Henry Purcell – English Music
Лейбл: | Decca – 482 3259 L'Oiseau-Lyre – 0289 482 3259 8 L'Oiseau-Lyre – 482 3259 |
Формат: | CD , Box Set |
Страна: | Europe |
Дата релиза: | 2015 |
Жанр: | Classical |
Стиль: | Baroque, Renaissance |
Подробнее об участниках записи
Треклист:
Henry Purcell |
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The Echoing Air: The Music Of Henry Purcell |
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1-1 | "Staircase" Overture |
2:36 | |
1-2 | "If Music Be The Food Of Love" Z 397C
Words By – Henry Heveningham |
3:14 | |
1-3 | Cebell |
1:09 | |
1-4 | "To Arms, To Arms, Heroic Prince" Z 600/3b (The Libertine Destroyed, 1695) |
2:52 | |
1-5 | "To Arms" |
1:20 | |
1-6 | "Tell Me, Some Pitying Angel" Z 196
Words By – Nahum Tate |
7:02 | |
1-7 | Slow Air |
1:46 | |
1-8 | "We Come To Sing" |
0:37 | |
1-9 | "Oh! Lead Me To Some Peaceful Gloom" Z 574/17a (Bonduca, 1695) |
2:46 | |
1-10 | "O Solitude" Z 406
Words By – Katherine Philips |
4:13 | |
1-11 | "Hark! Hark! The Echoing Air" (The Fair Queen, 1692) |
2:34 | |
1-12 | Trumpet Tune |
0:39 | |
1-13 | "Sweeter Than Roses" Z 585/1 (Pausanias, 1695)
Words By – Richard Norton (4) |
3:02 | |
1-14 | "Fairest Isle " Z 628/38 (King Arthur, 1691)
Words By – John Dryden |
1:56 | |
1-15 | "She That Would Gain A Faithful Lover" Z 414
Words By – Lady E... M... |
2:57 | |
1-16 | "Cupid, The Slyest Rogue Alive" Z 36
Words By [After] – Theocritus |
2:15 | |
1-17 | "I Attempt From Love's Sickness To Fly" Z 630/17h (The Indian Queen, 1695) |
1:35 | |
1-18 | Jig |
1:04 | |
1-19 | "Music For A While" Z 583/2 (Oedipus, 1692)
Words By [After] – John Dryden |
3:11 | |
1-20 | "The Fatal Hour Comes On Apace" Z 421 |
3:39 | |
1-21 | "Hear, Mighty Love" |
1:32 | |
1-22 | Plainte: "O, Let Me Weep " Z 629/40ab (The Fairy Queen, 1692) |
5:49 | |
1-23 | Chacony In G Minor, Z 730 |
4:28 | |
1-24 | "Ah! How Sweet It Is To Love" Z 613/2 (Tyrranic Love) |
3:43 | |
Songs And Airs |
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2-1 | Hark! Hark! How All Things |
1:43 | |
2-2 | Crown The Altar, Deck The Shrine |
2:28 | |
2-3 | If Music Be The Food Of Love |
3:25 | |
2-4 | Not All My Torments |
1:58 | |
2-5 | O, O Let Me Weep |
6:32 | |
2-6 | I Attempt From Love's Sickness To Fly |
1:20 | |
2-7 | Olinda In The Shades Unseen |
1:03 | |
2-8 | Urge Me No More |
3:17 | |
2-9 | Bess Of Bedlam |
3:43 | |
2-10 | Lovely, Lovely Albina |
2:10 | |
2-11 | Sweeter Than Roses |
3:12 | |
2-12 | Dear Pretty Youth |
1:55 | |
2-14 | When First Amintas Sued For A Kiss |
1:55 | |
2-14 | The Cares Of Lovers |
1:47 | |
2-15 | Ye Gentle Spirits Of Air |
1:50 | |
Dido And Aeneas |
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The Indian Queen |
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Theatre Music |
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Abdelazer Or The Moor's Revenge Z570
Libretto By – Aphra Behn |
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Distressed Innocence Or The Princess Of Persia Z577
Libretto By – Elkanah Settle |
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The Married Beau Or The Curious Impenitent Z603
Libretto By – John Crowne |
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The Gordian Knot Unty'd Z597
Words By – Неизвестный исполнитель |
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Sir Anthony Love Or The Rambling Lady Z588
Libretto By – Thomas Southerne |
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Bonduca Or The British Heroine Z574
Libretto By [After] – John Fletcher (4) |
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Circe Z575
Libretto By – Charles Davenant |
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The Virtuous Wife Or Good Luck At Last Z611
Libretto By – Thomas d'Urfey |
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The Old Bachelor Z607
Libretto By – William Congreve |
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7-1 | Overture In G Minor Z770 |
1:56 | |
Don Quixote Z578
Libretto By – Thomas d'Urfey |
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Amphitryon Or The Two Sosias Z572
Libretto By – John Dryden |
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The Double Dealer Z592
Libretto By – William Congreve |
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The Richmond Heiress Or A Woman Once In The Right Z608
Libretto By – Thomas d'Urfey |
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The Rival Sisters Or The Violence Of Love Z609
Libretto By – Robert Gould (4) |
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Henry The Second, King Of England Z580 | |||
Tyrannic Love Or The Royal Martyr Z613
Libretto By – John Dryden |
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8-13 | Overture In G Minor Z772 |
3:13 | |
Theodosius Or The Force Of Love Z606
Libretto By – Nathaniel Lee (3) |
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The Libertine Or The Libertine Destroyed Z600
Libretto By – Thomas Shadwell |
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The Massacre Of Paris Z604
Libretto By – Nathaniel Lee (3) |
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Oedipus Z583 | |||
9-10 | Overture In D Minor Z771 |
2:48 | |
The History Of King Richard The Second (The Sicilian Usurper) Z581 | |||
Sir Barnaby Whigg Or No Wit Like A Woman's Z589
Libretto By – Thomas d'Urfey |
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Sophonisba Or Hannibal's Overthrow Z590
Libretto By – Nathaniel Lee (3) |
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The English Lawyer Z594
Libretto By – Edward Ravenscroft |
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A Fool's Preferment Or The Three Dukes Of Dunstable Z571 | |||
The Indian Emperor Or The Conquest Of Mexico Z598 | |||
The Knight Of Malta Z599 | |||
A Dialogue Between Thirsis And Daphne Z525 | |||
The Wives' Excuse Or Cuckolds Make Themselves Z612 (1691, Thomas Southerne)
Libretto By – Thomas Southerne |
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Cleomenes, The Spartan Hero Z576 | |||
The Marriage-Hater Match'd Z602
Libretto By – Thomas d'Urfey |
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Love Triumphant Or Nature Will Prevail Z582
Libretto By – Thomas d'Urfey |
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Love Triumphant Or Nature Will Prevail Z582
Libretto By – John Dryden |
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10-2 | There's Not A Swain Z587
Words By – John Fletcher (4) |
1:11 | |
The Female Virtuosos Z596 | |||
10-4 | Leave These Useless Arts Z579
Words By – Thomas Shadwell |
2:12 | |
The Maid's Last Prayer Or Any Rather Than Fail Z601
Libretto By – Thomas Southerne |
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Aureng-Zebe Or The Great Mogul Z573
Libretto By – John Dryden |
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The Canterbury Guests Or A Bargain Broken Z591
Libretto By – Edward Ravenscroft |
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The Fatal Marriage Or The Innocent Adultery Z595
Libretto By – Thomas Southerne |
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The Spanish Fair Or The Double Discovery Z610
Libretto By – John Dryden |
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Pausianias, The Betrayer Of His Country Z585
Libretto By – Richard Norton (4) |
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The Mock Marriage Z605
Libretto By – Thomas Scott (6) |
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Oroonoko Z584
Libretto By – Thomas Southerne |
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10-17 | Pavan No. 1 In A Major Z748 |
3:31 | |
10-18 | Pavan No. 2 In A Minor Z749 |
2:54 | |
10-19 | Pavan No. 3 In B Flat Major Z750 |
3:03 | |
10-20 | Pavan No. 4 In G Minor Z751 |
3:21 | |
10-21 | Pavan No. 4 In G Minor Z751 |
4:09 | |
10-22 | Pavan No. 5 In G Minor Z752 |
6:50 | |
10-23 | Trio Sonata For Violin, Bass Viol And Organ Z780 |
4:48 | |
12 Sonatas Of Three Parts, 1683 Z790-801 |
