Musica Antiqua Köln Reinhard Goebel Johann Joachim Quantz Johann Friedrich Fasch Johann David Heinichen Francesco Maria Veracini Johann Georg Pisendel Charles Dieupart – Concerti "Per L'Orchestra Di Dresda"
| Жанр: | Classical |
| Стиль: | Baroque |
| Страна: | Europe |
| Год: | 1995 г. |
Подробнее об участниках записи
Треклист:
| Johann David Heinichen |
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| Sonata F-dur (Seibel Deest) |
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| 1 | 1. Allegro - Adagio - Allegro (Seibel 204) |
2:47 | |
| 2 | 2. Sarabande |
2:38 | |
| 3 | 3. Réjouissance |
1:21 | |
| 4 | 4. La Chasse |
1:54 | |
| 5 | 5. Aimable |
2:27 | |
| 6 | 6. Alegro |
1:15 | |
| 7 | 7. Tempo Di Menuetto |
1:38 | |
| Charles Dieupart |
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| Concerto A-moll |
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| 8 | 1. Vivace |
1:28 | |
| 9 | 2.Grave E Staccato |
1:25 | |
| 10 | 3. Allegro |
1:41 | |
| Johann Friedrich Fasch |
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| Concerto C-moll |
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| 11 | 1.Allegro Moderato |
5:16 | |
| 12 | 2. Andante |
4:30 | |
| 13 | 3. Un Pocco Allegro |
3:56 | |
| Johann Georg Pisendel |
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| Sonata C-moll |
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| 14 | 1. Largo |
2:28 | |
| 15 | 2. Allegro |
2:15 | |
| Johann David Heinichen |
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| 16 | Pastorale E-dur |
6:14 | |
| Johann Joachim Quantz |
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| Concerto G-dur |
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| 17 | 1. Allegro Ma Non Tanto |
5:07 | |
| 18 | 2. Andante |
3:49 | |
| 19 | 3. Allegro Assai |
3:31 | |
| Francesco Maria Veracini |
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| Ouverture No. 5 B-dur |
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| 20 | 1. Largo |
1:30 | |
| 21 | 2. Allegro |
4:52 | |
| 22 | 3. Menuett |
2:34 | |
| 23 | 4. Gigue |
3:40 | |
| 24 | 5. [Finale] |
1:19 |
Компании:
- Phonographic Copyright (p) – Deutsche Grammophon GmbH
- Recorded At – Melanchthon Kirche
Участники записи:
- Art Direction – Lutz Bode
- Bassoon – Adrian Rovatkay
- Bassoon – Henriette Bakker
- Cello – Mark Mefsut
- Cello – Detmar Leertouwer
- Cello – Markus Möllenbeck
- Composed By – Johann David Heinichen
- Composed By – Johann Friedrich Fasch
- Composed By – Johann Georg Pisendel
- Composed By – Francesco Maria Veracini
- Composed By – Johann Joachim Quantz
- Composed By – Charles Dieupart
- Directed By – Reinhard Goebel
- Edited By – Mark Buecker
- Engineer [Balance] – Andrew Wedman
- Engineer [Balance] – Hans-Peter Schweigmann
- Engineer [Recording] – Hans-Rudolf Müller
- Engineer [Recording] – Reinhard Lagemann
- Engineer [Recording] – Klaus Behrens
- Executive-Producer – Peter Czornyj
- Executive-Producer – Charlotte Kriesch
- Harpsichord – Christian Rieger
- Harpsichord – Andreas Spering
- Horn – Charles Putnam
- Horn – Renée Allen
- Liner Notes – Reinhard Goebel
- Liner Notes [English Translation] – Stewart Spencer
- Liner Notes [French Translation] – Hélène Chen-Ménissier
- Liner Notes [Italian Translation] – Gabriele Cervone
- Lute – Michael Dücker
- Oboe – Markus Deuter
- Oboe – Susanne Regel
- Oboe – Monika Nielen
- Oboe – Michael Niesemann
- Oboe – Wolfgang Dey
- Organ – Andreas Spering
- Painting – Bernardo Bellotto
- Recorded By – Hans-Rudolf Müller
- Recorded By – Reinhard Lagemann
- Recorded By – Klaus Behrens
- Recording Supervisor – Karl-August Naegler
- Recording Supervisor – Arend Prohmann
- Recording Supervisor – Wolfgang Mitlehner
- Viola – Wolfgang Von Kessinger
- Viola – Victoria Gunn
- Viola – Marie-Luise Geldsetzer
- Viola – Fred Günther
- Viola – Almut Geldsetzer
- Violin – Christoph Mayer
- Violin – Daniel Deuter
- Violin – Wolfgang Von Kessinger
- Violin – Ulrike Fischer
- Violin – Katharina Wolff
- Violin – Sherman Plessner
- Violin – Sebastian Griewisch
- Violin – Anton Steck
- Violin – Florian Geldsetzer
- Violin – Michael Hamann
- Violin – Ulrike Kunze
- Violin, Concertmaster – Florian Deuter
- Violone – Jonathan Cable
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