Stephen Fry – The Ode Less Travelled - Unlocking The Poet Within
| Лейбл: | Random House Audiobooks – RC 906 |
| Формат: | CD |
| Страна: | UK |
| Дата релиза: | 2005 |
| Жанр: | Non-Music |
| Стиль: | Audiobook |
Подробнее об участниках записи
Треклист:
| 1-1 | Foreword |
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| 1-2 | Foreword |
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| 1-3 | Foreword |
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| 1-4 | Foreword |
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| 1-5 | Foreword |
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| 1-6 | How To Listen... |
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| 1-7 | Rule 1 |
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| 1-8 | Rule 2 |
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| 1-9 | Rule 3 |
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| 1-10 | Chapter1: Metre |
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| 1-11 | How We Speak |
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| 1-12 | Accent |
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| 1-13 | Meet Metre |
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| 1-14 | The Great Iamb |
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| 1-15 | Poetry Exercise 1 |
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| 1-16 | How Did You Do? |
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| 1-17 | End-Stopping Etc. |
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| 1-18 | Let's Hear The Byron |
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| 1-19 | Shakespeare... |
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| 1-20 | Shall I Compare... |
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| 1-21 | Robert Browning |
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| 1-22 | Poetry Exercise 2 |
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| 2-1 | Weak Endings... |
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| 2-2 | The Most Obvious Example... |
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| 2-3 | Why Not Nine Syllables ... ? |
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| 2-4 | Substitutions |
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| 2-5 | One More Inversions... |
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| 2-6 | When Rubens Was A Young Man... |
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| 2-7 | Poetry Exercise 3 |
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| 2-8 | More Metres |
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| 2-9 | Six Feet Give Us A Hexameter ... |
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| 2-10 | There Are Very Few Examples ... |
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| 2-11 | Heptameters |
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| 2-12 | We Can Do The Same Thing With Kiplings ... |
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| 2-13 | Four Beats To The Line ... |
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| 2-14 | Emily Dickinson ... |
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| 2-15 | Now Listen To The Following ... |
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| 2-16 | Mixed Feet ... |
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| 2-17 | Here Is A Well Known Couplet ... |
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| 2-18 | We've Seen Two Non-Hybrid ... |
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| 2-19 | Poetry Excercise 4 |
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| 2-20 | Turnery Feet |
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| 2-21 | I Suppose The Best Known Anapaestic ... |
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| 3-1 | The Dactyl |
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| 3-2 | Robert Southey, Byron's Enemy ... |
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| 3-3 | The Mallossus And Tribrach |
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| 3-4 | The Amphibrach |
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| 3-5 | The Amphimesa |
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| 3-6 | Quaternery Feet |
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| 3-7 | Poetry Excercise 5 |
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| 3-8 | Anglo Saxon Attitudes |
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| 3-9 | Alliterative Principle |
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| 3-10 | Modern Poets, By Which I Mean ... |
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| 3-11 | Poetry Excercise 6 |
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| 3-12 | Sprung Rhythm |
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| 3-13 | The Manor Was Designed ... |
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| 3-14 | All Of Which Demontrates ... |
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| 3-15 | There Are Two Kingdoms ... |
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| 3-16 | Bridge's Daughter ... |
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| 3-17 | Poetry Excercise 7 |
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| 3-18 | Lesson For A Boy |
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| 3-19 | Rhyme |
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| 3-20 | The Basic Categories Of Rhyme |
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| 3-21 | Partial Rhymes |
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| 3-22 | Now Let Us Turn To Another ... |
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| 3-23 | There Is A Third Kind Of ... |
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| 3-24 | Wrenched Rhyme |
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| 3-25 | Forcing A Rhyme |
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| 4-1 | Feminine And Triple Rhymes |
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| 4-2 | Rich Rhyme |
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| 4-3 | Rhyming Arrangements |
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| 4-4 | Cross Rhyming |
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| 4-5 | Good And Bad Rhyme |
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| 4-6 | A Thought Experiment |
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| 4-7 | William McGonagall |
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| 4-8 | Gone Wrong |
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| 4-9 | Gerard Manley Hopkins |
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| 4-10 | 2nd Disaster Poem |
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| 4-11 | Tennyson |
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| 4-12 | Memorials To Failure |
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| 4-13 | Rhyming Practice |
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| 4-14 | Poetry Exercise 8 |
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| 4-15 | Chapter 3 - Form, Stanza |
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| 4-16 | What Is Form? |
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| 4-17 | Ezra Pound |
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| 4-18 | What Then Is The Solution? |
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| 4-19 | Listen To This |
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| 4-20 | Stanzaic Variations |
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| 4-21 | Tetsarina |
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| 4-22 | Quatrain |
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| 4-23 | The Rubya |
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| 4-24 | Rhyme Royal |
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| 4-25 | Auden's Reluctance |
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| 5-1 | Spencerian Stanza |