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11-1 | Sonata No. 1 In G Minor: Sonnata – Vivace – Adagio – Presto – Largo |
7:03 | |
11-2 | Sonata No. 2 In B Flat Major: Sonnata – Largo – Presto – Adagio – Vivace – Allegro |
5:43 | |
11-3 | Sonata No. 3 In D Minor: Sonnata – Adagio – Canzona – Adagio – Poco Largo – Allegro |
5:34 | |
11-4 | Sonata No. 4 In F Major: Sonnata – Canzona – Adagio – Poco Largo – Allegro |
5:15 | |
11-5 | Sonata No. 5 In A Minor: Sonnata – Adagio – Largo – Grave – Canzona – Adagio |
5:39 | |
11-6 | Sonata No. 6 In C Major: Sonnata – Canzona – Adagio – Largo – Allegro |
7:01 | |
11-7 | Sonata No. 7 In E Minor: Sonnata – Canzona – Largo – Grave – Canzona – Adagio |
7:12 | |
11-8 | Sonata No. 8 In G Major: Sonnata – Poco Largo – Allegro – Grace – Vivace |
5:19 | |
11-9 | Sonata No. 9 In C Minor: Sonnata – Largo – Canzona – Adagio – Allegro |
7:01 | |
11-10 | Sonata No. 10 In A Major: Sonnata – Largo – Grave – Presto |
4:11 | |
11-11 | Sonata No. 11 In F Minor: Sonnata – Canzona – Adagio – Lento |
5:22 | |
11-12 | Sonata No. 12 In D Major: Sonnata – Adagio – Canzona – Poco Largo – Grave – Presto – Allegro – Adagio
Libretto By – Aphra Behn |
5:20 | |
10 Sonatas In Four Parts Z802-811 |
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12-1 | Sonata No. 1 In B Minor: Adagio – Canzona (Allegro) – Largo – Vivace – Grave |
5:11 | |
12-2 | Sonata No. 2 In E Flat Major: Adagio – Canzona (Allegro) – Adagio – Largo – Allegro |
6:12 | |
12-3 | Sonata No. 3 In A Minor: Grave – Largo – Adagio – Canzona – Gigue – Grave
Libretto By – Elkanah Settle |
6:10 | |
12-4 | Sonata No. 4 In D Minor: Adagio – Canzona – Adagio – Vivace – Largo |
6:40 | |
12-5 | Sonata No. 5 In G Minor: (Adagio) – Canzona – Largo – Adagio – Presto – Allegro – Adagio |
6:42 | |
12-6 | Sonata No. 6 In G Minor: Adagio
Libretto By – John Crowne |
6:22 | |
12-7 | Sonata No. 5 In G Minor: (Adagio) – Canzona – Largo – Adagio – Presto – Allegro – Adagio |
6:15 | |
12-8 | Sonata No. 8 In G Minor: Adagio – Canzona – Grave – Largo – Vivace |
6:17 | |
12-9 | Sonata No. 9 In F Major: (Allegro) – Adagio – Canzona (Allegro) – Grave – Allegro |
6:22 | |
12-10 | Sonata No. 10 In D Major: Adagio – Canzona (Allegro) – Grave – Allegro |
5:18 | |
Thomas Augustine Arne
Words By – Неизвестный исполнитель |
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13-1 | Overture No. 3 In G Major |
5:07 | |
13-2 | Overture No. 1 In E Minor |
8:05 | |
13-3 | Overture No. 2 In A Major
Libretto By – Thomas Southerne |
6:18 | |
13-4 | Overture No. 4 In F Major |
7:11 | |
13-5 | Overture No. 5 In D Major |
7:08 | |
13-6 | Overture No. 6 In B Flat Major |
6:25 | |
13-7 | Overture No. 7 In D Major |
6:12 | |
13-8 | Overture No. 8 In G Minor
Libretto By [After] – John Fletcher (4) |
9:05 | |
Sonata No. 1 In F Major |
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Sonata No. 2 In E Minor |
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Sonata No. 5 In B Flat Major |
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Sonata No. 6 In G Minor |
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Sonata No. 3 In G Minor |
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Sonata No. 4 In D Minor |
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Sonata No. 7 In A Major |
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Sonata No. 8 in G major |
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William Boyce |
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Symphony No. 1 In B Flat Major |
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Symphony No. 2 In A Major
Libretto By – Charles Davenant |
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Symphony No. 3 In C Major |
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Symphony No. 4 In F Major |
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Symphony No. 5 In D Major |
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Symphony No. 6 In F Major |
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Symphony No. 7 In B Flat Major
Libretto By – Thomas d'Urfey |
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Symphony No. 8 In D Minor |
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William Byrd |
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My Ladye Nevells Booke | |||
The Fitzwilliam Virginal Book (Selected Pieces) |
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19-1 | Fantasia [231] | 3:26 | |
19-2 | The Flatt Pavan [284] | 4:45 | |
Can Shee / Alman / The Irishe Dumpe / Watkins Ale / A Gigg |
5:24 | ||
19-4 | The Leaves Bee Greene [251] | 3:36 | |
19-5 | Amarilli di Julio Romano | 3:56 | |
19-6 | Galiarda Passamezzo | 5:13 | |
Alman / The Primerose / The Fall Of The Leafe
Composed By – Martin Peerson Instrument Builder [Virginal 1642] – Thomas White (24) Virginal – Christopher Hogwood |
4:54 | ||
Tower Hill / A Masque / A Toye
Composed By – Giles Farnaby Instrument Builder [Virginal 1642] – Thomas White (24) Virginal – Christopher Hogwood |
5:09 | ||
19-9 | Pavana [85] | 3:47 | |
19-10 | Galliardo [87] | 1:29 | |
19-11 | Robin [15]
Composed By – John Munday Instrument Builder [Virginal 1642] – Thomas White (24) Virginal – Christopher Hogwood |
2:56 | |
19-12 | Nowel's Galliard [244]
Composed By – Anonymous Instrument Builder [Virginal 1642] – Thomas White (24) Virginal – Christopher Hogwood |
1:14 | |
19-13 | Giles Farnaby's Dreame [194] - His Rest [195] Farnaby's Conceit [273] - His Humour [196]
Composed By – Giles Farnaby Instrument Builder [Virginal 1642] – Thomas White (24) Virginal – Christopher Hogwood |
6:34 | |
20-1 | Jhon Come Kisse Me Now [10]
Composed By – William Byrd Instrument Builder [Virginal 1642] – Thomas White (24) Libretto By – John Dryden Virginal – Christopher Hogwood |
6:12 | |
20-2 | The Queenes Alman [172]
Composed By – William Byrd Instrument Builder [Virginal 1642] – Thomas White (24) Virginal – Christopher Hogwood |
3:11 | |
20-3 | In Nomine [37] | 3:19 | |
20-4 | Fantasia [108] | 4:50 | |
20-5 | Pavana "Pagget" And Galliarda [74 & 75]
Composed By – Peter Philips Instrument Builder [Italian Spinet 1568] – Marco Jadra Spinet – Christopher Hogwood |
9:01 | |
20-6 | Pavana "Delight" And Galliards [277 & 278]
Composed By – William Byrd Composed By – Edward Johnson (10) Instrument Builder [Italian Spinet 1568] – Marco Jadra Spinet – Christopher Hogwood |
6:35 | |
20-7 | La Volta - Alman - Wolseys Wilde - Callino Casturame - La Volta [155-159]
Composed By – William Byrd Instrument Builder [Italian Spinet 1568] – Marco Jadra Spinet – Christopher Hogwood |
7:35 | |
20-8 | Pavan "Clement Cotton" [219]
Composed By – William Tisdale Instrument Builder [Italian Spinet 1568] – Marco Jadra Spinet – Christopher Hogwood |
2:46 | |
20-9 | Loth To Depart
Composed By – Giles Farnaby Instrument Builder [Italian Spinet 1568] – Marco Jadra Libretto By – William Congreve Spinet – Christopher Hogwood |
4:04 | |
8-2 | Hornpipe – Minuet – Air – Hornpipe |
4:15 | |
8-3 | Cynthia Frowns |
2:28 | |
8-4 | Minuet – Minuet – Air – Air |
4:35 | |
The Richmond Heiress Or A Woman Once In The Right Z608
Libretto By – Thomas d'Urfey |
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The Rival Sisters Or The Violence Of Love Z609
Libretto By – Robert Gould (4) |
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8-7 | Celia Has A Thousand Charms |
2:19 | |
8-8 | Take Not A Woman's Anger Ill |
1:20 | |
8-9 | How Happy, How Happy Is She |
1:33 | |
Henry The Second, King Of England Z580 | |||
Tyrannic Love Or The Royal Martyr Z613
Libretto By – John Dryden |
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8-12 | Ah! How Sweet It Is To Love |
4:23 | |
8-13 | Overture In G Minor Z772 |
3:13 | |
Theodosius Or The Force Of Love Z606
Libretto By – Nathaniel Lee (3) |
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8-15 | Can'st Thou, Marina |
2:51 | |
8-16 | The Gate To Bliss |
2:55 | |
8-17 | Hark! Hark! Behold The Heav'nly Choir |
2:45 | |
8-18 | Now The Fight's Done |
2:19 | |
8-19 | Sad As Death At Dead Of Night |
2:20 | |
8-20 | Dream No More Of Pleasures Past |
1:44 | |
8-21 | Hail To The Myrtle Shade |
