The Consort Of Musicke – Musicke Of Sundrie Kindes
| Лейбл: | World Record Club – R-03283 World Record Club – R-03284 World Record Club – R-03285 World Record Club – R-03286 |
| Формат: | Vinyl |
| Страна: | Australia |
| Жанр: | Classical |
| Стиль: | Baroque, Renaissance |
Подробнее об участниках записи
Треклист:
| Ars Perfecta (An Internationally Unified Language C. 1500) |
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| Three Generations Of Flemisch Composers, Centered Around Josquin Des Prés |
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| A1 | Pater Noster
Composed By – Jacob Obrecht |
4:25 | |
| A2a | Ich Draghe De Mütse Clütse
Composed By – Jacob Obrecht |
1:30 | |
| A2b | La La Hö Hö
Composed By – Heinrich Isaac |
1:25 | |
| A2c | Mijn Morken Gaf
Composed By – Jacob Obrecht |
1:20 | |
| A3 | Pour Ung Jamais
Composed By – Pierre de la Rue |
2:15 | |
| A4a | Je Ne Fay | 5:35 | |
| A4b | Mille Regretz | 6:15 | |
| A5 | Caeciliam Cantate
Composed By – Nicolas Gombert |
2:50 | |
| The Fruits Of Love (The 'Frottola' And The Rebirth Of Music In An Italian Style) |
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| Courts Of Lorenzo De' Medici (Florence) & Isabella D'Este (Mantua) Were Centers Of A Flowering Of Music |
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| B1a | Tastar De Corde / Recercar
Composed By – Joan Ambrosio Dalza |
4:40 | |
| B1b | Calata
Composed By – Anonymous |
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| B1c | Ave Maria
Composed By – Bartolomeo Tromboncino |
2:10 | |
| B2a | Ostinato Vo' Seguire
Composed By – Bartolomeo Tromboncino |
1:05 | |
| B2b | Suite Regina
Composed By – Anonymous |
2:20 | |
| B2c | Chui Dicese E Non L'amare
Composed By – Anonymous |
1:35 | |
| B2d | Pavana Venetiana
Composed By – Anonymous |
1:05 | |
| B2e | Se Mai Per Maraveglia
Composed By – Anonymous |
3:10 | |
| B2f | Suite Ferrarese
Composed By – Joan Ambrosio Dalza |
2:45 | |
| B2g | Hor Che'l Ciel E La Terra
Composed By – Bartolomeo Tromboncino |
2:20 | |
| B3a | Palle, Palle
Composed By – Heinrich Isaac |
2:10 | |
| B3b | Ne Più Bella Di Queste
Composed By – Heinrich Isaac |
1:10 | |
| B3c | Quis Dabit Pacem
Composed By – Heinrich Isaac |
3:40 | |
| Les Cris De Paris (One Hundred Years Of French Musical Fashion) |
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| Rapid Changes Of Taste And A Deep Concern For The Sense Of The Text Lead To A Kaleidoscopic Variety |
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| C1a | Virgo Celesti
Composed By – Loyset Compère |
1:30 | |
| C1b | Belle, Tenés Moy / La Triquotée
Composed By – Anonymous |
2:45 | |
| C1c | Celle Qui M'a Demandé
Composed By – Anonymous |
1:20 | |
| C1d | La, La, La, L'Oysillon Du Bois
Composed By – Jean Mouton |
1:10 | |
| C2a | Las, Je M'y Plains
Composed By – Claudin de Sermisy |
1:10 | |
| C2b | Content Désir
Composed By – Claudin de Sermisy |
3:10 | |
| C2c | Content Désir Basse Danse
Composed By – Pierre Attaignant |
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| C3 | Les Cris De Paris
Composed By – Clément Janequin |
6:20 | |
| C4 | Hélas, Hélas, Que De Mal
Composed By – Guillaume Costeley |
3:35 | |
| C5a | Fière Cruelle
Composed By – Claude Le Jeune |
2:20 | |
| C5b | Fantasia
