Ludwig van Beethoven – Sonatas
| Лейбл: | Мелодия – MEL CD 10 02025 |
| Формат: | Box Set , CD |
| Страна: | Russia |
| Дата релиза: | 2012 |
| Жанр: | Classical |
| Стиль: | Romantic |
Подробнее об участниках записи
Треклист:
| Disc 1. Sonatas Nos. 1–3 |
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| Sonata No. 1 in F minor, Op. 2 No. 1 (1793–1795) |
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| 2 | II. Adagio |
4:08 | |
| 3 | III. Menuetto. Allegretto |
2:48 | |
| 4 | IV. Prestissimo |
4:36 | |
| Sonata No. 2 in A major, Op. 2 No. 2 (1794–1795) |
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| 6 | II. Largo appassionato |
6:40 | |
| 7 | III. Scherzo. Allegretto |
3:15 | |
| 8 | IV. Rondo. Grazioso |
6:26 | |
| Sonata No. 3 in C major, Op. 2 No. 3 (1794–1795) |
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| 10 | II. Adagio |
8:52 | |
| 11 | III. Scherzo. Allegro |
3:24 | |
| 12 | IV. Allegro assai |
5:32 | |
| Disc 2. Sonatas Nos. 4–6 |
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| Sonata No. 4 in E flat major, Op. 7 (1796–1797) |
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| 2 | II. Largo, con gran espressione |
7:45 | |
| 3 | III. Allegro |
5:12 | |
| 4 | IV. Rondo. Poco allegretto e grazioso |
7:00 | |
| Sonata No. 5 in C minor, Op. 10 No. 1 (1796) |
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| 6 | II. Adagio molto |
6:35 | |
| 7 | III. Finale. Prestissimo |
4:18 | |
| Sonata No. 6 in F major, Op. 10 No. 2 (1797) |
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| 9 | II. Allegretto |
4:24 | |
| 10 | III. Presto |
4:24 | |
| Disc 3. Sonatas Nos. 7–10 |
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| Sonata No. 7 in D major, Op. 10 No. 3 (1797–1798) |
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| 2 | II. Largo e mesto |
8:59 | |
| 3 | III. Menuetto. Allegretto |
2:52 | |
| 4 | IV. Rondo. Allegro |
4:08 | |
| Sonata No. 8 in C minor, Op. 13 "Pathetique" (1798) |
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| 6 | II. Adagio cantabile |
4:49 | |
| 7 | III. Rondo. Allegro |
4:12 | |
| Sonata No. 9 in E major, Op. 14 No. 1 (1798) |
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| 9 | II. Allegretto |
5:43 | |
| 10 | III. Rondo. Allegro commodo |
2:39 | |
| Sonata No. 10 in G major, Op. 14 No. 2 (1799) |
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| 12 | II. Andante |
4:22 | |
| 13 | III. Scherzo. Allegro assai |
3:29 | |
| Disc 4. Sonatas Nos. 11–14 |
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| Sonata No. 11 in B flat major, Op. 22 (1799–1800) |
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| 2 | II. Adagio con molto espressione |
8:58 | |
| 3 | III. Menuetto |
3:10 | |
| 4 | IV. Rondo. Allegretto |
5:48 | |
| Sonata No. 12 in A flat major, Op. 26 (1800–1801) |
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| 6 | II. Scherzo. Allegro molto |
2:28 | |
| 7 | III. Marcia funebre sulla morte d'un Eroe |
5:44 | |
| 8 | IV. Allegro |
2:29 | |
| Sonata No. 13 in E flat major, Sonata quasi una fantasia, Op. 27 No. 1 (1800–1801) |
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| 10 | II. Allegro con molto e vivace |
1:50 | |
| 11 | III. Adagio con espressione |
2:53 | |
| 12 | IV. Allegro vivace |
5:55 | |
| Sonata No. 14 in C sharp minor, Sonata quasi una fantasia, Op. 27 No. 2 (1800–1801) |
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| 14 | II. Allegretto |
1:53 | |
| 15 | III. Presto agitato |
8:06 | |
| Disc 5. Sonatas Nos. 15–17 |
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| Sonata No. 15 in D major, Op. 28 (1801) |
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| 2 | II. Andante |
9:18 | |
| 3 | III. Scherzo. Allegro vivace |
2:08 | |
| 4 | IV. Rondo. Allegro ma non troppo |
4:45 | |
| Sonata No. 16 in G major, Op. 31 No. 1 (1801–1802) |
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| 6 | II. Adagio grazioso |
11:00 | |
| 7 | III. Rondo. Allegretto |
6:26 | |
| Sonata No. 17 in D minor, Op. 31 No. 2 (1801–1802) |
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| 9 | II. Adagio |
7:11 | |
| 10 | III. Allegretto |
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| Disc 6. Sonatas Nos. 18–22 |