2:35 | |
8-22 | Ah Cruel, Bloody Fate |
2:15 | |
The Libertine Or The Libertine Destroyed Z600
Libretto By – Thomas Shadwell |
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9-2 | We Come |
1:39 | |
9-3 | Prelude |
1:27 | |
9-4 | Prepare, Prepare, New Guests Draw Near |
4:38 | |
9-5 | To Arms, Heroic Prince |
3:17 | |
The Massacre Of Paris Z604
Libretto By – Nathaniel Lee (3) |
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Oedipus Z583 | |||
9-8 | Music For A While |
3:42 | |
9-9 | Come Away, Do Not Stay ... Laius! Hear, Hear |
2:22 | |
9-10 | Overture In D Minor Z771 |
2:48 | |
The History Of King Richard The Second (The Sicilian Usurper) Z581 | |||
Sir Barnaby Whigg Or No Wit Like A Woman's Z589
Libretto By – Thomas d'Urfey |
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Sophonisba Or Hannibal's Overthrow Z590
Libretto By – Nathaniel Lee (3) |
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The English Lawyer Z594
Libretto By – Edward Ravenscroft |
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A Fool's Preferment Or The Three Dukes Of Dunstable Z571 | |||
9-16 | Fled Is My Love ... 'Tis Death Alone ... I'll Mount To Yon Blue Coelum |
2:43 | |
9-17 | I'll Sail Upon The Dog-Star |
1:24 | |
9-18 | Jenny, 'Gin You Can Love |
2:12 | |
9-19 | If Thou Wilt Give Me Back My Love |
0:41 | |
The Indian Emperor Or The Conquest Of Mexico Z598 | |||
The Knight Of Malta Z599 | |||
A Dialogue Between Thirsis And Daphne Z525 | |||
The Wives' Excuse Or Cuckolds Make Themselves Z612 (1691, Thomas Southerne)
Libretto By – Thomas Southerne |
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9-24 | Hang This Whining Way Of Wooing |
1:26 | |
9-25 | Say, Cruel Amoret ... Corinna, I Excuse Thy Face |
2:31 | |
Cleomenes, The Spartan Hero Z576 | |||
The Marriage-Hater Match'd Z602
Libretto By – Thomas d'Urfey |
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Love Triumphant Or Nature Will Prevail Z582
Libretto By – Thomas d'Urfey |
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Love Triumphant Or Nature Will Prevail Z582
Libretto By – John Dryden |
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10-2 | There's Not A Swain Z587
Words By – John Fletcher (4) |
1:11 | |
The Female Virtuosos Z596 | |||
10-4 | Leave These Useless Arts Z579
Words By – Thomas Shadwell |
2:12 | |
The Maid's Last Prayer Or Any Rather Than Fail Z601
Libretto By – Thomas Southerne |
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10-6 | No, Resistance Is But Vain |
4:13 | |
10-7 | Tell Me No More |
1:57 | |
Aureng-Zebe Or The Great Mogul Z573
Libretto By – John Dryden |
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The Canterbury Guests Or A Bargain Broken Z591
Libretto By – Edward Ravenscroft |
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The Fatal Marriage Or The Innocent Adultery Z595
Libretto By – Thomas Southerne |
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10-11 | I Sigh'd And Owned My Love |
2:49 | |
The Spanish Fair Or The Double Discovery Z610
Libretto By – John Dryden |
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Pausianias, The Betrayer Of His Country Z585
Libretto By – Richard Norton (4) |
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10-14 | My Dearest, My Fairest |
2:36 | |
The Mock Marriage Z605
Libretto By – Thomas Scott (6) |
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Oroonoko Z584
Libretto By – Thomas Southerne |
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10-17 | Pavan No. 1 In A Major Z748 |
3:31 | |
10-18 | Pavan No. 2 In A Minor Z749 |
2:54 | |
10-19 | Pavan No. 3 In B Flat Major Z750 |
3:03 | |
10-20 | Pavan No. 4 In G Minor Z751 |
3:21 | |
10-21 | Pavan No. 4 In G Minor Z751 |
4:09 | |
10-22 | Pavan No. 5 In G Minor Z752 |
6:50 | |
10-23 | Trio Sonata For Violin, Bass Viol And Organ Z780 |
4:48 | |
12 Sonatas Of Three Parts, 1683 Z790-801 |
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11-1 | Sonata No. 1 In G Minor: Sonnata – Vivace – Adagio – Presto – Largo |
7:03 | |
11-2 | Sonata No. 2 In B Flat Major: Sonnata – Largo – Presto – Adagio – Vivace – Allegro |
5:43 | |
11-3 | Sonata No. 3 In D Minor: Sonnata – Adagio – Canzona – Adagio – Poco Largo – Allegro |
5:34 | |
11-4 | Sonata No. 4 In F Major: Sonnata – Canzona – Adagio – Poco Largo – Allegro |
5:15 | |
11-5 | Sonata No. 5 In A Minor: Sonnata – Adagio – Largo – Grave – Canzona – Adagio |
5:39 | |
11-6 | Sonata No. 6 In C Major: Sonnata – Canzona – Adagio – Largo – Allegro |
7:01 | |
11-7 | Sonata No. 7 In E Minor: Sonnata – Canzona – Largo – Grave – Canzona – Adagio |
7:12 | |
11-8 | Sonata No. 8 In G Major: Sonnata – Poco Largo – Allegro – Grace – Vivace |
5:19 | |
11-9 | Sonata No. 9 In C Minor: Sonnata – Largo – Canzona – Adagio – Allegro |
7:01 | |
11-10 | Sonata No. 10 In A Major: Sonnata – Largo – Grave – Presto |
4:11 | |
11-11 | Sonata No. 11 In F Minor: Sonnata – Canzona – Adagio – Lento |
5:22 | |
11-12 | Sonata No. 12 In D Major: Sonnata – Adagio – Canzona – Poco Largo – Grave – Presto – Allegro – Adagio |
5:20 | |
10 Sonatas In Four Parts Z802-811 |
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12-1 | Sonata No. 1 In B Minor: Adagio – Canzona (Allegro) – Largo – Vivace – Grave |
5:11 | |
12-2 | Sonata No. 2 In E Flat Major: Adagio – Canzona (Allegro) – Adagio – Largo – Allegro |
6:12 | |
12-3 | Sonata No. 3 In A Minor: Grave – Largo – Adagio – Canzona – Gigue – Grave |
6:10 | |
12-4 | Sonata No. 4 In D Minor: Adagio – Canzona – Adagio – Vivace – Largo |
6:40 | |
12-5 | Sonata No. 5 In G Minor: (Adagio) – Canzona – Largo – Adagio – Presto – Allegro – Adagio |
6:42 | |
12-6 | Sonata No. 6 In G Minor: Adagio |
6:22 | |
12-7 | Sonata No. 5 In G Minor: (Adagio) – Canzona – Largo – Adagio – Presto – Allegro – Adagio |
6:15 | |
12-8 | Sonata No. 8 In G Minor: Adagio – Canzona – Grave – Largo – Vivace |
6:17 | |
12-9 | Sonata No. 9 In F Major: (Allegro) – Adagio – Canzona (Allegro) – Grave – Allegro |
6:22 | |
12-10 | Sonata No. 10 In D Major: Adagio – Canzona (Allegro) – Grave – Allegro |
5:18 | |
Thomas Augustine Arne |
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13-1 | Overture No. 3 In G Major |
5:07 | |
13-2 | Overture No. 1 In E Minor |
8:05 | |
13-3 | Overture No. 2 In A Major |
6:18 | |
13-4 | Overture No. 4 In F Major |
7:11 | |
13-5 | Overture No. 5 In D Major |
7:08 | |
13-6 | Overture No. 6 In B Flat Major |
6:25 | |
13-7 | Overture No. 7 In D Major |
6:12 | |
13-8 | Overture No. 8 In G Minor |
9:05 | |
Sonata No. 1 In F Major |
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14-2 | 2. Adagio |
0:18 | |
14-3 | 3. Allegro |
3:21 | |
Sonata No. 2 In E Minor |
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14-5 | 2. Adagio |
1:33 | |
14-6 | 3. Allegrissimo |
1:42 | |
Sonata No. 5 In B Flat Major |
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14-8 | 2. Presto (Gavotta) |
3:39 | |
Sonata No. 6 In G Minor |
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14-10 | 2. Presto |
2:02 | |
Sonata No. 3 In G Minor |
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14-12 | 2. Allegro |
3:21 | |
14-13 | 3. Minuet (and Two Variations) |
3:47 | |
Sonata No. 4 In D Minor |
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14-15 | 2. Largo (Siciliano) |
1:56 | |
14-16 | 3. Fuga (Allegro) |
3:13 | |
14-17 | 4. Allegro (Jigg) |
3:04 | |
Sonata No. 7 In A Major |
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14-19 | 2. Andante |
3:36 | |
14-20 | 3. Allegro |
1:55 | |
Sonata No. 8 in G major |
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William Boyce |
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Symphony No. 1 In B Flat Major |
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15-2 | 2. Moderato E Dolce |
2:18 | |
15-3 | 3. Allegro |
1:59 | |
Symphony No. 2 In A Major |
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15-5 | 2. Vivace |
1:16 | |
15-6 | 3. Presto Allegro |
1:29 | |
Symphony No. 3 In C Major |
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15-8 | 2. Vivace |
1:33 | |
