Coil – Scatology Sessions
| Лейбл: | Not On Label (Coil) – none |
| Формат: | CD |
| Страна: | Russia |
| Жанр: | Electronic |
| Стиль: | Experimental, Industrial |
Подробнее об участниках записи
Треклист:
| Part I - Sexual Architecture (Scatology Rough Mixes) |
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| 1-1 | Either His Or Yours (Early Version) |
2:49 | |
| 1-2 | The Wheel (Early Version - Sparser Mix) |
3:01 | |
| 1-3 | Tenderness Of Wolves (Early Instrumental) |
4:28 | |
| 1-4 | Boy In A Suitcase (Full Version) |
6:41 | |
| 1-5 | Ubu Noir (Early Version) |
1:12 | |
| 1-6 | Ergot |
6:18 | |
| 1-7 | Panic (Take #6) |
4:06 | |
| 1-8 | Aqua Regis (Take #1) |
4:00 | |
| 1-9 | Cathedral In Flames (Early Version) |
5:36 | |
| Part II - Poisons (Scatology-era Extra Studio Tracks) |
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| 2-1 | The Pope Held Upside Down (Take #4) |
3:45 | |
| 2-2 | His Body Was A Playground For The Nazi Elite (Take #1 - Early Version) |
2:34 | |
| 2-3 | Panic (Take #1 - Vocal) |
4:39 | |
| 2-4 | Panic (Take #7 - Guitar 1) |
4:23 | |
| 2-5 | Panic (Take #9 - Bass 2) | 4:08 | |
| 2-6 | The Spoiler (LP Version) |
3:02 | |
| 2-7 | Aqua Regis (Take #2) |
4:09 | |
| 2-8 | A Minor Catastrophe (Bootleg Version) |
2:50 | |
| 2-9 | How To Destroy Angels (Stereo Version) |
16:41 | |
| 2-10.1 | Absolute Elsewhere (Tone / Sample Overlay Edit)
Edited By, Mixed By – Phil Barrington |
1:01 | |
| 2-10.2 | (silence) |
1:01 | |
| 2-10.3 | Untitled Out-Take (Elements Of Ubu Noir, Homage To Sewage And Dream Photography) |
2:18 |
Участники записи:
- Art Direction – Phil Barrington
- Curated By – Kiefer Gorena
- Design [Booklet] – Barrington Arts
- Photography By – Lawrence Watson
- Photography By – Man Ray
- Remastered By – Thighpaulsandra
- Written-By – Peter Christopherson
- Written-By – John Balance
Лейблы и идентификаторы:
Нет данных
Компании:
Нет данных
Участники записи:
- Art Direction – Phil Barrington
- Curated By – Kiefer Gorena
- Design [Booklet] – Barrington Arts
- Photography By – Lawrence Watson
- Photography By – Man Ray
- Remastered By – Thighpaulsandra
- Written-By – Peter Christopherson
- Written-By – John Balance