Composed By – Eustache Du Caurroy |
2:00 | |
| C5c | Mignonne Allons
Composed By – Anonymous |
3:55 | |
| C5d | Las, Je N'eusse
Composed By – Anonymous |
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| C5e | Prince La France Te Veut
Composed By – Eustache Du Caurroy |
1:45 | |
| Fa La Li Le La |
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| The Influence Of Italian Popular Music At All Social Levels Throughout Europe In The 16th. Century |
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| D1a | Sentomi La Formicula
Composed By – Fillippo Azzaiolo |
0:45 | |
| D1b | Quando La Sera
Composed By – Fillippo Azzaiolo |
1:00 | |
| D2a | Pavana De La Mortè De La Ragione
Composed By – Anonymous |
2:05 | |
| D2b | L'e Pur Morto Feragù
Composed By – Anonymous |
2:05 | |
| D2c | Saltarello De La Morte De La Ragione
Composed By – Anonymous |
0:55 | |
| D3a | La Bella Franceschina | 3:35 | |
| D3b | Girometta | 3:25 | |
| D4a | Pavana El Todescho
Composed By – Anonymous |
1:05 | |
| D4b | Mi Stare Pone Totesche
Composed By – Cosimo Bottegari |
1:50 | |
| D4c | Matona Mia Cara
Composed By – Roland de Lassus |
2:20 | |
| D5a | Passamezzo Commun
Composed By – Giovanni Pacoloni |
6:25 | |
| D5b | Recercada
Composed By – Diego Ortiz |
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| D5c | Padoana Commun
Composed By – Giovanni Pacoloni |
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| D6 | Cathalina, Apra Finestra
Composed By – Roland de Lassus |
3:35 | |
| Quodlibet |
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| Fusion Of Flemisch, French & Italian Styles With Local Musical Traditions In The 16th. Century |
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| Germany: |
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| E1a | Christ Der Ist Erstanden | 1:45 | |
| E1b | O Rosa Bella / Hastu Mir | 1:20 | |
| E1c | Der Ratten Schwanz
Composed By – Anonymous |
1:40 | |
| E1d | Die Katzenpföte
Composed By – Anonymous |
0:55 | |
| E1e | Elslein, Liebstes Elselein
Composed By – Anonymous |
2:00 | |
| E2a | Bruder Konrad | 1:55 | |
| E2b | Nach Willen Dein | 4:40 | |
| E2c | Vitrum Nostrum Gloriosum
Composed By – Georg Forster |
1:15 | |
| Spain: |
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| E3a | La Spagna
Composed By – Francisco de la Torre |
1:10 | |
| E3b | Adoramos Te, Señor
Composed By – Francisco de la Torre |
2:05 | |
| E4a | Fantasia
Composed By – Luis de Narváez |
1:10 | |
| E4b | Dulces Exuviae
Composed By – Alonso Mudarra |
3:40 | |
| E5a | E Qui La Dira | 1:50 | |
| E5b | Doulce Memoire | 3:15 | |
| E5c | Lindos Ojos Aveys, Señora
Composed By – Juan Vasquez |
1:10 | |
| Per Cantare E Sonare |
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| The Vocal Italian 'Madrigal' And Instrumental 'Canzona Francesa' Were The Largest Scale Forms Evolved |
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| F1a | Recercare A 4
Composed By – Giulio Segni Da Modena |
2:00 | |
| F1b | Madonna, Qual Certezza | 4:30 | |
| F2a | Ricercare A 3
Composed By – Giuliano Tiburtino |
2:00 | |
| F2b | De La Belle Contrade
Composed By – Cipriano De Rore |
2:45 | |
| F3a | Canzona Francese
Composed By – Andrea Gabrieli |
4:45 | |
| F3b | Occhi Lucenti
Composed By – Luca Marenzio |