15-9 | 3. Tempo Di Minuetto |
1:19 | |
Symphony No. 4 In F Major |
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15-11 | 2. Vivace Ma Non Troppo |
1:42 | |
15-12 | 3. Gavot (Allegro) |
2:06 | |
Symphony No. 5 In D Major |
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15-14 | 2. Tempo Di Gavotta |
1:39 | |
15-15 | 3. Tempo Di Minuetto |
1:41 | |
Symphony No. 6 In F Major |
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15-17 | 2. Larghetto |
2:42 | |
Symphony No. 7 In B Flat Major |
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15-19 | 2. Moderato |
2:48 | |
15-20 | 3. Jigg (Allegro Assai) |
1:50 | |
Symphony No. 8 In D Minor |
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15-22 | 2. Largo Andante |
1:36 | |
15-23 | 3. Tempo Di Gavotta |
3:58 | |
William Byrd |
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My Ladye Nevells Booke
Composed By – William Byrd |
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16-2 | 2. Qui Passe: For My Ladye Nevell
Instrument Builder [Virginal 1973 (after Andreas Ruckers 1611)] – Richard Burnett (3) Instrument Builder [Virginal 1973 (after Andreas Ruckers 1611)] – Derek Adlam Virginal – Christopher Hogwood |
3:07 | |
16-3 | 3. The Marche Before The Battell
Instrument Builder [Virginal 1973 (after Andreas Ruckers 1611)] – Richard Burnett (3) Instrument Builder [Virginal 1973 (after Andreas Ruckers 1611)] – Derek Adlam Virginal – Christopher Hogwood |
3:28 | |
16-4 | 4. The Battell
Instrument Builder [Virginal 1973 (after Andreas Ruckers 1611)] – Richard Burnett (3) Instrument Builder [Virginal 1973 (after Andreas Ruckers 1611)] – Derek Adlam Virginal – Christopher Hogwood |
1:50 | |
16-5 | 5. The Galliarde For The Victorie
Instrument Builder [Virginal 1973 (after Andreas Ruckers 1611)] – Richard Burnett (3) Instrument Builder [Virginal 1973 (after Andreas Ruckers 1611)] – Derek Adlam Virginal – Christopher Hogwood |
1:50 | |
16-6 | 6. The Barleye Breake
Instrument Builder [Virginal 1973 (after Andreas Ruckers 1611)] – Richard Burnett (3) Instrument Builder [Virginal 1973 (after Andreas Ruckers 1611)] – Derek Adlam Virginal – Christopher Hogwood |
7:23 | |
16-7 | 7. A Galliards Gygge
Harpsichord [Italian Harpsichord] – Christopher Hogwood Instrument Builder [Italian Harpsichord 1970] – Rainer Schütze |
1:52 | |
16-8 | 8. The Huntes Upp
Harpsichord [Italian Harpsichord] – Christopher Hogwood Instrument Builder [Italian Harpsichord 1970] – Rainer Schütze |
6:22 | |
16-9 | 9. Ut Re Mi Fa Sol La
Instrument Builder [Chamber Organ 1972] – Peter Hindmarsh Organ [Chamber Organ] – Christopher Hogwood |
7:51 | |
16-10 | 10. The Firste Pavian
Instrument Builder [Virginal 1973 (after Andreas Ruckers 1611)] – Richard Burnett (3) Instrument Builder [Virginal 1973 (after Andreas Ruckers 1611)] – Derek Adlam Virginal – Christopher Hogwood |
4:11 | |
16-11 | 11. The Galliard To The Firste Pavian
Instrument Builder [Virginal 1973 (after Andreas Ruckers 1611)] – Richard Burnett (3) Instrument Builder [Virginal 1973 (after Andreas Ruckers 1611)] – Derek Adlam Virginal – Christopher Hogwood |
1:33 | |
16-12 | 12. The Seconde Pavian
Harpsichord [Italian Harpsichord] – Christopher Hogwood Instrument Builder [Italian Harpsichord 1970] – Rainer Schütze |
1:33 | |
16-13 | 13. The Galliarde To The Seconde Pavian
Harpsichord [Italian Harpsichord] – Christopher Hogwood Instrument Builder [Italian Harpsichord 1970] – Rainer Schütze |
2:12 | |
16-14 | 14. The Third Pavian
Harpsichord [Flemish Harpsichord] – Christopher Hogwood Instrument Builder [Flemish Harpsichord 1973 (after Andreas Ruckers 1638)] – Richard Burnett (3) Instrument Builder [Flemish Harpsichord 1973 (after Andreas Ruckers 1638)] – Derek Adlam |
1:40 | |
16-15 | 15. The Galliarde To The Third Pavian
Harpsichord [Flemish Harpsichord] – Christopher Hogwood Instrument Builder [Virginal 1973 (after Andreas Ruckers 1638)] – Richard Burnett (3) Instrument Builder [Virginal 1973 (after Andreas Ruckers 1638)] – Derek Adlam |
4:26 | |
16-16 | 16. The Fourth Pavian
Instrument Builder [Chamber Organ 1972] – Peter Hindmarsh Organ [Chamber Organ] – Christopher Hogwood |
2:22 | |
16-17 | 17. The Galliarde To The Fourth Pavian
Instrument Builder [Chamber Organ 1972] – Peter Hindmarsh Organ [Chamber Organ] – Christopher Hogwood |
1:51 | |
17-1 | 18. The Fifte Pavian
Harpsichord [Flemish Harpsichord] – Christopher Hogwood Instrument Builder [Flemish Harpsichord 1973 (after Andreas Ruckers 1638)] – Richard Burnett (3) Instrument Builder [Flemish Harpsichord 1973 (after Andreas Ruckers 1638)] – Derek Adlam |
4:46 | |
17-2 | 19. The Galliarde To The Fifte Pavian
Harpsichord [Flemish Harpsichord] – Christopher Hogwood Instrument Builder [Flemish Harpsichord 1973 (after Andreas Ruckers 1638)] – Richard Burnett (3) Instrument Builder [Flemish Harpsichord 1973 (after Andreas Ruckers 1638)] – Derek Adlam |
1:39 | |
17-3 | 20. Pavana The Sixte: Kinburgh Goodd
Harpsichord [Flemish Harpsichord] – Christopher Hogwood Instrument Builder [Flemish Harpsichord 1973 (after Andreas Ruckers 1638)] – Richard Burnett (3) Instrument Builder [Flemish Harpsichord 1973 (after Andreas Ruckers 1638)] – Derek Adlam |
4:32 | |
17-4 | 21. The Galliard To The Sixte Pavian
Harpsichord [Flemish Harpsichord] – Christopher Hogwood Instrument Builder [Flemish Harpsichord 1973 (after Andreas Ruckers 1638)] – Richard Burnett (3) Instrument Builder [Flemish Harpsichord 1973 (after Andreas Ruckers 1638)] – Derek Adlam |
1:27 | |
17-5 | 22. The Seventh Pavian
Instrument Builder [Chamber Organ 1972] – Peter Hindmarsh Organ [Chamber Organ] – Christopher Hogwood |
4:26 | |
17-6 | 23. The Eighte Pavian
Instrument Builder [Chamber Organ 1972] – Peter Hindmarsh Organ [Chamber Organ] – Christopher Hogwood |
4:28 | |
17-7 | 24. The Passinge Mesures: The Nynthe Pavian
Instrument Builder [Virginal 1973 (after Andreas Ruckers 1611)] – Richard Burnett (3) Instrument Builder [Virginal 1973 (after Andreas Ruckers 1611)] – Derek Adlam Virginal – Christopher Hogwood |
6:08 | |
17-8 | 25. The Galliarde To The Nynthe Pavian
Instrument Builder [Virginal 1973 (after Andreas Ruckers 1611)] – Richard Burnett (3) Instrument Builder [Virginal 1973 (after Andreas Ruckers 1611)] – Derek Adlam Virginal – Christopher Hogwood |
4:50 | |
17-9 | 26. A Voluntarie: For My Ladye Nevell
Harpsichord [Flemish Harpsichord] – Christopher Hogwood Instrument Builder [Flemish Harpsichord 1973 (after Andreas Ruckers 1638)] – Richard Burnett (3) Instrument Builder [Flemish Harpsichord 1973 (after Andreas Ruckers 1638)] – Derek Adlam |
5:19 | |
17-10 | 27. Will Yow Walke The Woods Soe Wylde
Instrument Builder [Virginal 1973 (after Andreas Ruckers 1611)] – Richard Burnett (3) Instrument Builder [Virginal 1973 (after Andreas Ruckers 1611)] – Derek Adlam Virginal – Christopher Hogwood |
3:18 | |
17-11 | 28. The Maidens Songe
Harpsichord [Italian Harpsichord] – Christopher Hogwood Instrument Builder [Italian Harpsichord 1970] – Rainer Schütze |
5:38 | |
17-12 | 29. A Lesson Of Voluntarie
Instrument Builder [Chamber Organ 1972] – Peter Hindmarsh Organ [Chamber Organ] – Christopher Hogwood |
7:34 | |
17-13 | 30. The Second Grownde
Harpsichord [Flemish Harpsichord] – Christopher Hogwood Instrument Builder [Flemish Harpsichord 1973 (after Andreas Ruckers 1638)] – Richard Burnett (3) Instrument Builder [Flemish Harpsichord 1973 (after Andreas Ruckers 1638)] – Derek Adlam |
8:31 | |
18-1 | 31. Have With Yow To Walsinghame
Harpsichord [Flemish Harpsichord] – Christopher Hogwood Instrument Builder [Flemish Harpsichord 1973 (after Andreas Ruckers 1638)] – Richard Burnett (3) Instrument Builder [Flemish Harpsichord 1973 (after Andreas Ruckers 1638)] – Derek Adlam |
8:28 | |
18-2 | 32. All In A Garden Grine
Harpsichord [Flemish Harpsichord] – Christopher Hogwood Instrument Builder [Flemish Harpsichord 1973 (after Andreas Ruckers 1638)] – Richard Burnett (3) Instrument Builder [Flemish Harpsichord 1973 (after Andreas Ruckers 1638)] – Derek Adlam |
5:05 | |
18-3 | 33. Lord Willobies Welcome Home
