Christopher Hogwood – The Bach Recordings
| Лейбл: | Decca – 0289 482 1736 6 Decca – 482 1736 L'Oiseau-Lyre – 482 1736 |
| Формат: | CD , Box Set |
| Страна: | Europe |
| Дата релиза: | 2014 |
| Жанр: | Classical |
| Стиль: | Baroque, Classical |
Подробнее об участниках записи
Треклист:
| Johann Sebastian Bach: The Brandenburg Concertos (Original Version) |
|||
| Concerto No. 1 In F, BWV 1046a
Bassoon – Felix Warnock Composed By – Johann Sebastian Bach Oboe – Clare Shanks Oboe – Ku Ebbinge Trumpet [Natural Trumpet] – Michael Thompson (2) Violin – Catherine Mackintosh |
|||
| Concerto No. 2 In F, BWV 1047
Composed By – Johann Sebastian Bach Oboe – Ku Ebbinge Recorder – Michel Piguet Trumpet [Natural Trumpet] – Friedemann Immer Violin – Catherine Mackintosh |
|||
| Concerto No. 3 In G, BWV 1048
Composed By – Johann Sebastian Bach |
|||
| Concerto No. 4 In G, BWV 1049
Composed By – Johann Sebastian Bach Recorder – Michel Piguet Recorder – Sabine Weill Violin – Jaap Schröder |
|||
| Concerto No. 5 In D, BWV 1050a | |||
| Concerto No. 6, In B Flat, BWV 1051
Cello – Timothy Mason Composed By – Johann Sebastian Bach Viola – Trevor Jones (4) Viola – Jan Schlapp |
|||
| Concerto For Harpsichord, Strings And Continuo No.1 In D Minor, BWV 1052 | |||
| Concerto For Harpsichord, Strings And Continuo No. 3 In D, BWV 1054 | |||
| Concerto For Harpsichord, Strings And Continuo No. 5 In F Minor, BWV 1056 | |||
| Concerto For Harpsichord, Strings And Continuo No. 2 In E, BWV 1053 | |||
| Concerto For Harpsichord, Strings And Continuo No. 4 In A, BWV 1055 | |||
| Concerto For Harpsichord, Strings And Continuo No. 7 In G Minor, BWV 1058 | |||
| Concerto For 3 Harpsichords, Strings And Continuo No. 2 In C, BWV 1064r
Composed By – Johann Sebastian Bach Violin – Catherine Mackintosh Violin – Christopher Hirons Violin – Monica Huggett |
|||
| Concertos For 3 Harpsichords, Strings And Continuo No. 2 in C, BWV 1064
Composed By – Johann Sebastian Bach Harpsichord – Christopher Hogwood Harpsichord – Christophe Rousset Harpsichord – Davitt Moroney |
|||
| Concertos For 3 Harpsichords, Strings And Continuo No. 1 in D Minor, BWV 1063
Composed By – Johann Sebastian Bach Harpsichord – Christopher Hogwood Harpsichord – Colin Tilney Harpsichord – Davitt Moroney |
|||
| Concerto For 4 Harpsichords, Strings And Continuo In A Minor, BWV 1065
Composed By – Johann Sebastian Bach Harpsichord – Christopher Hogwood Harpsichord – Christophe Rousset Harpsichord – Colin Tilney Harpsichord – Davitt Moroney |
|||
| Violin Concerto No. 1 In A Minor, BWV 1041 | |||
| Violin Concerto No. 2 In E, BWV 1042 | |||
| Concerto For Harpsichord, 2 Records, Strings And Continuo No. 6 In F, BWV 1057 | |||
| Concerto For Flute, Violin, Harpsichord And Strings In A Minor, BWV 1044
Composed By – Johann Sebastian Bach Flute – Rachel Brown (2) Harpsichord – Christophe Rousset Violin – Simon Standage |
|||
| Concerto for Violin and Oboe In C Minor, BWV 1060R | |||
| Concerto for 2 Harpsichords, Strings and Continuo In C Minor, BWV 1060
Composed By – Johann Sebastian Bach Harpsichord – Christopher Hogwood Harpsichord – Christophe Rousset |
|||
| Concerto For 2 Harpsichords, Strings And Continuo In C Minor, BWV 1062
