Hans Werner Henze – The Complete Deutsche Grammophon Recordings
| Лейбл: | Deutsche Grammophon – 4791522 |
| Формат: | CD , Box Set |
| Страна: | Germany |
| Дата релиза: | 2013 |
| Жанр: | Classical |
| Стиль: | Contemporary, Post-Modern |
Подробнее об участниках записи
Треклист:
| Symphonies Nos.1, 5 & 6 |
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| Sinfonie Nr. 1 (1947) (New Version For Chamber Orchestra, 1963) |
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| 1-2 | 2. Notturno: Lento |
5:35 | |
| 1-3 | 3. Allegro Con Moto |
5:53 | |
| Sinfonie Nr.5 (1962) For Large Orchestra |
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| 1-5 | 2. Adagio |
6:02 | |
| 1-6 | 3. Moto Perpetuo |
6:27 | |
| Sinfonie Nr. 6 (1969) For Two Chamber Orchestras |
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| 1-8 | Part 1 - Un Poco Meno Mosso |
2:08 | |
| 1-9 | Part 1 - Meno Mosso |
1:32 | |
| 1-10 | Part 1 - Corona |
4:22 | |
| 1-11 | Part 1 - Meno Mosso Del Tempo I |
2:49 | |
| 1-12 | Part 2 - Lento |
2:58 | |
| 1-13 | Part 2 - Song To Freedom |
3:06 | |
| 1-14 | Part 2 - Largo |
1:11 | |
| 1-15 | Part 2 - Dotted Crotchet = 66 |
2:48 | |
| 1-16 | Part 2 - Crotched = 66 |
1:33 | |
| 1-17 | Part 2 - Crotchet = 92 |
3:32 | |
| 1-18 | Part 3 - Più Mosso |
2:05 | |
| 1-19 | Part 3 - Meno Mosso |
2:13 | |
| 1-20 | Part 3 - Più Mosso, Con Fuoco |
2:24 | |
| 1-21 | Part 3 - Dotted Crotchet = 100 |
2:33 | |
| Symphonies Nos.2-4 |
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| Sinfonie Nr. 2 (1949) For Large Orchestra |
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| 2-2 | 2. Allegro Molto Vivace |
4:10 | |
| 2-3 | 3. Adagio |
8:49 | |
| Sinfonie Nr. 3 (1949-50) For Large Orchestra |
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| 2-5 | 2. Dithyramb Moderato |
10:52 | |
| 2-6 | 3. Conjuring Dance |
5:13 | |
| Sinfonie Nr. 4 (1955) For Large Orchestra |
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| 2-8 | Crotched = 100 (T./b. 15) |
2:41 | |
| 2-9 | Crotched = 80 (T. 49) |
1:47 | |
| 2-10 | Crotched = 80 (T.72) |
5:18 | |
| 2-11 | Crotched = 80 (T.155) |
4:42 | |
| 2-12 | Dotted Crotched = 84 (T.205) |
4:12 | |
| 2-13 | Crotched = 132 (T.272) |
3:56 | |
| 2-14 | Molto Ritardando (T.418) |
2:25 | |
| 2-15 | Quaver = 92 (T.460) |
1:39 | |
| Double Concerto For Oboe, Harp And Strings; Sonata For Strings; Fantasia For Strings |
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| Sonata For Strings |
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| 3-2 | 2. 32 Variazioni |
9:54 | |
| Double Concerto For Oboe, Harp And Strings (1966) |
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| 3-4 | Andante ( = 50) - |
8:46 | |
| 3-5 | = 80 - |
6:53 | |
| 3-6 | Andante ( = 80) |
4:32 | |
| Fantasia For Strings |
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| 3-8 | 2. Tempo Eines Trauermarsches |
1:26 | |
| 3-9 | 3. Espressivo |
1:56 | |
| 3-10 | 4. Allegro Moderato - Meno Mosso |
2:04 | |
| 3-11 | 5. Air - Pastorale - Air |
3:50 | |
| 3-12 | 6. Vivace - Epilogo. Adagio |
3:55 | |
| Violin Concerto No.1; Ode To West Wind; Double Bass Concerto |
