György Kurtág – Scenes
| Лейбл: | Audite – audite 97.762 |
| Формат: | CD |
| Страна: | Germany |
| Дата релиза: | 2019 |
| Жанр: | Classical |
| Стиль: | Contemporary |
Подробнее об участниках записи
Треклист:
| Scenes From A Novel ('Stsenï Iz Romana'), Op. 19 – 15 Songs To Poems By R. Dalos |
19:20 | ||
| Eight Duos For Violin And Cimbalom, Op. 4 |
6:29 | ||
| Seven Songs ('Hét Dal'), Op. 22 |
9:57 | ||
| In Memory Of A Winter Evening ('Egy Téli Alkony Emlékére'), Op. 8 |
6:37 | ||
| Several Movements From Georg Christoph Lichtenberg's 'Scrapbooks' ('Sudelbücher'), Op. 37a |
14:59 | ||
| 57 | Hommage À Berényi Ferenc 70 |
3:32 | |
| 7 | VII. Rondo |
3:04 | |
| 8 | VIII. Nakedness |
0:18 | |
| 9 | IX. Hurdy-Gurdy Waltz |
1:05 | |
| 10 | X. Tale |
1:32 | |
| 11 | XI. Again |
1:03 | |
| 12 | XII. Sundays |
0:56 | |
| 13 | XIII. Visit |
1:03 | |
| 14 | XIV. True Story |
1:40 | |
| 15 | XV. Epilogue |
1:52 | |
| Eight Duos For Violin And Cimbalom, Op. 4 |
6:29 | ||
| 17 | II. |
0:52 | |
| 18 | III. Risoluto |
0:37 | |
| 19 | IV. Lento |
1:11 | |
| 20 | V. Allegretto |
0:44 | |
| 21 | VI. Vivo |
0:31 | |
| 22 | VII. Adagio |
1:08 | |
| 23 | VIII. Vivo |
1:03 | |
| Seven Songs ('Hét Dal'), Op. 22 |
9:57 | ||
| 25 | II. Egyensúly |
0:23 | |
| 26 | III. Hol Végződik? |
1:01 | |
| 27 | IV. Ajtón Lakattal |
1:38 | |
| 28 | V. Labirintus |
1:55 | |
| 29 | VI. Ami Megmaradt |
1:09 | |
| 30 | VII. Ars poetica |
1:47 | |
| In Memory Of A Winter Evening ('Egy Téli Alkony Emlékére'), Op. 8 |
6:37 | ||
| 32 | II. Sostenuto |
1:53 | |
| 33 | III. Con Moto, Pesante |
1:41 | |
| 34 | IV. Presto Agitato |
1:45 | |
| Several Movements From Georg Christoph Lichtenberg's 'Scrapbooks' ('Sudelbücher'), Op. 37a |
14:59 | ||
| 36 | II. Die Kuh |
0:36 | |
| 37 | III. ... Ein Kirchstuhl ... |
0:26 | |
| 38 | IV. Alpenspitzen |
0:25 | |
| 39 | V. Geständnis |
0:24 | |
| 40 | VI. Kirchtürme |
0:38 | |
| 41 | VII. Ein Liebhaber Der Klassischen Philologie |
0:32 | |
| 42 | VIII. Dank |
0:27 | |
| 43 | IX. Koan |
0:57 | |
| 44 | X. Gebet |
0:18 | |
| 45 | XI. ... An Die Aufgehende Sonne ... |
0:25 | |
| 46 | XII. Ein Mädchen |
0:22 | |
| 47 | XIII. Dreistigkeit |
0:20 | |
| 48 | XIV. Die Hände |
0:33 | |
| 49 | XV. Verlorne Mühe |
0:27 | |
| 50 | XVI. Ein Gourmand |
0:55 | |
| 51 | XVII. ... Und Eine Neue Welt ... |
0:34 | |
| 52 | XVIII. Eine Wichtige Bemerkung |
0:45 | |
| 53 | XIX. Franklin, Der Erfinder |
0:36 | |
| 54 | XX. Der Gute Ton |
0:47 | |
| 55 | XXI. Touropa |
1:34 | |
| 56 | XXII. Ein Merkwürdiger Gedanke |
2:00 | |
| 57 | Hommage À Berényi Ferenc 70 |
3:32 |
Участники записи:
- Art Direction, Design – AB•Design
- Cimbalom – Luigi Gaggero
- Cimbalom, Liner Notes – Luigi Gaggero
- Composed By – György Kurtág
- Double Bass – Niek De Groot
- Engineer [Sound], Edited By [Editing] – Justus Beyer
- Liner Notes [Translation] – Valentina Bensi
- Photography By [Cover] – Thomas Lefeldt
- Photography By [David Grimal] – Caroline Doutre
- Photography By [Luigi Gaggero] – Неизвестный #14966165
- Photography By [Niek de Groot] – Tatu Hiltunen
- Photography By [Viktoriia Vitrenko] – Oliver Röckle
- Producer [Recording Producer] – Ludger Böckenhoff
- Soprano Vocals [Soprano] – Viktoriia Vitrenko
- Violin – David Grimal
Лейблы и идентификаторы:
- Barcode : 4 022143 977625
- Label Code : LC 04480
Компании:
- Copyright (c) – Ludger Böckenhoff
- Phonographic Copyright (p) – Ludger Böckenhoff
- Recorded At – Leibniz Saal, Hannover
Участники записи:
- Art Direction, Design – AB•Design
- Cimbalom – Luigi Gaggero
- Cimbalom, Liner Notes – Luigi Gaggero
- Composed By – György Kurtág
- Double Bass – Niek De Groot
- Engineer [Sound], Edited By [Editing] – Justus Beyer
- Liner Notes [Translation] – Valentina Bensi
- Photography By [Cover] – Thomas Lefeldt
- Photography By [David Grimal] – Caroline Doutre
- Photography By [Luigi Gaggero] – Неизвестный #14966165
- Photography By [Niek de Groot] – Tatu Hiltunen
- Photography By [Viktoriia Vitrenko] – Oliver Röckle
- Producer [Recording Producer] – Ludger Böckenhoff
- Soprano Vocals [Soprano] – Viktoriia Vitrenko
- Violin – David Grimal