Composed By – Johann Sebastian Bach Harpsichord – Christopher Hogwood Harpsichord – Christophe Rousset |
|||
| Concerto For 2 Violins, Strings And Continuo In D Minor, BWV 1043 | |||
| Suite In E Flat, BWV 819
Composed By – Johann Sebastian Bach |
|||
| 8-7 | Allemande, BWV 819a
Composed By – Johann Sebastian Bach |
4:18 | |
| Suite In A Minor, BWV 818a
Composed By – Johann Sebastian Bach |
|||
| French Suite No. 1 In D Minor, BWV 812
Composed By – Johann Sebastian Bach |
|||
| French Suite No. 2 In C Minor, BWV 813
Composed By – Johann Sebastian Bach |
|||
| French Suite No. 3 In B Minor, BWV 814
Composed By – Johann Sebastian Bach |
|||
| French Suite No. 4 In E Flat, BWV 815
Composed By – Johann Sebastian Bach |
|||
| French Suite No. 5 in G, BWV 816
Composed By – Johann Sebastian Bach |
|||
| French Suite No. 6 In E, BWV 817
Composed By – Johann Sebastian Bach |
|||
| Suite No. 3 In D BWV 1068
Composed By – Johann Sebastian Bach |
|||
| Suite No. 1 In C BWV 1066
Composed By – Johann Sebastian Bach |
|||
| Suite No. 2 In B Minor, BWV 1067 | |||
| Suite No. 4 In D, BWV 1069
Composed By – Johann Sebastian Bach |
|||
| 12-1 | Trio Sonata In G, BWV 1039
Composed By – Johann Sebastian Bach Flute – Stephen Preston Flute – Nicholas McGegan Viola da Gamba – Jane Ryan |
13:38 | |
| Musical Offering, BWV 1079
Composed By – Johann Sebastian Bach |
|||
| Christmas Oratorio, BWV 248, Part Two - For The Second Day Of Christmas
Composed By – Johann Sebastian Bach |
|||
| 12-6 | Fugue In B Minor, BWV 579 On A Theme By Corelli | 4:09 | |
| Coffee Cantata, BWV 211
Bass Vocals – David Thomas (9) Composed By – Johann Sebastian Bach Soprano Vocals – Emma Kirkby Tenor Vocals – Rogers Covey-Crump |
|||
| Peasant Cantata, BWV 212 | |||
| Cantata BWV 202 "Weichet Nur, Bestrübte Schatten"
Composed By – Johann Sebastian Bach Ensemble – The Academy Of Ancient Music Chamber Ensemble Soprano Vocals – Emma Kirkby |
|||
| "Bist Du Bei Mir", BWV 508
Composed By – Johann Sebastian Bach Ensemble – The Academy Of Ancient Music Chamber Ensemble Soprano Vocals – Emma Kirkby |
2:31 | ||
| "Gedenke Doch, Mein Geist, Zurücke", BWV 509
Composed By – Johann Sebastian Bach Ensemble – The Academy Of Ancient Music Chamber Ensemble Soprano Vocals – Emma Kirkby |
1:08 | ||
| Cantata "Ich Habe Genug", BWV 82
Composed By – Johann Sebastian Bach Ensemble – The Academy Of Ancient Music Chamber Ensemble Soprano Vocals – Emma Kirkby |
8:30 | ||
| Cantata "O Holder Tag, Erwünschte Zeit", BWV 210
Composed By – Johann Sebastian Bach Ensemble – The Academy Of Ancient Music Chamber Ensemble Soprano Vocals – Emma Kirkby |
|||
| Carl Philipp Emanuel Bach |
|||
| Sinfonia In G, Wq 182 No. 1
Composed By – Carl Philipp Emanuel Bach |
|||
| Sinfonia In B Flat, Wq 182 No. 2
Composed By – Carl Philipp Emanuel Bach |
|||
| Sinfonia In C, Wq 182 No. 3
Composed By – Carl Philipp Emanuel Bach |
|||
| Sinfonia In A, Wq 182 No. 4
Composed By – Carl Philipp Emanuel Bach |
|||
| Sinfonia In B Minor, Wq 182 No. 5
Composed By – Carl Philipp Emanuel Bach |
|||
| Sinfonia In E, Wq 182 No. 6
Composed By – Carl Philipp Emanuel Bach |
|||
| Sinfonia In C, Wq 174
Composed By – Carl Philipp Emanuel Bach |
