Various – InvalidObject
| Лейбл: | Fällt – F.0014 |
| Формат: | CD |
| Страна: | Ireland |
| Дата релиза: | 2000 |
| Жанр: | Electronic |
| Стиль: | Abstract, Ambient, Drone, Electroacoustic, Experimental, Glitch, IDM, Minimal, Modern Classical, Musique Concrète, Noise, Sound Collage |
Подробнее об участниках записи
Треклист:
| (Break) |
|||
| 1.1 | (Break) 01 | 1:00 | |
| 1.2 | (Break) 02 | 1:00 | |
| 1.3 | (Break) 03 | 1:00 | |
| 1.4 | (Break) 04 | 1:00 | |
| 1.5 | (Break) 05 | 1:00 | |
| 1.6 | (Break) 06 | 1:00 | |
| 1.7 | (Break) 07 | 1:00 | |
| 1.8 | (Break) 08 | 1:00 | |
| 1.9 | (Break) 09 | 1:00 | |
| 1.10 | (Break) 10 | 1:00 | |
| 1.11 | (Break) 11 | 1:00 | |
| 1.12 | (Break) 12 | 1:00 | |
| 1.13 | (Break) 13 | 1:00 | |
| 1.14 | (Break) 14 | 1:00 | |
| 1.15 | (Break) 15 | 1:00 | |
| (Case) |
|||
| 2.1 | Position | 1:00 | |
| 2.2 | Happen | 1:00 | |
| 2.3 | Test | 1:00 | |
| 2.4 | Claim | 1:00 | |
| 2.5 | Trial | 1:00 | |
| 2.6 | Plight | 1:00 | |
| 2.7 | Instance | 1:00 | |
| 2.8 | Coffer | 1:00 | |
| 2.9 | Capsule | 1:00 | |
| 2.10 | Bureau | 1:00 | |
| 2.11 | Sheath | 1:00 | |
| 2.12 | Envelope | 1:00 | |
| 2.13 | Cover | 1:00 | |
| 2.14 | Integument | 1:00 | |
| 2.15 | Wrap | 1:00 | |
| (Comment) |
|||
| 3.1 | ¬ | 1:00 | |
| 3.2 | ¥¨-ø | 1:00 | |
| 3.3 | &* | 1:00 | |
| 3.4 | Werty | 1:00 | |
| 3.5 | Uiop | 1:00 | |
| 3.6 | Asdfghjk | 1:00 | |
| 3.7 | Lzx | 1:00 | |
| 3.8 | Cvbn | 1:00 | |
| 3.9 | <> | 1:00 | |
| 3.10 | Zxcv | 1:00 | |
| 3.11 | '\ | 1:00 | |
| 3.12 | <. | 1:00 | |
| 3.13 | 67890- | 1:00 | |
| 3.14 | £¢ | 1:00 | |
| 3.15 | . | 1:00 | |
| (Continue) |
|||
| 4.1 | Continue.Unhurried | 1:00 | |
| 4.2 | Continue.Color | 1:00 | |
| 4.3 | Continue.Spring | 1:00 | |
| 4.4 | Continue.Balance | 1:00 | |
| 4.5 | Continue.Render | 1:00 | |
| 4.6 | Continue.Containment | 1:00 | |
| 4.7 | Continue.Bridge | 1:00 | |
| 4.8 | Continue.Interval | 1:00 | |
| 4.9 | Continue.Storm | 1:00 | |
| 4.10 | Continue.Edge | 1:00 | |
| 4.11 | Continue.Proportion | 1:00 | |
| 4.12 | Continue.Light | 1:00 | |
| 4.13 | Continue.Still | 1:00 | |
| 4.14 | Continue.Scale | 1:00 | |
| 4.15 | Continue.Continue | 1:00 | |
| (Default) |
|||
| 5.1 | (Default) 01 | 1:00 | |
| 5.2 | (Default) 02 | 1:00 | |
| 5.3 | (Default) 03 | 1:00 | |
| 5.4 | (Default) 04 | 1:00 | |
| 5.5 | (Default) 05 | 1:00 | |
| 5.6 | (Default) 06 | 1:00 | |
| 5.7 | (Default) 07 | 1:00 | |
| 5.8 | (Default) 08 | 1:00 | |
| 5.9 | (Default) 09 | 1:00 | |
