Ludwig van Beethoven – The Early Years
Лейбл: | Warner Classics – 0190295886721 |
Формат: | CD |
Страна: | Europe |
Дата релиза: | 2017 |
Жанр: | Classical |
Стиль: | Baroque, Classical, Modern, Neo-Romantic, Opera, Romantic |
Подробнее об участниках записи
Треклист:
Violin Concerto No.5 In A, K219 | |||
1-2 | II. Adagio |
9:41 | |
1-3 | III. Rondeau: Tempo Di Menuetto |
8:21 | |
Horn Concerto No.3 In E-Flat Major, K447 | |||
1-5 | II. Romance: Larghetto |
4:26 | |
1-6 | III. Allegro |
3:14 | |
Serenade No. 13 In G, K525 'Eine Kleine Nachtmusic' | |||
1-8 | II. Romanze: Andante |
4:40 | |
1-9 | III. Menuetto: Allegretto |
2:15 | |
1-10 | IV. Rondo: Allegro |
3:00 | |
1-11 | Die Entführung Aus Dem Serail, K384 Overture | 4:21 | |
1-12 | Le Nozze Di Figaro, K492 Overture | 4:00 | |
1-13 | Leonore Overture No.3 (from Leonore [Fidelio], Op.72b) | 13:46 | |
Symphony No.9 In D Minor, Op.125 | |||
2-2 | II. Scherzo – Molto Vivace |
9:46 | |
2-3 | III. Adagio Molto E Cantabile |
16:33 | |
2-4 | IV. Finale – Presto
Alto Vocals – Elisabeth Höngen Baritone Vocals – Josef Herrmann Chorus – Chor der Staatsoper Dresden Soprano Vocals – Margarete Teschemacher |
24:01 | |
2-5 | Egmont, Op.84 Overture | 8:07 | |
Violin Concerto In D, Op.61 | |||
3-2 | II. Larghetto |
10:51 | |
3-3 | III. Rondo. Allegro |
9:48 | |
Piano Concerto No.4 In G, Op.58 | |||
3-5 | II. Andante Con Moto |
4:12 | |
3-6 | III. Rondo.:Vivace |
9:19 | |
Piano Concerto No.3 In C Minor, Op.37 | |||
4-2 | II. Largo |
10:04 | |
4-3 | III. Rondo: Allegro |
9:02 | |
Piano Concerto No.5 In E-flat, Op. 73 Emperor' | |||
4-5 | II. Adagio Un Poco Mosso |
7:53 | |
4-6 | III. Rondo |
6:36 | |
Symphony No.4 In E Minor, Op.98 | |||
5-2 | II. Andante Moderato |
11:50 | |
5-3 | III. Allegro Giocoso |
5:56 | |
5-4 | IV. Allegro Energico E Passionato |
10:25 | |
5-5 | 3 March Militaires, D733 | 4:18 | |
5-6 | Marche Hongroise From La Damnation De Faust, Op. 24 H111 | 4:11 | |
5-7 | Capriccio Italien, Op.45 (Excerpts) | 8:06 | |
Sinfonie In C, Op.46 | |||
5-9 | II. Adagio – |
3:14 | |
5-10 | III. Presto |
5:50 | |
Piano Concerto No.2 In B, Op.83 | |||
6-2 | II. Allegro Appassionato |
8:02 | |
6-3 | III. Andante |
11:499:01 | |
6-4 | IV. Allegro Grazioso |
||
Piano Concerto In A Minor, Op.54 | |||
6-6 | II. Intermezzo: Andantino Grazioso |
4:57 | |
6-7 | III. Allegro Vivace |
9:40 | |
Violin Concerto In D, Op.77 | |||
7-2 | II. Adagio |
9:13 | |
7-3 | III. Allegro Giocoso, Ma Non Troppo |
7:40 | |
Hungarian Dances | |||
7-5 | No.6 In D Major |
3:14 | |
Variations And Fugue On A Theme Of Mozart, Op.132 | |||
7-7 | Var. I: L'istesso Tempo. Quasi Un Poco Più, Lento |
2:09 | |
7-8 | Var. II: Poco Agitato |
1:56 | |
7-9 | Var. III: Con Moto |
1:16 | |
7-10 | Var. IV: Vivace |
0:45 | |
7-11 | Var. V: Quasi Presto |
1:34 | |
7-12 | Var. VI: Sostenuto (Quasi Adagietto) |
2:20 | |
7-13 | Var. VII: Anandate Grazioso |
2:21 | |
