
| 44 | The Scaffold Chase |
4:20 | |
| 45 | The Money Bag Bomb |
2:36 | |
| 46 | X Impaled / John Walks Away |
1:09 | |
| 47 | End Credit Suite |
5:33 | |
| 48 | Untitled (Unused) |
0:44 | |
| 49 | Life In The City (Unused) |
1:49 | |
| 50 | Extermination (Unused) |
1:39 | |
| 51 | Part 2 Of A14 (Unused) |
1:54 |
Участники записи:
- Art Direction, Executive-Producer – Mark Banning
- Composed By, Orchestrated By – David Spear
- Creative Director [Creative Consultant] – Mike Joffe
- Edited By, Mastered By – James Nelson
- Liner Notes – Brian Satterwhite
- Orchestrated By [Additional Orchestrations] – Peter Bernstein (3)
- Producer – James Nelson
- Producer – Ford A. Thaxton
- Supervised By – Richard Kraft
Лейблы и идентификаторы:
- Barcode : 712187487283
Компании:
- Copyright (c) – The Cannon Film Group Inc.
- Edited At – Digital Outland
- Mixed At – Digital Outland
- Phonographic Copyright (p) – The Cannon Film Group Inc.
Участники записи:
- Art Direction, Executive-Producer – Mark Banning
- Composed By, Orchestrated By – David Spear
- Creative Director [Creative Consultant] – Mike Joffe
- Edited By, Mastered By – James Nelson
- Liner Notes – Brian Satterwhite
- Orchestrated By [Additional Orchestrations] – Peter Bernstein (3)
- Producer – James Nelson
- Producer – Ford A. Thaxton
- Supervised By – Richard Kraft