| 5.10 | (Default) 10 | 1:00 | |
| 5.11 | (Default) 11 | 1:00 | |
| 5.12 | (Default) 12 | 1:00 | |
| 5.13 | (Default) 13 | 1:00 | |
| 5.14 | (Default) 14 | 1:00 | |
| 5.15 | (Default) 15 | 1:00 | |
| (Delete) |
|||
| 6.1 | (delete) 01 | 1:00 | |
| 6.2 | (delete) 02 | 1:00 | |
| 6.3 | (delete) 03 | 1:00 | |
| 6.4 | (delete) 04 | 1:00 | |
| 6.5 | (delete) 05 | 1:00 | |
| 6.6 | (delete) 06 | 1:00 | |
| 6.7 | (delete) 07 | 1:00 | |
| 6.8 | (delete) 08 | 1:00 | |
| 6.9 | (delete) 09 | 1:00 | |
| 6.10 | (delete) 10 | 1:00 | |
| 6.11 | (delete) 11 | 1:00 | |
| 6.12 | (delete) 12 | 1:00 | |
| 6.13 | (delete) 13 | 1:00 | |
| 6.14 | (delete) 14 | 1:00 | |
| 6.15 | (delete) 15 | 1:00 | |
| (Do) |
|||
| 7.1 | Discuss | 1:00 | |
| 7.2 | Deride | 1:00 | |
| 7.3 | Explain | 1:00 | |
| 7.4 | Obfuscate | 1:00 | |
| 7.5 | Agree | 1:00 | |
| 7.6 | Deny | 1:00 | |
| 7.7 | Query | 1:00 | |
| 7.8 | Extoll | 1:00 | |
| 7.9 | Persuade | 1:00 | |
| 7.10 | Ponder | 1:00 | |
| 7.11 | Complain | 1:00 | |
| 7.12 | Speculate | 1:00 | |
| 7.13 | Deride | 1:00 | |
| 7.14 | Console | 1:00 | |
| 7.15 | Relent | 1:00 | |
| (Else) |
|||
| 8.1 | 1 | 1:00 | |
| 8.2 | 2 | 1:00 | |
| 8.3 | 3 | 1:00 | |
| 8.4 | 4 | 1:00 | |
| 8.5 | 5 | 1:00 | |
| 8.6 | 6 | 1:00 | |
| 8.7 | 7 | 1:00 | |
| 8.8 | 8 | 1:00 | |
| 8.9 | 9 | 1:00 | |
| 8.10 | 10 | 1:00 | |
| 8.11 | 11 | 1:00 | |
| 8.12 | 12 | 1:00 | |
| 8.15 | 13 | 1:00 | |
| 8.14 | 14 | 1:00 | |
| 8.15 | 15 | 1:00 | |
| (Export) |
|||
| 9.1 | 1 | 1:00 | |
| 9.2 | 2 | 1:00 | |
| 9.3 | 3 | 1:00 | |
| 9.4 | 4 | 1:00 | |
| 9.5 | 5 | 1:00 | |
| 9.6 | 6 | 1:00 | |
| 9.7 | 7 | 1:00 | |
| 9.8 | 8 | 1:00 | |
| 9.9 | 9 | 1:00 | |
| 9.10 | 10 | 1:00 | |
| 9.11 | 11 | 1:00 | |
| 9.12 | 12 | 1:00 | |
| 9.13 | 13 | 1:00 | |
| 9.14 | 14 | 1:00 | |
| 9.15 | 15 | 1:00 | |
| (For) |
|||
| 10.1 | Forefinger 1 | 1:00 | |
| 10.2 | Forefoot 1 | 1:00 | |
| 10.3 | Forehead 1 | 1:00 | |
| 10.4 | Foreground 1 | 1:00 | |
| 10.5 | Forefoot 3 | 1:00 | |
| 10.6 | Forehead 2 | 1:00 | |
| 10.7 | Forearm 1 | 1:00 | |
| 10.8 | Forehand 1 | 1:00 | |
| 10.9 | Forehand 2 | 1:00 | |
| 10.10 | Foreground 2 | 1:00 | |
| 10.11 | Forearm 2 | 1:00 | |
| 10.12 | Forequarter 1 | 1:00 | |
| 10.13 | Forefinger 2 | 1:00 | |
| 10.14 | Forefoot 2 | 1:00 | |
| 10.15 | Forehead 3 | 1:00 | |
| (Function) |
|||
| 11.1 | Not A Typewriter.a | 1:00 | |
| 11.2 | Not A Typewriter.b | 1:00 | |
| 11.3 | Not A Typewriter.c | 1:00 | |
| 11.4 | Not A Typewriter.d | 1:00 | |
| 11.5 | Not A Typewriter.e | 1:00 | |