7-14 | Var. VIII: Molto Sostenuto |
6:14 | |
7-15 | Fugue: Allegretto Grazioso |
8:55 | |
8-1 | Oberon Overture | ||
Der Freischütz | |||
8-3 | Act III: Chorus Of Foresters: 'Was Gleicht Wohl Auf Erden'
Chorus – Chor der Staatsoper Dresden |
9:13 | |
8-4 | Faust: Act IV: Soldiers' Chorus: 'Hoch, Ruhm Und Ehre' = Gloire Immortelle De Nos Aïeux | 2:49 | |
8-5 | Aida To Prelude Act I | 3:58 | |
8-6 | Otello: Act II: Bei Des Himmels Ehernem Dache = Sì, Pel Ciel Marmoreo Giuro | 2:54 | |
8-7 | Pagliacci: Intermezzo | 3:28 | |
8-8 | La Fanciulla Del West: Act III: Lasset Sie Glauben = Ch'ella Mi Creda | 2:29 | |
Cavalleria Rusticana | |||
8-10 | Intermezzo Sinfonico |
3:21 | |
8-11 | Die Fledermaus Overture | 7:47 | |
8-12 | Tausendundeine Nacht, Op.346 | 4:42 | |
8-13 | Kaiserwalzer, Op.437 | 8:50 | |
8-14 | Donna Diana Overture | 4:06 | |
8-15 | Rondino Giocoso, Op.4 | 3:52 | |
Symphony No.4 In E-flat "Romantic" (1878/90 Version) | |||
9-2 | II. Andante, Quasi Allegretto |
16:09 | |
9-3 | III. Scherzo: Bewegt |
10:02 | |
9-4 | IV. Finale: Bewegt, Doch Nicht Zu Schnell |
19:27 | |
Symphony No.5 In B-flat (1878 Version) | |||
10-2 | II. Adagio: Sehr Langsam |
15:15 | |
10-3 | III. Scherzo. Molto Vivace |
13:12 | |
10-4 | IV. Finale: Adagio – Allegro Moderato |
21:35 | |
11-1 | Der Fliegende Holländer: Overture
Composed By – Richard Wagner |
||
11-2 | Tannhaüser: Overture
Composed By – Richard Wagner |
||
11-3 | Tannhaüser: Act II: Entry Of The Guests: Freudig Begrüßen Wir Die Edle Halle
Composed By – Richard Wagner |
||
11-4 | Lohengrin: Act II: Women's Train To Münster: Gesegnet Soll Sie Schreiten
Composed By – Richard Wagner |
||
11-5 | Lohengrin: Act III Prelude
Composed By – Richard Wagner |
||
11-6 | Lohengrin: Act III: Bridal Chorus: Treulich Geführt
Composed By – Richard Wagner |
||
11-7 | Die Meitersinger von Nürnberg: Act I: Prelude
Composed By – Richard Wagner |
||
11-8 | Die Meitersinger von Nürnberg: Act II: Was Duftet Doch Der Flieder
Composed By – Richard Wagner |
||
11-9 | Hänsel Und Gretel: Overture
Composed By – Engelbert Humperdinck (2) |
||
11-10 | The Bartered Bride: Overture
Composed By – Bedřich Smetana |
||
12-1 | Till Eulenspiegels Lustige Streiche, Op. 28
Composed By – Richard Strauss |
||
12-2 | Don Juan, Op. 20
Composed By – Richard Strauss |
||
12-3 | Salome: Dance Of The Seven Veils
Composed By – Richard Strauss |
||
12-4 | Der Rosenkavalier: Act II: Mit Ihren Augen Voll Tränen
Composed By – Richard Strauss |
||
12-5 | Der Rosenkavalier: Act III: Waltz
Composed By – Richard Strauss |
||
12-6 | Der Rosenkavalier: Act III: Ist Ein Traum. Kann Nicht Wirklich Sein
Composed By – Richard Strauss |
||
12-7 | Daphne: Daphne's Scene: O Wie Gern Blieb' Ich Bei Dir
Composed By – Richard Strauss |
||
12-8 | Daphne: Apollo's Scene: Götter! Brüder Im Hohen Olympos!
Composed By – Richard Strauss |
||
12-9 | Daphne: Transformation Scene: Wind... Spiele Mit Mir!