Instrument Builder [Virginal 1973 (after Andreas Ruckers 1611)] – Richard Burnett (3) Instrument Builder [Virginal 1973 (after Andreas Ruckers 1611)] – Derek Adlam Virginal – Christopher Hogwood |
2:28 | |
18-4 | 34. The Carmans Whistle
Harpsichord [Flemish Harpsichord] – Christopher Hogwood Instrument Builder [Flemish Harpsichord 1973 (after Andreas Ruckers 1638)] – Richard Burnett (3) Instrument Builder [Flemish Harpsichord 1973 (after Andreas Ruckers 1638)] – Derek Adlam |
4:01 | |
18-5 | 35. Hugh Ashtons Grownde
Harpsichord [Italian Harpsichord] – Christopher Hogwood Instrument Builder [Italian Harpsichord 1970] – Rainer Schütze |
7:18 | |
18-6 | 36. A Fancie
Harpsichord [Flemish Harpsichord] – Christopher Hogwood Instrument Builder [Flemish Harpsichord 1973 (after Andreas Ruckers 1638)] – Richard Burnett (3) Instrument Builder [Flemish Harpsichord 1973 (after Andreas Ruckers 1638)] – Derek Adlam |
4:58 | |
18-7 | 37. Sellingers Rownde
Instrument Builder [Virginal 1973 (after Andreas Ruckers 1611)] – Richard Burnett (3) Instrument Builder [Virginal 1973 (after Andreas Ruckers 1611)] – Derek Adlam Virginal – Christopher Hogwood |
5:38 | |
18-8 | 38. Munsers Almaine
Harpsichord [Italian Harpsichord] – Christopher Hogwood Instrument Builder [Italian Harpsichord 1970] – Rainer Schütze |
6:27 | |
18-9 | 39. The Tennthe Pavian: Mr. W. Peter
Harpsichord [Flemish Harpsichord] – Christopher Hogwood Instrument Builder [Flemish Harpsichord 1973 (after Andreas Ruckers 1638)] – Richard Burnett (3) Instrument Builder [Flemish Harpsichord 1973 (after Andreas Ruckers 1638)] – Derek Adlam |
5:32 | |
18-10 | 40. The Galliarde To The Tenth Pavian
Harpsichord [Flemish Harpsichord] – Christopher Hogwood Instrument Builder [Flemish Harpsichord 1973 (after Andreas Ruckers 1638)] – Richard Burnett (3) Instrument Builder [Flemish Harpsichord 1973 (after Andreas Ruckers 1638)] – Derek Adlam |
5:32 | |
18-11 | 41. A Fancie
Instrument Builder [Virginal 1973 (after Andreas Ruckers 1611)] – Richard Burnett (3) Instrument Builder [Virginal 1973 (after Andreas Ruckers 1611)] – Derek Adlam Virginal – Christopher Hogwood |
4:45 | |
18-12 | 42. A Voluntarie
Instrument Builder [Chamber Organ 1972] – Paul Hindmarsh Organ [Chamber Organ] – Christopher Hogwood |
3:56 | |
The Fitzwilliam Virginal Book (Selected Pieces) |
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19-1 | Fantasia [231] | 3:26 | |
19-2 | The Flatt Pavan [284] | 4:45 | |
Can Shee / Alman / The Irishe Dumpe / Watkins Ale / A Gigg | 5:24 | ||
19-3.2 | Alman | ||
19-3.3 | The Irishe Dumpe [179] | ||
19-3.4 | Watkins Ale [180] | ||
19-3.5 | A Gigg [181]
Composed By – William Byrd Instrument Builder [Spinet 1568] – Marco Jadra Spinet – Christopher Hogwood |
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19-4 | The Leaves Bee Greene [251] | 3:36 | |
19-5 | Amarilli di Julio Romano | 3:56 | |
19-6 | Galiarda Passamezzo | 5:13 | |
Alman / The Primerose / The Fall Of The Leafe
Composed By – Martin Peerson Instrument Builder [Virginal 1642] – Thomas White (24) Virginal – Christopher Hogwood |
4:54 | ||
19-7.2 | The Primerose [271] |
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19-7.3 | The Fall Of The Leafe [272] |
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Tower Hill / A Masque / A Toye
Composed By – Giles Farnaby Instrument Builder [Virginal 1642] – Thomas White (24) Virginal – Christopher Hogwood |
5:09 | ||
19-8.2 | A Masque [198] |
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19-8.3 | A Toye [270] |
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19-9 | Pavana [85] | 3:47 | |
19-10 | Galliardo [87] | 1:29 | |
19-11 | Robin [15]
Composed By – John Munday Instrument Builder [Virginal 1642] – Thomas White (24) Virginal – Christopher Hogwood |
2:56 | |
19-12 | Nowel's Galliard [244]
Composed By – Anonymous Instrument Builder [Virginal 1642] – Thomas White (24) Virginal – Christopher Hogwood |
1:14 | |
19-13 | Giles Farnaby's Dreame [194] - His Rest [195] Farnaby's Conceit [273] - His Humour [196]
Composed By – Giles Farnaby Instrument Builder [Virginal 1642] – Thomas White (24) Virginal – Christopher Hogwood |
6:34 | |
20-1 | Jhon Come Kisse Me Now [10]
Composed By – William Byrd Instrument Builder [Virginal 1642] – Thomas White (24) Virginal – Christopher Hogwood |
6:12 | |
20-2 | The Queenes Alman [172]
Composed By – William Byrd Instrument Builder [Virginal 1642] – Thomas White (24) Virginal – Christopher Hogwood |
3:11 | |
20-3 | In Nomine [37] | 3:19 | |
20-4 | Fantasia [108] | 4:50 | |
20-5 | Pavana "Pagget" And Galliarda [74 & 75]
Composed By – Peter Philips Instrument Builder [Italian Spinet 1568] – Marco Jadra Spinet – Christopher Hogwood |
9:01 | |
20-6 | Pavana "Delight" And Galliards [277 & 278]
Composed By – William Byrd Composed By – Edward Johnson (10) Instrument Builder [Italian Spinet 1568] – Marco Jadra Spinet – Christopher Hogwood |
6:35 | |
20-7 | La Volta - Alman - Wolseys Wilde - Callino Casturame - La Volta [155-159]
Composed By – William Byrd Instrument Builder [Italian Spinet 1568] – Marco Jadra Spinet – Christopher Hogwood |
7:35 | |
20-8 | Pavan "Clement Cotton" [219]
Composed By – William Tisdale Instrument Builder [Italian Spinet 1568] – Marco Jadra Spinet – Christopher Hogwood |
2:46 | |
20-9 | Loth To Depart
Composed By – Giles Farnaby Instrument Builder [Italian Spinet 1568] – Marco Jadra Spinet – Christopher Hogwood |
4:04 |
Участники записи:
- Alto Vocals – David Lowe (2)
- Alto Vocals – Paul Tindall
- Alto Vocals – James Oxley
- Alto Vocals tracks 3-1 to 3-34 – David Lowe (2)
- Alto Vocals tracks 3-1 to 3-34 – Paul Tindall
- Alto Vocals tracks 3-1 to 3-34 – James Oxley
- Archlute – Paul O'Dette
- Archlute – Tom Finucane
- Archlute tracks 1-1 to 1-24 – Paul O'Dette
- Archlute tracks 3-1 to 3-34 – Tom Finucane
- Baritone Vocals – Gerald Finley
- Baritone Vocals tracks 4-1 to 4-34 – Gerald Finley
- Bass Viol – Mark Caudle
- Bass Viol – Christophe Coin
- Bass Viol tracks 11-1 to 12-10 – Christophe Coin
- Bass Viol tracks 3-1 to 3-34 – Mark Caudle
- Bass Violin – Jennifer Ward Clarke
- Bass Violin – Katherine Sharman
- Bass Violin – Helen Gough
- Bass Violin – Marilyn Sansom
- Bass Violin – Susan Sheppard
- Bass Violin – Angela East
- Bass Violin – Richard Campbell
- Bass Violin tracks 1-1 to 1-24 – Helen Gough
- Bass Violin tracks 1-1 to 1-24 – Marilyn Sansom
- Bass Violin tracks 1-1 to 1-24 – Susan Sheppard
- Bass Violin tracks 1-1 to 1-24, 3-1 to 3-34 – Katherine Sharman
- Bass Violin tracks 1-1 to 1-24, 3-1 to 3-34 – Richard Campbell
- Bass Violin tracks 3-1 to 3-34 – Jennifer Ward Clarke
- Bass Violin tracks 3-1 to 3-34 – Susan Sheppard
- Bass Violin tracks 3-1 to 3-34 – Angela East
- Bass Vocals – Philip Lawson
- Bass Vocals – David Thomas (9)
- Bass Vocals – Simon Birchall
- Bass Vocals – Thomas Guthrie
- Bass Vocals – Stephen Alder
- Bass Vocals – Michael George (3)
- Bass Vocals – Geoffrey Shaw
- Bass Vocals – Christopher Keyte
- Bass Vocals tracks 3-1 to 3-34 – Philip Lawson
- Bass Vocals tracks 3-1 to 3-34 – Simon Birchall
- Bass Vocals tracks 3-1 to 3-34 – Thomas Guthrie
- Bass Vocals tracks 3-1 to 3-34 – Stephen Alder
- Bass Vocals tracks 3-1 to 4-34, 7-2 to 7-6, 8-5, 8-11, 8-14, 4,15, 8-17, 8-19, 9-2, 9-4, 9-6, 9-7, 9-9, 9-12, 9-21, 9-22, 9-28, 10-4, 10-9 – David Thomas (9)
- Bass Vocals tracks 5-18, 6-5, 6-6, 6-9, 6-12, 6-13, 6-16, 6-24, 7-16 – Christopher Keyte
- Bass Vocals tracks 9-21 – Michael George (3)
- Bass Vocals tracks 9-21 – Geoffrey Shaw
- Cello, Viola da Gamba – Laurence Dreyfus
- Cello, Viola da Gamba tracks 1-1 to 1-24 – Laurence Dreyfus
- Choir – The Academy Of Ancient Music Chorus
- Choir – Taverner Choir
- Choir tracks 3-1 to 3-34 – The Academy Of Ancient Music Chorus
- Choir tracks 6-5, 6-7, 6-10, 6-12 to 6-15 – Taverner Choir
- Chorus Master [Chorus Director] – Andrew Parrott
- Chorus Master [Chorus Director] tracks 6-5, 6-7, 6-10, 6-12 to 6-15 – Andrew Parrott
- Composed By – Henry Purcell
- Composed By – Daniel Purcell
- Composed By – William Boyce
- Composed By – Thomas Arne
- Composed By tracks 1 to 14, 16 to 28 – Daniel Purcell