|||
| Sinfonia In D, Wq 176
Composed By – Carl Philipp Emanuel Bach |
|||
| Flute Quartet In A Minor, Wq 93
Cello – Anthony Pleeth Composed By – Carl Philipp Emanuel Bach Flute – Nicholas McGegan Fortepiano – Christopher Hogwood Violin – Catherine Mackintosh |
|||
| Flute Quartet In D, Wq 94
Cello – Anthony Pleeth Composed By – Carl Philipp Emanuel Bach Flute – Nicholas McGegan Fortepiano – Christopher Hogwood Violin – Catherine Mackintosh |
|||
| 16-13 | Fantasy In C
Cello – Anthony Pleeth Composed By – Carl Philipp Emanuel Bach Flute – Nicholas McGegan Fortepiano – Christopher Hogwood Violin – Catherine Mackintosh |
7:28 | |
| Flute Quartet In D, Wq 95
Cello – Anthony Pleeth Composed By – Carl Philipp Emanuel Bach Flute – Nicholas McGegan Fortepiano – Christopher Hogwood Violin – Catherine Mackintosh |
|||
| Sonatas And Sonatinas From "Versuch Über Die Wahre Art Das Clavier Zu Spielen" |
|||
| 6 Sonatine Nuove, Wq 63 Nos. 7-12 (1753) | |||
| Sonata No. 1 In C | |||
| Sonata No. 2 In D | |||
| Sonata No. 3 In A | |||
| Sonata No. 4 In B Minor | |||
| Sonata No. 5 In E Flat | |||
| Sonata No. 6 In F Minor | |||
| 18-1 | Sonata V In C (The Prussian Sonatas)
Cello – Anthony Pleeth Composed By – Carl Philipp Emanuel Bach Flute – Stephen Preston Flute – Nicholas McGegan Harpsichord – Christopher Hogwood |
9:37 | |
| 18-2 | Trio In E For 2 Flutes And Continuo
Cello – Anthony Pleeth Composed By – Carl Philipp Emanuel Bach Flute – Stephen Preston Flute – Nicholas McGegan Harpsichord – Christopher Hogwood |
15:15 | |
| Johann Christian Bach |
|||
| Sonatas Op. 18 | |||
| Six Favourite Overtures |
|||
| Overture No. 1 In D "Orione"
Bassoon – Jeremy Ward Bassoon – Hansjürg Lange Composed By – Johann Christian Bach Flute – Stephen Preston Flute – Nicholas McGegan Horn [Natural Horn] – Shirley Hopkins Horn [Natural Horn] – Alan Civil Oboe – Clare Shanks Oboe – Sophia McKenna |
|||
| Overture No. 5 In G "La Cascina"
Bassoon – Jeremy Ward Bassoon – Hansjürg Lange Composed By – Johann Christian Bach Flute – Nicholas McGegan Flute – Simon Preston Horn [Natural Horn] – Shirley Hopkins Horn [Natural Horn] – Alan Civil Oboe – Clare Shanks Oboe – Sophia McKenna |
|||
| Overture No. 4 In C "Il Tutore E la Pupilla"
Bassoon – Jeremy Ward Bassoon – Hansjürg Lange Composed By – Johann Christian Bach Flute – Nicholas McGegan Flute – Simon Preston Horn [Natural Horn] – Shirley Hopkins Horn [Natural Horn] – Alan Civil Oboe – Clare Shanks Oboe – Sophia McKenna |
|||
| Overture No. 3 In D "Artaserse"
Bassoon – Jeremy Ward Bassoon – Hansjürg Lange Composed By – Johann Christian Bach Flute – Nicholas McGegan Flute – Simon Preston Horn [Natural Horn] – Shirley Hopkins Horn [Natural Horn] – Alan Civil Oboe – Clare Shanks Oboe – Sophia McKenna |
|||
| Overture No. 2 In D "La Calamità de 'cuori"
Bassoon – Jeremy Ward Bassoon – Hansjürg Lange Composed By – Johann Christian Bach Flute – Nicholas McGegan Flute – Simon Preston Horn [Natural Horn] – Shirley Hopkins Horn [Natural Horn] – Alan Civil Oboe – Clare Shanks Oboe – Sophia McKenna |
|||
| Overture No. 6 In G "Astarto, Re di Tiro"