2:25 | |
| F4a | Canzona Francese | 4:45 | |
| F4b | O Voi Che Sospirate
Composed By – Luca Marenzio |
3:40 | |
| F5a | Canzona Francese
Composed By – Carlo Gesualdo |
2:20 | |
| F5b | Mille Volte Il Dio Moro
Composed By – Carlo Gesualdo |
3:00 | |
| F6 | Sanctus Dominus Deus
Composed By – Giovanni Gabrieli |
2:05 | |
| The Merry Dumps (Melancholy And Mirth In English Music From 1480-1620) |
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| Fusion Of Paradoxes Creating A Musical Language Through Borrowing Elements From The Continent |
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| G1a | Thatt Was My Woo
Composed By – Robert Fayrfax |
2:00 | |
| G1b | I Love, Loved
Composed By – Robert Fayrfax |
2:55 | |
| G2a | In Nomine
Composed By – Christopher Tye |
2:15 | |
| G2b | Blame Not My Lute | 1:55 | |
| G2c | Lady WynkFyldes Rownde
Composed By – Anonymous |
1:20 | |
| G2d | Where Griping Griefs | 1:05 | |
| G3a | Shooting Of The Guns Pavan
Composed By – Anonymous |
2:35 | |
| G3b | Wand'ring In This Place
Composed By – Michael Cavendish |
3:00 | |
| G3c | Dolorosa Pavan
Composed By – Richard Allison |
3:50 | |
| G4a | Now Each Flowery Bank
Composed By – Orlando Gibbons |
3:15 | |
| G4b | The Leaves Be Greene
Composed By – William Inglott |
3:30 | |
| G4c | Le Rossignol
Composed By – Anonymous |
1:30 | |
| G4d | Musick And Mirth
Composed By – Tobias Hume |
2:00 | |
| The Wind Of Change (The Changes Which Led European Society Into A New Age) |
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| They Were Reflected In Musical Styles First In Italy C.1500 And Then Through The Whole Of Europe |
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| H1 | La Brillantina
Composed By – Gioseffo Guami |
3:00 | |
| H2 | Sta Notte
Composed By – Anonymous |
2:25 | |
| H3 | Sonata
Composed By – Giovanni Battista Fontana |
6:30 | |
| H4 | Nerinda Bella
Composed By – Rafaello Rontani |
3:25 | |
| H5 | Toccata
Composed By – Girolamo Frescobaldi |
5:15 | |
| H6 | Lamento D'Olimpia
Composed By – Claudio Monteverdi |
6:00 | |
| H7 | Thus Sang Orpheus
Composed By – Walter Porter |
3:20 |
Участники записи:
- Bass Vocals – David Thomas (9)
- Chorus Master [Vocal Conductor] – Andrew Parrott
- Countertenor Vocals – John York Skinner
- Countertenor Vocals – Kevin Smith (11)
- Engineer [Sound Engineer] – Philip Wade
- Ensemble – The Consort Of Musicke
- Executive-Producer – Raymond Ware
- Flute [Tenor Flute], Flute [Bass Flute], Recorder [Descant Recorder], Alto Recorder, Recorder [Tenor Recorder], Bagpipes, Rauschpfeife – Bernard Thomas (2)
- Harpsichord – Nicholas Kraemer
- Illustration, Cover [Booklet], Cover [Box] – Lucas van Leyden
- Lute [Bass Lute], Bandura – Michael Hunt (4)
- Lute [Tenor Lute], Lute [Bass Lute] – Julian Crème
- Lute [Tenor Lute], Lute [Bass Lute], Lute [Great Bass Lute], Cittern, Viol [Tenor Viol], Gittern – Anthony Rooley
- Producer [Record Producer] – Peter Wadland
- Rebec [Treble Rebec] – Eleanor Sloan
- Research [Musical], Coordinator [Program Planning], Directed By, Liner Notes – Anthony Rooley
- Score Editor [Performing Edition] – Julian Crème
- Score Editor [Performing Edition] – Anthony Rooley
- Score Editor [Performing Edition] – Trevor Jones (4)
- Soprano Vocals – Emma Kirkby