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| 5-2 | Adopting And Adapting |
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| 5-3 | Poetry Exercise 9 |
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| 5-4 | The Ballad |
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| 5-5 | A Quatrain ... |
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| 5-6 | Border Ballads |
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| 5-7 | A.E. Houseman's ... |
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| 5-8 | Rural Ballad |
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| 5-9 | Strengths Of The Ballad |
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| 5-10 | Poetry Exercise 10 |
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| 5-11 | Heroic Verse |
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| 5-12 | Heroic Verse Is Far From Dead... |
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| 5-13 | Keats Did Not Abandon The Form... |
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| 5-14 | Wilfred Owen's Use Of Rhyming Couplets |
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| 5-15 | Poetry Exercise 11 |
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| 5-16 | The Ode |
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| 5-17 | Pindaric Ode |
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| 5-18 | The Lyric Ode |
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| 5-19 | Anachriatics Ode |
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| 5-20 | Dylan Thomas... |
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| 5-21 | Closed Forms |
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| 5-22 | The Villanelle |
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| 5-23 | Do Not Go Gentle Into That Night... |
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| 5-24 | Medieval Mediterranean Pastoral Form |
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| 5-25 | Poetry Exercise 12 |
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| 5-26 | The Sestina |
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| 5-27 | Bitch To Explain |
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| 5-28 | Sestinas Are Still Being Written... |
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| 5-29 | It Is Not De Rigeur... |
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| 5-30 | Poetry Exercise 13 |
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| 6-1 | The Pantoum |
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| 6-2 | The Ballade |
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| 6-3 | GK Chesterton's 'The ... |
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| 6-4 | One Of The More Successful ... |
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| 6-5 | More Closed Forms |
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| 6-6 | Most Scholars Of The Genre ... |
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| 6-7 | A Variation Exists ... |
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| 6-8 | The First Four Lines ... |
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| 6-9 | So Let Us Now ... |
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| 6-10 | Austin Dobson ... |
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| 6-11 | Swinburne Developed ... |
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| 6-12 | Rondolet |
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| 6-13 | Triolet |
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| 6-14 | Kirrielle |
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| 6-15 | The Kirrielle Need Not ... |
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| 6-16 | Poetry Excercise 14 |
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| 6-17 | Comic Verse |
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| 6-18 | The Clerihew |
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| 6-19 | The Limerick |
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| 6-20 | Reflection On Comic And ... |
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| 6-21 | Jonathan Swift |
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| 6-22 | Light Verse |
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| 6-23 | Parody |
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| 6-24 | Poetry Excecise 15 |
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| 6-25 | Exotic Forms |
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| 6-26 | Borgez Also Experimented ... |
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| 6-27 | Basul |
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| 6-28 | Luk Baht |
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| 6-29 | Tanaga |
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| 6-30 | Poetry Excercise 16 |
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| 6-31 | The Sonnet |
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| 6-32 | The Structure Of The ... |
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| 6-33 | Here Now Is ... |
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| 6-34 | The Shakespearian Sonnet |
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| 7-1 | Sonnet Variations |
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| 7-2 | There Are Traditions In The ... |
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| 7-3 | There Are Two Very Well ... |
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| 7-4 | Our Second Two Sonnets ... |
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| 7-5 | Poetry Excercise 17 |
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| 7-6 | Shaped Verse |
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| 7-7 | I Suppose Rpophessagr ... |
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| 7-8 | I Am Not Here ... |
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| 7-9 | Silly Silly Forms ... |
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| 7-10 | Another Bizzare Form ... |
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| 7-11 | Or There Is This ... |
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| 7-12 | Certain Other Pointless ... |
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| 7-13 | An Even Arsier Form ... |
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| 7-14 | Acrostics |
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| 7-15 | Poetry Excercise 18 |
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| 7-16 | Diction And Poetics Today |
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| 7-17 | The Whale |
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| 7-18 | A Cat And The Attic |
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| 7-19 | Madeline |
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| 7-20 | Diction |
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| 7-21 | Commandments That ... |
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| 7-22 | Being Alert To Language |
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| 7-23 | English Is A Language ... |
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| 7-24 | Poetic Vices |
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| 7-25 | Ten Habits Of Successful ... |
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| 7-26 | Getting Noticed |
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| 7-27 | Poetry Today |
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| 7-28 | Goodbye |
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| 7-29 | Further Reading |
Участники записи:
- Author, Written By, Read By – Stephen Fry
Лейблы и идентификаторы:
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Компании:
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Участники записи:
- Author, Written By, Read By – Stephen Fry