- Composed By tracks 1-1 to 4-14, 4-16 to 4-28, 5-1 to 12-10 – Henry Purcell
- Composed By tracks 13-1 to 14-21 – Thomas Arne
- Composed By tracks 15-1 to 15-23 – William Boyce
- Conductor [Direction] – Christopher Hogwood
- Countertenor Vocals – Michael Chance
- Countertenor Vocals – Tommy Williams (11)
- Countertenor Vocals – James Bowman (2)
- Countertenor Vocals tracks 3-1 to 3-34 – Michael Chance
- Countertenor Vocals tracks 4-1 to 4-34 – Tommy Williams (11)
- Countertenor Vocals tracks 6-5, 6-9, 6-13, 6-15, 7-2, 8-14, 8-15, 8-17, 8-20, 8-21, 9-2, 9-4, 9-7 to 9-9 – James Bowman (2)
- Edited By [Recording Editor] – Ian Watson (3)
- Edited By [Recording Editor] tracks 11-1 to 11-12 – Ian Watson (3)
- Edited By [Tape Editor] – Jean Van Vugt
- Edited By [Tape Editor] – Timothy Bull
- Edited By [Tape Editor] tracks 1-1 to 1-24 – Jean Van Vugt
- Edited By [Tape Editor] tracks 15-1 to 15-23 – Timothy Bull
- Engineer – Iain Churches
- Engineer – John Pellowe
- Engineer – Stanley Goodall
- Engineer – Jonathan Stokes
- Engineer tracks 16-1 to 18-12 – Iain Churches
- Engineer tracks 2-1 to 2-16. 5-1 to 10-23, 12-1 to 12-10 – John Pellowe
- Engineer tracks 3-1 to 3-34 – Stanley Goodall
- Engineer tracks 3-1 to 3-34, 11-1 to 11-6, 15-1 to 15-23 – Jonathan Stokes
- Engineer [Balance Engineer] – Tryggvi Tryggvason
- Engineer [Balance Engineer] tracks 14-1 to 14-21 – Tryggvi Tryggvason
- Engineer [Recording Editor] – Timothy Bull
- Engineer [Recording Editor] tracks 4-1 to 4-34 – Timothy Bull
- Engineer [Recording Engineer] – Michael Mailes
- Engineer [Recording Engineer] – Philip Wade
- Engineer [Recording Engineer] – Andrew Groves
- Engineer [Recording Engineer] – John Dunkerley
- Engineer [Recording Engineer] – Willem Van Leeuwen
- Engineer [Recording Engineer] – Everett Porter
- Engineer [Recording Engineer] tracks 1-1 to 1-24 – Willem Van Leeuwen
- Engineer [Recording Engineer] tracks 1-1 to 1-24 – Everett Porter
- Engineer [Recording Engineer] tracks 11-1 to 11-6 – Andrew Groves
- Engineer [Recording Engineer] tracks 11-7 to 11-12 – Michael Mailes
- Engineer [Recording Engineer] tracks 4-1 to 10-23, 16-1 to 18-12 – John Dunkerley
- Engineer [Recording Engineer] tracks 4-1 to 4-34 – Andrew Groves
- Engineer [Recording Engineer] tracks 5-1 to 10-23, 16-1 to 20-9 – Philip Wade
- Engineer [Sound Engineer] – Colin Moorfoot
- Engineer [Sound Engineer] tracks 13-1 to 14-21 – Colin Moorfoot
- Executive-Producer – Raymond Ware
- Executive-Producer tracks 13-1 to 13-8 – Raymond Ware
- Guitar – Tom Finucane
- Guitar – David Miller (7)
- Guitar tracks 3-1 to 3-34 – Tom Finucane
- Guitar tracks 3-1 to 3-34 – David Miller (7)
- Harpsichord – Christopher Hogwood
- Harpsichord – Nicholas Parle
- Harpsichord – Alastair Ross
- Harpsichord – James Johnstone (3)
- Harpsichord tracks 1-1 to 1-24 – James Johnstone (3)
- Harpsichord tracks 1-1 to 1-24, 13-1 to 14-21 – Christopher Hogwood
- Harpsichord tracks 3-1 to 3-34 – Nicholas Parle
- Harpsichord tracks 3-1 to 3-34 – Alastair Ross
- Libretto By – Nahum Tate
- Libretto By tracks 3-1 to 3-34 – Nahum Tate
- Liner Notes – Massimo Rolando Zegna
- Liner Notes [English Translation] – Kenneth Chalmers
- Lute – Anthony Rooley
- Orchestra – The Academy Of Ancient Music
- Organ – Christopher Hogwood
- Organ tracks 1-1 to 2-16, 19-1 to 20-9 – Christopher Hogwood
- Organ [Chamber Organ] – Christopher Hogwood
- Organ [Chamber Organ] tracks 11-1 to 12-10 – Christopher Hogwood
- Producer – Morten Winding
- Producer tracks 12-1 to 12-10 – Morten Winding
- Producer [Recording Producer] – Chris Sayers
- Producer [Recording Producer] – Peter Wadland
- Producer [Recording Producer] tracks 2-1 to 2-16, 5-1 to 10-23, 13-1 to 13-8, 16-1 to 20-9 – Peter Wadland
- Producer [Recording Producer] tracks 3-1 to 4-34, 11-1 to 11-12, 15-1 to 15-23 – Chris Sayers
- Producer [Recording Producer], Engineer [Balancer Engineer] – Wilhelm Hellweg
- Producer [Recording Producer], Engineer [Balancer Engineer] tracks 1-1 to 1-24 – Wilhelm Hellweg
- Soprano Vocals – Emma Kirkby
- Soprano Vocals – Joy Roberts
- Soprano Vocals – Prudence Lloyd
- Soprano Vocals – Elizabeth Lane
- Soprano Vocals – Catherine Bott
- Soprano Vocals – Helen Parker
- Soprano Vocals – Julianne Baird
- Soprano Vocals – Elisabeth Priday
- Soprano Vocals – Judith Nelson
- Soprano Vocals – Deborah Roberts
- Soprano Vocals – Sylvia McNair
- Soprano Vocals – Sara Stowe
- Soprano Vocals – Frances Cooke
- Soprano Vocals – Ruth Dean
- Soprano Vocals – Ghislaine Morgan
- Soprano Vocals – Libby Crabtree
- Soprano Vocals tracks 1-1 to 1-24 – Sylvia McNair
- Soprano Vocals tracks 2-1 to 2-16, 3-1 to 4-34, 7-5 to 7-9, 8-10, 8-16, 9-20, 9-22, 9-24, 9-26, 9-28, 10-3, 10-4, 10-6, 10-9, 10-10, 10-11, 10-16 – Emma Kirkby
- Soprano Vocals tracks 3-1 to 3-34 – Julianne Baird
- Soprano Vocals tracks 3-1 to 3-34 – Elisabeth Priday
- Soprano Vocals tracks 3-1 to 3-34 – Deborah Roberts
- Soprano Vocals tracks 3-1 to 3-34 – Sara Stowe
- Soprano Vocals tracks 3-1 to 3-34 – Frances Cooke
- Soprano Vocals tracks 3-1 to 3-34 – Ruth Dean
- Soprano Vocals tracks 3-1 to 3-34 – Ghislaine Morgan
- Soprano Vocals tracks 3-1 to 4-34 – Catherine Bott
- Soprano Vocals tracks 4-1 to 4-34 – Helen Parker
- Soprano Vocals tracks 4-1 to 4-34 – Libby Crabtree
- Soprano Vocals tracks 5-17 to 5-19, 6-11, 6-24, 7-5, 7-14, 7-16, 8-3, 8-5, 8-7, 8-9, 8-11, 8-12, 8-16 to 8-22, 9-1, 9-2, 9-4 to 9-6, 9-11, 9-13, 9-18, 9-27, 10-1, 10-3, 10-5, 10-6, 10-8, 10-9, 10-12 to 10-16 – Judith Nelson
- Soprano Vocals tracks 5-4, 5-12 – Joy Roberts
- Soprano Vocals tracks 6-5, 6-7, 6-15 – Elizabeth Lane
- Soprano Vocals tracks 6-7 – Prudence Lloyd
- Spinet – Christopher Hogwood
- Spinet tracks 2-1 to 2-16, 12-1 to 12-10 – Christopher Hogwood
- Tenor Vocals – Paul Elliott
- Tenor Vocals – Alan Byers
- Tenor Vocals – Rogers Covey-Crump
- Tenor Vocals – John Mark Ainsley
- Tenor Vocals – Julian Podger
- Tenor Vocals – Julian Pike
- Tenor Vocals – Martyn Hill
- Tenor Vocals – Simon Berridge
- Tenor Vocals – Peter Bamber
- Tenor Vocals tracks 10-9 – Julian Pike
- Tenor Vocals tracks 3-1 to 4-34 – John Mark Ainsley
- Tenor Vocals tracks 4-1 to 4-34 – Julian Podger
- Tenor Vocals tracks 4-1 to 4-34 – Simon Berridge
- Tenor Vocals tracks 6-4, 9-14 – Paul Elliott
- Tenor Vocals tracks 6-4, 9-14 – Alan Byers
- Tenor Vocals tracks 6-4, 9-14 – Peter Bamber
- Tenor Vocals tracks 6-5, 6-8, 6-10, 6-13, 6-14, 6-22, 7-7, 7-12, 8-8, 8-14, 8-15, 8-17, 9-2, 9-4, 9-7, 9-9 – Martyn Hill
- Tenor Vocals tracks 9-12, 9-15 to 9-19, 9-23, 9-25, 9-28, 10-2, 10-7, 10-12, 10-14 – Rogers Covey-Crump
- Theorbo – David Miller (7)
- Theorbo tracks 3-1 to 3-34 – David Miller (7)
- Trumpet – Crispian Steele-Perkins
- Trumpet tracks 1-1 to 1-24 – Crispian Steele-Perkins
- Viol – Richard Campbell
- Viol tracks 2-1 to 2-16 – Richard Campbell
- Viola – Colin Kitching
- Viola – Martin Kelly (3)
- Viola – Leon King (2)
- Viola – Trevor Jones (4)
- Viola – Lisa Cochrane
- Viola – Nicola Akeroyd
- Viola – Peter Collyer
- Viola – Jane Rogers (2)
- Viola tracks 1-1 to 1-24 – Leon King (2)
- Viola tracks 1-1 to 1-24 – Trevor Jones (4)
- Viola tracks 1-1 to 1-24 – Nicola Akeroyd
- Viola tracks 1-1 to 1-24 – Jane Rogers (2)
- Viola tracks 3-1 to 3-34 – Colin Kitching
- Viola tracks 3-1 to 3-34 – Martin Kelly (3)
- Viola tracks 3-1 to 3-34 – Lisa Cochrane
- Viola tracks 3-1 to 3-34 – Nicola Akeroyd
- Viola tracks 3-1 to 3-34 – Peter Collyer
- Violin – Catherine Mackintosh
- Violin – Pavlo Beznosiuk
- Violin – Rachel Podger
- Violin – Monica Huggett
- Violin tracks 11-1 to 11-12 – Pavlo Beznosiuk
- Violin tracks 11-1 to 11-12 – Rachel Podger
- Violin tracks 12-1 to 12-10 – Monica Huggett
- Violin tracks 2-1 to 2-16, 12-1 to 12-10 – Catherine Mackintosh
- Violin [1] – Pauline Nobes
- Violin [1] – Helen Orsler
- Violin [1] – Brian Smith (12)
- Violin [1] – Simon Standage
- Violin [1] – Emilia Benjamin
- Violin [1] – Clare Salaman
- Violin [1] – Pierre Joubert
- Violin [1] – Ellen O'Dell
- Violin [1] – Susie Carpenter-Jacobs
- Violin [1] – Desmond Heath