| 11.6 | M.bricolage.a | 1:00 | |
| 11.7 | M.Bricolage.b | 1:00 | |
| 11.8 | M.bricolage.c | 1:00 | |
| 11.9 | M.bricolage.d | 1:00 | |
| 11.10 | M.bricolage.e | 1:00 | |
| 11.11 | Bolivar.a | 1:00 | |
| 11.12 | Bolivar.b | 1:00 | |
| 11.13 | Bolivar.c | 1:00 | |
| 11.14 | Bolivar.d | 1:00 | |
| 11.15 | Bolivar.e | 1:00 | |
| (If) |
|||
| 12.1 | (if) 01 | 1:00 | |
| 12.2 | (if) 02 | 1:00 | |
| 12.3 | (if) 03 | 1:00 | |
| 12.4 | (if) 04 | 1:00 | |
| 12.5 | (if) 05 | 1:00 | |
| 12.6 | (if) 06 | 1:00 | |
| 12.7 | (if) 07 | 1:00 | |
| 12.8 | (if) 08 | 1:00 | |
| 12.9 | (if) 09 | 1:00 | |
| 12.10 | (if) 10 | 1:00 | |
| 12.11 | (if) 11 | 1:00 | |
| 12.12 | (if) 12 | 1:00 | |
| 12.13 | (if) 13 | 1:00 | |
| 12.14 | (if) 14 | 1:00 | |
| 12.15 | (if) 15 | 1:00 | |
| (Import) |
|||
| 13.1 | Port Of Origin | 1:00 | |
| 13.2 | 1st Movement | 1:00 | |
| 13.3 | 2nd Movement | 1:00 | |
| 13.4 | 3rd Movement | 1:00 | |
| 13.5 | 4th Movement | 1:00 | |
| 13.6 | 5th Movement | 1:00 | |
| 13.7 | 6th Movement | 1:00 | |
| 13.8 | 7th Movement | 1:00 | |
| 13.9 | 8th Movement | 1:00 | |
| 13.10 | 9th Movement | 1:00 | |
| 13.11 | 10th Movement | 1:00 | |
| 13.12 | 11th Movement | 1:00 | |
| 13.13 | 12th Movement | 1:00 | |
| 13.14 | Port Of Call | 1:00 | |
| 13.15 | Epilogue | 1:00 | |
| (In) |
|||
| 14.1 | 0000 | 1:00 | |
| 14.2 | 0001 | 1:00 | |
| 14.3 | 0010 | 1:00 | |
| 14.4 | 0011 | 1:00 | |
| 14.5 | 0100 | 1:00 | |
| 14.6 | 0101 | 1:00 | |
| 14.7 | 0110 | 1:00 | |
| 14.8 | 0111 | 1:00 | |
| 14.9 | 1000 | 1:00 | |
| 14.10 | 1001 | 1:00 | |
| 14.11 | 1010 | 1:00 | |
| 14.12 | 1011 | 1:00 | |
| 14.13 | 1100 Full Swing Theme | 1:00 | |
| 14.14 | 1101 | 1:00 | |
| 14.15 | 1110 | 1:00 | |
| (Label) |
|||
| 15.1 | PEPS | 1:00 | |
| 15.2 | PLG | 1:00 | |
| 15.3 | PPAT | 1:00 | |
| 15.4 | PGM2 | 1:00 | |
| 15.5 | GC | 1:00 | |
| 15.6 | DG11 | 1:00 | |
| 15.7 | DHPR | 1:00 | |
| 15.8 | ALB | 1:00 | |
| 15.9 | AFP | 1:00 | |
| 15.10 | MN | 1:00 | |
| 15.11 | Ss | 1:00 | |
| 15.12 | TYS | 1:00 | |
| 15.13 | Sf | 1:00 | |
| 15.14 | ASMD | 1:00 | |
| 15.15 | RGS | 1:00 | |
| (New) |
|||
| 16.1 | The Newer Songs Of Sweden | 1:00 | |
| 16.2 | Sparkly, Assembled | 1:00 | |
| 16.3 | Inching/ Cycling | 1:00 | |
| 16.4 | A New Krispie Filter | 1:00 | |
| 16.5 | Smoldering Issue | 1:00 | |
| 16.6 | Do Not Listen! | 1:00 | |
| 16.7 | New Easy Index Edit | 1:00 | |
| 16.8 | New Shaved Wood Beat Reason | 1:00 | |
| 16.9 | Impartially Exposed | 1:00 | |