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| Concerto For Violin And Orchestra No.1 (1947) |
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| 4-2 | 2. Vivacissimo (tempo 1) - Alla Marcia (tempo 2) |
2:06 | |
| 4-3 | 3. Andante Con Moto |
6:22 | |
| 4-4 | 4. Allegro Molto Vivace |
6:32 | |
| Ode To The West Wind (1953) Music For Violoncello And Orchestra Based On Poem By P.B. Shelley |
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| 4-6 | 2. Vivo |
4:00 | |
| 4-7 | 3. Tranquillo |
6:01 | |
| 4-8 | 4. Tempo D'una Marcia Solenne, Ma Non Lenta - Attacca: |
2:54 | |
| 4-9 | 5. Grave - Come Un Inno |
5:09 | |
| Concerto For Double Bass (1966) |
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| 4-11 | 2. Vivace |
7:37 | |
| 4-12 | 3. Ciacona |
18:44 | |
| Concerto For Piano And Orchestra No.2 |
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| Concerto For Piano And Orchestra No.2 |
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| 5-2 | 2. Vivace - Meno Mosso - Tempo |
14:00 | |
| 5-3 | 3. Moderato - |
6:56 | |
| 5-4 | 4. Vivace - |
1:36 | |
| 5-5 | 5. Lento - |
3:47 | |
| 5-6 | 6. Vivace |
8:32 | |
| Tristan; 2 Ballet Variations; 3 Tientos |
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| Tristan (1973) Preludes For Piano, Tapes And Orchestra |
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| 6-2 | 2. Lament |
6:02 | |
| 6-3 | 3. Preludes And Variations |
9:09 | |
| 6-4 | 4. Tristan's Folly |
5:45 | |
| 6-5 | 5. Adagio - Burla I (Valse) - Burla II (alla Turca) - Ricercare I - Burla III (Marcia) - Ricercare II |
5:38 | |
| 6-6 | 6. Epilogue |
11:41 | |
| Ballet Variations (1949) |
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| 6-8 | 4. Allegro Marciale |
1:31 | |
| Drei Tientos Für Gitarre |
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| 6-10 | Tiento Nr. 2 |
1:26 | |
| 6-11 | Tiento Nr. 3 |
2:24 | |
| Whispers From Heavenly Death; 5 Neapolitan Songs; Being Beauteous; Essay On Pigs |
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| Five Neapolitan Songs (1956) For Baritone And Chamber Orchestra |
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| 7-2 | 2. A L'acqua de Li Ffuntanelle |
3:29 | |
| 7-3 | 3. Amaie 'na Nenne Pe' Tridece Mise |
1:03 | |
| 7-4 | 4. Amaie 'nu Ninno Cu' Sudore E Stiente |
6:04 | |
| 7-5 | 5. Arbero Piccerillo, Te Chiantaie |
3:56 | |
| Whispers From Heavenly Death (1948) |
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| 7-7 | 2. "No Map There" (Tranquillo) |
1:52 | |
| 7-8 | 3. "I Know It Not, O Soul" (Adagio) |
1:35 | |
| 7-9 | 4. "Till When The Ties Loosen" (Allegro) |
1:11 | |
| 7-10 | 5. "Then We Burst Forth" (Allegro Molto) |
1:37 | |
| 7-11 | Being Beauteous (1963) Cantata From "Illuminations" (1872/73) |
14:58 | |
| Essay On Pigs (1968) Based On A Poem By Gastón Salvatore |
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| 7-13 | Langer Exkurs Für Entenlockflöte "Einmal Hieß Es von Ihm" |
3:03 | |
| 7-14 | Abschiedsformeln "Es Ist Nicht Strafbar" |
2:13 | |
| 7-15 | Feststellung "Besser Ist Es" |
3:45 | |
| 7-16 | Müder Anlauf Und Vorläufiges Ende "Der Verstorbene Naive" |
7:00 | |
| Cantata Of The Ultimate Fable; Muses Of Sicily; Moralities |
