CLRH2O

» CLRH2O Straylight Music Group / Force Recordings / Stepping Forward / Tuff Love Dubs An original American Drum & Bass icon, owner of the US's longest continuously operating DnB record label Force Recordings and the SLMG stable including Liquid DnB sub-label Stepping Forward with Jaybee, as well as one half of a DJ/Production/Performance duo with SenseNet as 'Escape Velocity'. This man's resume of songs, event productions and general culture creation within Drum & Bass goes back longer than some of his fans have been alive, and it's this intimate knowledge of all facets of Hardcore Breakbeat/Jungle/DnB culture which show through in the man's impeccable sound selection, access to unreleased dubs and flow of his trademark multi-hour sets. ----------------- (The 1990's era): CLRH2O aka A1-Voodoo, Separate Entity, Pattern Recognition & V1rTeKx... beyond all he‘s involved in musically with Hallucination Records, FORCE Recordings and Stateside Collective - there are other sides of CLRH2O that few are aware of. CLRH2O is the driving force behind the visual image of Hallucination Recordings since 1995. GFX creator, EyeGasm pusher, he's always making sure the image of Hallucination Records, Stateside Collective, Force Recordings and all others graced with his designs are presented in top form. Not content to simply shine in the arena of Design and GFX, he became an acclaimed intelligent lighting director with "HighEnd Systems" intelligent luminaires. He's the former RITM live show LD and right-hand man to 8-Track Productions' ''Tommy Crews' working on many well-known events such as the ZEN and Usuaya Festivals, countless one-offs and a string of successful ongoing weekly club nights. CLRH2O is a *bright light* in clubland darkness. All things visual aside; CLRH2O's true love and purpose is music. To be more specific, Jungle / Drum & Bass - but that's not to say that he's one-sided. If the moment strikes just right, any style goes, just so long as it centers on the broken....beat. CLRH2O's first music production, "The Prowl" (1997) showed where his head was at the start and where his music would move toward for many years. As his thread of new ideas rolls on, a symphony of speeded breaks unfold.