Daniel Barenboim – Hannibal, Berio, Carter, Takemitsu, Corigliano
| Лейбл: | Teldec Classics International GmbH – 8573-81792-2 |
| Формат: | CD |
| Страна: | Germany |
| Дата релиза: | 2000 |
| Жанр: | Classical |
| Стиль: | Contemporary, Modern |
Подробнее об участниках записи
Треклист:
| African Portraits, Act I: The Drum And The Cross
Composed By – Hannibal Marvin Peterson |
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| 1-2 | Chrous: "Duwa Beh" |
3:53 | |
| 1-3 | Attack / Subjugation |
8:36 | |
| 1-4 | The Middle Passage |
4:52 | |
| African Portraits, Act 2: The Land Of Milk And Honey
Composed By – Hannibal Marvin Peterson |
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| 1-6 | Wailing Song
Violin – Ruben Gonzales |
1:14 | |
| 1-7 | Vicotr Nelson's Cotton Field, Elgin, Texas, 1940 |
5:36 | |
| 1-8 | Music Man, Shaw, Mississippi, Delta Swanp, 1945 |
3:11 | |
| 1-9 | The Three Deuces Club, 52nd St, New York, 1952 |
10:46 | |
| 1-10 | Chorus: "You Can't Find A Way" |
2:48 | |
| 1-11 | 400 Years Ago Today - Living Inside The Clear Glass Cell, Bensonhurst, New York, 1989 |
1:52 | |
| 1-12 | Redemption |
3:00 | |
| 1-13 | Epilogue. Korea |
1:04 | |
| 1-14 | Continuo
Composed By – Luciano Berio |
21:55 | |
| 2-1 | Partita
Composed By – Elliott Carter |
16:43 | |
| Visions
Composed By – Toru Takemitsu |
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| 2-3 | Les Yeux Clos |
7:02 | |
| Symphony No. 1
Composed By – John Corigliano |
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| 2-5 | Tarantella |
8:43 | |
| 2-6 | Chaconne: Giulio's Song |
13:31 | |
| 2-7 | Epilogue |
4:21 |
Участники записи:
- Conductor – Daniel Barenboim
- Executive-Producer – Nikolaus Deckenbrock
- Liner Notes – Phillip Huscher
- Liner Notes [Translation] – Dennis Collins (2)
- Orchestra – The Chicago Symphony Orchestra
- Photography By – Richard Haughton
Лейблы и идентификаторы:
- Barcode : 685738179220
- Label Code : LC 6109
- SPARS Code : DDD
Компании:
- Made By – Warner Music Manufacturing Europe
Участники записи:
- Conductor – Daniel Barenboim
- Executive-Producer – Nikolaus Deckenbrock
- Liner Notes – Phillip Huscher
- Liner Notes [Translation] – Dennis Collins (2)
- Orchestra – The Chicago Symphony Orchestra
- Photography By – Richard Haughton