Bassoon – Jeremy Ward Bassoon – Hansjürg Lange Composed By – Johann Christian Bach Flute – Nicholas McGegan Flute – Simon Preston Horn [Natural Horn] – Shirley Hopkins Horn [Natural Horn] – Alan Civil Oboe – Clare Shanks Oboe – Sophia McKenna |
|||
| 19-19 | Duo In F
Composed By – Wilhelm Friedemann Bach Flute – Stephen Preston Flute – Nicholas McGegan Harpsichord – Christopher Hogwood |
12:55 | |
| 19-20 | Trio In F
Cello – Anthony Pleeth Composed By – Wilhelm Friedemann Bach Flute – Stephen Preston Flute – Nicholas McGegan Harpsichord – Christopher Hogwood |
4:25 | |
| Concerto For 2 Harpsichords, Strings And Continuo In C, BWV 1061a
Composed By – Johann Sebastian Bach Harpsichord – Christopher Hogwood Harpsichord – Christophe Rousset |
|||
| The Art Of Fugue: Contrapunctus 13, BWV 1080/18
Composed By – Johann Sebastian Bach Harpsichord – Christopher Hogwood Harpsichord – Christophe Rousset |
|||
| Concerto For 2 Keyboards In F, F10
Composed By – Wilhelm Friedemann Bach Harpsichord – Christopher Hogwood Harpsichord – Christophe Rousset |
|||
| Four Duets, Wq 115
Composed By – Christopher Hogwood Harpsichord – Christophe Rousset Harpsichord – Carl Philipp Emanuel Bach |
|||
| Duet In G, Op. 15
Composed By – Johann Christian Bach Harpsichord – Christopher Hogwood Harpsichord – Christophe Rousset |
Участники записи:
- Conductor tracks 1-1 to 7-12, 10-1 to 11-12, 12-2 to 13-8, 15-1 to 15-18, 19-1 to 19-18 – Christopher Hogwood
- Engineer [Balance Engineer] tracks 1-1 to 2-9, 6-1 to 6-6, 7-4 to 7-6, 7-10 to 7-12,10-1 to 10-5, 11-1 to 11-12, 12-2 to 12-5, 18-2, 19-1 to 19-20 – John Dunkerley
- Engineer [Balance Engineer] tracks 12-1, 18-1 – Adam Skeaping
- Engineer [Balance Engineer] tracks 14-10 to 14-13 – Philip Siney
- Engineer [Balance Engineer] tracks 18-3 to 18-6 – Iain Churches
- Engineer [Balance Engineer] tracks 20-6 to 20-14 – Martin Atkinson
- Engineer [Balance Engineer] tracks 3-1 to 3-3, 6-7 to 6-12, 14-1 to 14-9, 14-14 to 14-23 – Neil Hutchinson
- Engineer [Balance Engineer] tracks 8-1 to 9-29, 10-6 to 10-12, 13-1 to 13-18 – John Pellowe
- Engineer [Balance or Recording Engineer] tracks 3-4 to 5-3, 6-7 to 6-12, 12-6 – Jonathan Stokes
- Engineer [Balance or Recording Engineer] tracks 5-4 to 5-12, 7-1 to 7-3, 7-7 to 7-9 – Colin Moorfoot
- Engineer [Recording Editor] tracks 14-10 to 14-13 – Michael Stewart (33)
- Engineer [Recording Editor] tracks 20-1 to 20-14 – Sally Drew
- Engineer [Recording Editor] tracks 3-1 to 3-9 – Simon Bertram
- Engineer [Recording Engineer] tracks 14-14 to 14-23 – Duncan Mitchell
- Engineer [Recording Engineer] tracks 4-1 to 4-9 – Andrew Groves
- Engineer [Recording or Balance Engineer] tracks 17-1 to 17-24, 20-1 to 20-5 – Simon Eadon
- Engineer [Tape Editor] tracks 10-1 to 11-12 – Sue Parkinson
- Engineer [Tape Editor] tracks 10-1 to 11-12 – Deborah Rogers
- Engineer [Tape Editor] tracks 5-1 to 5-12 – Caroline Loweth
- Engineer [Tape Editor] tracks 6-1 to 6-12 – Caroline Haigh
- Engineer [Tape Editor] tracks 6-7 to 6-12 – Jenni Whiteside
- Engineer [Tape Editor] tracks 7-1 to 7-3, 7-7 to 7-9 – Matthew Hutchinson (2)
- Engineer [Tape Editor] tracks 7-4 to 7-6, 7-10 to 7-12 – Tony Steinman
- Harpsichord tracks 1-1 to 2-9, 5-4 to 5-6, 5-10 to 5-12, 8-1 to 11-12, 12-1, 13-1 to 13-18 – Christopher Hogwood
