Get Well Soon – The Horror
Лейбл: | Caroline International – 6750171 |
Формат: | Box Set , Vinyl The Horror, Vinyl The Horror - Instrumental, Vinyl The Horror - Acoustic |
Дата релиза: | 2018 |
Жанр: | Classical, Folk, World, & Country, Pop, Rock |
Стиль: | Indie Rock |
Подробнее об участниках записи
Треклист:
The Horror |
||
A1 | Future Ruins Pt. 2
Featuring – Ghalia Benali |
|
A2 | The Horror |
|
A3 | Martyrs |
|
B1 | Nightmare No. 1 (Collapse) |
|
B2 | An Air-Vent (In Amsterdam) |
|
B3 | Nightmare No. 2 (Dinner At Carinhall)
Featuring – Samuel Vance-Law |
|
C1 | The Only Thing We Have To Fear |
|
C2 | Nightjogging
Featuring – Kat Frankie |
|
C3 | A Misty Bay At Dawn |
|
C4 | Nightmare No. 3 (Strangled) |
|
D1 | (How To Stay) Middle-Class |
|
D2 | (Finally) A Convenient Truth |
|
The Horror - Instrumental |
||
A1 | Future Ruins Pt. 2 (Instrumental) |
|
A2 | The Horror (Instrumental) |
|
A3 | Martyrs (Instrumental) |
|
A4 | Nightmare No. 1 (Collapse) (Instrumental) |
|
A5 | Nightmare No. 2 (Dinner At Carinhall) (Instrumental) |
|
B1 | The Only Thing We Have To Fear (Instrumental) |
|
B2 | Nightjogging (Instrumental) |
|
B3 | Nightmare No. 3 (Strangled) (Instrumental) |
|
B4 | (How To Stay) Middle-Class (Instrumental) |
|
B5 | (Finally) A Convenient Truth (Instrumental) |
|
The Horror - Acoustic |
||
A1 | The Horror (Acoustic) |
|
A2 | Martyrs (Acoustic) |
|
A3 | Nightmare No. 1 (Collapse) (Acoustic) |
|
A4 | Nightmare No. 2 (Dinner At Carinhall) (Acoustic) |
|
B1 | The Only Thing We Have To Fear (Acoustic) |
|
B2 | Nightmare No. 3 (Strangled) (Acoustic) |
|
B3 | (How To Stay) Middle-Class (Acoustic) |
|
B4 | (Finally) A Convenient Truth (Acoustic) |
Участники записи:
- Featuring – Ghalia Benali
Лейблы и идентификаторы:
- Barcode : 602567501718
- Other Individual Catalogue Number - 2xLP 'The Horror': 6750169
- Other Individual Catalogue Number - LP 'The Horror - Instrumental': 375017-0
- Other Individual Catalogue Number - 10" LP 'The Horror - Acoustic': 375455-6
Компании:
Нет данных
Участники записи:
- Featuring – Ghalia Benali