Igor Stravinsky – The Essential Stravinsky
| Лейбл: | Chandos – CHAN 6654(5) |
| Формат: | CD |
| Страна: | UK |
| Дата релиза: | 2002 |
| Жанр: | Classical |
| Стиль: | Modern, Neo-Classical |
Подробнее об участниках записи
Треклист:
| Symphony In E Flat, Op. 1 (1905-07) |
34:12 | ||
| 1-2 | II Scherzo. Allegretto |
6:03 | |
| 1-3 | III Largo |
9:42 | |
| 1-4 | IV Finale. Allegro Molto |
7:38 | |
| Violin Concerto (1931)
Violin – Lydia Mordkovitch |
21:54 | ||
| 1-6 | II Aria I |
4:58 | |
| 1-7 | III Aria II |
5:27 | |
| 1-8 | IV Capriccio |
5:50 | |
| Symphony Of Psalms (1930) |
21:52 | ||
| 1-10 | II Expectans Expectavi Dominum |
7:02 | |
| 1-11 | III Alleluja, Laudate Dominum |
11:15 | |
| Le Chant Du Rossignol (1917)
Trumpet, Soloist – Stephen Jeandheur |
20:56 | ||
| 2-2 | Marche Chinoise |
3:32 | |
| 2-3 | Le Chant Du Rossignol - |
3:36 | |
| 2-4 | Le Jeu Du Rossignol Mécanique |
11:28 | |
| Symphony In Three Movements (1942-45) |
21:19 | ||
| 2-6 | II Andante - Più Mosso - Tempo I |
6:08 | |
| 2-7 | III Con Moto |
5:58 | |
| Capriccio For Piano And Orchestra (1949)
Piano – Geoffrey Tozer (2) |
16:56 | ||
| 2-9 | II Andante Rapsodico |
5:05 | |
| 2-10 | III Allegro Capriccioso Ma Sempre Giusto |
5:11 | |
| Concerto For Piano And Wind Instruments (1950)
Piano – Boris Berman |
19:31 | ||
| 2-12 | II Largo - Più Mosso - Doppia Valore - Tempo Primo |
7:21 | |
| 2-13 | III Allegro - Agitato - Lento - Strigendo |
4:50 | |
| Petrushka (1911) | 33:03 | ||
| 3-2 | Tableau I: The Shrovetide Fair - The Mountebank's Booth |
1:44 | |
| 3-3 | Tableau I: The Shrovetide Fair - Russian Dance |
2:44 | |
| 3-4 | Tableau II: Petrushka's Room |
4:08 | |
| 3-5 | Tableau III - The Moor's Room |
2:56 | |
| 3-6 | Tableau III - Dance Of The Ballerina |
0:48 | |
| 2-7 | Tableau III - Waltz |
3:08 | |
| 3-8 | Tableau IV - The Shrovetide Fair (Evening) |
1:02 | |
| 3-9 | Tableau IV - Wet Nurses' Dance |
2:17 | |
| 3-10 | Tableau IV - Peasant And Bear |
1:19 | |
| 3-11 | Tableau IV - Dance Of The Gipsy Girls |
1:04 | |
| 3-12 | Tableau IV - Dance Of The Coachmen And Ostlers |
1:51 | |
| 3-13 | Tableau IV - The Masqueraders |
1:25 | |
| 3-14 | Tableau IV - Death Of Petrushka |
3:34 | |
| Apollon Musagète (1947) |
29:34 | ||
| 3-16 | Tableau II - Apollo's Variation |
2:48 | |
| 3-17 | Tableau II - Pas D'Action |
4:17 | |
| 3-18 | Tableau II - Calliope's Variation. Allegretto |
1:37 | |
| 3-19 | Tableau II - Polyhymna's Variation. Allegro |
1:16 | |
| 3-20 | Tableau II - Terpsichore's Variation. Allegretto |
1:35 | |
| 3-21 | Tableau II - Apollo's Variation. Lento |
2:04 | |
| 3-22 | Tableau II - Pas De Deux |
4:06 | |
| 3-23 | Tableau II - Coda. Vivo - Tempo Sostenuto - Agitato |
3:17 | |
| 3-24 | Tableau II - Apothéosis. Largo E Tranquillo |
3:10 | |
| 3-25 | Circus Polka (1944) |
3:41 | |
| The Rite Of Spring (1911-13, Revised 1947)
Bassoon, Soloist – Raynal Malsam |
32:42 | ||
| 4-2 | Part I - Adoration Of The Earth: The Augurs Of Spring - Dances Of The Young Girls - |
3:46 | |
| 4-3 | Part I - Adoration Of The Earth: Ritual Of Abduction - |
1:20 | |
| 4-4 | Part I - Adoration Of The Earth: Spring Rounds - |
3:31 | |
| 4-5 | Part I - Adoration Of The Earth: Ritual Of The River Tribes - |
1:51 | |
| 4-6 | Part I - Adoration Of The Earth: Procession Of The Sage - |
0:43 | |
| 4-7 | Part I - Adoration Of The Earth: The Sage - |
0:23 | |
