Richard Wagner – Die Walküre · Acts I And II
| Лейбл: | Naxos Historical – 8.110250-51 |
| Формат: | CD |
| Страна: | UK & Europe |
| Дата релиза: | 2003 |
| Жанр: | Classical, Stage & Screen, Stage & Screen |
| Стиль: | Opera, Romantic |
Подробнее об участниках записи
Треклист:
| Act I |
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| Act II |
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| 1-3 | Scene 1. Einen Unseligen Labtest Du |
4:03 | |
| 1-4 | Scene 2. Müd Am Herd Fand Ich Den Mann |
4:30 | |
| 1-5 | Scene 2. Friedmund Darf Ich Nicht Heißen |
6:33 | |
| 1-6 | Scene 2. Ein Trauriges Kind Rief Mich Zum Trutz |
3:17 | |
| 1-7 | Scene 2. Ich Weiß Ein Wildes Geschlecht |
5:22 | |
| 1-8 | Scene 3. Ein Schwert Verhieß Mir Der Vater |
6:59 | |
| 1-9 | Scene 3. Der Männer Sippe Saß Hier Im Saal |
5:29 | |
| 1-10 | Scene 3. Winterstürme Wichen Dem Wonnemond |
2:57 | |
| 1-11 | Scene 3. Du Bist Der Lenz |
7:41 | |
| 1-12 | Scene 3. Siegmund Heiß Ich Und Siegmund Bin Ich! |
3:25 | |
| Act II |
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| 1-14 | Scene 1. Nun Zäume Dein Roß, Reisige Maid |
2:19 | |
| 1-15 | Scene 1. Der Alte Sturm, Die Alte Müh’! |
4:44 | |
| 1-16 | Scene 1. So Ist Es Denn Aus Mit Den Ewigen Göttern |
2:58 | |
| 2-1 | Scene 1. Nichts Lerntest Du, Wollt’ Ich Dich Lehren |
6:09 | |
| 2-2 | Scene 1. Was Verlangst Du? |
2:28 | |
| 2-3 | Scene 1. Deiner Ew’gen Gattin Heilige Ehre |
2:40 | |
| 2-4 | Scene 2. Schlimm, Fürcht’ Ich, Schloß Der Streit |
1:18 | |
| 2-5 | Scene 2. O Heilige Schmach! |
3:16 | |
| 2-6 | Scene 2. Als Junger Liebe Lust Mir Verblich |
8:41 | |
| 2-7 | Scene 2. So Nimm Meinen Segen, Nibelungen-Sohn! |
7:27 | |
| 2-8 | Scene 3. Raste Nun Hier, Gönne Dir Ruh! |
4:03 | |
| 2-9 | Scene 3. Hinweg! Hinweg! Flieh die Entweihte! |
4:14 | |
| 2-10 | Scene 3. Horch, O Horch! Das Ist Hundings Horn! |
4:26 | |
| 2-11 | Scene 4. Siegmund! Sieh Auf Mich! |
8:25 | |
| 2-12 | Scene 4. Du Sahest Der Walküre Sehrenden Blick |
8:04 | |
| 2-13 | Scene 5. Zauberfest Bezähmt Ein Schlaf |
4:38 | |
| 2-14 | Scene 5. Wehwalt! Wehwalt! | 2:48 | |
| 2-15 | Scene 5. Geh Hin, Knecht! Knie Vor Fricka
Baritone Vocals – Alfred Jerger |
1:47 |
Участники записи:
- Bass Vocals – Emanuel List
- Bass-Baritone Vocals – Hans Hotter
- Composed By – Richard Wagner
- Conductor – Bruno Seidler-Winkler
- Conductor – Bruno Walter
- Conductor tracks Act I; Act II, Scenes 3, 5 – Bruno Walter
- Conductor tracks Act II, Scenes 1, 2, 4 – Bruno Seidler-Winkler
- Liner Notes – Tully Potter
- Liner Notes [Synopsis] – Keith Anderson (6)
- Mezzo-soprano Vocals – Margarete Klose
- Orchestra – Wiener Philharmoniker
- Orchestra – Das Orchester Der Staatsoper Berlin
- Orchestra tracks Act I; Act II, Scenes 3, 5 – Wiener Philharmoniker
- Orchestra tracks Act II, Scenes 1, 2, 4 – Das Orchester Der Staatsoper Berlin
- Soprano Vocals – Marta Fuchs
- Soprano Vocals – Lotte Lehmann
- Tenor Vocals – Lauritz Melchior
- Transferred By, Liner Notes [Producer’s Note] – Mark Obert-Thorn
Лейблы и идентификаторы:
- Barcode Scanned: 636943125021
- Barcode Text: 6 36943 12502 1
- Label Code : LC 05537
- Matrix / Runout CD 1: 877.066.A 8.110250 #2
- Matrix / Runout CD 2: 877.066.B 8.110251 #2
- Mould SID Code CD 1 and 2: IFPI 3052
- SPARS Code : ADD
Компании:
- Copyright (c) – HNH International Ltd.
- Phonographic Copyright (p) – HNH International Ltd.
- Record Company – Naxos
- Recorded At – Großer Saal, Wiener Musikverein
Участники записи:
- Bass Vocals – Emanuel List
- Bass-Baritone Vocals – Hans Hotter
- Composed By – Richard Wagner
- Conductor – Bruno Seidler-Winkler
- Conductor – Bruno Walter
- Conductor tracks Act I; Act II, Scenes 3, 5 – Bruno Walter
- Conductor tracks Act II, Scenes 1, 2, 4 – Bruno Seidler-Winkler
- Liner Notes – Tully Potter
- Liner Notes [Synopsis] – Keith Anderson (6)
- Mezzo-soprano Vocals – Margarete Klose
- Orchestra – Wiener Philharmoniker
- Orchestra – Das Orchester Der Staatsoper Berlin
- Orchestra tracks Act I; Act II, Scenes 3, 5 – Wiener Philharmoniker
- Orchestra tracks Act II, Scenes 1, 2, 4 – Das Orchester Der Staatsoper Berlin
- Soprano Vocals – Marta Fuchs
- Soprano Vocals – Lotte Lehmann
- Tenor Vocals – Lauritz Melchior
- Transferred By, Liner Notes [Producer’s Note] – Mark Obert-Thorn