| 16.10 | The 'New' New | 1:00 | |
| 16.11 | Science Diet | 1:00 | |
| 16.12 | Toad | 1:00 | |
| 16.13 | The New Smpte TM | 1:00 | |
| 16.14 | Cannes By Day | 1:00 | |
| 16.15 | String Index Edit | 1:00 | |
| (Return) |
|||
| 17.1 | Crik03_03a | 1:00 | |
| 17.2 | Crik03_03b | 1:00 | |
| 17.3 | Crik03_03d | 1:00 | |
| 17.4 | Crik03_03e | 1:00 | |
| 17.5 | Crik03_03f | 1:00 | |
| 17.6 | FF02_01 | 1:00 | |
| 17.7 | FF02_02a | 1:00 | |
| 17.8 | FF02_04f | 1:00 | |
| 17.9 | Frukie04_01 | 1:00 | |
| 17.10 | Frukie08_01a | 1:00 | |
| 17.11 | Frukie08_02 | 1:00 | |
| 17.12 | sT02 | 1:00 | |
| 17.13 | sT03 | 1:00 | |
| 17.14 | sT05b | 1:00 | |
| 17.15 | sT06a | 1:00 | |
| (Switch) |
|||
| 18.1 | Rein | 1:00 | |
| 18.2 | Puur | 1:00 | |
| 18.3 | Acht | 1:00 | |
| 18.4 | Kelk | 1:00 | |
| 18.5 | Ruis | 1:00 | |
| 18.6 | Brik | 1:00 | |
| 18.7 | Hout | 1:00 | |
| 18.8 | Tast | 1:00 | |
| 18.9 | Akte | 1:00 | |
| 18.10 | Laat | 1:00 | |
| 18.11 | Vers | 1:00 | |
| 18.12 | Bord | 1:00 | |
| 18.13 | Tuit | 1:00 | |
| 18.14 | Loof | 1:00 | |
| 18.15 | Doel | 1:00 | |
| (This) |
|||
| 19.1 | (This) 01 | 1:00 | |
| 19.2 | (This) 02 | 1:00 | |
| 19.3 | (This) 03 | 1:00 | |
| 19.4 | (This) 04 | 1:00 | |
| 19.5 | (This) 05 | 1:00 | |
| 19.6 | (This) 06 | 1:00 | |
| 19.7 | (This) 07 | 1:00 | |
| 19.8 | (This) 08 | 1:00 | |
| 19.9 | (This) 09 | 1:00 | |
| 19.10 | (This) 10 | 1:00 | |
| 19.11 | (This) 11 | 1:00 | |
| 19.12 | (This) 12 | 1:00 | |
| 19.13 | (This) 13 | 1:00 | |
| 19.14 | (This) 14 | 1:00 | |
| 19.15 | (This) 15 | 1:00 | |
| (Typeof) |
|||
| 20.1 | (Typeof) 01 | 1:00 | |
| 20.2 | (Typeof) 02 | 1:00 | |
| 20.3 | (Typeof) 03 | 1:00 | |
| 20.4 | (Typeof) 04 | 1:00 | |
| 20.5 | (Typeof) 05 | 1:00 | |
| 20.6 | (Typeof) 06 | 1:00 | |
| 20.7 | (Typeof) 07 | 1:00 | |
| 20.8 | (Typeof) 08 | 1:00 | |
| 20.9 | (Typeof) 09 | 1:00 | |
| 20.10 | (Typeof) 10 | 1:00 | |
| 20.11 | (Typeof) 11 | 1:00 | |
| 20.12 | (Typeof) 12 | 1:00 | |
| 20.13 | (Typeof) 13 | 1:00 | |
| 20.14 | (Typeof) 14 | 1:00 | |
| 20.15 | (Typeof) 15 | 1:00 | |
| (Var) |
|||
| 21.1 | tempArray[0] | 1:00 | |
| 21.2 | window.setInterval("myFunction()", 15000); | 1:00 | |
| 21.3 | setInterval("Jump()", 10); | 1:00 | |
| 21.4 | } | 1:00 | |
| 21.5 | Function Jump() { | 1:00 | |
| 21.6 | // | 1:00 | |
| 21.7 | self.moveBy((Math.random() * a * 2 - a), (Math.random() * | 1:00 | |
| 21.8 | (Math.random()*3) | 1:00 | |
| 21.9 | * | 1:00 | |
| 21.10 | a = 1+Math.round(Math.random()*3); | 1:00 | |