| 4-8 | Part I - Adoration Of The Earth: Dance Of The Earth |
1:16 | |
| 4-9 | Part II - The Sacrifice: Introduction - |
3:57 | |
| 4-10 | Part II - The Sacrifice: Mystic Circles Of The Young Girls - |
3:11 | |
| 4-11 | Part II - The Sacrifice: Glorification Of The Chosen One - |
1:26 | |
| 4-12 | Part II - The Sacrifice: Evocation Of The Ancestors - |
0:49 | |
| 4-13 | Part II - The Sacrifice: Ritual Action Of The Ancestors - |
3:06 | |
| 4-14 | Part II - The Sacrifice: Sacrificial Dance (The Chosen One) |
4:09 | |
| Canticum Sacrum (1955) |
16:40 | ||
| 4-16 | I Euntes In Mundum |
1:59 | |
| 4-17 | II Surge, Aquilo |
2:25 | |
| 4-18 | III Ad Tres Virtutes Hortationes: Caritas - |
2:12 | |
| 4-19 | III Ad Tres Virtutes Hortationes: Spes - |
1:47 | |
| 4-20 | III Ad Tres Virtutes Hortationes: Fides |
2:46 | |
| 4-21 | IV Brevis Motus Cantilenae |
2:41 | |
| 4-22 | V Illi Autem Profecti |
1:58 | |
| Requiem Canticles (1966) |
14:01 | ||
| 4-24 | Exaudi |
1:34 | |
| 4-25 | Dies Irae - |
0:58 | |
| 4-26 | Tuba Mirum |
1:07 | |
| 4-27 | Interlude |
2:31 | |
| 4-28 | Rex Tremendae |
1:17 | |
| 4-29 | Lacrimosa |
1:55 | |
| 4-30 | Libera Me |
0:58 | |
| 4-31 | Postlude |
2:18 | |
| Chorale Variations (1955)
Alto Vocals – Irene Friedli Bass Vocals – Michel Brodard Choir – Chœur De Chambre Romand Choir – Chœur Pro Arte de Lausanne Chorus Master [Choir Master] – André Charlet Tenor Vocals – Frieder Lang |
10:40 | ||
| 4-33 | Variation I In Canone All'Ottava |
1:13 | |
| 4-34 | Variation II Alio Modo In Canone Alla Quinta |
1:14 | |
| 4-35 | Variation III In Canone Alla Settima |
1:51 | |
| 4-36 | Variation IV In Canone All'Ottava Per Augmentationem |
2:30 | |
| 4-37 | Variation V L'Altra Sorte Del Canone Al Rovescio |
3:04 | |
| Symphony In C (1940) |
28:21 | ||
| 5-2 | II Larghetto Concertante - Doppio Movimento - Doppio Valore |
6:35 | |
| 5-3 | III Allegretto |
4:53 | |
| 5-4 | IV Largo - Tempo Giusto, Alla Breve |
6:59 | |
| Oedipus Rex (1927) Opera - Oratorio In two Acts After Sophocles
Baritone Vocals [Creon] – Franz Grundheber Bass Vocals [Messenger] – Rudolf Rosen Bass Vocals [Tiresias] – Günter von Kannen Choir – Chœur De Chambre Romand Choir – Chorale Du Brassus Choir – Chœur Pro Arte de Lausanne Chorus Master – André Charlet Soprano Vocals [Jocasta] – Gabriele Schnaut Speech [Speaker] – Jean Piat Tenor Vocals [Oedipus] – Peter Svensson (2) Tenor Vocals [Shepherd] – Ruben Amoretti |
50:58 | ||
| 5-6 | Act I - Chorus: Caedit Nos Pestis |
3:33 | |
| 5-7 | Act I - Oedipus: Liberi, Vos Liberabo |
3:01 | |
| 5-8 | Act I - Speaker: Voici Créon... |
0:28 | |
| 5-9 | Act I - Creon: Respondit Deus |
3:16 | |
| 5-10 | Act I - Oedipus: Non Reperias |
3:15 | |
| 5-11 | Act I - Speaker: Oedipe Interroge... |
0:48 | |
| 5-12 | Act I - Chorus: Delie Exspectamus |
1:49 | |
| 5-13 | Act I - Tiresias: Dicere Non Possum |
2:55 | |
| 5-14 | Act I - Oedipus: Invidia Fortunam Odit |
3:39 | |
| 5-15 | Act II - Chorus: Gloria! |
1:11 | |
| 5-16 | Act II - Speaker: La Dispute Des Princes... |
1:15 | |
| 5-17 | Act II - Jocasta: Nonne Erubescite Reges |
5:15 | |
| 5-18 | Act II - Jocasta, Oedipus, Chorus: Laius In Trivio |
2:26 | |
| 5-19 | Act II - Jocasta, Oedipus: Oracula... |
1:56 | |
| 5-20 | Act II - Speaker: Le Témoin Du Meurtre... |
0:50 | |
| 5-21 | Act II - Messenger, Chorus: Adest Omniscius |
2:16 | |
| 5-22 | Act II - Shepherd: Oportebat Tacere |