Composed By – Richard Strauss |
||
Die Meistersinger von Nürnberg: Act III
Composed By – Richard Wagner |
|||
13-2 | Scene 1: Gleich. Meister! Hier! |
||
13-3 | Scene 1: Am Jordan Sankt Johannes Stand |
||
13-4 | Scene 1: Wahn! Wahn! Überall Wahn! |
||
13-5 | Scene 2: Grüß Gott. Mein Junker |
||
13-6 | Scene 2: Mein Freund! In holder Jundzeit |
||
13-7 | Scene 2: Morgenlich Leuchtend Im Rosigen Schein |
||
13-8 | Scene 3: Ein Werbelied! Von Sachs? - Ist's Wahr? |
||
13-9 | Scene 3: Das Gedicht? Hier Ließ Ich's |
||
13-10 | Scene 4: Sieh, Evchen! |
||
13-11 | Scene 4: Hat Man Mit Dem Schuhwerk Nicht Seine Not! |
||
13-12 | Scene 4: Ein Kind Ward Hier Geboren |
||
14-1 | Scene 4: Die Selige Morgentraum-Deutweise - Selig, Wie Die Sonne |
||
14-2 | Scene 5: Sankt Crispin. Lobet Ihn |
||
14-3 | Scene 5: Ihr Taut? Was Werden Die Meister Sagen? |
||
14-4 | Scene 5: Silentium! Silentium! |
||
14-5 | Scene 5: Euch Macht Ihr's Leicht, Mir Macht Ihr's Schwer |
||
14-6 | Scene 5: Nun Denn, Wenn's Meistern Und Volk Beliebt |
||
14-7 | Scene 5: Das Lied, Fürwahr, Ist Nicht von Mir |
||
14-8 | Scene 5: Morgenlich Leuchtend Im Rosigem Schein |
||
14-9 | Scene 5: Verachtet Mir Die Meister Nicht |
||
14-10 | Prelude |
||
14-11 | Die Lustigen Weiber von Windsor: Overture
Composed By – Otto Nicolai |
||
14-12 | Zar Und Zimmermann: Act III: Holzschuhtanz
Composed By – Albert Lortzing |
||
14-13 | Undine: Act II: Ballettmusik
Composed By – Albert Lortzing |
||
Symphony No. 8 In B Minor, D. 759 "Unfinished"
Composed By – Franz Schubert |
|||
15-2 | II. Andante Con Moto |
||
Symphony No. 2 In D, Op. 73
Composed By – Johannes Brahms |
|||
15-4 | II. Adagio Non Troppo |
||
15-5 | III. Allegretto Grazioso |
||
15-6 | IV. Allegro Con Spirito |
||
16-1 | Suite No. 3 In D, BWV 1068: II. Air
Composed By – Johann Sebastian Bach |
||
Symphony No. 35 In D,. K. 385 "Haffner"
Composed By – Wolfgang Amadeus Mozart |
|||
16-3 | II. Andante |
||
16-4 | III. Menuetto |
||
16-5 | IV. Presto |
||
Symphony No. 1 In C Minor, Op. 68
Composed By – Johannes Brahms |
|||
16-7 | II. Andante Sostenuto |
||
16-8 | III. Un Poco Allegretto A Grazioso |
||
16-9 | IV. Adagio - Più Andante - Allegro Non Troppo, Ma Con Brio - Più Allegro |
||
Symphony No. 25 In G Minor, K. 183
Composed By – Wolfgang Amadeus Mozart |
|||
17-2 | II. Andante |
||
17-3 | III. Menuet & Trio |
||
17-4 | IV. Allegro |
||
Symphony No. 41 In C, K. 551 "Jupiter"
Composed By – Wolfgang Amadeus Mozart |
|||
17-6 | II. Andante Cantabile |
||
17-7 | III, Menuetto: Allegretto -trio |
||
17-8 | IV. Molto Allegro |
||
18-1 | Der Schauspieldirektor, K 486: Overture
Composed By – Wolfgang Amadeus Mozart |
||
Serenade No. 6 In D, K 239 "Serenata Notturna"
Composed By – Wolfgang Amadeus Mozart |
|||
18-3 | I. Minuetto |
||
18-4 | III. Rondo: Allegretto |
||
Serenade No. 7 In D, K250 "Haffner"
Composed By – Wolfgang Amadeus Mozart |
|||
Divertimento No. 11 In D, K 251
Composed By – Wolfgang Amadeus Mozart |
|||
18-7 | Morgenblätter, Op. 279
Composed By – Johann Strauss Jr. |
||
18-8 | Rosen Aus Dem Süden, Op. 388
Composed By – Johann Strauss Jr. |
||