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| Cantata Of The Ultimate Fable On The Poem "Tu Sei la Fiaba Estrema" |
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| 8-2 | "Sei Tu Giulietta?" - Allegretto |
3:18 | |
| 8-3 | "Sono I Tuoi Giorni Un Prato Lucente" - Allegretto |
1:24 | |
| 8-4 | "Tu Eri Il Paggio Favorito Alla Corte D'Oriente" - Allegretto (lo Stesso Tempo) |
3:47 | |
| 8-5 | "La Bella Trama, Adorata Dal Mio Cuore" - Corale |
2:50 | |
| 8-6 | "Quando Mi Sei Vicino" - Andante |
4:00 | |
| 8-7 | "Passa la Cacciatrice Lunare" - Meno Mosso |
3:05 | |
| Muses Of Sicily (1966) |
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| 8-9 | 2. Adagio |
10:39 | |
| 8-10 | 3. Silenus. Vivace |
4:45 | |
| Moralities (1967) |
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| 8-12 | 2. "Ehe Zeit War, Zu Des Anfangs Beginn" - "Schwarz Sollt Ihr Sein" |
7:42 | |
| 8-13 | 3. "Ein Schiff Stach In See, Verließ Den Hafen" - Rauh Wird Die Nacht |
9:59 | |
| The Raft Of The Medusa / Das Floß Der Medusa |
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| Part 1 - Die Einschiffung zum Untergang |
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| 9-2 | 1. Motto (Pascal "Pensées" Aus Dem 383. Fragment) |
4:03 | |
| 9-3 | 2. Ordre Und Musterrolle |
1:17 | |
| 9-4 | 3. Journal Der Überfahrt |
5:44 | |
| 9-5 | 4. Eine Antwort |
1:49 | |
| 9-6 | 5. Versuche Zur Rettung |
3:38 | |
| 9-7 | 6. Die Ausschiffung |
2:21 | |
| 9-8 | 7. Ballade Vom Verrat |
4:08 | |
| 9-9 | 8. Gesang Mit Neun Stimmen |
8:29 | |
| 9-10 | 9. Anweisungen Für Den Zweiten Tag |
7:13 | |
| Part 2 - Die Neunte Nacht Und Der Morgen |
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| 9-12 | 11. Motto (Pascal, Aus Dem 205.-207. Und 347. Fragment Der "Pensées" |
2:37 | |
| 9-13 | 12. Appell Unter Dem Mond |
8:27 | |
| 9-14 | 13. Die Rechnung Zum Tode |
2:34 | |
| 9-15 | 14. Die Ballade Vom Mann Auf Dem Floß |
7:17 | |
| 9-16 | 15. Fuge Der Überlebenden Und Ankündigung Der Rettung |
3:46 | |
| 9-17 | 16. Finale |
6:54 | |
| El Cimarrón |
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| El Cimarrón (1969-1970) - The Autobiography Of The Runaway Slave Esteban Montejo - Recital For Four Musicans |
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| 10-2 | 2. Der Cimarrón |
4:17 | |
| 10-3 | 3. Die Sklaverei (Slavery - L'Esclavage) |
4:27 | |
| 10-4 | 4. Die Flucht (Flight - La Fuite) |
4:24 | |
| 10-5 | 5. Der Wald (The Forest - La Forêt) |
8:15 | |
| 10-6 | 6. Die Geister (The Spirits - Les Fantômes) |
6:42 | |
| 10-7 | 7. Die Falsche Freiheit (False Freedom - La Fausse Liberté) |
3:13 | |
| 10-8 | 8. Die Frauen (Women - Les Femmes) |
3:05 | |
| 10-9 | 9. Die Maschinen (The Machines - Les Machines) |
5:44 | |
| 10-10 | 10. Die Pfarrer (The Clergy - Les Prêtres) |
4:47 | |
| 10-11 | 11. Der Aufstand (The Uprising - Le Soulèvement) |
4:16 | |
| 10-12 | 12. Die Schlacht von Mal Tiempo (The Battle Of/La Bataille de Mal Tiempo) |
6:02 | |
| 10-13 | 13. Der Schlechte Sieg (The Evil Victory - La Mauvaise Victoire) |
5:08 | |
| 10-14 | 14. Die Freundlichkeit (Friendliness - L'Amabilité) |
5:23 | |
