Various – 1964 (Ein Jahr Und Seine 20 Songs)
| Лейбл: | Süddeutsche Zeitung – none |
| Формат: | CD |
| Страна: | Germany |
| Дата релиза: | 2005 |
| Жанр: | Folk, World, & Country, Funk / Soul, Jazz, Latin, Pop, Rock |
| Стиль: | Ballad, Bossa Nova, Folk, Rhythm & Blues, Rock & Roll, Soul |
Подробнее об участниках записи
Треклист:
| 1 | Baby Don't You Do It | 2:39 | |
| 2 | I'm The Face | 2:34 | |
| 3 | Oh, Pretty Woman | 2:59 | |
| 4 | California Sun | 2:25 | |
| 5 | Dead Man's Curve
Jan & Dean Music By, Lyrics By – Brian Wilson Music By, Lyrics By – Artie Kornfeld Music By, Lyrics By – Roger Christian Music By, Lyrics By – Jan Berry |
2:29 | |
| 6 | Everybody Needs Somebody To Love
Solomon Burke Music By, Lyrics By – Jerry Wexler Music By, Lyrics By – Solomon Burke Music By, Lyrics By – Bert Berns |
2:44 | |
| 7 | Farmer John | 2:29 | |
| 8 | Wish Someone Would Care | 2:27 | |
| 9 | That's How Strong My Love Is | 2:57 | |
| 10 | As Tears Go By | 2:34 | |
| 11 | The Girl From Ipanema | 5:12 | |
| 12 | Hesitation Blues | 2:19 | |
| 13 | My Boy Lollipop
Millie Small Music By, Lyrics By – Morris Levy Music By, Lyrics By – Johnny Roberts Music By, Lyrics By – Robert Spencer |
2:01 | |
| 14 | Where Did Our Love Go | 2:33 | |
| 15 | Mr. Pitiful | 2:37 | |
| 16 | Sputnik-Thema | 1:58 | |
| 17 | Shake Hands | 2:16 | |
| 18 | Under The Boardwalk | 2:42 | |
| 19 | Song For My Father | 7:16 | |
| 20 | Baby I Need Your Loving | 2:44 |
Участники записи:
- Art Direction – Mirko Borsche
- Art Direction – Marion Blomeyer
- Art Direction – Daniel Bognár
- Art Direction [Mitarbeit] – Oliver Landgraf
- Consultant [Konzept], Music Consultant – Konrad von Löhneysen
- Consultant [Rechtsberatung und Lizensierung] – Sasse & Partner Rechtsanwaelte, Hamburg
- Consultant [Rechtsberatung und Lizensierung] – Thomas Schlegel
- Coordinator – Barbara Streidl
- Coordinator [Radiokoordination] – Flea Hoefl
- Editor – Philipp Oehmke
- Editor – Johannes Waechter
- Editor [Mitarbeit] – Andreas Bernard (3)
- Editor [Schlussredaktion] – Isolde Durchholz
- Image Editor – Mitra Nadjafi
- Image Editor – Bettina von Beust
- Legal [Virtlaw] – Helge Sasse
- Management [Softwaremanagment] – Mike Meyer (9)
- Mastered By – Time Tools
- Mastered By [Time Tools] – Enrico Mercaldi
- Mastered By [Time Tools] – Andy Bolleshon
- Product Manager – Rainer Kerl
- Product Manager – Julia Bühler
- Product Manager – Arndt Kielstropp
- Project Manager – Rudolf Spindler
- Project Manager – Klaus Füreder
- Sleeve Notes [Essay] – Ed Ward
Лейблы и идентификаторы:
- Barcode : 4018492239910
- Barcode : 9783866150683
- Label Code : LC 11683
- Matrix / Runout : manufactured by optimal media production A534243-01
- Mastering SID Code : ifpi L571
- Mould SID Code : IFPI 9726
- Rights Society : GEMA/BIEM
- Other ISBN : 3-86615-068-7
Компании:
- Copyright (c) – Süddeutsche Zeitung GmbH
- Manufactured By – Optimal Media Production
- Phonographic Copyright (p) – Süddeutsche Zeitung GmbH
- Printed By – Ebner & Spiegel
- Published By – Süddeutsche Zeitung GmbH
Участники записи:
- Art Direction – Mirko Borsche
- Art Direction – Marion Blomeyer
- Art Direction – Daniel Bognár
- Art Direction [Mitarbeit] – Oliver Landgraf
- Consultant [Konzept], Music Consultant – Konrad von Löhneysen
- Consultant [Rechtsberatung und Lizensierung] – Sasse & Partner Rechtsanwaelte, Hamburg
- Consultant [Rechtsberatung und Lizensierung] – Thomas Schlegel
- Coordinator – Barbara Streidl
- Coordinator [Radiokoordination] – Flea Hoefl
- Editor – Philipp Oehmke
- Editor – Johannes Waechter
- Editor [Mitarbeit] – Andreas Bernard (3)
- Editor [Schlussredaktion] – Isolde Durchholz
- Image Editor – Mitra Nadjafi
- Image Editor – Bettina von Beust
- Legal [Virtlaw] – Helge Sasse
- Management [Softwaremanagment] – Mike Meyer (9)
- Mastered By – Time Tools
- Mastered By [Time Tools] – Enrico Mercaldi
- Mastered By [Time Tools] – Andy Bolleshon
- Product Manager – Rainer Kerl
- Product Manager – Julia Bühler
- Product Manager – Arndt Kielstropp
- Project Manager – Rudolf Spindler
- Project Manager – Klaus Füreder
- Sleeve Notes [Essay] – Ed Ward