18-9 | Sphärenklänge, Op. 235
Composed By – Johann Strauss Jr. |
||
18-10 | Neue Pizzicato Polka, Op. 449
Composed By – Johann Strauss Jr. |
||
18-11 | Notre Dame: Intermezzo
Composed By – Franz Schmidt |
||
18-12 | Turandot: Act III: Tu, Che di Gel Sei Cinta |
||
19-1 | Die Walküre: Act II, Scene 4: Siegmund! Sieh' Auf Mich! |
||
19-2 | Tristan Und Isolde: Act II, Scene 2: O Sink' Hernieder, Nacht Der Liebe |
Участники записи:
- Alto Vocals – Helene Jung
- Alto Vocals – Elisabeth Höngen
- Baritone Vocals – Arno Schellenberg
- Baritone Vocals – Robert Bussel
- Baritone Vocals – Josef Herrmann
- Baritone Vocals – Hans Hermann Nissen
- Baritone Vocals – Eugen Fuchs
- Bass Vocals – Serge Smirnoff
- Bass Vocals – Ludwig Eybisch
- Bass Vocals – Hermann Greiner
- Bass Vocals – Sven Nilsson (5)
- Conductor – Karl Böhm
- Contralto Vocals – Constance Shacklock
- Design – Paul Mitchell (9)
- Engineer – Douglas Larter
- Liner Notes [Translation] – Susannah Howe
- Orchestra – Wiener Philharmoniker
- Orchestra – Berliner Philharmoniker
- Orchestra – Philharmonia Orchestra
- Photography By [Cover] – Kurt Schaarschuch
- Producer – Walter Legge
- Producer – Walter Michael Berten
- Soprano Vocals – Kirsten Flagstad
- Soprano Vocals – Elisabeth Schwarzkopf
- Soprano Vocals – Esther Réthy
- Tenor Vocals – Set Svanholm
- Tenor Vocals – Klaus Hermanns
- Tenor Vocals – Martin Kremer
- Tenor Vocals – Rudolf Schmalnauer
- Tenor Vocals – Hans Lange
- Tenor Vocals – Rudolf Dittrich
- Tenor Vocals – Torsten Ralf
- Violin – Jan Dahmen
- Violin – Willi Boskovsky
Лейблы и идентификаторы:
- Barcode Text: 1 90295 88672 1
- Barcode Scanned: 190295886721
- SPARS Code : ADD
- Rights Society : GEMA/BIEM
Компании:
- Copyright (c) – Parlophone Records Ltd.
- Glass Mastered At – Optimal Media GmbH
- Phonographic Copyright (p) – Warner Music Group Germany Holding GmbH
- Published By – F. Kalmus & Co.
- Published By – Heugel
- Published By – Johannes Oertel Verlag
- Record Company – Warner Music Group
Участники записи:
- Alto Vocals – Helene Jung
- Alto Vocals – Elisabeth Höngen
- Baritone Vocals – Arno Schellenberg
- Baritone Vocals – Robert Bussel
- Baritone Vocals – Josef Herrmann
- Baritone Vocals – Hans Hermann Nissen
- Baritone Vocals – Eugen Fuchs
- Bass Vocals – Serge Smirnoff
- Bass Vocals – Ludwig Eybisch
- Bass Vocals – Hermann Greiner
- Bass Vocals – Sven Nilsson (5)
- Conductor – Karl Böhm
- Contralto Vocals – Constance Shacklock
- Design – Paul Mitchell (9)
- Engineer – Douglas Larter
- Liner Notes [Translation] – Susannah Howe
- Orchestra – Wiener Philharmoniker
- Orchestra – Berliner Philharmoniker
- Orchestra – Philharmonia Orchestra
- Photography By [Cover] – Kurt Schaarschuch
- Producer – Walter Legge
- Producer – Walter Michael Berten
- Soprano Vocals – Kirsten Flagstad
- Soprano Vocals – Elisabeth Schwarzkopf
- Soprano Vocals – Esther Réthy
- Tenor Vocals – Set Svanholm
- Tenor Vocals – Klaus Hermanns
- Tenor Vocals – Martin Kremer
- Tenor Vocals – Rudolf Schmalnauer
- Tenor Vocals – Hans Lange
- Tenor Vocals – Rudolf Dittrich
- Tenor Vocals – Torsten Ralf
- Violin – Jan Dahmen
- Violin – Willi Boskovsky