| 10-15 | 15. Das Messer (The Knife - Le Couteau) |
2:58 | |
| The Tedious Way To Natasha Ungeheuer's Apartment |
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| The Tedious Way To Natasha Ungeheuer's Apartment Show For 17 Performers |
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| 11-2 | 2. Attempts At Molestation |
4:02 | |
| 11-3 | 3. The Veiled Messengers |
6:08 | |
| 11-4 | 4. The Listless Spy |
2:57 | |
| 11-5 | 5. Introduction To The Difficult Bourgeoisie |
5:18 | |
| 11-6 | 6. The Difficult Bourgeoisie: Attempted Return No.1 |
4:33 | |
| 11-7 | 7. Attempted Return No.2 |
3:10 | |
| 11-8 | 8. Attempted Return No.3 |
9:15 | |
| 11-9 | 9. Geodesy |
7:21 | |
| 11-10 | 10. Speech Practice |
3:51 | |
| 11-11 | 11. Metapenthes |
5:29 | |
| Scenes From Elegy For Young Lovers |
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| Scenes From "Elegy For Young Lovers" / German Version By L. Landgraf With The Collaboration Of W. Schachteli & H.W. Henze |
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| 12-2 | Gut. Gut. Genau Wie Es Mir Passte |
6:57 | |
| 12-3 | Wie Reizend Du Bist! |
6:35 | |
| 12-4 | Nimm Platz, Mein Kind |
7:28 | |
| 12-5 | Du Mein, Ganz Mein |
2:01 | |
| 12-6 | Aus Dem Garten, Paradiesisch |
3:36 | |
| 12-7 | Schon Morgen von Den Bergen |
6:41 | |
| 12-8 | Grüss Gott. Auf Ein Wort Nur |
11:55 | |
| 12-9 | Eins. Zwei. Drei. Vier. Wen Bewundern Wir? |
4:49 | |
| The Young Lord (Act 1) |
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| Der Junge Lord / Act 1 |
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| 13-2 | Ob Er Uns Gefallen Wird Oder Nicht? |
1:39 | |
| 13-3 | O Ida, Liebste Ida |
3:49 | |
| 13-4 | Zu Uns Kommt Ein Edelmann |
1:10 | |
| 13-5 | Vivat! Vivat! Hoch Lebe Der Reiche, Englische Herr! |
1:04 | |
| 13-6 | Hu, Kaltes Land - Und Leute Gaffen |
2:07 | |
| 13-7 | "Er Ist Es" / "Ist Das Sir Edgar?" |
5:48 | |
| 13-8 | Entr'acte |
2:21 | |
| 13-9 | Mein Liebes Kind |
7:08 | |
| 13-10 | Frau Baronin. Der Mohr Ist Da |
5:29 | |
| 13-11 | Dieser Mensch Täuscht Sich |
4:58 | |
| 13-12 | Zwischenspiel |
2:48 | |
| 13-13 | Hochverehrtes Publikum! |
3:26 | |
| 13-14 | Der Engländer Ist Aus Dem Haus |
2:05 | |
| 13-15 | Hochverehrtes Publikum |
2:07 | |
| 13-16 | Im Namen Des Gesetzes Dieser Stadt |
6:24 | |
| 13-17 | "Wir Sind Ihm Nicht Gut Genug" - Notturno |
3:22 | |
| The Young Lord (Act 2) |
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| Der Junge Lord / Act 2 |
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| 14-2 | Leibhaftiger! Geister Sind's Nicht |
3:32 | |
| 14-3 | "Meine Luise"... "Oh, Mein Wilhelm" |
9:33 | |
| 14-4 | Ihr Herren, Hierher! |
8:16 | |
| 14-5 | Er Wird Ihre Bälle Und Auch Alle Die Konzerte |
2:25 | |
| 14-6 | Zwischenspiel |
5:32 | |
| 14-7 | Man Nimmt Ein Halbes Pfund Goldenen Sirup |
4:02 | |
| 14-8 | Nur Zu Gerne ... Und Mit Großer Erwartung |
3:07 | |
| 14-9 | Welche Freude! |
8:06 | |
| 14-10 | Dieser Flegelhafte Mensch! |
3:28 | |
| 14-11 | Es Ist Genug, Was Dieser Herr Sich Herausnimmt! |
3:39 | |
| 14-12 | Zwischenspiel |
3:26 | |
| 14-13 | Diese Benommenheit |
7:01 | |
| 14-14 | Wo Bin Ich Denn Geblieben? |