1:24 | |
| 5-23 | Act II - Oedipus: Nonne Monstrum Rescituri |
1:17 | |
| 5-24 | Act II - Shepherd, Messenger, Chorus: In Montre Reppertus Est |
1:13 | |
| 5-25 | Act II - Oedipus: Natus Sum |
0:47 | |
| 5-26 | Act II - Speaker: Et Maintenant... |
1:48 | |
| 5-27 | Act II - Messenger, Chorus: Divum Jocastae Caput Mortuum |
5:21 |
Участники записи:
- Composed By – Igor Stravinsky
- Conductor – Neeme Järvi
- Design, Typography [Booklet Typeset] – Michael White-Robinson
- Editor – Annabel Weeden
- Editor – Jonathan Cooper
- Editor – Ben Connellan
- Engineer [Assistant Engineer] – Ben Connellan
- Engineer [Sound Engineer] – Ben Connellan
- Engineer [Sound Engineer] – Ralph Couzens
- Leader – Robert Zimansky
- Leader – Jean Piguet
- Liner Notes – David Nice
- Liner Notes – Jim Samson (3)
- Orchestra – L'Orchestre De La Suisse Romande
- Painting [Front Cover: Detail From Mannequin] – Aleksandr Yakovlev
- Producer [Recording Producer] – Brian Couzens
- Producer [Recording Producer] – Ralph Couzens
Лейблы и идентификаторы:
- Barcode Text: 0 95115 66542 8
- Barcode Scanned: 095115665428
- Matrix / Runout CD1 (Variant 1): A0100419205-0105 15 A1
- Matrix / Runout CD1 (Variant 2): A0100419205-0105 21 A0
- Matrix / Runout CD2 (Variant 1): A0100419205-0205 21 A0
- Matrix / Runout CD2 (Variant 2): A0100419205-0205 31 A0
- Matrix / Runout CD3 (Variant 1): A0000134716-0101 24 A0
- Matrix / Runout CD3 (Variant 2): A0000134716-0101 31 A0
- Matrix / Runout CD4 (Variant 1): A0100176968-0101 33 A1
- Matrix / Runout CD4 (Variant 2): A0100176968-0101 44 A0
- Matrix / Runout CD5 (Variant 1): A0100419205-0505 11 A1
- Matrix / Runout CD5 (Variant 2): A0100419205-0505 34 A1
- Mastering SID Code CD1 (Variant 1): IFPI L555
- Mastering SID Code CD2, CD5 (Variant 1): IFPI L551
- Mastering SID Code CD3 (Variant 1): IFPI L554
- Mastering SID Code CD4 (Variant 1): IFPI L553
- Mastering SID Code CD1, CD 2, CD 3 (Variant 2): IFPI L551
- Mastering SID Code CD4, CD5 (Variant 2): IFPI L554
- Mould SID Code CD1 (Variant 1): IFPI 94V1
- Mould SID Code CD2 (Variant 1): IFPI 94U1
- Mould SID Code CD3 (Variant 1): IFPI 94K3
- Mould SID Code CD4, CD5 (Variant 1): IFPI 94K4
- Mould SID Code CD1, CD3, CD5 (Variant 2): IFPI 94K8
- Mould SID Code CD2, CD4 (Variant 2): IFPI 94K7
- Label Code : LC 7038
- SPARS Code : DDD
- Rights Society : MCPS
Компании:
- Copyright (c) – Forberg
- Copyright (c) – Chandos Records Ltd
- Copyright (c) – Schott & Co.
- Copyright (c) – Boosey & Hawkes Ltd
- Manufactured By – Sony DADC
- Manufactured By – Sony DADC
- Manufactured By – Sony DADC
- Manufactured By – Sony DADC
- Manufactured By – Sony DADC
- Phonographic Copyright (p) – Chandos Records Ltd
- Recorded At – Victoria Hall, Geneva
Участники записи:
- Composed By – Igor Stravinsky
- Conductor – Neeme Järvi
- Design, Typography [Booklet Typeset] – Michael White-Robinson
- Editor – Annabel Weeden
- Editor – Jonathan Cooper
- Editor – Ben Connellan
- Engineer [Assistant Engineer] – Ben Connellan
- Engineer [Sound Engineer] – Ben Connellan
- Engineer [Sound Engineer] – Ralph Couzens
- Leader – Robert Zimansky
- Leader – Jean Piguet
- Liner Notes – David Nice
- Liner Notes – Jim Samson (3)
- Orchestra – L'Orchestre De La Suisse Romande
- Painting [Front Cover: Detail From Mannequin] – Aleksandr Yakovlev
- Producer [Recording Producer] – Brian Couzens
- Producer [Recording Producer] – Ralph Couzens