- Orchestra tracks 1-1 to 7-12, 10-1 to 11-12, 12-2 to 12-5, 13-1 to 13-18, 15-1 to 15-18, 19-1 to 19-18 – The Academy Of Ancient Music
- Orchestra tracks 12-6 – The Saint Paul Chamber Orchestra
- Producer [Recording Producer] tracks 1-1 to 2-9, 5-1 to 6-6, 7-1 to 12-1, 12-5, 13-1 to 13-18, 17-1 to 17-24, 18-2 to 19-20 – Peter Wadland
- Producer [Recording Producer] tracks 12-6 – Paul Myers (2)
- Producer [Recording Producer] tracks 2-1 to 2-3 – Morten Winding
- Producer [Recording Producer] tracks 3-1 to 4-9, 6-7 to 6-12, 14-1 to 14-22, 20-1 to 20-14 – Chris Sayers
Лейблы и идентификаторы:
- Barcode Printed: 0 28948 21736 6
- Barcode Scanned: 028948217366
- Matrix / Runout CD1: A0103064886-0101 16 A00 0028948217373
- Mastering SID Code CD1, CD10, CD14, CD18: IFPI L556
- Mould SID Code CD1: IFPI 94KJ
- Other In matrix area: Sony DADC [Universal logo]
- Matrix / Runout CD2: A0103064887-0101 16 A00 0028948217380
- Mastering SID Code CD2, CD3, CD4, CD5, CD6, CD7, CD9, CD11, CD15, CD19: IFPI L557
- Mould SID Code CD2, CD3, CD11, CD13: IFPI 94K1
- Mould SID Code CD6, CD8, CD12, CD17, CD18: IFPI 94K3
- Matrix / Runout CD3: A0103064888-0101 17 A00 0028948217397
- Matrix / Runout CD4: A0103066188-0101 17 A00 0028948217403
- Mould SID Code CD4, CD9: IFPI 946P
- Matrix / Runout CD5: A0103064890-0101 17 A00 0028948217410
- Mould SID Code CD5, CD7, CD15, CD16, CD20: IFPI 942L
- Matrix / Runout CD6: A0103064891-0101 17 A00 0028948217410
- Matrix / Runout CD7: A0103064892-0101 17 A00 0028948217434
- Matrix / Runout CD8: A0103064893-0101 11 A00 0028948217441
- Mastering SID Code CD8, CD12, CD16, CD20: IFPI L551
- Matrix / Runout CD9: A0103064895-0101 13 A00 0028948217458
- Matrix / Runout CD10: A0103064897-0101 16 A00 0028948217465
- Mould SID Code CD10, CD14, CD19: IFPI 94K6
- Matrix / Runout CD11: A0103064898-0101 13 A00 0028948217472
- Matrix / Runout CD12: A0103064899-0101 11 A00 0028948217489
- Matrix / Runout CD13: A0103064902-0101 13 A00 0028948217496
- Mastering SID Code CD13, CD17: IFPI L553
- Matrix / Runout CD14: A0103064905-0101 16 A00 0028948217502
- Matrix / Runout CD15: A0103064907-0101 17 A00 0028948217519
- Matrix / Runout CD16: A0103064910-0101 11 A00 0028948217526
- Matrix / Runout CD17: A0103064911-0101 13 A00 0028948217533
- Matrix / Runout CD18: A0103064913-0101 16 A00 0028948217540
- Matrix / Runout CD19: A0103064915-0101 17 A00 0028948217960
- Matrix / Runout CD20: A0103064916-0101 11 A00 0028948217946
- SPARS Code : ADD
- SPARS Code : DDD
- Rights Society : SIAE
Компании:
- Copyright (c) – Universal Music Italia
- Glass Mastered At – Sony DADC
- Glass Mastered At – Sony DADC
- Glass Mastered At – Sony DADC
- Glass Mastered At – Sony DADC
- Glass Mastered At – Sony DADC
- Glass Mastered At – Sony DADC
- Glass Mastered At – Sony DADC
- Glass Mastered At – Sony DADC
- Glass Mastered At – Sony DADC
- Glass Mastered At – Sony DADC
- Glass Mastered At – Sony DADC
- Glass Mastered At – Sony DADC
- Glass Mastered At – Sony DADC
- Glass Mastered At – Sony DADC
- Glass Mastered At – Sony DADC
- Glass Mastered At – Sony DADC
- Glass Mastered At – Sony DADC
- Glass Mastered At – Sony DADC
- Glass Mastered At – Sony DADC