5:17 | |
| 14-15 | Walzer Der Debütantinnen |
2:56 | |
| 14-16 | Eine Gewisse Nationale Roheit |
2:39 | |
| 14-17 | Es Wird Schreckliches Geschehen |
2:54 | |
| 14-18 | Steht Uns Kein Himmel Bei? |
1:13 | |
| Undine |
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| Undine |
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| 15-2 | 2 A. Allegretto |
2:00 | |
| 15-3 | 2 B. Andante |
0:53 | |
| 15-4 | 2 C. Vivace |
0:59 | |
| 15-5 | 3. Moderato |
1:47 | |
| 15-6 | 4 A. Adagio |
1:18 | |
| 15-7 | 4 B. Adagio |
0:56 | |
| 15-8 | 5. Andante Con Moto |
3:32 | |
| 15-9 | 6 A. Adagio |
0:46 | |
| 15-10 | 6 B. Vivace |
1:19 | |
| 15-11 | 7. Vivace Assai |
0:52 | |
| 15-12 | 8. Andante |
2:10 | |
| 15-13 | 9. Allegro Assai |
2:05 | |
| 15-14 | 10. Vivace |
3:16 | |
| 15-15 | Largo |
1:46 | |
| 15-16 | 11. Adagio |
5:47 | |
| 15-17 | Tranquillo |
1:55 | |
| 15-18 | Lento |
2:13 | |
| 15-19 | Finale. Allegro |
2:15 | |
| 15-20 | Finale. End |
1:48 | |
| 15-21 | 1. Moderato |
3:20 | |
| 15-22 | 2. Andantino Con Moto |
1:12 | |
| 15-23 | 3. = 80 |
1:27 | |
| 15-24 | 4. A. Andante Molto |
2:33 | |
| 15-25 | 4. B. = 44 |
3:32 | |
| 15-26 | 5. Pas de Trois |
3:08 | |
| 15-27 | Variation |
0:50 | |
| 15-28 | 6. Vivace |
0:40 | |
| 15-29 | 7. Molto Mosso |
1:33 | |
| 15-30 | 8. Finale |
3:14 | |
| Undine; Intermezzi; Mänadenjagd; Capriccio; Sonata |
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| Undine |
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| 16-2 | 2. Adagio |
3:59 | |
| 16-3 | Allegro Moderato, Con Eleganza |
1:27 | |
| 16-4 | 3.a Pas de Seize - Entree |
1:17 | |
| 16-5 | Adagio |
2:28 | |
| 16-6 | 3.b Variation |
1:12 | |
| 16-7 | 3.c Variation |
1:51 | |
| 16-8 | 3.d Variation |
1:07 | |
| 16-9 | 3.e Coda |
1:36 | |
| 16-10 | 4. Scène |
0:33 | |
| 16-11 | 5.a Divertissement - Entrée |
0:36 | |
| 16-12 | 5.b Pas de Six |
0:51 | |
| 16-13 | 5.c Pas de Trois I |
0:57 | |
| 16-14 | 5.d Pas de Trois II |
0:57 | |
| 16-15 | 5.e Pas de Dix-huit |
1:11 | |
| 16-16 | 5.f Variation |
1:01 | |
| 16-17 | 5.g Variation |
1:00 | |
| 16-18 | 5.h Variation |
0:48 | |
| 16-19 | 5.i Pas de Six |
0:59 | |
| 16-20 | 5.j Coda |
2:00 | |
| 16-21 | 6. Pas D'action |
0:52 | |
| 16-22 | Variation |
3:10 | |
| 16-23 | 7. Finale |
1:08 | |
| 16-24 | Dance Of Sorrow |
0:49 | |
| 16-25 | Variation |
1:30 | |
| 16-26 | Pas de Deux |
3:38 | |
| 16-27 | Eglogue |
1:30 | |
| Boulevard Solitude - Intermezzi |
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| 16-29 | Nr. 11 = 40 |
2:42 | |
| 16-30 | Nr. 17 - Andante Con Moto |
4:43 | |
| 16-31 | Nr. 22 - Vivace |
2:16 | |
| 16-32 | Mänadenjagd |
3:31 | |
| Capriccio Per Violoncello Solo (1981) |
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| Sonata Per Otto Ottoni |
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| 16-35 | 2. Allegramente |
1:38 | |
| 16-36 | 3. Rondino I |
0:58 | |
| 16-37 | 4. Grave |
1:29 | |
| 16-38 | 5. Rondino II |
1:10 |
Участники записи:
- Composed By – Hans Werner Henze
Лейблы и идентификаторы:
- Barcode : 0028947915225
Компании:
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Участники записи:
- Composed By – Hans Werner Henze