- Violin [1] – Iona Davies
- Violin [1] tracks 1-1 to 1-24 – Clare Salaman
- Violin [1] tracks 1-1 to 1-24 – Pierre Joubert
- Violin [1] tracks 1-1 to 1-24 – Ellen O'Dell
- Violin [1] tracks 1-1 to 1-24 – Susie Carpenter-Jacobs
- Violin [1] tracks 1-1 to 1-24, 3-1 to 3-34 – Brian Smith (12)
- Violin [1] tracks 1-1 to 1-24, 3-1 to 3-34 – Simon Standage
- Violin [1] tracks 3-1 to 3-34 – Pauline Nobes
- Violin [1] tracks 3-1 to 3-34 – Helen Orsler
- Violin [1] tracks 3-1 to 3-34 – Emilia Benjamin
- Violin [1] tracks 3-1 to 3-34 – Desmond Heath
- Violin [1] tracks 3-1 to 3-34 – Iona Davies
- Violin [2] – Ann Monnington
- Violin [2] – Garry Clarke (2)
- Violin [2] – Fiona Duncan
- Violin [2] – William Thorp
- Violin [2] – Joanna Parker
- Violin [2] – Simon Jones (10)
- Violin [2] – Marie Knight (2)
- Violin [2] – Jonathan Kahan
- Violin [2] tracks 1-1 to 1-24 – Joanna Parker
- Violin [2] tracks 1-1 to 1-24, 3-1 to 3-34 – Ann Monnington
- Violin [2] tracks 1-1 to 1-24, 3-1 to 3-34 – Garry Clarke (2)
- Violin [2] tracks 1-1 to 1-24, 3-1 to 3-34 – Simon Jones (10)
- Violin [2] tracks 1-1 to 1-24, 3-1 to 3-34 – Marie Knight (2)
- Violin [2] tracks 3-1 to 3-34 – Garry Clarke (2)
- Violin [2] tracks 3-1 to 3-34 – Fiona Duncan
- Violin [2] tracks 3-1 to 3-34 – William Thorp
- Violin [2] tracks 3-1 to 3-34 – Jonathan Kahan
- Vocals – Daniel Lochmann
- Vocals tracks 3-1 to 3-34 – Daniel Lochmann
Лейблы и идентификаторы:
- Barcode Printed: 0 28948 23259 8
- Barcode Scanned: 028948232598
- Matrix / Runout CD1: 483260 12 A00 Sony DADC [Universal logo]
- Mastering SID Code CD1, CD2, CD3, CD5, CD6, CD7, CD10, CD12, CD16, CD17, Cd18: IFPI L552
- Mould SID Code CD1: IFPI 94KB
- Matrix / Runout CD2: 4823261 13 A00
- Matrix / Runout CD5: 4823264 12 A00 Sony DADC [Universal logo]
- Mould SID Code CD5, CD7, CD14: IFPI 94K1
- Matrix / Runout CD6: 4823265 12 A00 Sony DADC [Universal logo]
- Mould SID Code CD2, CD4, CD6, CD9, CD13, CD18, CD20: IFPI 946P
- Matrix / Runout CD3: 4823262 12 A00 Sony DADC
- Mastering SID Code CD3, CD15, CD19: IFPI 94K2
- Matrix / Runout CD4: 4823263 13 A00 Sony DADC [Universal logo]
- Matrix / Runout CD7: 4823266 12 A00 Sony DADC [Universal logo]
- Mastering SID Code CD4, CD7, CD11: IFPI L553
- Mould SID Code CD7, CD16: IFPI 942L
- Matrix / Runout CD8: 4823267 12 A00 Sony DADC [Universal logo]
- Matrix / Runout CD9: 4823268 21 A00 Sony DADC [Universal logo]
- Mastering SID Code CD9: IFPI L551
- Matrix / Runout CD10: 4823268 21 A00 Sony DADC [Universal logo]
- Mould SID Code CD10, CD11: IFPI 94K4
- Matrix / Runout CD11: 4823270 13 A00 Sony DADC [Universal logo]
- Matrix / Runout CD12: 4823271 12 A00 Sony DADC [Universal logo]
- Mould SID Code CD12, CD17: IFPI 94KA
- Matrix / Runout CD13: 4823272 15 A00 Sony DADC [Universal logo]
- Mastering SID Code CD13, CD14, CD15, CD19, CD20: IFPI L555
- Matrix / Runout CD14: 4823473 15 A00 Sony DADC [Universal logo]
- Matrix / Runout CD15: 4823274 15 A00 Sony DADC [Universal logo]
- Matrix / Runout CD16: 4823275 22 A00 Sony DADC [Universal logo]
- Matrix / Runout CD17: 4823276 12 A00 Sony DADC [Universal logo]
- Matrix / Runout CD18: 4823277 12 A00 Sony DADC [Universal logo]
- Matrix / Runout CD19: 4823418 15 A00 Sony DADC [Universal logo]
- Matrix / Runout CD20: 4823419 15 A00 Sony DADC [Universal logo]
- SPARS Code : ADD
- SPARS Code : DDD
Компании:
- Copyright (c) – Universal Music Italia
- Made By – Sony DADC
- Phonographic Copyright (p) – Universal Music Italia
- Phonographic Copyright (p) – Decca Music Group Limited
- Published By – Oxford University Press
- Recorded At – Christ Church, Chelsea
- Recorded At – Ham House
- Recorded At – Fitzwilliam Museum
- Recorded At – Walthamstow Assembly Hall
- Recorded At – Knole House
- Recorded At – Wren Chapel, Emmanuel College, Cambridge
- Recorded At – All Saints Church Petersham
- Recorded At – Church Of St. George The Martyr, Queen Square, London
- Recorded At – St. John's, Smith Square
- Recorded At – Kingsway Hall
- Recorded At – Forde Abbey
Участники записи:
- Alto Vocals – David Lowe (2)
- Alto Vocals – Paul Tindall
- Alto Vocals – James Oxley
- Alto Vocals tracks 3-1 to 3-34 – David Lowe (2)
- Alto Vocals tracks 3-1 to 3-34 – Paul Tindall
- Alto Vocals tracks 3-1 to 3-34 – James Oxley
- Archlute – Paul O'Dette
- Archlute – Tom Finucane
- Archlute tracks 1-1 to 1-24 – Paul O'Dette
- Archlute tracks 3-1 to 3-34 – Tom Finucane
- Baritone Vocals – Gerald Finley
- Baritone Vocals tracks 4-1 to 4-34 – Gerald Finley
- Bass Viol – Mark Caudle
- Bass Viol – Christophe Coin
- Bass Viol tracks 11-1 to 12-10 – Christophe Coin
- Bass Viol tracks 3-1 to 3-34 – Mark Caudle
- Bass Violin – Jennifer Ward Clarke
- Bass Violin – Katherine Sharman
- Bass Violin – Helen Gough
- Bass Violin – Marilyn Sansom
- Bass Violin – Susan Sheppard
- Bass Violin – Angela East
- Bass Violin – Richard Campbell
- Bass Violin tracks 1-1 to 1-24 – Helen Gough
- Bass Violin tracks 1-1 to 1-24 – Marilyn Sansom
- Bass Violin tracks 1-1 to 1-24 – Susan Sheppard
- Bass Violin tracks 1-1 to 1-24, 3-1 to 3-34 – Katherine Sharman
- Bass Violin tracks 1-1 to 1-24, 3-1 to 3-34 – Richard Campbell
- Bass Violin tracks 3-1 to 3-34 – Jennifer Ward Clarke
- Bass Violin tracks 3-1 to 3-34 – Susan Sheppard
- Bass Violin tracks 3-1 to 3-34 – Angela East
- Bass Vocals – Philip Lawson
- Bass Vocals – David Thomas (9)
- Bass Vocals – Simon Birchall
- Bass Vocals – Thomas Guthrie
- Bass Vocals – Stephen Alder
- Bass Vocals – Michael George (3)
- Bass Vocals – Geoffrey Shaw
- Bass Vocals – Christopher Keyte
- Bass Vocals tracks 3-1 to 3-34 – Philip Lawson
- Bass Vocals tracks 3-1 to 3-34 – Simon Birchall
- Bass Vocals tracks 3-1 to 3-34 – Thomas Guthrie
- Bass Vocals tracks 3-1 to 3-34 – Stephen Alder
- Bass Vocals tracks 3-1 to 4-34, 7-2 to 7-6, 8-5, 8-11, 8-14, 4,15, 8-17, 8-19, 9-2, 9-4, 9-6, 9-7, 9-9, 9-12, 9-21, 9-22, 9-28, 10-4, 10-9 – David Thomas (9)
- Bass Vocals tracks 5-18, 6-5, 6-6, 6-9, 6-12, 6-13, 6-16, 6-24, 7-16 – Christopher Keyte
- Bass Vocals tracks 9-21 – Michael George (3)
- Bass Vocals tracks 9-21 – Geoffrey Shaw
- Cello, Viola da Gamba – Laurence Dreyfus
- Cello, Viola da Gamba tracks 1-1 to 1-24 – Laurence Dreyfus
- Choir – The Academy Of Ancient Music Chorus
- Choir – Taverner Choir
- Choir tracks 3-1 to 3-34 – The Academy Of Ancient Music Chorus
- Choir tracks 6-5, 6-7, 6-10, 6-12 to 6-15 – Taverner Choir
- Chorus Master [Chorus Director] – Andrew Parrott
- Chorus Master [Chorus Director] tracks 6-5, 6-7, 6-10, 6-12 to 6-15 – Andrew Parrott
- Composed By – Henry Purcell
- Composed By – Daniel Purcell
- Composed By – William Boyce
- Composed By – Thomas Arne
- Composed By tracks 1 to 14, 16 to 28 – Daniel Purcell
- Composed By tracks 1-1 to 4-14, 4-16 to 4-28, 5-1 to 12-10 – Henry Purcell
- Composed By tracks 13-1 to 14-21 – Thomas Arne
- Composed By tracks 15-1 to 15-23 – William Boyce
- Conductor [Direction] – Christopher Hogwood
- Countertenor Vocals – Michael Chance
- Countertenor Vocals – Tommy Williams (11)
- Countertenor Vocals – James Bowman (2)
- Countertenor Vocals tracks 3-1 to 3-34 – Michael Chance
- Countertenor Vocals tracks 4-1 to 4-34 – Tommy Williams (11)
- Countertenor Vocals tracks 6-5, 6-9, 6-13, 6-15, 7-2, 8-14, 8-15, 8-17, 8-20, 8-21, 9-2, 9-4, 9-7 to 9-9 – James Bowman (2)
- Edited By [Recording Editor] – Ian Watson (3)
- Edited By [Recording Editor] tracks 11-1 to 11-12 – Ian Watson (3)
- Edited By [Tape Editor] – Jean Van Vugt
- Edited By [Tape Editor] – Timothy Bull
- Edited By [Tape Editor] tracks 1-1 to 1-24 – Jean Van Vugt
- Edited By [Tape Editor] tracks 15-1 to 15-23 – Timothy Bull
- Engineer – Iain Churches
- Engineer – John Pellowe
- Engineer – Stanley Goodall
- Engineer – Jonathan Stokes
- Engineer tracks 16-1 to 18-12 – Iain Churches
- Engineer tracks 2-1 to 2-16. 5-1 to 10-23, 12-1 to 12-10 – John Pellowe
- Engineer tracks 3-1 to 3-34 – Stanley Goodall
- Engineer tracks 3-1 to 3-34, 11-1 to 11-6, 15-1 to 15-23 – Jonathan Stokes
- Engineer [Balance Engineer] – Tryggvi Tryggvason
- Engineer [Balance Engineer] tracks 14-1 to 14-21 – Tryggvi Tryggvason