- Glass Mastered At – Sony DADC
- Phonographic Copyright (p) – Universal Music Italia
- Phonographic Copyright (p) – Decca Music Group Limited
- Recorded At – CNSMDP
- Recorded At – St. Barnabas Church, London
- Recorded At – Finchcocks, Goudhurst, Kent
- Recorded At – Ordway Music Theater
- Recorded At – Walthamstow Assembly Hall
- Recorded At – Abbey Road Studios
- Recorded At – Colt Collection, Bethersden, Kent
- Recorded At – Rosslyn Hill Chapel, Hampstead
- Recorded At – St. John's Church, Downshire Hill
- Recorded At – London Studios, West Hempstead, London
- Recorded At – Kingsway Hall
- Recorded At – Forde Abbey
Участники записи:
- Conductor tracks 1-1 to 7-12, 10-1 to 11-12, 12-2 to 13-8, 15-1 to 15-18, 19-1 to 19-18 – Christopher Hogwood
- Engineer [Balance Engineer] tracks 1-1 to 2-9, 6-1 to 6-6, 7-4 to 7-6, 7-10 to 7-12,10-1 to 10-5, 11-1 to 11-12, 12-2 to 12-5, 18-2, 19-1 to 19-20 – John Dunkerley
- Engineer [Balance Engineer] tracks 12-1, 18-1 – Adam Skeaping
- Engineer [Balance Engineer] tracks 14-10 to 14-13 – Philip Siney
- Engineer [Balance Engineer] tracks 18-3 to 18-6 – Iain Churches
- Engineer [Balance Engineer] tracks 20-6 to 20-14 – Martin Atkinson
- Engineer [Balance Engineer] tracks 3-1 to 3-3, 6-7 to 6-12, 14-1 to 14-9, 14-14 to 14-23 – Neil Hutchinson
- Engineer [Balance Engineer] tracks 8-1 to 9-29, 10-6 to 10-12, 13-1 to 13-18 – John Pellowe
- Engineer [Balance or Recording Engineer] tracks 3-4 to 5-3, 6-7 to 6-12, 12-6 – Jonathan Stokes
- Engineer [Balance or Recording Engineer] tracks 5-4 to 5-12, 7-1 to 7-3, 7-7 to 7-9 – Colin Moorfoot
- Engineer [Recording Editor] tracks 14-10 to 14-13 – Michael Stewart (33)
- Engineer [Recording Editor] tracks 20-1 to 20-14 – Sally Drew
- Engineer [Recording Editor] tracks 3-1 to 3-9 – Simon Bertram
- Engineer [Recording Engineer] tracks 14-14 to 14-23 – Duncan Mitchell
- Engineer [Recording Engineer] tracks 4-1 to 4-9 – Andrew Groves
- Engineer [Recording or Balance Engineer] tracks 17-1 to 17-24, 20-1 to 20-5 – Simon Eadon
- Engineer [Tape Editor] tracks 10-1 to 11-12 – Sue Parkinson
- Engineer [Tape Editor] tracks 10-1 to 11-12 – Deborah Rogers
- Engineer [Tape Editor] tracks 5-1 to 5-12 – Caroline Loweth
- Engineer [Tape Editor] tracks 6-1 to 6-12 – Caroline Haigh
- Engineer [Tape Editor] tracks 6-7 to 6-12 – Jenni Whiteside
- Engineer [Tape Editor] tracks 7-1 to 7-3, 7-7 to 7-9 – Matthew Hutchinson (2)
- Engineer [Tape Editor] tracks 7-4 to 7-6, 7-10 to 7-12 – Tony Steinman
- Harpsichord tracks 1-1 to 2-9, 5-4 to 5-6, 5-10 to 5-12, 8-1 to 11-12, 12-1, 13-1 to 13-18 – Christopher Hogwood
- Orchestra tracks 1-1 to 7-12, 10-1 to 11-12, 12-2 to 12-5, 13-1 to 13-18, 15-1 to 15-18, 19-1 to 19-18 – The Academy Of Ancient Music
- Orchestra tracks 12-6 – The Saint Paul Chamber Orchestra
- Producer [Recording Producer] tracks 1-1 to 2-9, 5-1 to 6-6, 7-1 to 12-1, 12-5, 13-1 to 13-18, 17-1 to 17-24, 18-2 to 19-20 – Peter Wadland
- Producer [Recording Producer] tracks 12-6 – Paul Myers (2)
- Producer [Recording Producer] tracks 2-1 to 2-3 – Morten Winding
- Producer [Recording Producer] tracks 3-1 to 4-9, 6-7 to 6-12, 14-1 to 14-22, 20-1 to 20-14 – Chris Sayers
