Various – Perceptual Audio Coders: What To Listen For
| Лейбл: | Audio Engineering Society – none |
| Формат: | CD |
| Страна: | US |
| Дата релиза: | 2002 |
| Жанр: | Non-Music |
| Стиль: | Field Recording, Special Effects, Speech, Technical |
Подробнее об участниках записи
Треклист:
| Section on Pre-Echo |
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| 1 | Castanets Original |
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| 2 | Castanets Coded |
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| Section on Aliasing |
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| 3 | Quartet Original |
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| 4 | Quartet With Aliasing Introduced |
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| 5 | Flute Uncoded |
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| 6 | Flute Coded With A Wavelet-filter Of Lenght 4 |
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| 7 | Flute Coded With A Wavelet-filter Of Lenght 40 |
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| Section on Birdies / Band limitations |
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| 8 | Glocken Original |
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| 9 | Glocken Lowpass-filtered at 12 kHz |
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| 10 | Glocken Lowpass-filtered at 8 kHz |
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| 11 | Glocken Lowpass-filtered at 4 kHz |
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| 12 | Funky Original |
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| 13 | Funky Lowpass-filtered at 12 kHz |
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| 14 | Funky Lowpass-filtered at 8 kHz |
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| 15 | Funky Lowpass-filtered at 4 kHz |
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| 16 | 440 Hz + 4 Harmonics |
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| 17 | 440 Hz Without 1320 Hz Tone |
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| 18 | 440 Hz With Time-varying 1320 Hz Tone |
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| 19 | Gilmour Original |
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| 20 | Gilmour Slightly Distorted Decoded Signal |
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| 21 | Gilmour Clearly Distorted Decoded Signal |
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| 22 | Gilmour Severed Distorted Decoded Signal |
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| 23 | Gilmour Original Bandlimited to 8 kHz |
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| 24 | Gilmour Almost Birdies-free |
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| 25 | Gilmour Slightly Worse Decoded Signal |
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| 26 | Gilmour Severely Distorted Signal |
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| Section on Speech Reverberation |
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| 27 | Male Speech Original |
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| 28 | 2048 Filter Bank Bands, Processed (0 dB) |
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| 29 | 2048 Filter Bank Bands, Processed (-3 dB) |
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| 30 | 2048 Filter Bank Bands, Processed (-6 dB) |
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| 31 | 2048 Filter Bank Bands, Processed (-9 dB) |
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| 32 | 1024 Filter Bank Bands, Processed (0 dB) |
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| 33 | 1024 Filter Bank Bands, Processed (-3 dB) |
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| 34 | 1024 Filter Bank Bands, Processed (-6 dB) |
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| 35 | 1024 Filter Bank Bands, Processed (-9 dB) |
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| 36 | 512 Filter Bank Bands, Processed (0 dB) |
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| 37 | 512 Filter Bank Bands, Processed (-3 dB) |
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| 38 | 512 Filter Bank Bands, Processed (-6 dB) |
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| 39 | 512 Filter Bank Bands, Processed (-9 dB) |
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| 40 | 256 Filter Bank Bands, Processed (0 dB) |
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| 41 | 256 Filter Bank Bands, Processed (-3 dB) |
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| 42 | 256 Filter Bank Bands, Processed (-6 dB) |
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| 43 | 256 Filter Bank Bands, Processed (-9 dB) |
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| 44 | Male Speech Original |
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| 45 | Coded with 1024 subbands |
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| Section on BMLD |
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| 46 | Probe In-phase, Probe Level 9 dB Below Masker |
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| 47 | Probe In-phase, Probe Level 6 dB Below Masker |
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| 48 | Probe Out-of-phase, Probe Level 9 dB Below Masker |
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| 49 | Probe Out-of-phase, Probe Level 6 dB Below Masker |
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| Section on Stereo-Imaging |
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| 50 | Original Stereo Applause Sound Excerpt |
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| 51 | Intensity Stereo Coded Starting From 6 kHz |
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| 52 | Intensity Stereo Coded Starting From 4 kHz |
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| 53 | Intensity Stereo Coded Starting From 2 kHz |
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| 54 | Intensity Stereo Coded Starting From 1 kHz |
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| Section on Tandem Coding |
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| 55 | Original Stereo Funky Sound Excerpt |
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| 56 | Encoded/Decoded, Generation #1 |
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| 57 | Encoded/Decoded, Generation #2 |
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| 58 | Encoded/Decoded, Generation #3 |
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| 59 | Encoded/Decoded, Generation #4 |
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| 60 | Encoded/Decoded, Generation #5 |
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| 61 | Encoded/Decoded, Generation #6 |
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| 62 | Encoded/Decoded, Generation #7 |
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| 63 | Encoded/Decoded, Generation #8 |
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| 64 | Encoded/Decoded, Generation #9 |
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| 65 | Encoded/Decoded, Generation #10 |
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| Section on Speech Coding |
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| 66 | Male Speech Original |
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| 67 | Male Speech Coded With 8 kHz Sample Rate |
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| 68 | Female Speech Original |
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| 69 | Female Speech Coded With 8 kHz Sample Rate |
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| 70 | Vocal Quartet Original |
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| 71 | Vocal Quartet Coded With 8 kHz Sample Rate |
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| 72 | Music A Original |
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| 73 | Music A Coded With 8 kHz Sample Rate |
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| 74 | Music + Speech Mixed, Original |
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| 75 | Music + Speech Mixed, Coded With 8 kHz Sample Rate |
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| 76 | Male Speech Original |
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| 77 | Male Speech Coded With 16 kHz Sample Rate |
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| 78 | Female Speech Original |
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| 79 | Female Speech Coded With 16 kHz Sample Rate |
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| 80 | Vocal Quartet Original |
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| 81 | Vocal Quartet Coded With 16 kHz Sample Rate |
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| 82 | Music A Original |
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| 83 | Music A Coded With 16 kHz Sample Rate |
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| 84 | Music + Speech Mixed, Original |
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| 85 | Music + Speech Mixed, Coded With 16 kHz Sample Rate |
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| Section on MPEG Filtering |
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| 86 | Female Speech Original |
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| 87 | Female Speech Bandpass Filtered In The MPEG Domain |
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| 88 | Female Speech Bandpass Filtered In The Time Domain |
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| 89 | Female Speech Bandpass Filtered Using Subband Scaling |
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| 90 | Female Speech Sampling Rate Conversion In The Time Domain |
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| 91 | Female Speech Sampling Rate Conversion In The MPEG Domain |
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| 92 | Gilmour Original |
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| 93 | Gilmour Bandpass Filtered In The MPEG Domain |
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| 94 | Gilmour Bandpass Filtered In The Time Domain |
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| 95 | Gilmour Bandpass Filtered Using Subband Scaling |
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| 96 | Gilmour Sampling Rate Conversion In The Time Domain |
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| 97 | Gilmour Sampling Rate Conversion In The MPEG Domain |
Участники записи:
- Editor – Markus Erne
- Layout [HTML] – Ruedi Doser
- Mastered By – René Zingg
- Performer – Brian Gilmour
Лейблы и идентификаторы:
Нет данных
Компании:
- Copyright (c) – Audio Engineering Society
- Copyright (c) – Mira Digital Publishing Inc.
- Mastered At – Soundville Recording Studios, Luzern
Участники записи:
- Editor – Markus Erne
- Layout [HTML] – Ruedi Doser
- Mastered By – René Zingg
- Performer – Brian Gilmour