- Engineer [Recording Editor] – Timothy Bull
- Engineer [Recording Editor] tracks 4-1 to 4-34 – Timothy Bull
- Engineer [Recording Engineer] – Michael Mailes
- Engineer [Recording Engineer] – Philip Wade
- Engineer [Recording Engineer] – Andrew Groves
- Engineer [Recording Engineer] – John Dunkerley
- Engineer [Recording Engineer] – Willem Van Leeuwen
- Engineer [Recording Engineer] – Everett Porter
- Engineer [Recording Engineer] tracks 1-1 to 1-24 – Willem Van Leeuwen
- Engineer [Recording Engineer] tracks 1-1 to 1-24 – Everett Porter
- Engineer [Recording Engineer] tracks 11-1 to 11-6 – Andrew Groves
- Engineer [Recording Engineer] tracks 11-7 to 11-12 – Michael Mailes
- Engineer [Recording Engineer] tracks 4-1 to 10-23, 16-1 to 18-12 – John Dunkerley
- Engineer [Recording Engineer] tracks 4-1 to 4-34 – Andrew Groves
- Engineer [Recording Engineer] tracks 5-1 to 10-23, 16-1 to 20-9 – Philip Wade
- Engineer [Sound Engineer] – Colin Moorfoot
- Engineer [Sound Engineer] tracks 13-1 to 14-21 – Colin Moorfoot
- Executive-Producer – Raymond Ware
- Executive-Producer tracks 13-1 to 13-8 – Raymond Ware
- Guitar – Tom Finucane
- Guitar – David Miller (7)
- Guitar tracks 3-1 to 3-34 – Tom Finucane
- Guitar tracks 3-1 to 3-34 – David Miller (7)
- Harpsichord – Christopher Hogwood
- Harpsichord – Nicholas Parle
- Harpsichord – Alastair Ross
- Harpsichord – James Johnstone (3)
- Harpsichord tracks 1-1 to 1-24 – James Johnstone (3)
- Harpsichord tracks 1-1 to 1-24, 13-1 to 14-21 – Christopher Hogwood
- Harpsichord tracks 3-1 to 3-34 – Nicholas Parle
- Harpsichord tracks 3-1 to 3-34 – Alastair Ross
- Libretto By – Nahum Tate
- Libretto By tracks 3-1 to 3-34 – Nahum Tate
- Liner Notes – Massimo Rolando Zegna
- Liner Notes [English Translation] – Kenneth Chalmers
- Lute – Anthony Rooley
- Orchestra – The Academy Of Ancient Music
- Organ – Christopher Hogwood
- Organ tracks 1-1 to 2-16, 19-1 to 20-9 – Christopher Hogwood
- Organ [Chamber Organ] – Christopher Hogwood
- Organ [Chamber Organ] tracks 11-1 to 12-10 – Christopher Hogwood
- Producer – Morten Winding
- Producer tracks 12-1 to 12-10 – Morten Winding
- Producer [Recording Producer] – Chris Sayers
- Producer [Recording Producer] – Peter Wadland
- Producer [Recording Producer] tracks 2-1 to 2-16, 5-1 to 10-23, 13-1 to 13-8, 16-1 to 20-9 – Peter Wadland
- Producer [Recording Producer] tracks 3-1 to 4-34, 11-1 to 11-12, 15-1 to 15-23 – Chris Sayers
- Producer [Recording Producer], Engineer [Balancer Engineer] – Wilhelm Hellweg
- Producer [Recording Producer], Engineer [Balancer Engineer] tracks 1-1 to 1-24 – Wilhelm Hellweg
- Soprano Vocals – Emma Kirkby
- Soprano Vocals – Joy Roberts
- Soprano Vocals – Prudence Lloyd
- Soprano Vocals – Elizabeth Lane
- Soprano Vocals – Catherine Bott
- Soprano Vocals – Helen Parker
- Soprano Vocals – Julianne Baird
- Soprano Vocals – Elisabeth Priday
- Soprano Vocals – Judith Nelson
- Soprano Vocals – Deborah Roberts
- Soprano Vocals – Sylvia McNair
- Soprano Vocals – Sara Stowe
- Soprano Vocals – Frances Cooke
- Soprano Vocals – Ruth Dean
- Soprano Vocals – Ghislaine Morgan
- Soprano Vocals – Libby Crabtree
- Soprano Vocals tracks 1-1 to 1-24 – Sylvia McNair
- Soprano Vocals tracks 2-1 to 2-16, 3-1 to 4-34, 7-5 to 7-9, 8-10, 8-16, 9-20, 9-22, 9-24, 9-26, 9-28, 10-3, 10-4, 10-6, 10-9, 10-10, 10-11, 10-16 – Emma Kirkby
- Soprano Vocals tracks 3-1 to 3-34 – Julianne Baird
- Soprano Vocals tracks 3-1 to 3-34 – Elisabeth Priday
- Soprano Vocals tracks 3-1 to 3-34 – Deborah Roberts
- Soprano Vocals tracks 3-1 to 3-34 – Sara Stowe
- Soprano Vocals tracks 3-1 to 3-34 – Frances Cooke
- Soprano Vocals tracks 3-1 to 3-34 – Ruth Dean
- Soprano Vocals tracks 3-1 to 3-34 – Ghislaine Morgan
- Soprano Vocals tracks 3-1 to 4-34 – Catherine Bott
- Soprano Vocals tracks 4-1 to 4-34 – Helen Parker
- Soprano Vocals tracks 4-1 to 4-34 – Libby Crabtree
- Soprano Vocals tracks 5-17 to 5-19, 6-11, 6-24, 7-5, 7-14, 7-16, 8-3, 8-5, 8-7, 8-9, 8-11, 8-12, 8-16 to 8-22, 9-1, 9-2, 9-4 to 9-6, 9-11, 9-13, 9-18, 9-27, 10-1, 10-3, 10-5, 10-6, 10-8, 10-9, 10-12 to 10-16 – Judith Nelson
- Soprano Vocals tracks 5-4, 5-12 – Joy Roberts
- Soprano Vocals tracks 6-5, 6-7, 6-15 – Elizabeth Lane
- Soprano Vocals tracks 6-7 – Prudence Lloyd
- Spinet – Christopher Hogwood
- Spinet tracks 2-1 to 2-16, 12-1 to 12-10 – Christopher Hogwood
- Tenor Vocals – Paul Elliott
- Tenor Vocals – Alan Byers
- Tenor Vocals – Rogers Covey-Crump
- Tenor Vocals – John Mark Ainsley
- Tenor Vocals – Julian Podger
- Tenor Vocals – Julian Pike
- Tenor Vocals – Martyn Hill
- Tenor Vocals – Simon Berridge
- Tenor Vocals – Peter Bamber
- Tenor Vocals tracks 10-9 – Julian Pike
- Tenor Vocals tracks 3-1 to 4-34 – John Mark Ainsley
- Tenor Vocals tracks 4-1 to 4-34 – Julian Podger
- Tenor Vocals tracks 4-1 to 4-34 – Simon Berridge
- Tenor Vocals tracks 6-4, 9-14 – Paul Elliott
- Tenor Vocals tracks 6-4, 9-14 – Alan Byers
- Tenor Vocals tracks 6-4, 9-14 – Peter Bamber
- Tenor Vocals tracks 6-5, 6-8, 6-10, 6-13, 6-14, 6-22, 7-7, 7-12, 8-8, 8-14, 8-15, 8-17, 9-2, 9-4, 9-7, 9-9 – Martyn Hill
- Tenor Vocals tracks 9-12, 9-15 to 9-19, 9-23, 9-25, 9-28, 10-2, 10-7, 10-12, 10-14 – Rogers Covey-Crump
- Theorbo – David Miller (7)
- Theorbo tracks 3-1 to 3-34 – David Miller (7)
- Trumpet – Crispian Steele-Perkins
- Trumpet tracks 1-1 to 1-24 – Crispian Steele-Perkins
- Viol – Richard Campbell
- Viol tracks 2-1 to 2-16 – Richard Campbell
- Viola – Colin Kitching
- Viola – Martin Kelly (3)
- Viola – Leon King (2)
- Viola – Trevor Jones (4)
- Viola – Lisa Cochrane
- Viola – Nicola Akeroyd
- Viola – Peter Collyer
- Viola – Jane Rogers (2)
- Viola tracks 1-1 to 1-24 – Leon King (2)
- Viola tracks 1-1 to 1-24 – Trevor Jones (4)
- Viola tracks 1-1 to 1-24 – Nicola Akeroyd
- Viola tracks 1-1 to 1-24 – Jane Rogers (2)
- Viola tracks 3-1 to 3-34 – Colin Kitching
- Viola tracks 3-1 to 3-34 – Martin Kelly (3)
- Viola tracks 3-1 to 3-34 – Lisa Cochrane
- Viola tracks 3-1 to 3-34 – Nicola Akeroyd
- Viola tracks 3-1 to 3-34 – Peter Collyer
- Violin – Catherine Mackintosh
- Violin – Pavlo Beznosiuk
- Violin – Rachel Podger
- Violin – Monica Huggett
- Violin tracks 11-1 to 11-12 – Pavlo Beznosiuk
- Violin tracks 11-1 to 11-12 – Rachel Podger
- Violin tracks 12-1 to 12-10 – Monica Huggett
- Violin tracks 2-1 to 2-16, 12-1 to 12-10 – Catherine Mackintosh
- Violin [1] – Pauline Nobes
- Violin [1] – Helen Orsler
- Violin [1] – Brian Smith (12)
- Violin [1] – Simon Standage
- Violin [1] – Emilia Benjamin
- Violin [1] – Clare Salaman
- Violin [1] – Pierre Joubert
- Violin [1] – Ellen O'Dell
- Violin [1] – Susie Carpenter-Jacobs
- Violin [1] – Desmond Heath
- Violin [1] – Iona Davies
- Violin [1] tracks 1-1 to 1-24 – Clare Salaman
- Violin [1] tracks 1-1 to 1-24 – Pierre Joubert
- Violin [1] tracks 1-1 to 1-24 – Ellen O'Dell
- Violin [1] tracks 1-1 to 1-24 – Susie Carpenter-Jacobs
- Violin [1] tracks 1-1 to 1-24, 3-1 to 3-34 – Brian Smith (12)
- Violin [1] tracks 1-1 to 1-24, 3-1 to 3-34 – Simon Standage
- Violin [1] tracks 3-1 to 3-34 – Pauline Nobes
- Violin [1] tracks 3-1 to 3-34 – Helen Orsler
- Violin [1] tracks 3-1 to 3-34 – Emilia Benjamin
- Violin [1] tracks 3-1 to 3-34 – Desmond Heath
- Violin [1] tracks 3-1 to 3-34 – Iona Davies
- Violin [2] – Ann Monnington
- Violin [2] – Garry Clarke (2)
- Violin [2] – Fiona Duncan
- Violin [2] – William Thorp
- Violin [2] – Joanna Parker
- Violin [2] – Simon Jones (10)
- Violin [2] – Marie Knight (2)
- Violin [2] – Jonathan Kahan
- Violin [2] tracks 1-1 to 1-24 – Joanna Parker
- Violin [2] tracks 1-1 to 1-24, 3-1 to 3-34 – Ann Monnington
- Violin [2] tracks 1-1 to 1-24, 3-1 to 3-34 – Garry Clarke (2)
- Violin [2] tracks 1-1 to 1-24, 3-1 to 3-34 – Simon Jones (10)
- Violin [2] tracks 1-1 to 1-24, 3-1 to 3-34 – Marie Knight (2)
- Violin [2] tracks 3-1 to 3-34 – Garry Clarke (2)
- Violin [2] tracks 3-1 to 3-34 – Fiona Duncan
- Violin [2] tracks 3-1 to 3-34 – William Thorp
- Violin [2] tracks 3-1 to 3-34 – Jonathan Kahan
- Vocals – Daniel Lochmann
- Vocals tracks 3-1 to 3-34 – Daniel Lochmann