Various – Klangraum (So Klingt Denkmalschutz)
| Лейбл: | Deutsche Stiftung Denkmalschutz – none |
| Формат: | CD |
| Страна: | Germany |
| Дата релиза: | 2021 |
| Жанр: | Classical |
| Стиль: | Baroque, Renaissance, Romantic |
Подробнее об участниках записи
Треклист:
| Toccata Und Fuge D-Moll, BWV 565 | |||
| 2 | Fuge |
5:51 | |
| 3 | Panis Angelicus
Cello – Graham Walker (9) Choir – St. John's College Choir Composed By – César Franck Conductor – Andrew Nethsingha Organ – Timothy Ravalde Tenor Vocals – Pablo Strong |
3:41 | |
| 4 | Rondo Capriccio (A Study In Accents) A-Dur, Op. 64 | 3:58 | |
| 5 | Königin-Kantate, BWV 214, I. Tönet, Ihr Pauken! Erschallet, Trompeten!
Alto Vocals – Diane Loeb Bass Vocals – Thomas Thomaschke Choir – Schiersteiner Kantorei Composed By – Johann Sebastian Bach Conductor – Martin Lutz (9) Orchestra – Bach-Ensemble Wiesbaden Soprano Vocals – Barbara Schlick Tenor Vocals – Joachim Duske |
7:38 | |
| 6 | Les Cloches = Die Glocken | 2:55 | |
| 7 | Orgelkonzert Nr. 13 F-Dur, HWV 295, II. Allegro
Composed By – Georg Friedrich Händel Conductor – Pál Németh Orchestra – Capella Savaria Organ – Franz Haselböck |
3:27 | |
| 8 | Concerto Nr. 10 (Hob. XVIII:10) C-Dur Für Orgel Und Streichorchester, II. Adagio
Composed By – Joseph Haydn Conductor – Jonathan Cohen (7) Orchestra – The Arcangelos Chamber Ensemble Organ – Iain Quinn Violin – Sophie Gent |
2:57 | |
| 9 | Konzert Für Klavier Und Orchester Nr. 5 D-Dur, KV 175, III. Allegro
Composed By – Wolfgang Amadeus Mozart Orchestra – Orchestre De Chambre De Lausanne Piano, Conductor – Christian Zacharias |
4:47 | |
| 10 | Kirchensonate D-Dur, KV 69
Composed By – Wolfgang Amadeus Mozart Conductor – Yuli Turovsky Orchestra – I Musici De Montréal Organ – Geneviève Soly |
3:58 | |
| 11 | Liebestraum Nr. 3 As-Dur, S 541/R 211, O Lieb, So Lang Du Lieben Kannst | 4:21 | |
| 12 | Ein Sommernachtsraum, Op. 61, IX. Hochzeitsmarsch
Arranged By [Arr.] – Théodore Dubois Composed By – Felix Mendelssohn-Bartholdy Organ – Christoph Schoener |
6:21 | |
| 13 | The Boatswain's Mate, Komische Oper In Einem Akt, Ouvertüre | 6:07 | |
| 14 | Soir, Matin, Op. 76, I. Soir; Andante Cantabile | 4:17 | |
| 15 | I Puritani, Opera Seria, Arie Des Arturo, 1. Akt: A Te, O Cara
Composed By – Vincenzo Bellini Conductor – Roberto Paternostro Orchestra – Rundfunk-Sinfonieorchester Berlin Tenor Vocals – Giuseppe Sabbatini |
3:49 | |
| 16 | Symphonie Nr. 5 F-Moll Für Orgel, Op. 42 Nr. 1, V. Toccata (Allegro)
Composed By – Charles-Marie Widor Conductor – Yan Pascal Tortelier Orchestra – BBC Philharmonic Organ – Ian Tracey |
6:10 |
Участники записи:
- Photography By [Bildleiste L. Und M.] – Roland Rossner
- Photography By [Bildleiste Orgelbogen] – Andreas Steindl
- Photography By [Portraitfoto] – Gregor Hohenberg
- Sleeve Notes – Jonas Kaufmann
Лейблы и идентификаторы:
- Label Code : LC 27139
- SPARS Code : DDD
- SPARS Code : ADD
- Rights Society : GEMA
- Matrix / Runout Variant 1: A0103340185-0101 156 A00
- Mastering SID Code Variant 1: IFPI L552
- Mould SID Code Variant 1: IFPI 94V6
- Matrix / Runout Variant 2: A0103340185-0101 91 A00
- Mastering SID Code Variant 2: IFPI L558
- Mould SID Code Variant 2: IFPI 94Y6
- Mastering SID Code Variant 3: IFPI L551
- Mould SID Code Variant 3: IFPI 94U7
- Matrix / Runout Variant 4: A0103340185-0101 171 A00
- Mastering SID Code Variant 4: IFPI L558
- Mould SID Code Variant 4: IFPI 94W7
- Matrix / Runout Variant 5: A0103340185-0101 36 A00
- Mastering SID Code Variant 5: IFPI L552
- Mould SID Code Variant 5: IFPI 948P
Компании:
- Copyright (c) – Deutsche Stiftung Denkmalschutz
- Copyright (c) – Countdown Media GmbH
- Copyright (c) – Hänssler Classic
- Copyright (c) – GFS Griot Hörbuchverlag Printmedien
- Copyright (c) – Chandos Records
- Copyright (c) – Musikproduktion Dabringhaus Und Grimm
- Copyright (c) – Profil Edition Günter Hänssler
- Glass Mastered At – Sony DADC
Участники записи:
- Photography By [Bildleiste L. Und M.] – Roland Rossner
- Photography By [Bildleiste Orgelbogen] – Andreas Steindl
- Photography By [Portraitfoto] – Gregor Hohenberg
- Sleeve Notes – Jonas Kaufmann