- Tenor Vocals – Paul Elliott
- Tenor Vocals – Martyn Hill
- Viol [Bass Viol], Viol [Lyra Viol] – Jane Ryan
- Viol [Tenor Viol], Viol [Bass Viol], Viol [Lyra Viol], Rebec [Bass Rebec] – Ian Gammie
- Viol [Tenor Viol], Viol [Bass Viol], Viol [Lyra Viol], Rebec [Tenor Rebec], Rebec [Bass Rebec], Viola – Trevor Jones (4)
- Viol [Treble Viol], Viol [Tenor Viol], Violin, Viola – Polly Waterfield
- Violin [Treble Violin], Violin [Tenor Violin], Violin – Nicola Cleminson
- Violin [Treble Violin], Violin [Tenor Violin], Violin, Rebec [Treble Rebec], Rebec [Tenor Rebec] – Catherine Mackintosh
Лейблы и идентификаторы:
- Matrix / Runout Side A - label: ZTT 811
- Matrix / Runout Side B - label: ZTT 812
- Matrix / Runout Side C - label: ZTT 813
- Matrix / Runout Side D - label: ZTT 814
- Matrix / Runout Side E - label: ZTT 815
- Matrix / Runout Side F - label: ZTT 816
- Matrix / Runout Side G - label: ZTT 817
- Matrix / Runout Side H - label: ZTT 818
- Matrix / Runout Side A - runout: ZTT-811-3A
- Matrix / Runout Side B - runout: ZTT-812-2A
- Matrix / Runout Side C - runout: ZTT-813-1A
- Matrix / Runout Side D - runout: ZTT-814-2A
- Matrix / Runout Side E - runout: ZTT-815-1A
- Matrix / Runout Side F - runout: ZTT-816-1A
- Matrix / Runout Side G - runout: ZTT-817-3A
- Matrix / Runout Side H - runout: ZTT-818-1A
- Other Record 1 - Side A and B - labels: R-03283
- Other Record 2 - Side C and D - labels: R-03284
- Other Record 3 - Side E and F - labels: R-03285
- Other Record 4 - Side G and H - labels: R-03286
Компании:
Нет данных
Участники записи:
- Bass Vocals – David Thomas (9)
- Chorus Master [Vocal Conductor] – Andrew Parrott
- Countertenor Vocals – John York Skinner
- Countertenor Vocals – Kevin Smith (11)
- Engineer [Sound Engineer] – Philip Wade
- Ensemble – The Consort Of Musicke
- Executive-Producer – Raymond Ware
- Flute [Tenor Flute], Flute [Bass Flute], Recorder [Descant Recorder], Alto Recorder, Recorder [Tenor Recorder], Bagpipes, Rauschpfeife – Bernard Thomas (2)
- Harpsichord – Nicholas Kraemer
- Illustration, Cover [Booklet], Cover [Box] – Lucas van Leyden
- Lute [Bass Lute], Bandura – Michael Hunt (4)
- Lute [Tenor Lute], Lute [Bass Lute] – Julian Crème
- Lute [Tenor Lute], Lute [Bass Lute], Lute [Great Bass Lute], Cittern, Viol [Tenor Viol], Gittern – Anthony Rooley
- Producer [Record Producer] – Peter Wadland
- Rebec [Treble Rebec] – Eleanor Sloan
- Research [Musical], Coordinator [Program Planning], Directed By, Liner Notes – Anthony Rooley
- Score Editor [Performing Edition] – Julian Crème
- Score Editor [Performing Edition] – Anthony Rooley
- Score Editor [Performing Edition] – Trevor Jones (4)
- Soprano Vocals – Emma Kirkby
- Tenor Vocals – Paul Elliott
- Tenor Vocals – Martyn Hill
- Viol [Bass Viol], Viol [Lyra Viol] – Jane Ryan
- Viol [Tenor Viol], Viol [Bass Viol], Viol [Lyra Viol], Rebec [Bass Rebec] – Ian Gammie
- Viol [Tenor Viol], Viol [Bass Viol], Viol [Lyra Viol], Rebec [Tenor Rebec], Rebec [Bass Rebec], Viola – Trevor Jones (4)
- Viol [Treble Viol], Viol [Tenor Viol], Violin, Viola – Polly Waterfield
- Violin [Treble Violin], Violin [Tenor Violin], Violin – Nicola Cleminson
- Violin [Treble Violin], Violin [Tenor Violin], Violin, Rebec [Treble Rebec], Rebec [Tenor Rebec] – Catherine Mackintosh