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| Sonata No. 18 in E flat major, Op. 31 No. 3 (1802) |
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| 2 | II. Scherzo. Allegretto vivace |
4:42 | |
| 3 | III. Menuetto. Maderato e grazioso |
4:24 | |
| 4 | IV. Presto con fuoco |
4:24 | |
| Sonata No. 19 in G minor, Op. 49 No. 1 (1797) |
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| 6 | II. Rondo. Allegro |
3:34 | |
| Sonata No. 20 in G major, Op. 49 No. 2 (1796) |
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| 8 | II. Tempo di Menuetto |
3:32 | |
| Sonata No. 21 in C major, Op. 53 "Waldstein" (1803–1804) |
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| 10 | II. Introduzione. Adagio molto |
4:32 | |
| 11 | III. Rondo. Allegretto moderato |
9:07 | |
| Sonata No. 22 in F major, Op. 54 (1804) |
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| 13 | II. Allegretto |
5:30 | |
| Disc 7. Sonatas Nos. 23–27 |
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| Sonata No. 23 in F minor, Op. 57 "Appassionata" (1804–1805) |
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| 2 | II. Andante con moto |
6:00 | |
| 3 | III. Allegro ma non troppo. Presto |
5:29 | |
| Sonata No. 24 in F sharp major, Op. 78 (1809) |
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| 5 | II. Allegro vivace |
2:44 | |
| Sonata No. 25 in G major, Op. 79 (1809) |
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| 7 | II. Andante |
2:20 | |
| 8 | III. Vivace |
1:58 | |
| Sonata No. 26 in E flat major, Op. 81a (1809–1810) |
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| 10 | II. Die Abwesenheit (L'absence). Andante espressivo |
3:42 | |
| 11 | III. Das Wiedersehen (Le retour). Vivacessimamente |
5:53 | |
| Sonata No. 27 in E minor, Op. 90 (1814) |
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| 13 | II. Nicht zu geschwind und sehr singbar vorzutragen |
6:33 | |
| Disc 8. Sonatas Nos. 28, 29 |
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| Sonata No. 28 in A major, Op. 101 (1816) |
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| 2 | II. Lebhaft, Marschmassig. Vivace alla Marcia |
5:32 | |
| 3 | III. Langsam und sehnsuchtsvoll. Adagio ma non troppo, con affetto |
3:11 | |
| 4 | IV. Geschwinde, doch nicht zu sehr, und mit Entschlossenheit. Allegro |
7:07 | |
| Sonata No. 29 in B flat major, Op. 106 "Grosse Sonate fur das Hammer-Klavier" (1817–1818) |
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| 6 | II. Scherzo. Assai vivace |
2:56 | |
| 7 | III. Adagio sostenuto. Appassionato e con molto sentimento |
16:52 | |
| 8 | IV. Largo – Allegro risoluto |
12:37 | |
| Disc 9. Sonatas Nos. 30–32 |
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| Sonata No. 30 in E major, Op. 109 (1820) |
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| 2 | II. Prestissimo |
2:30 | |
| 3 | III. Andante molto cantabile ed espressivo |
11:25 | |
| Sonata No. 31 in A flat major, Op. 110 (1821) |
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| 5 | II. Allegro molto |
1:50 | |
| 6 | III. Adagio ma non troppo – Fuga. Allegro ma non troppo |
11:49 | |
| Sonata No. 32 in C minor, Op. 111 (1821–1822) |
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| 8 | II. Arietta. Adagio molto semplice e cantabile |
16:48 |
Участники записи:
- Composed By – Ludwig van Beethoven
- Editor – Наталья Сторчак
- Engineer – Валентин Скобло
- Piano – Maria Grinberg
- Remastered By – Максим Пилипов
Лейблы и идентификаторы:
- Barcode Printed: 4 600317 120253
- Barcode Scanned: 4600317120253
- Matrix / Runout Disc 1: MEL CD 10 02025/1
- Matrix / Runout Disc 2: MEL CD 10 02025/2
- Matrix / Runout Disc 3: MEL CD 10 02025/3
- Matrix / Runout Disc 4: MEL CD 10 02025/4
- Matrix / Runout Disc 5: MEL CD 10 02025/5
- Matrix / Runout Disc 6: MEL CD 10 02025/6
- Matrix / Runout Disc 7: MEL CD 10 02025/7
- Matrix / Runout Disc 8: MEL CD 10 02025/8
- Matrix / Runout Disc 9: MEL CD 10 02025/9
Компании:
Нет данных
Участники записи:
- Composed By – Ludwig van Beethoven
- Editor – Наталья Сторчак
- Engineer – Валентин Скобло
- Piano – Maria Grinberg
- Remastered By – Максим Пилипов