| 21.11 | () | 1:00 | |
| 21.12 | </script> | 1:00 | |
| 21.13 | Function shaker(s, v) { | 1:00 | |
| 21.14 | for (i = s; i > 0; i--) { self.moveBy(i, v); | 1:00 | |
| 21.15 | self.moveBy(-i, -v); } } | 1:00 | |
| (Void) |
|||
| 22.1 | (void) 01 | 1:00 | |
| 22.2 | (void) 02 | 1:00 | |
| 22.3 | (void) 03 | 1:00 | |
| 22.4 | (void) 04 | 1:00 | |
| 22.5 | (void) 05 | 1:00 | |
| 22.6 | (void) 06 | 1:00 | |
| 22.7 | (void) 07 | 1:00 | |
| 22.8 | (void) 08 | 1:00 | |
| 22.9 | (void) 09 | 1:00 | |
| 22.10 | (void) 10 | 1:00 | |
| 22.11 | (void) 11 | 1:00 | |
| 22.12 | (void) 12 | 1:00 | |
| 22.13 | (void) 13 | 1:00 | |
| 22.14 | (void)14 | 1:00 | |
| 22.15 | (void) 15 | 1:00 | |
| (While) |
|||
| 23.1 | #!/usr/bin/perl | 1:00 | |
| 23.1 | $power = 8; | 1:00 | |
| 23.3 | sub fission { | 1:00 | |
| 23.4 | fork | 1:00 | |
| 23.5 | or $child = 1; | 1:00 | |
| 23.6 | $power-- if $child; | 1:00 | |
| 23.7 | f ($child) {exit unless --$power} | 1:00 | |
| 23.8 | return $child; } | 1:00 | |
| 23.9 | while (not &fission) { | 1:00 | |
| 23.10 | print 0; | 1:00 | |
| 23.11 | bomb: | 1:00 | |
| 23.12 | while (&fission) | 1:00 | |
| 23.13 | { print 1 } | 1:00 | |
| 23.14 | } | 1:00 | |
| 23.15 | goto 'bomb'; | 1:00 | |
| (With) |
|||
| 24.1 | with(draw) | 1:00 | |
| 24.2 | with(drawn) | 1:00 | |
| 24.3 | with(drawal) | 1:00 | |
| 24.4 | with(er) | 1:00 | |
| 24.5 | with(hold.I) | 1:00 | |
| 24.6 | with(hold.II) | 1:00 | |
| 24.7 | with(hold.III) | 1:00 | |
| 24.8 | with(hold.IV) | 1:00 | |
| 24.9 | with(in.I) | 1:00 | |
| 24.10 | with(in.II) | 1:00 | |
| 24:11 | with(in.III) | 1:00 | |
| 24.12 | with() | 1:00 | |
| 24.13 | with(stand) | 1:00 | |
| 24.14 | with(out.I) | 1:00 | |
| 24.15 | with(out.II) | 1:00 |
Участники записи:
- Artwork – Fehler (2)
- Artwork – Alorenz
- Field Recording [Berkeley] – Michael Bentley
- Field Recording [New York] – Danny Wyatt
- Field Recording [Sydney] – Mitchell Whitelaw
- Field Recording [Sydney] – Shannon O'Neill
- Producer – W. Conrad Röntgen
- Producer – Christopher Murphy (2)
- Recorded By – Andreas Berthling
Лейблы и идентификаторы:
Нет данных
Компании:
Нет данных
Участники записи:
- Artwork – Fehler (2)
- Artwork – Alorenz
- Field Recording [Berkeley] – Michael Bentley
- Field Recording [New York] – Danny Wyatt
- Field Recording [Sydney] – Mitchell Whitelaw
- Field Recording [Sydney] – Shannon O'Neill
- Producer – W. Conrad Röntgen
- Producer – Christopher Murphy (2)
- Recorded By – Andreas Berthling
